Trivia: The son of an Oklahoma dentist, Van Heflin moved to California after his parents separated. Drawn to a life on the sea, Heflin shipped out on a tramp steamer upon graduating from high school, returning after a year to attend the University of Oklahoma in pursuit of a law degree. Two years into his studies, Heflin was back on the ocean. Having entertained thoughts of a theatrical career since childhood, Heflin made his Broadway bow in Channing Pollock's Mister Moneypenny; when the play folded after 61 performances, Heflin once more retreated to the sea, sailing up and down the Pacific for nearly three years. He revitalized his acting career in 1931, appearing in one short-lived production after another until landing a long-running assignment in S. N. Behrmann's 1936 Broadway offering End of Summer. This led to his film bow in Katharine Hepburn's A Woman Rebels (1936), as well as a brief contract with RKO Radio. Katharine Hepburn requested Heflin's services once more for her Broadway play The Philadelphia Story, and while the 1940 MGM film version of that play cast James Stewart in Heflin's role, the studio thought enough of Heflin to sign him to a contract. One of his MGM roles, that of the alcoholic, Shakespeare-spouting best friend of Robert Taylor in Johnny Eager (1942), won Heflin a "Best Supporting Actor" Oscar. After serving in various Army film units in World War II, Heflin resumed his film career, and also for a short while was heard on radio as Raymond Chandler's philosophical private eye Philip Marlowe. He worked in both Hollywood and Europe throughout the 1950s. In 1963, he was engaged to narrate the prestigious TV anthology The Great Adventure. He was forced to pull out of this assignment when cast as the Louis Nizer character in the Broadway play A Case of Libel. Heflin's final film appearance was in the made-for-TV speculative drama The Last Child; he died of a heart attack at the age of 61. Van Heflin was married twice, first to silent film star Esther Ralston, then to RKO contract player Frances Neal (who should not be confused with Heflin's actress sister Frances Heflin).

Trivia: It was his failure as a playwright that led Robert Ryan to a three-decade career as an actor. He was a unique presence on both the stage and screen, and in the Hollywood community, where he was that rarity: a two-fisted liberal. In many ways, at the end of the 1940s, Ryan was the liberals' answer to John Wayne, and he even managed to work alongside the right-wing icon in Flying Leathernecks (1951). The son of a successful building contractor, Ryan was born in Chicago in 1909 and attended Dartmouth College, where one of his fraternity brothers was Nelson Rockefeller. He was a top athlete at the school and held its heavyweight boxing title for four straight years. Ryan graduated in 1932, during the depths of the Great Depression, and intended to write plays. Finding no opportunities available in this field, he became a day laborer; he stoked coal on a ship bound for Africa, worked as a sandhog, and herded horses in Montana, among other jobs. Ryan finally had his chance to write as a member of a theater company in Chicago, but proved unsuccessful and turned to acting. He arrived in Hollywood at the end of the '30s and studied at the Max Reinhardt Workshop, making his professional stage debut in 1940. He appeared in small roles for Paramount Pictures, but Ryan's real film career didn't begin until several years later. He returned east to appear in stock, and landed a part in Clifford Odets' Clash by Night, in which he worked opposite Tallulah Bankhead and got excellent reviews. Ryan came to regard that production and his work with Bankhead as the pivotal point in his career. The reviews of the play brought him to the attention of studio casting offices, and he was signed by RKO. The actor made his debut at the studio in the wartime action thriller Bombardier. It was a good beginning, although his early films were fairly lackluster and his career was interrupted by World War II -- he joined the Marines in 1944 and spent the next three years in uniform. Ryan's screen career took off when he returned to civilian life in 1947. He starred in two of the studio's best releases that year: Jean Renoir's The Woman on the Beach and Edward Dmytryk's Crossfire, the latter an extraordinary film for its time dealing with troubled veterans and virulent anti-Semitism, with Ryan giving an Oscar-nominated performance as an unrepentant murderer of an innocent Jewish man. He continued to do good work in difficult movies, including the Joseph Losey symbolic drama The Boy With Green Hair (1948) and with Robert Wise's The Set-Up (1949). The latter film (which Ryan regarded as his favorite of all of his movies) was practically dumped onto the market by RKO, though the studio soon found itself with an unexpected success when the film received good reviews, it was entered in the Cannes Film Festival, and it won the Best Picture award in the British Academy Award competition. Ryan also distinguished himself that year in Dmytryk's Act of Violence and Max Ophüls' Caught, Nicholas Ray's On Dangerous Ground in 1951, and then repeated his stage success a decade out in Fritz Lang's Clash by Night (1952). Along with Robert Mitchum, Ryan practically kept the studio afloat during those years, providing solid leading performances in dozens of movies. In the late '50s, he moved into work at other studios and proved to be one of the most versatile leading actors in Hollywood, playing heroes and villains with equal conviction and success in such diverse productions as John Sturges' Bad Day at Black Rock (1955), Anthony Mann's God's Little Acre (1958), Wise's Odds Against Tomorrow (1959), and Peter Ustinov's Billy Budd (1962). Even in films that were less-than-good overall, he was often their saving grace, nowhere more so than in Ray's King of Kings (1961), in which he portrayed John the Baptist. Even during the late '40s, Ryan was never bashful about his belief in liberal causes, and was a highly vocal supporter of the so-called "Hollywood Ten" at a time when most other movie professionals -- fearful for their livelihoods -- had abandoned them. He was also a founder of SANE, an anti-nuclear proliferation group, and served on the board of the American Civil Liberties Union. During the early '50s, he'd fully expected to be named in investigations and called by the House Select Committee on Un-American Activities or Senator Joseph R. McCarthy, but somehow Ryan was never cited, despite his public positions. In later years, he attributed it to his Irish last name, his Catholic faith, and the fact that he'd been a marine. Considering his career's focus on movies from the outset, Ryan also fared amazingly well as a stage actor. In addition to Clash by Night, he distinguished himself in theatrical productions of Shakespeare's Coriolanus in 1954 at Broadway's Phoenix Theater and a 1960 production of Antony and Cleopatra opposite Katharine Hepburn at the American Shakespeare Festival. (Hepburn later proposed him for the lead in the Irving Berlin musical Mr. President in 1962.) Ryan's other theatrical credits included his portrayal of the title role in the Nottingham (England) Repertory Theater's production of Othello, Walter Burns in a 1969 revival of The Front Page, and James Tyrone in a 1971 revival of Long Day's Journey Into Night. Not all of Ryan's later films were that good. His parts as the American field commander in Battle of the Bulge and Lee Marvin's army antagonist in The Dirty Dozen were written very unevenly, though he was good in them. He was also a strange choice (though very funny) for black comedy in William Castle's The Busy Body, and he wasn't onscreen long enough (though he was excellent in his scenes) in Robert Siodmak's Custer of the West. But for every poor fit like these, there were such movies as John Sturges' Hour of the Gun and Sam Peckinpah's The Wild Bunch, in which he excelled. His success in Long Day's Journey Into Night was as prelude to his last critical success, as Larry in John Frankenheimer's The Iceman Cometh (1973). Ironically, at the time he was playing a terminally ill character in front of the camera, Ryan knew that he was dying from lung cancer. During this time he also filmed a hard-hitting anti-smoking public service announcement that directly attributed his condition to his long-time heavy use of cigarettes.

