Trivia: Specializing in playing shambling, cantankerous cynics, Walter Matthau, with his jowly features, slightly stooped posture, and seedy, rumpled demeanor, looked as if he would be more at home as a laborer or small-time insurance salesman than as a popular movie star equally adept at drama and comedy. An actor who virtually put a trademark on cantankerous behavior, Matthau was a staple of the American cinema for almost four decades.The son of poor Jewish-Russian immigrants, Matthau was born on October 1, 1920, in New York City and raised in a cold-water flat on the Lower East Side. His introduction to acting came during his occasional employment at the Second Avenue Yiddish Theater, where he sold soda pops during intermission for 50 cents per show. Following WWII service as an Air Force radioman and gunner, Matthau studied acting at the New School for Social Research Dramatic Workshop. Experience with summer stock led to his first Broadway appearances in the 1940s, and at the age of 28 he got his first break serving as the understudy to Rex Harrison's character in the Broadway drama Anne of a Thousand Days. After having his first major Broadway success with A Shot in the Dark, Matthau began working on the screen, usually in small supporting roles that cast him as thugs, villains, and louts in such films as The Kentuckian (1955) and King Creole (1958). Only occasionally did he get to play more sympathetic roles in films such as Lonely Are the Brave (1962). In 1959, he tried his hand at directing with Gangster Story. In addition to his stage and feature-film work, Matthau appeared in a number of television shows. Just when it seemed that he was to be permanently relegated to playing supporting and dark character roles on stage and screen, Matthau won the part of irretrievably slavish sportswriter Oscar Madison in the first Broadway production of Neil Simon's The Odd Couple (1965). Simon wrote the role especially for Matthau, and the show made both the playwright and the actor major stars. In film, Matthau played his first comic role (for which he won a Best Supporting Actor Oscar) in Billy Wilder's The Fortune Cookie (1966). The film also marked the first of many times that Matthau would be paired with Jack Lemmon. The unmistakable chemistry at play between the well-mannered, erudite Lemmon and the sharp-tongued, earthy Matthau exploded when they were paired onscreen, and was on particularly brilliant display in the hit film version of The Odd Couple (1967). Good friends with Lemmon both onscreen and off, Matthau starred in his directorial debut, Kotch (1971), and starred alongside him in The Front Page (1974) and Buddy Buddy, both of which did little for Matthau and Lemmon's careers. As a duo, the two again found success when they played two coots who were too busy feuding to realize that they were best friends in Grumpy Old Men (1993). They reprised their roles in a 1995 sequel and also appeared together in The Grass Harp (1995), Out to Sea (1997), and 1998's The Odd Couple II. On his own, Matthau continued developing his comically cynical persona in such worthy ventures as Plaza Suite (1971), California Suite (1978), and especially The Sunshine Boys (1975), in which he was paired with George Burns. He proved ridiculously endearing as a grizzled, broken-down, beer-swilling little league coach with a marshmallow heart in The Bad News Bears (1976), and further expressed his comic persona in such comedies as 1993's Dennis the Menace, in which he played the cantankerous Mr. Wilson, and the romantic comedy I.Q. (1994), which cast him as Albert Einstein.Though many of his roles were of the comic variety, Matthau occasionally returned to his dramatic roots with ventures such as the crime thriller Charley Varrick (1973) and The Taking of Pelham 1, 2, 3 (1974). In addition to his work in feature films, Matthau also continued to make occasional appearances in made-for-television movies, one of which, Mrs. Lambert Remembers Love (1991), was directed by his son Charles Matthau. Matthau, who had been plagued with health problems throughout much of his adult life, died of a heart attack at the age of 79 on July 1, 2000. The last film of his long and prolific career was Diane Keaton's Hanging Up (2000), a family comedy-drama that cast the actor as the ailing father of three bickering daughters (Lisa Kudrow, Meg Ryan, and Keaton). Coincidentally, when Matthau was hospitalized for an undisclosed condition in April of the same year, he shared a hospital room with none other than longtime friend and director Billy Wilder.

