Trivia: Brooklyn native Connie Stevens is the daughter of musician Teddy Stevens. She moved with her dad to L.A., where she enrolled at Sacred Professional School, sang professional, and appeared in local repertory productions. After several low-budget teen flicks, Stevens was given a break in an A-picture, Jerry Lewis' Rock-a-Bye Baby (1958). Soon afterward, she was signed by Warner Bros. to play bouncy nightclub thrush Cricket Blake on the TV detective series Hawaiian Eye. She also starred in such WB feature films as Susan Slade (1961), and became a popular recording artist with her rendition of the deathless "Kookie, Kookie, Lend Me Your Comb." Warners suspended Stevens in 1962 over several bones of contention, one of which was her snit-fit after being denied a chance to audition for the lead in the studio's My Fair Lady. She patched up her differences with Warners long enough to play a Gracie Allen clone in the George Burns-produced sitcom Wendy and Me (1964). After her flurry of fame in the 1960s, Stevens kept busy with nightclub appearances and summer theater productions. She appeared in the Broadway production of The Star Spangled Girl, guested in such all-star movie efforts as Sgt. Pepper's Lonely Hearts Club Band (1978) and Grease 2, and accepted a regular role on the 1986 TV series Rowdies. Among Connie Stevens' three husbands were actors James Stacy and Eddie Fisher.

Trivia: After a four-year hitch with the Air Corps, Dean Jones worked the nightclub and cabaret circuit as a blues singer. It was, however, as an actor that Jones was signed to an MGM contract in 1956; he spent the next four years essaying showy supporting roles in films like Tea and Sympathy (1956), Jailhouse Rock (1957) and Torpedo Run (1958). He made his first Broadway appearance in 1960, then went on to star in the TV service sitcom Ensign O'Toole (1962). Jones spent the next several years in light leading-man assignments in such Disney fare as That Darn Cat! (1965), The Ugly Dachshund (1966) The Love Bug (1968) and The Boatniks (1970). He returned to TV in 1970 as host of What's It All About World (1969), then scored a Broadway hit as the central character in the Steven Sondheim musical Company. In 1971, it was back to sitcom-land with the 13-week TVer Chicago Teddy Bears. Throughout the 1970s, Jones became increasingly involved in religious activities; this was reflected to a large degree in his sincere portrayal of Charles Colson in Born Again (1978). He made yet another TV comeback in Disney's Herbie the Love Bug in 1982, the same year that he published his autobiography, Under Running Laughter. Dean Jones remained busy as a film character actor into the 1990s, most delightfully in the atypical role of the vivisection-happy villain in Beethoven (1992). In 1997, he appeared in remakes of both That Darn Cat! and The Love Bug, reprising his role of Jim Douglas in the latter. Jones died in 2015, at age 84.

Trivia: Born in New York City to parents of Cuban extraction, American actor Cesar Romero studied for his craft at Collegiate and Riverdale Country schools. After a brief career as a ballroom dancer, the tall, sleekly handsome Romero made his Broadway debut in the 1927 production Lady Do. He received several Hollywood offers after his appearance in the Preston Sturges play Strictly Dishonorable, but didn't step before the cameras until 1933 for his first film The Shadow Laughs (later biographies would claim that Romero's movie bow was in The Thin Man [1934], in which he was typecast as a callow gigolo). Long associated with 20th Century-Fox, Romero occasionally cashed in on his heritage to play Latin Lover types, but was more at home with characters of indeterminate nationalities, usually playing breezily comic second leads (whenever Romero received third billing, chances were he wasn't going to get the girl). Cheerfully plunging into the Hollywood social scene, Romero became one of the community's most eligible bachelors; while linked romantically with many top female stars, he chose never to marry, insisting to his dying day that he had no regrets over his confirmed bachelorhood. While he played a variety of film roles, Romero is best remembered as "The Cisco Kid" in a brief series of Fox programmers filmed between 1939 and 1940, though in truth his was a surprisingly humorless, sullen Cisco, with little of the rogueish charm that Duncan Renaldo brought to the role on television. The actor's favorite movie role, and indeed one of his best performances, was as Cortez in the 1947 20th Century-Fox spectacular The Captain From Castile. When his Fox contract ended in 1950, Romero was wealthy enough to retire, but the acting bug had never left his system; he continued to star throughout the 1950s in cheap B pictures, always giving his best no matter how seedy his surroundings. In 1953 Romero starred in a 39-week TV espionage series "Passport to Danger," which he cheerfully admitted to taking on because of a fat profits-percentage deal. TV fans of the 1960s most closely associate Romero with the role of the white-faced "Joker" on the "Batman" series. While Romero was willing to shed his inhibitions in this villainous characterization, he refused to shave his trademark moustache, compelling the makeup folks to slap the clown white over the 'stache as well (you can still see the outline in the closeups). As elegant and affluent-looking as ever, Romero signed on for the recurring role of Peter Stavros in the late-1980s nighttime soap opera "Falcon Crest." In the early 1990s, he showed up as host of a series of classic 1940s romantic films on cable's American Movie Classics. Romero died of a blood clot on New Year's Day, 1994, at the age of 86.