Trivia: The daughter of a Supreme Court judge, Phyllis Thaxter followed the example of her mother, a former actress. Thaxter made her first stage appearance, at the Ogunquit (Maine) Playhouse. In her teens, she received on-the-job training with the Montreal Repertory. On Broadway from 1938, she appeared in such popular plays as What a Life!, There Shall Be No Night, and Claudia. Signed to an MGM contract in 1944, Phyllis was often wasted in traditional faithful-wife roles, but on occasion was permitted a wider acting range in such parts as the schizophrenic heroine of Arch Oboler's Bewitched (1944). While at MGM, Phyllis married James Aubrey, who later ascended to the presidency of CBS-TV (and still later, took over MGM); the union lasted until 1962, producing a daughter, actress Skye Aubrey. Sidelined by an attack of infantile paralysis in 1952, Thaxter made a slow, steady stage, screen and TV comeback in character parts, frequently accepting roles that would challenge her physical limitations. In 1978, after a long absence from the screen, Phyllis Thaxter was cast as Martha Kent, mother of Clark Kent, in Superman: The Movie. She made her last on-camera appearance in a 1992 episode of Murder, She Wrote.

Trivia: The only child of a very young married couple, American actress Janet Leigh spent her childhood moving from town to town due to her father's changing jobs. A bright child who skipped several grades in school, Leigh took music and dancing lessons, making her public debut at age 10 as a baton twirler for a marching band. Her favorite times were the afternoons spent at the local movie house, which she referred to as her "babysitter." In 1946, Leigh's mother was working at a ski lodge where actress Norma Shearer was vacationing; impressed by a photograph of Leigh, Shearer arranged for the girl (whose prior acting experience consisted of a college play) to be signed with the MCA talent agency. One year later Leigh was at MGM, playing the ingenue in the 1947 film Romance of Rosy Ridge. The actress became one of the busiest contractees at the studio, building her following with solid performances in such films as Little Women (1949), The Doctor and the Girl (1950), and Scaramouche (1952) -- and catching the eye of RKO Radio's owner Howard Hughes, who hoped that her several RKO appearances (on loan from MGM) would lead to something substantial in private life. Instead, Leigh married Tony Curtis (her second husband), and the pair became the darlings of fan magazines and columnists, as well as occasional co-stars (Houdini [1953], The Vikings [1958], Who Was That Lady? [1960]). Even as this "perfect" Hollywood marriage deteriorated, Leigh's career prospered. Among her significant roles in the '60s were that of Frank Sinatra's enigmatic lady friend in The Manchurian Candidate (1962), Paul Newman's ex-wife in Harper (1966), and, of course, the unfortunate embezzler in Alfred Hitchcock's Psycho (1960), who met her demise in the nude (actually covered by a moleskin) and covered with blood (actually chocolate sauce, which photographed better) in the legendary "shower scene." In the '80s, Leigh curtailed her film and TV appearances, though her extended legacy as both the star/victim of Psycho and the mother of actress Jamie Lee Curtis still found her a notable place in the world of cinema even if her career was no longer "officially" active.