Trivia: Bruce MacLeish Dern is the scion of a distinguished family of politicians and men of letters that includes his uncle, the distinguished poet/playwright Archibald MacLeish. After a prestigious education at New Trier High and Choate Preparatory, Dern enrolled at the University of Pennsylvania, only to drop out abruptly in favor of Lee Strasberg's Actors' Studio. With his phlegmatic voice and schoolyard-bully countenance, he was not considered a likely candidate for stardom, and was often treated derisively by his fellow students. In 1958, he made his first Broadway appearance in A Touch of the Poet. Two years later, he was hired by director Elia Kazan to play a bit role in the 20th Century Fox production Wild River. He was a bit more prominent on TV, appearing regularly as E.J. Stocker in the contemporary Western series Stoney Burke. A favorite of Alfred Hitchcock, Dern was prominently cast in a handful of the director's TV-anthology episodes, and as the unfortunate sailor in the flashback sequences of the feature film Marnie (1964). During this period, Dern played as many victims as victimizers; he was just as memorable being hacked to death by Victor Buono in Hush...Hush, Sweet Charlotte (1965) as he was while attempting to rape Linda Evans on TV's The Big Valley. Through the auspices of his close friend Jack Nicholson, Dern showed up in several Roger Corman productions of the mid-'60s, reaching a high point as Peter Fonda's "guide" through LSD-land in The Trip (1967). The actor's ever-increasing fan following amongst disenfranchised younger filmgoers shot up dramatically when he gunned down Establishment icon John Wayne in The Cowboys (1971). After scoring a critical hit with his supporting part in They Shoot Horses, Don't They? (1969), Dern began attaining leading roles in such films as Silent Running (1971), The King of Marvin Gardens (1972), The Great Gatsby (1974), and Smile (1975). In 1976, he returned to the Hitchcock fold, this time with top billing, in Family Plot. Previously honored with a National Society of Film Critics award for his work in the Jack Nicholson-directed Drive, He Said (1970), Dern received an Academy Award nomination for his portrayal of an unhinged Vietnam veteran in Coming Home (1978), in which he co-starred with one-time Actors' Studio colleague (and former classroom tormentor) Jane Fonda. He followed this triumph with a return to Broadway in the 1979 production Strangers. In 1982, Dern won the Berlin Film Festival Best Actor prize for That Championship Season. He then devoted several years to stage and TV work, returning to features in the strenuous role of a middle-aged long distance runner in On the Edge (1986).After a humorous turn in the 1989 Tom Hanks comedy The 'Burbs, Dern dropped beneath the radar for much of the '90s. He would appear in cult favorites like Mulholland Falls and the Walter Hill Yojimbo re-make Last Man Standing (both 1996), as well as The Haunting (1999) and All the Pretty Horses (2000). As the 2000's unfolded, Dern would continue to act, apperaing most notably in film like Monster and Django Unchained.Formerly married to actress Diane Ladd, Bruce Dern is the father of actress Laura Dern.

Trivia: Louis Gossett Jr. ranks as one of the most respected African-American actors of stage, screen, and television. Tall, lanky, and bald-pated, Gossett was a basketball player in high school until a leg injury benched him and his interest turned toward acting. In 1953, at the age of 17, Gossett made his Broadway debut in Take a Giant Step, and ended up with a Donaldson Award for the year's best newcomer. Though working steadily on stage and television, Gossett was still interested in basketball. The New York Knicks drafted him out of college in 1958 and he played with them briefly before returning to performing. In 1961, Gossett reprised on film the role he played in the theatrical production of A Raisin in the Sun. It was a well-regarded beginning, and he continued to appear on stage and television, and beginning in 1967, the occasional feature film or television movie. During this early period, he also occasionally sang in nightclubs. Gossett did not become a bona fide star until his Emmy-winning performance in the landmark television miniseries Roots (1977). His career picked up considerably after that. In 1982, Gossett earned a Best Supporting Actor Oscar for playing a deceptively heartless drill sergeant in An Officer and a Gentleman. That same year, he also starred in another television series as the wise mentor to an alien prince in The Powers of Matthew Star (1982-1983). After the success of An Officer and a Gentleman, Gossett reprised his roll as the tough sergeant, albeit using different character names, in several films, including the Iron Eagle series, The Punisher (1989), and others. But though he makes an excellent rough guy, Gossett has showed a willingness to let his softer side show through in such made-for-TV movies as Sudie and Simpson (1990).

