Trivia: Blonde, exotically beautiful British actress Peggy Cummins was a stage performer from the age of 12. She appeared in a handful of English films in the early 1940s, which brought her to the attention of 20th Century-Fox head man Darryl F. Zanuck. Amidst a shower of publicity, Peggy was brought to Hollywood to star in Fox's film adaptation of the notorious Kathleen Windsor novel Forever Amber. In the early stages of shooting, however, Zanuck evinced disappointment in Peggy's performance, and rapidly replaced her with Linda Darnell; Ms. Cummins was "compensated" with antiseptic leading-lady roles in Fox's Green Grass of Wyoming (1947), Moss Rose (1947) and The Late George Apley (1947). Before returning to England in 1950, Peggy Cummins delivered an unforgettable performance as a psychopathic Bonnie Parker-type criminal in the film noir classic Gun Crazy (1949).

Trivia: Sensitive, soulful-eyed actor John Dall was trained at the Theodore Irvine School of the Theater and the Pasadena Playhouse. On the strength of his leading role in the original 1944 Broadway production of Dear Ruth, Dall was brought to Hollywood. In 1946, he earned an Oscar nomination for his portrayal of bookish, young Welsh coal miner Morgan Evans, the alter ego of playwright Emlyn Williams, in the cinema adaptation of Williams' play The Corn Is Green. Though his subsequent screen work was limited, he was most impressive as the homosexual murderer in Hitchcock's Rope (1948) and the fire arms-obsessed bank robber in Joseph H. Lewis' Gun Crazy (1949). After a long absence from the screen, Dall returned in 1960 to essay character roles in the costume dramas Spartacus (1960) and Atlantis, the Lost Continent (1961). John Dall succumbed to a heart attack at the age of 52.

Trivia: Berry Kroeger (pronounced "Kroger", not "Kreeger") got his start in network radio, where his velvety voice was heard announcing several major dramatic anthologies; he also played a variety of leading radio roles, including the heroic soldier-of-fortune The Falcon. While appearing on Broadway in Saint Joan, Kroeger was discovered by filmmaker William Wellman, who cast the actor in The Iron Curtain. This 1948 Cold-War film represented the first of many unsympathetic movie assignments for Kroeger, ranging from the smarmy Packett in director Joseph L. Lewis' Gun Crazy (1949) to the mad-scientist mentor of Bruce Dern in The Incredible Two Headed Transplant (1971). Kroeger's marked resemblance to Sydney Greenstreet served him well when he essayed a Greenstreet take-off in "Maxwell Smart, Private Eye," an Emmy-winning episode of TV's Get Smart. Most of Barry Kroeger's film characters can be summed up in a single word: slime.

Trivia: The son of a St. Louis grocer, Morris Carnovsky inaugurated his stage career in 1919. He played an extensive variety of roles on Broadway, from Shakespeare to Clifford Odets. In films from 1937, he was seen in such noteworthy roles as Anatole France in the Oscar-winning Life of Emile Zola (1937) and Papa Gershwin in Rhapsody in Blue (1945). He was also an effective "civilized heavy" opposite Humphrey Bogart in Dead Reckoning (1947). Carnovsky's film career came to sudden halt in 1951 when he was blacklisted after an appearance as an unfriendly witness before the House Un-American Activities Committee. Though he was denied film and TV work, Carnovsky and his actress wife Phoebe Brand worked steadily on-stage in New York and Europe. He returned to films in the French-Italian production of Arthur Miller's A View From the Bridge (1962), and in 1974 made his first appearance in a Hollywood film in nearly a quarter of a century. Still active into his late eighties, Morris Carnovsky worked as an actor and director on the regional theater circuit.

Trivia: American actor Trevor Bardette could truly say that he died for a living. In the course of a film career spanning three decades, the mustachioed, granite-featured Bardette was "killed off" over 40 times as a screen villain. Entering movies in 1936 after abandoning a planned mechanical engineering career for the Broadway stage, Bardette was most often seen as a rustler, gangster, wartime collaborator and murderous backwoodsman. His screen skullduggery carried over into TV; one of Bardette's best remembered video performances was as a "human bomb" on an early episode of Superman. Perhaps being something of a reprobate came naturally to Trevor Bardette -- or so he himself would claim in later years when relating a story of how, as a child, he'd won ten dollars writing an essay on "the evils of tobacco," only to be caught smoking behind the barn shortly afterward.