Trivia: Pressured into an acting career by her ambitious parents, Mary Astor was a silent film star before she was 17 -- a tribute more to her dazzling good looks than anything else. Debuting in The Beggar Maid (1921), Astor appeared opposite John Barrymore in 1923's Beau Brummell with whom she had a romantic relationship and later starred with in Don Juan (1926), Anxious not to be a victim of the talking-picture revolution, the actress perfected her vocal technique in several stage productions for Edward Everett Horton's Los Angeles-based Majestic Theatre, and the result was a most successful talkie career. Things nearly fell to pieces in 1936 when, in the midst of a divorce suit, Astor's ex-husband tried to gain custody of the couple's daughter by making public a diary she had kept. In this volume, Astor detailed her affair with playwright George S. Kaufman; portions of the diary made it to the newspapers, causing despair for Astor and no end of embarrassment for Kaufman. But Astor's then-current employer, producer Sam Goldwyn, stood by his star and permitted her to complete her role in his production of Dodsworth (1936). Goldwyn was touched by Astor's fight for the custody of her child, and was willing to overlook her past mistakes. Some of Astor's best films were made after the scandal subsided, including The Maltese Falcon (1941), in which she played the gloriously untrustworthy Brigid O'Shaughnessy opposite Humphrey Bogart's Sam Spade, and The Great Lie (1941), in which she played a supremely truculent concert pianist (and won an Academy Award in the bargain). Seemingly getting better as she got older, Astor spent the final phase of her career playing spiteful or snobbish mothers, with one atypical role as murderer Robert Wagner's slow-on-the-uptake mom in A Kiss Before Dying (1956). A lifelong aspiring writer, Astor wrote two entertaining and insightful books on her career, My Story and A Life on Film. Retiring after the film Hush Hush Sweet Charlotte (1966), Astor fell victim to health complications and financial tangles, compelling her to spend her last years in a small but comfortable bungalow on the grounds of the Motion Picture Country House and Hospital.

Trivia: Berry Kroeger (pronounced "Kroger", not "Kreeger") got his start in network radio, where his velvety voice was heard announcing several major dramatic anthologies; he also played a variety of leading radio roles, including the heroic soldier-of-fortune The Falcon. While appearing on Broadway in Saint Joan, Kroeger was discovered by filmmaker William Wellman, who cast the actor in The Iron Curtain. This 1948 Cold-War film represented the first of many unsympathetic movie assignments for Kroeger, ranging from the smarmy Packett in director Joseph L. Lewis' Gun Crazy (1949) to the mad-scientist mentor of Bruce Dern in The Incredible Two Headed Transplant (1971). Kroeger's marked resemblance to Sydney Greenstreet served him well when he essayed a Greenstreet take-off in "Maxwell Smart, Private Eye," an Emmy-winning episode of TV's Get Smart. Most of Barry Kroeger's film characters can be summed up in a single word: slime.

Trivia: Actor Taylor Holmes first made a theatrical name for himself on the Keith Vaudeville Circuit. In the course of his subsequent five-decade Broadway career, Holmes starred in over 100 plays, usually in light comedy roles. Making his film debut in 1917, he played the title role in the 1918 adaptation of Ruggles of Red Gap, then made scattered screen appearances before settling down in Hollywood permanently in 1947. Most often employed by 20th Century-Fox, he showed up in such flashy roles as gullible millionaire Ezra Grindle in the Tyrone Power melodrama Nightmare Alley (1947). He also played more than his share of shyster lawyers (most memorable in 1947's Kiss of Death) and absent-minded professors. Holmes was the father of actors Phillips and Ralph Holmes. Outliving his wife and both his sons, Taylor Holmes died at the age of 85; his last assignment was the voice of King Steffan in Disney's animated feature Sleeping Beauty (1959).

Trivia: American character actor Harry Antrim is noted for his versatility. He primarily appeared in films of the '40s and '50s following extensive theatrical and opera experience.

Trivia: The daughter of actress Martha Daniels, Connie Gilchrist was herself on stage from the age of 16, touring both Europe and the U.S. Her theatrical credits include such long-runners as Mulatto and Ladies and Gentlemen, the latter featuring a contemporary of Gilchrist's named Helen Hayes. While acting in the pre-Broadway tour of Ladies and Gentlemen in 1939, Gilchrist was signed to a ten-year contract at MGM, where amidst the studio's patented gloss and glitter, the actress' brash, down-to-earth characterizations brought a welcome touch of urban reality. Usually cast as Irish maids, tenement housewives and worldly madams (though seldom designated as such), Gilchrist was given a rare chance to show off her musical talents in Presenting Lily Mars, where she sang a duet with Judy Garland. After her MGM tenure, Gilchrist free-lanced in such films as Houdini (1953), Auntie Mame (1958) (as governess Nora Muldoon) and The Monkey's Uncle (1965). Devoted TV fans will recall Connie Gilchrist as the bawdy pubkeeper Purity on the 1950s Australian-filmed adventure series Long John Silver.

Trivia: San Franciscan Will Wright was a newspaper reporter before he hit the vaudeville, legitimate stage, and radio circuit. With his crabapple face and sour-lemon voice, Wright was almost instantly typecast as a grouch, busybody, or small-town Scrooge. Most of his film roles were minor, but Wright rose to the occasion whenever given such meaty parts as the taciturn apartment house manager in The Blue Dahlia (1946). In one of his best assignments, Wright remained unseen: He was the voice of the remonstrative Owl in the Disney cartoon feature Bambi (1942). Will Wright didn't really need the money from his long movie and TV career: His main source of income was his successful Los Angeles ice cream emporium, which was as popular with the movie people as with civilians, and which frequently provided temporary employment for many a young aspiring actor.