Trivia: American character actor Albert Paulsen has been in films from 1961. Paulsen has more often than not been cast as sinister, foreign-accented secret agents, which kept him very busy during the "Bond craze" of the 1960s. A baggy suit and furtively darting eyes were "de rigeur" for such characters as communist spy Zilkov in The Manchurian Candidate. On television, Albert Paulsen played two different Nazi officers on three different episodes of Combat, and was a guest villain on no fewer than five Mission: Impossible installments.

Trivia: Disdaining the "surfer" mentality of his California boyhood friends, Anthony Zerbe chose to head to New York to become an actor. He studied with Stella Adler and worked off-Broadway before achieving success in the mid-'60s. He made his film debut in 1967's Will Penny, after which he settled into a series of sharkish, saturnine villainous portrayals. An adherent of EST training, Zerbe preferred to work with people who allowed him "space" to develop a characterization; one such person was David Janssen, with whom Zerbe appeared on the mid-'70s TV series Harry O (in which he won an Emmy award for his portrayal of Lieutenant Trench). Active on-stage and in films and television into the 1990s, Anthony Zerbe has contributed some unforgettable acting moments to the big screen, notably as the shadow-enshrouded leper in 1971's Papillon and the "blowed up real good" secondary villain in the 1989 James Bond opus License to Kill.

Trivia: Avery was a versatile American character actor onscreen from 1956, beginning with The Harder They Fall.

Trivia: Cathy Lee Crosby is the daughter of Hollywood actress Linda Hayes and Lawrence Welk Show announcer Lou Crosby. Crosby began her own showbiz career at five, appearing on her dad's local L.A. TV series, Crosbys' Calling. Like her sisters, Linda Lou and Lucinda Sue, Cathy Lee proved to be a superb athlete at an early age; before reaching the age of 21, she was a professional tennis player and recreational skydiver, windsurfer, and swimmer. Thus, she was uniquely qualified for the title role in the 1974 made-for-TV film The New, Original Wonder Woman. Intended as the pilot for a weekly series, Wonder Woman scored in the ratings, but was shot down by the critics; when a series did finally surface in 1976, Lynda Carter played the lead. Crosby cut her losses, made a few films in Europe (she is fluent in several languages), and returned to athletics. In 1980, she became one of the co-hosts of the popular "reality" TVer That's Incredible, a job she held down until 1984. Still hoping to be taken seriously as an actress, Cathy Lee Crosby made her off-Broadway bow in the 1988 production Almost Perfect; she has also remained active in a variety of charitable and prosocial organizations. Cathy Lee Crosby should not be confused with Live With Regis and Kathie Lee co-star Kathie Lee (Crosby) Gifford and she is not the daughter of Bing Crosby.

Trivia: Mario Gallo played character roles in Hollywood features from the early '60s through the early '80s. Before coming to films, he performed on stage.

Trivia: After one year in college as an art major Cassidy dropped out and got married, but the marriage didn't last. She moved to San Francisco and worked successfully as a model; she also appeared briefly in two films shot there, Bullitt (1968) and Fools (1970), then went four years without another screen role, meanwhile finding some work in TV commercials. Her first significant screen appearance was in a small role in the San Francisco police drama The Laughing Policeman (1974), which led to work in two more films that year; in the second of these, Bank Shot (1974), she got her first prominent billing. Cassidy had many unmemorable roles over the next few years, finally making an impression in a successful film with Blade Runner (1982); after that she got better roles in better films, but has yet to become a widely known screen actress.

Trivia: Was Miss California of 1944.Made her television debut in the drama series Studio One, in the 1951 episode "A Bolt of Lightning."Worked as a script supervisor on a number of TV shows and films, including the 1979 cult classic Mad Max.