Trivia: A leading light of network radio in the 1940s and 1950s, actor Parley Baer appeared on virtually every major program emanating from Los Angeles. Baer is most closely associated with the radio version of Gunsmoke, in which, from 1955 to 1961, he played Dodge City deputy Chester Proudfoot. Those who worked on Gunsmoke have had nothing but the kindest words for Baer, who endeared himself to his colleagues via his dedication, professionalism, and weekly purchase of donuts for the rehearsal sessions. The jowly, prematurely balding Baer began free-lancing in films around 1949. He played a number of small parts at 20th Century-Fox (his largest, and least typical, was the Nazi sergeant in 1957's The Young Lions), and later showed up in such films as Warner Bros.' Gypsy (1963) and Universal's Counterpoint (1993). On television, Baer portrayed Darby on The Adventures of Ozzie and Harriet, Mayor Stoner on The Andy Griffith Show (1962-63 season) and Mr. Hamble on the 1966 Red Buttons sitcom The Double Life of Henry Phyfe. Active into the 1990s--he was seen as the Senate Majority Leader in 1993's Dave--Parley Baer is most familiar to the public as the voice of commercialdom's Keebler Elf.

Trivia: Trained as a musician, Virginia Gregg drew her first professional paychecks with the Pasadena Symphony. Gregg was sidetracked into radio in the 1940s, playing acting roles in an abundance of important California-based network programs. Her extensive radio credits include Gunsmoke, Suspense, Yours Truly Johnny Dollar, and Richard Diamond. Her first film was 1946's Notorious, directed by Alfred Hitchcock, who last cast Gregg as the voice of "Mother" in his classic chiller Psycho (1960). Virginia Gregg was most closely associated with the output of actor/producer/director Jack Webb: she co-starred in both of Webb's film versions of his popular radio and TV series Dragnet, and guest-starred in virtually every other episode of the 1967-70 Dragnet TV revival.

Trivia: The daughter of actress Martha Daniels, Connie Gilchrist was herself on stage from the age of 16, touring both Europe and the U.S. Her theatrical credits include such long-runners as Mulatto and Ladies and Gentlemen, the latter featuring a contemporary of Gilchrist's named Helen Hayes. While acting in the pre-Broadway tour of Ladies and Gentlemen in 1939, Gilchrist was signed to a ten-year contract at MGM, where amidst the studio's patented gloss and glitter, the actress' brash, down-to-earth characterizations brought a welcome touch of urban reality. Usually cast as Irish maids, tenement housewives and worldly madams (though seldom designated as such), Gilchrist was given a rare chance to show off her musical talents in Presenting Lily Mars, where she sang a duet with Judy Garland. After her MGM tenure, Gilchrist free-lanced in such films as Houdini (1953), Auntie Mame (1958) (as governess Nora Muldoon) and The Monkey's Uncle (1965). Devoted TV fans will recall Connie Gilchrist as the bawdy pubkeeper Purity on the 1950s Australian-filmed adventure series Long John Silver.

Trivia: Yale grad John Hoyt had been a history instructor, acting teacher and nightclub comedian before linking up with Orson Welles' Mercury Theatre in 1937. He remained with Welles until he joined the Army in 1945. After the war, the grey-haired, deadly-eyed Hoyt built up a screen reputation as one of most hissable "heavies" around, notably as the notorious political weathervane Talleyrand in Desiree (1954). He was a bit kinder onscreen as the Prophet Elijah in Sins of Jezebel. Nearly always associated with mainstream films, Hoyt surprised many of his professional friends when he agreed to co-star in the softcore porn spoof Flesh Gordon; those closest to him, however, knew that Hoyt had been a bit of a Bohemian all his life, especially during his frequent nudist colony vacations. TV fans of the '80s generation will remember John Hoyt as Grandpa Stanley Kanisky on the TV sitcom Gimme a Break; those with longer memories might recall that Hoyt played the doctor who told Ben Gazzara that he had only two years to live on the pilot for the 1960s TV series Run For Your Life. Hoyt also holds a footnote in Star Trek history playing the doctor in the first pilot episode, "The Cage."