Trivia: Coming to films late in life, towering supporting player Nicholas Joy had studied at London's Royal Academy prior to making his stage debut in 1910. French-born of British parentage, Joy quickly became a popular character actor on both sides of the Atlantic, having made an auspicious Broadway debut in Henry V in 1912. Onscreen from 1947, Joy usually played pompous characters and is perhaps best remembered as the archbishop in Joan of Arc (1948) and as the renowned defense lawyer-turned-murder victim in Abbott and Costello Meet the Killer (1949). Joy, who also played Lynn Bari's father in the short-lived 1952 television situation comedy Boss Lady, retired in the late '50s.

Trivia: Alternately billed as Phil Tead and Philips Tead, this slight, jug-eared character actor could easily have been taken for a young Walter Brennan (indeed, he has been in some film histories). After playing newspaperman Wilson in the 1931 version of The Front Page, he was thereafter typecast as a nosy reporter. He also portrayed several fast-talking radio commentators, most memorably in the Marx Brothers' Horse Feathers (1932) and Harold Lloyd's The Milky Way (1936). Adopting a doddering comic quaintness in the 1950s, Phil Tead was occasionally seen as the absent-minded Professor Pepperwinkle on TV's Superman series.

Trivia: A bit player from the 1930s and '40s who appeared uncredited in the majority of the films he was in, actor/dancer John R. Albright was a member of the Screen Actors Guild from 1935 and a former member of the Screen Extras Guild. With credited appearances including roles in King of Gamblers and I, Jane Doe (both 1948), Albright continued acting until the early '50s. On October 24, 2001, Albright died of complications due to pneumonia in Los Angeles, CA. He was 88.

Trivia: The son of an actress, Garry Owen first appeared on-stage with his mother in vaudeville. Owen went on to perform in such Broadway productions as Square Crooks and Miss Manhattan. In films from 1933, Owen was occasionally seen in such sizeable roles as private-eye Paul Drake in the 1936 Perry Mason movie Case of the Black Cat. For the most part, however, he played character bits, most memorably in the films of Frank Capra; in Capra's Arsenic and Old Lace (1944), for example, he plays the monumentally impatient taxi driver who closes the picture with the exclamation, "I'm not a cab driver, I'm a coffee pot!" In addition to his feature-film work, Garry Owen showed up in scores of short subjects for Hal Roach and MGM.

Trivia: Short, portly, and possessed of a high-pitched laugh that cuts through the air like a buzzsaw, Massachussetts-born Dick Elliott had been on stage for nearly thirty before making his screen bow in 1933. Elliott was a frequent visitor to Broadway, enjoying a substantial run in the marathon hit Abie's Irish Rose. Physically and vocally unchanged from his first screen appearance in the '30s to his last in 1961, Elliott was most generally cast in peripheral roles designed to annoy the film's principal characters with his laughing jags or his obtrusive behavior; in this capacity, he appeared as drunken conventioneers, loud-mouthed theatre audience members, and "helpful" pedestrians. Elliott also excelled playing small-scale authority figures, such as stage managers, truant officers and rural judges. Still acting into his mid 70s, Dick Elliott appeared regularly as the mayor of Mayberry on the first season of The Andy Griffith Show, and was frequently cast as a department-store Santa in the Yuletide programs of such comics as Jack Benny and Red Skelton.

Trivia: Moon-faced American character actor Ralph Peters was active in films from 1937 to 1956. At first, Peters showed up in Westerns, usually cast as a bartender. He then moved on to contemporary films, usually cast as a bartender. During the 1940s, Ralph Peters could be seen in scores of Runyon-esque gangster roles like Asthma Anderson in Ball of Fire (1941) and Baby Face Peterson in My Kingdom for a Cook (1943).