Trivia: All-purpose actor William Hansen first appeared on Broadway in the 1934 production My Heart's in the Highlands. His subsequent stage work included such long-running productions as A Member of the Wedding and Teahouse of the August Moon. He made his film debut in Elia Kazan's Pinky (1949), then forsook movies for the stage for another decade or so. In his last years, William Hansen was seen in brief character parts in films like Fail-Safe (1964), 1776 (1972), and Homebodies (1974), which featured several Broadway veterans.

Trivia: Long a familiar presence on the New York stage and TV scene, Louis Guss has specialized in blue-collar ethnic roles. Guss' earliest screen credit was as Dominic in Harry and Tonto (1974). His showiest screen portrayal was as Raymond Coppomaggi in the irresistible romantic comedy Moonstruck (1987). On network television, Louis Guss was seen as Uncle Bennie on the 1991 sitcom Man in the Family.

Trivia: Actress Frances Lee McCain began her career on Broadway, appearing in stage shows throughout the late '60s before transitioning to the screen with a number of TV guest-appearances, as well as roles in movies like Gremlins and Footloose. The '90s would bring supporting roles in many more movies, including Scream and Patch Adams. McCain remained active in theater, especially in the San Francisco area.

Trivia: In the '70s, American actor Clifton James became the foremost film impersonator of Southern redneck sheriffs -- but he had to go to England to do it. A graduate of the Actors Studio, James secured small roles in such Manhattan-filmed productions as On the Waterfront (1954) and in well over 100 TV programs. But his parts were tiny and frequently unbilled, relegating James to the ranks of "Who is that?" character actors. All this changed when James was cast as Sheriff Pepper in the James Bond film Live and Let Die (1973), which led to a reprise of the character in the next Bond epic The Man With the Golden Gun (1973). Since that time, the stocky, ruddy-cheeked James has been prominent in such films as Silver Streak (1976), The Bad News Bears in Breaking Training (1977) and Superman II (1980). In 1981, James was a regular on the brief TV sitcom Lewis and Clark. James kicked off the '90s as one of the willing but floundering cast members of that disaster of disasters, Bonfire of the Vanities (1990). He continued working in small roles through the rest of his life. James died in 2017, at age 96.

Trivia: Angular Anglo-Latino actor Gregory Sierra began showing up on screen in 1971 in such films as The Wrath of God. Sierra quickly familiarized himself with TV viewers via his continuing role as Julio Fuentes in the weekly sitcom Sanford and Son. He left Sanford in January of 1975 to accept the part of detective sergeant Chano Amenguale on Barney Miller, a role he held down until the fall of 1976. Next up, Sierra starred as Dr. Tony Menzies on A.E.S. Hudson Street, a 1978 TV comedy that folded after six weeks despite positive critical comment. Two years later, he was cast as South American revolutionary "El Puerco" on the nighttime serial spoof Soap, figuring prominently in the series' up-in-the-air final episode in 1981. Gregory Sierra's more recent television roles have included Lt. Victor Maldonado on the NBC sci-fier Something is Out There (1988), and the ill-fated Lt. Lou Rodriguez on the trendy 1980's cop show Miami Vice.

Trivia: Supporting actor Walter Finnerty first appeared onscreen in the early '60s.

Trivia: American character actor Joe Bernard has worked on stage, screen and television. He has also worked as a drama coach and occasionally directs and writes scripts.

Trivia: The peak popularity of American actress Leigh French came and went with the Psychedelic '60s. French rose to prominence in the "Share a Little Tea with Goldie" segment on the 1967-68 season of TV's The Smothers Brothers Comedy Hour. As Goldie, a laid-back hippie type, French delivered a weekly monologue laced with references to sex and drugs and drugs and drugs. While this routine got loud and knowing laughter in the '60s, it's a bit on the politically incorrect side nowadays, thus many of French's sequences were carefully pruned when the E! cable channel reran Smothers Brothers in 1993. Nonetheless, French, looking none the worse for the passing years, gracefully appeared on E! to recall her participation on the series. As for her post-Smothers Brothers performing career, Leigh French could be seen in funny-funky roles in such films as WUSA (1970), Norwood (1970), The Drowning Pool (1975) and Hollywood Knights (1980); she was also a TV regular on the 1975 edition of The Dick Cavett Show.