Trivia: Born Walter Willis -- an Army brat to parents stationed in Idar-Oberstein, West Germany -- on March 19, 1955, Bruce Willis grew up in New Jersey from the age of two. As a youngster, he developed a stutter that posed the threat of social alienation, but he discovered an odd quirk: while performing in front of large numbers of people, the handicap inexplicably vanished. This led Willis into a certified niche as a comedian and budding actor. After high-school graduation, 18-year-old Willis decided to land a blue-collar job in the vein of his father, and accepted a position at the DuPont Chambers Works factory in Deep Water, NJ, but withdrew, shaken, after a co-worker was killed on the job. He performed regularly on the harmonica in a blues ensemble called the Loose Goose and worked temporarily as a security guard before enrolling in the drama program at Montclair State University in New Jersey. A collegiate role in Cat on a Hot Tin Roof brought Willis back in touch with his love of acting, and he instantly decided to devote his life to the profession.Willis made his first professional appearances on film with minor roles in projects like The First Deadly Sin, starring Frank Sinatra, and Sidney Lumet's The Verdict. But his big break came when he attended a casting call (along with 3000 other hopefuls) for the leading role on Moonlighting, an ABC detective comedy series. Sensing Willis' innate appeal, producers cast him opposite the luminous Cybill Shepherd. The series, which debuted in 1985, followed the story of two private investigators working for a struggling detective agency, with Willis playing the fast-talking ne'er-do-well David Addison, and Shepherd playing the prim former fashion model Maddie Hayes. The show's heavy use of clever dialogue, romantic tension, and screwball comedy proved a massive hit with audiences, and Willis became a major star. The show ultimately lasted four years and wrapped on May 14, 1989. During the first year or two of the series, Willis and Shepherd enjoyed a brief offscreen romantic involvement as well, but Willis soon met and fell in love with actress Demi Moore, who became his wife in 1987.In the interim, Willis segued into features, playing geeky Walter Davis in the madcap 1987 comedy Blind Date. That same year, Motown Records -- perhaps made aware of Willis' experiences as a musician -- invited the star to record an LP of blue-eyed soul tracks. The Return of Bruno emerged and became a moderate hit among baby boomers, although as the years passed it became better remembered as an excuse for Willis to wear sunglasses indoors and sing into pool cues.Then in 1988, Willis broke major barriers when he convinced studios to cast him in the leading role of John McClane in John McTiernan's explosive action movie Die Hard. Though up until this point, action stars had been massive tough guys like Arnold Schwarzenegger and Sylvester Stallone, execs took a chance on Willis' every-guy approach to the genre - and the gamble paid off. Playing a working-class cop who confronts an entire skyscraper full of terrorists when his estranged wife is taken hostage on Christmas Eve, Willis' used his wiseacre television persona to constantly undercut the film's somber underpinnings, without ever once damaging the suspenseful core of the material. This, coupled with a smart script and wall-to-wall sequences of spectacular action, propelled Die Hard to number one at the box office during the summer of 1988, and made Willis a full-fledged movie star.Willis subsequent projects would include two successful Die Hard sequels, as well as other roles the 1989 Norman Jewison drama In Country, and the 1989 hit comedy Look Who's Talking, in which Willis voiced baby Mikey. Though he'd engage in a few stinkers, like the unsuccessful Hudson Hawk and North, he would also continue to strike told with hugely popular movies like The Last Boyscout , Pulp Fiction, and Armageddon.Willis landed one of his biggest hits, however, when he signed on to work with writer/director M. Night Shyamalan in the supernatural thriller The Sixth Sense. In that film, Willis played Dr. Malcolm Crowe, a child psychologist assigned to treat a young boy (Haley Joel Osment) plagued by visions of ghosts. The picture packs a wallop in its final minutes, with a now-infamous surprise that even purportedly caught Hollywood insiders off guard when it hit U.S. cinemas in the summer of 1999. Around the same time, tabloids began to swarm with gossip of a breakup between Willis and Demi Moore, who indeed filed for divorce and finalized it in the fall of 2000.Willis and M. Night Shyamalan teamed up again in 2000 for Unbreakable, another dark fantasy about a man who suddenly discovers that he has been imbued with superhero powers and meets his polar opposite, a psychotic, fragile-bodied black man (Samuel L. Jackson). The movie divided critics but drew hefty grosses when it premiered on November 22, 2000. That same year, Willis delighted audiences with a neat comic turn as hitman Jimmy the Tulip in The Whole Nine Yards, which light heartedly parodied his own tough-guy image. Willis followed it up four years later with a sequel, The Whole Ten Yards.In 2005, Willis was ideally cast as beaten-down cop Hartigan in Robert Rodriguez's graphic-novel adaptation Sin City. The movie was a massive success, and Willis was happy to reteam with Rodriguez again the next year for a role in the zombie action flick Planet Terror, Rodriguez's contribution to the double feature Grindhouse. Additionally, Willis would keep busy over the next few years with roles in films like Richard Donner's 16 Blocks, Richard Linklater's Fast Food Nation, and Nick Cassavetes' crime drama Alpha Dog. The next year, Willis reprised his role as everyman superhero John McClane for a fourth installment of the Die Hard series, Live Free or Die Hard, directed by Len Wiseman. Though hardcore fans of the franchise were not overly impressed, the film did expectedly well at the box office.In the latter part of the decade, Willis would keep up his action star status, starring in the sci-fi thriller Surrogates in 2009, but also enjoyed poking fun at his own persona, with tongue-in-cheek roles in action fare like The Expendables, Cop Out, and Red. He appeared as part of the ensemble in Wes Anderson's quirky Moonrise Kingdom and in the time-travel action thriller Looper in 2012, before appearing in a string of sequels -- The Expendables 2 (2012), A Good Day to Die Hard, G.I. Joe: Retaliation and Red 2 (all 2013) and Sin City: A Dame to Die For (2014).

Trivia: After making his film debut alongside a cast of future stars, Cole Hauser made his own mark as a TV and indie film actor in the 1990s. Raised in Santa Barbara, Hauser got hooked on acting in junior high. Shortly after he moved to Los Angeles at age 15 to pursue his chosen career, Hauser was cast in the prep school anti-Semitism drama School Ties (1992) along with up-and-comers Brendan Fraser, Chris O'Donnell, Matt Damon, and Ben Affleck. After this auspicious beginning, Hauser became part of an equally noteworthy ensemble of young stars-to-be in Richard Linklater's Dazed and Confused (1993), appeared in the NBC TV movie A Matter of Justice (1993), played a skinhead in John Singleton's college drama Higher Learning (1995), and starred as an abusive boyfriend in All Over Me (1997). Hauser was cast in the lead role in the ABC series High Incident in 1996, but the show lasted only two seasons. Following a supporting role as one of Damon and Affleck's Boston cronies in their breakthrough hit Good Will Hunting (1997), Hauser played a small part in Stephen Frears' little seen modern Western The Hi-Lo Country (1998) and scored a hit as one of the marooned travelers battling mutant aliens in the sci-fi sleeper Pitch Black (2000). After reuniting with his Tigerland (2000) co-star Colin Farrell in the box office failure Hart's War (2002), Hauser gained more notice for his supporting role later that year in the women's melodrama White Oleander (2002). Though he only appeared in a few scenes, Hauser's kindly and sexy young foster dad Ray easily caught the eye of the audience as well as troubled foster teen Alison Lohman. Returning to more testosterone-friendly work, Hauser subsequently co-starred with Hart's War officer Bruce Willis in Antoine Fuqua's action thriller Man of War (2003), and got behind the nitro-charged wheel for the sequel The Fast and the Furious 2 (2003). He continued to work in little-seen fare like Paparazzi and The Cave, but did score a part as one of Vince Vaughn's brothers in the aptly titled comedy The Break-Up. Over the next several years, Hauser would remain active on screen, appearing in films like The Cave, The Break-Up, and The FAmily That Prays, as well as on TV series like K-Ville and Chase. Hauser's father is actor Wings Hauser.

Trivia: Though he would set the screen ablaze with his role as Iceman (aka Bobby Drake) in director Bryan Singer's X2, teen actor Shawn Ashmore has been appearing frequently in film since his cinematic debut in the 1991 comedy drama Married to It. Born one-minute after twin brother Aaron in Richmond, British Columbia, Canada, in October of 1979, Ashmore was raised in Toronto, British Columbia, and Alberta, where he would attend primary school at Leo Nickerson Elementary before heading to Turner Fenton High School in Brampton, Ontario. His mother's association with the Multiple Birth Association eventually led to a career in front of the camera for both Shawn and brother Aaron, and before long the siblings were appearing in numerous television commercials. Following his debut in Married to It, Ashmore would go on to meatier roles in such made-for-television features as Guitarman (1994) and Promise the Moon (1997), often joking that casting agents would have to flip a coin to chose between himself and his brother. As his career continued to build momentum with roles in such features as Strike! (1998) and on television's Animorphs, Ashmore was elated to find that he had been cast in a minor, albeit pivotal role in 2000's X-Men. Ashmore gained even more exposure with his subsequent role on The Disney Channel series In a Hearbeat. Always dedicated to making his performances as convincing as possible, Ashmore attended military school and received voice lessons for three months while preparing for his role in the 2002 made-for-television feature Cadet Kelly. He returned to the role of Iceman role in X-Men: The Last Stand in 2006. He worked steadily in projects such as Earthsea, 3 Needles, and Solstice. In 2008 he had a major role in the horror film The Ruins. Two years later he starred in Frozen, and followed that up with the horror film The Day.. Fluent in French, some of Ashmore's favorite pastime activities include snowboarding and playing guitar.

Trivia: After biding his time for several years on the daytime soap One Life to Live (and following it up with an appearance in the direct-to-video horror outing Raising Hell), genial, square-jawed actor Ashton Holmes graduated to fame at the hands of David Cronenberg in the director's 2005 A History of Violence. Cronenberg cast the then-23-year-old actor as Jack Stall, the son of an Indiana restaurateur, who finds himself repeating his father's pattern of violence when he responds to relentless bullying at his school by aggressively standing up for himself -- and then pushes his self-defense into the territory of criminal assault. The film (which screened at Cannes and the Toronto Film Festival and received multiple Oscar nominations) put Holmes on the cultural landscape, and paved the way for many additional follow-ups. Holmes' next major appearance, however, came three years later (under the aegis of tyro Noam Murro) with his portrayal of the son of an emotionally alienated literature professor (Dennis Quaid) in the offbeat, character-driven seriocomedy Smart People (2008). Over the coming years, Holmes would appear on a number of TV series, like The Pacific, Nikita, and Revenge.

Trivia: A top athlete at Brown University, Don Haggerty performed military service and did stage work before his movie-acting debut in 1947. Free-lancing, Haggerty put in time at virtually every studio from Republic to MGM, playing roles of varying sizes in films like Sands of Iwo Jima (1949) The Asphalt Jungle (1951), Angels in the Outfield (1951) and The Narrow Margin (1952). Most often, he was cast as a big-city detective or rugged westerner. During the first (1955-56) season of TV's The Life and Legend of Wyatt Earp, Haggerty showed up semi-regularly as Marsh Murdock. Don Haggerty was the father of Grizzly Adams star Dan Haggerty.

Trivia: Like a lot of girls born into the upper-middle-class suburb of Pasadena, CA, Sophia Bush caught a whiff of the Hollywood air just down the road and took an interest in acting at an early age. After getting her feet wet in school plays at the Westridge School for Girls, she graduated in 2000 and enrolled at the University of Southern California, where she majored in journalism and minored in theater. It was that minor interest that proved to be her greatest passion, however, and in 2002, at the age of 20, she scored her first movie gig with a small role in National Lampoon's Van Wilder.Another onscreen role would follow in 2003, and a much more substantial one. Bush was cast as sassy cheerleader Brooke Davis in the WB series One Tree Hill. She left school to work full-time on the series, which paid off when One Tree Hill proved to be a huge hit. In addition to the professional success that the show brought her, the program also featured Bush's onscreen romance with co-star Chad Michael Murray -- which soon turned into a real-life love affair. The two were wed in 2005, but unfortunately, the union was not to last. After just five months, the two separated and eventually divorced, though they remained co-stars on the series. Bush took the personal hit in stride, continuing to act in additional projects such as Supercross: The Movie and the popular 2006 comedy John Tucker Must Die. Bush also proved to have a knack for tense and scary subject matter, from a recurring part on the series Nip/Tuck to a starring role in the 2006 horror flick Stay Alive. In 2007, she appeared in an even bigger horror movie as the female lead in a remake of The Hitcher, starring opposite veteran actor Sean Bean. While building up her impressive acting resumé, Bush still didn't lose the interest in journalism that she pursued in college, working as an assignment editor for Annenberg TV News when she wasn't on-set.Bush returned to TV in the short-lived sitcom Partners before playing the recurring role of detective Erin Lindsay on Chicago Fire. Her character was part of the planned 2014 spin-off, Chicago P.D.

Trivia: Mike Epps' name has become synonymous with a particular style of humor, through his appearance with several other African-American artists in the same genre. Epps earned a large portion of his fame through his credits in several Ice Cube films, including Next Friday (also starring Chris Tucker), How High (with Redman and Method Man), Friday After Next, and All About the Benjamins. Aside from featuring Ice Cube, the common thread of these films was the hilarious prominence of marijuana-smoking comic characters like the ones portrayed by Epps.Born in Indianapolis, IN, into a large family, Epps' natural comedic ability was encouraged at an early age, and he began performing standup as a teenager. He moved to Atlanta where he worked at the Comedy Act Theater, before moving to New York City to star in Def Comedy Jam in 1995. His first major film role came just two years later when he starred in Vin Diesel's Strays, a dramatic portrayal of relationships and drugs. In 1999, he made an appearance on the HBO mafia series The Sopranos.In addition to his aforementioned film work with Ice Cube, Epps had several other feature-film appearances. In 2000, he was featured in Bait, starring Jamie Foxx and David Morse, and in the jail-comedy 3 Strikes. He performed the voice of Sonny in Dr. Dolittle 2, starring Eddie Murphy, in 2001. As he gained more recognition, his comedic talent began to blossom, as demonstrated in his two 2002 features: Kevin Bray's All About the Benjamins, an action-packed comedy, and the sequel-to-the-sequel, Friday After Next, in which he starred as Day-Day. He took over the part of Ed Norton in the big-screen remake of The Honeymooners, and had a major supporting role in the Petey Green biopic Talk to Me. He had a part in the smash 2009 comedy The Hangover, had a big part in Next Day Air, and a turn in Lottery Ticket. In addition to his acting, he kept churning out comedy specials.In 2012 he was one of the stars of Whitney Houston's last movie Sparkle, and played a teacher in the comedy Mac + Devin Go to High School. He reprised his role in The Hangover Part III and played the love interest in the HBO film Bessie. Epps also had a presence in TV, appearing in series like Survivor's Remose and Being Mary Jane, and playing the title role in the remake of Uncle Buck.

Trivia: Though she played many diverse roles in films of the '50s before Leave It to Beaver (1957-1963), slim, blonde, and wholesome-looking Barbara Billingsley will always be best remembered as June Cleaver, one of the greatest mothers in the vast pantheon of television sitcom domestic goddesses. In addition to her filmwork, Billingsley also appeared on a number of television plays on such shows as Four Star Playhouse and Matinee Theater. Following the end of Beaver, Billingsley traveled extensively until the late '70s. She made her acting comeback playing the crazy "Jive Lady" in Airplane (1980). In 1983, she reprised her role as June Cleaver in the television reunion movie Still the Beaver, which spawned a television series by the same name two years later. In 1984, she gave voice to the character of Nanny in Jim Hanson's animated kids' show Muppet Babies. After that, she appeared occasionally in movies and made guest television appearances; in 1997, she played Aunt Martha in the big-screen version of Leave It to Beaver. Billingsley died in 2010 after a long illness.

Trivia: A film actor from 1925, Norway native Harry Tenbrook usually played such functionary roles as shore patrolmen, sailors, gangsters, and bartenders. The names of Tenbrook's screen characters ran along the lines of Limpy, Spike, and Squarehead. With his supporting appearance in The Informer (1935), the actor became a member of director John Ford's stock company. Harry Tenbrook's association with Ford ended with 1958's The Last Hurrah.

Trivia: Gaunt, hollow-eyed character actor Wilbur Mack spent his first thirty years in show business as a vaudeville headliner. With his first wife Constance Purdy he formed the team of Mack and Purdy, and with second wife Nella Walker he trod the boards as Mack and Walker. In films from 1925 to 1964, he essayed innumerable bits and extra roles, usually playing doormen or cops. Mack also appeared in a number of "Bowery Boys" comedies.

Trivia: American actor, singer, and dancer Ralph Montgomery played character roles in vaudeville, radio, and television. Montgomery also appeared in numerous feature films from the '40s through the mid-'70s. In addition to performing, he also worked as a drama coach. His daughter is an actress and his son, Phil Montgomery, is an actor and producer.

Trivia: Boyishly handsome in a Rob Lowe sort of way, Boyd Kestner's career in front of the camera gained increasing momentum in the early to mid-'90s with roles in such television series as The Outsiders and Knot's Landing, eventually resulting in a feature career that pointed to great things ahead in the early years of the new millennium. A Manassas, VA, native who fell into acting after relocating to New York City, Kestner didn't find his true calling until laboring as a bartender among legions of aspiring actors. Prompted by his peers to take acting classes, and soon thereafter embarking on a seemingly endless series of auditions, Kestner finally got his break when he landed a role in the short-lived television series The Outsiders. Later toiling in made-for-television movies and minor film roles, fate once again smiled on Kestner when he landed his first major film role in director Ridley Scott's G.I. Jane (1997). The first in a series of minor roles in such major Hollywood films as The General's Daughter (1999) and Hannibal (2001, again with director Scott), Kestner's role as a houseguest who wears out his welcome in the psychosexual thriller Cleopatra's Second Husband (1998) earned him critical kudos and found him climbing the credit rungs. Taking his menacing act on the road for Snakeskin (2001) found Kestner establishing himself as an actor with the ability to maintain a curiously enigmatic screen presence, with roles in Scott's Black Hawk Down (also 2001) and the affectionate 2002 comedy-drama Divine Secrets of the Ya-Ya Sisterhood coinciding with a relocation to the West Coast and pointing to a promising future.

Trivia: A graduate of Maryland Agriculture College and a popular stage actor, tall, handsome Mahlon Hamilton entered films with Metro in 1915 and quickly established himself as a fine leading man opposite such powerful female stars as Olga Petrova, Louise Glaum, and Marion Davies. He reached something of a pinnacle as the wealthy guardian whom Mary Pickford grows up to marry in the extremely popular Daddy Long Legs (1919) but it was all downhill from there for the actor, who mostly starred in programmers in the 1920s. Surviving the transition to sound, Hamilton continued playing supporting roles and bit parts onscreen until at least 1949. In his final years, he resided at the Motion Picture Country House and Hospital in Woodland Hills, CA.

Trivia: American comic actor George Ovey appeared in a number of silent slapstick shorts between 1915 and around 1926. Short and wiry, Ovey was best known for appearing in the simultaneously funny and suspenseful Jerry series. Between the late '20s and the early '30s, he played comic supporting roles in feature films.

Trivia: Handsome, wavy-haired actor David Newell was signed by Paramount Pictures during the industry switchover to talkies. Newell played large roles in such Paramount productions as Hole in the Wall and Dangerous Curves (1929), and made a guest appearance in the all-star Paramount on Parade (1930). For obscure reasons, he failed to catch on, and by the end of the 1930s was making do with bits and extra roles. One of his more famous uncredited assignments was as murder-victim Geoffrey Hammond in the 1940 remake of The Letter; director William Wyler forced the actor to tumble down a flight of stairs ten times then edited the scene so severely that all the audience saw of Newell were his feet. In 1954, David Newell gave up performing to become a makeup artist at Walt Disney studios, where he worked on such productions as Westward Ho, the Wagons! (1956), The Great Locomotive Chase (1956), Johnny Tremain (1957), and TV's The Mickey Mouse Club (1955-1959).

Trivia: Muscular actor William "Bill" Phillips attended George Washington University, where he distinguished himself in such contact sports as football and boxing. After cutting his acting teeth with Eva Le Galienne's Civic Repertory group, Phillips made his film debut in 1940. He landed a long-term MGM contract after registering well in a small role in See Here Private Hargrove (1944). By the 1950s, Phillips was typed as a Western actor, usually in such secondary roles as the barber in High Noon (1952). William "Bill" Phillips made his last appearance in the Ronald Reagan-Nancy Davis starrer Hellcats of the Navy (1957).

Trivia: A professional pilot, mustachioed Richard Simmons was reportedly discovered by Louis B. Mayer while vacationing on a dude ranch near Palm Springs, CA. Mayer signed the strapping six-footer to a stock contract right then and there, promising the neophyte "outdoor roles." As it turned out, the tycoon couldn't quite keep his promise and Simmon's roles -- in such fare as Sergeant York (1941), Thousands Cheer (1943), Love Laughs at Andy Hardy (1946), and Battle Circus (1953) -- proved minor. In fact, the actor had to pay his dues in little more than walk-ons for nearly a decade before finally reaching stardom -- and then it was on the small screen. Filmed in color in central California, Sergeant Preston of the Yukon teamed Simmons with Yukon King, a handsome malamute, and Rex, an equally impressive stallion, and the trio became a mainstay on children's television from 1955 to 1958 and in syndication ever since. Simmons, who also guest starred on such shows as Perry Mason, Rawhide, The Brady Bunch, and ChiPS, should not be confused with the frenetic video exercise guru of the same name.

Trivia: Frank Scannell, a pug-nosed American character actor, made his film debut in Shadow of Suspicion (1944). Scannell spent the next two decades playing waiters, reporters, bell captains, and other such uniformed roles. One of his larger assignments was Sheriff Quinn in The Night the World Exploded (1957). Jerry Lewis fans will remember Frank Scanell as put-upon hospital patient Mr. Mealey ("I didn't know your teeth were in the glass") in The Disorderly Orderly (1964).

Trivia: Howard M. Mitchell's screen acting career got off to a good start with a pair of silent serials, Beloved Adventurer (1914) and The Road of Strife (1915). Mitchell kept busy as a director in the 1920s, returning to acting in 1935. His roles were confined to bits and walk-ons as guards, storekeepers, judges, and especially police chiefs. Howard M. Mitchell closed out his career playing a train conductor in the classic "B" melodrama The Narrow Margin (1952).

Trivia: Handsome, dark-haired William Norton Bailey was as easily cast in drawing rooms as in action melodramas. In films from 1912, Bailey directed Universal comedies prior to securing himself a place in action film history opposite the fragile Juanita Hansen in the serials The Phantom Foe (1920) and The Yellow Arm (1921). Despite the success of the chapterplays, Bailey spent most of the 1920s playing the "Other Man" or the hero's best friend. In 1926, independent producer Goodwill changed his name to the friendlier Bill Bailey and starred him in a series of Westerns. Defeated by low budgets and poor writing, the actor abandoned all hopes of stardom, embarking on a long career as a supporting player in talkie B-Westerns, which lasted well into the 1950s. Often playing a lawman, Bailey later portrayed the title role in the second and final season of the syndicated television series Cactus Jim (1951).