Trivia: Tousle-haired juvenile actor Russ Tamblyn began taking up dancing and acrobatics at the age of six. Needing very little prodding from his parents, the eager Tamblyn embarked on his professional career in the late '40s, performing in radio and Los Angeles musical revues. His first "straight" acting assignment was opposite Lloyd Bridges in the 1947 play Stone Jungle. He entered films in 1948, then was given an "introducing" screen credit for his first starring role in The Kid From Cleveland (1949). Signed by MGM, the young actor changed his billing from Rusty to Russ when cast as an army trainee in 1953's Take the High Ground. Beginning with Seven Brides for Seven Brothers, Tamblyn became a popular musical star, playing the title role in Tom Thumb (1958) and co-starring as gang leader Riff in the Oscar-winning West Side Story (1961). He was nominated for an Academy Award for his performance as the teenaged swain of Allison McKenzie (Diane Varsi) in 1958's Peyton Place. By the late '60s, Tamblyn's career had waned, and he was accepting roles in such cheapjack exploitation flicks as Satan's Sadists (1970) and Dracula vs. Frankenstein (1971). Russ Tamblyn stuck it out long enough to make a healthy comeback in the late '80s, notably in the role of psychiatrist Lawrence Jacoby on the cult-TV favorite Twin Peaks (1990).

Trivia: Virginia Farmer made many Hollywood features during the '40s. In the 1930s, she founded the Los Angeles branch of the Federal Theater Project. During the late 1940s her career was ruined after she was deemed a hostile witness by the House Un-American Activities Committee. Many years later Farmer taught at the L.A. Actors Studio.

Trivia: Stage actress Anne O'Neal first showed up onscreen as a street singer in John Ford's The Informer. Well suited for such roles as spinsterish gossips and baleful landladies, O'Neal kept busy in the mid-'30s with the Columbia Pictures short-subject unit, serving as the foil for such comics as Andy Clyde and the Three Stooges. During the 1940s, she was a semi-regular in the one- and two-reel productions of MGM, showing up in the Passing Parade, Our Gang, and Crime Does Not Pay series. Her feature-film credits include such small but memorable roles as psychiatrist Porter Hall's neurotic secretary in Miracle on 34th Street (1947) and Miss Sifert in the cult classic Gun Crazy (1949). Anne O'Neal spent her last active years in television, most poignantly as one of the "rejuvenated" senior citizens in the 1962 Twilight Zone episode "Kick the Can."

Trivia: Dapper, rotund character actor Don Beddoe was born in New York and raised in Cincinnati, where his father headed the Conservatory of Music. Beddoe's professional career began in Cincinnati, first as a journalist and then an actor. He made his Broadway debut in the unfortunately titled Nigger Rich, which starred Spencer Tracy. Beddoe became a fixture of Columbia Pictures in the 1930s and 1940s, playing minor roles in "A"s like Golden Boy, supporting parts ranging from cops to conventioneers in the studio's "B" features, and flustered comedy foil to the antics of such Columbia short subject stars as The Three Stooges, Andy Clyde and Charley Chase. Beddoe kept busy until the mid-1980s with leading roles in 1961's The Boy Who Caught a Crook and Saintly Sinners, and (as a singing leprechaun) in 1962's Jack the Giant Killer.

Trivia: After his 1948 film debut in Columbia's The Dark Past, American general purpose actor Robert Osterloh was signed to a Warner Bros. contract. During his Warners tenure, Osterloh was spotted in such fleeting roles as the prisoner whose mail is censored into oblivion in the 1949 James Cagney classic White Heat (1949). He then went into his "officer" period, wearing many uniforms and bearing several ranks over the next decade. Among Robert Osterloh's 1950s film assignments were Major White in The Day the Earth Stood Still (1951), Colonel Robert E. Lee in Seven Angry Men (1955) and Lieutenant Claybourn in I Bury the Living (1958).

Trivia: A wild-haired character comedian from Poland, Shimen Ruskin popped up in scores of Hollywood films and television shows from 1938-1975. Having begun his screen career playing bits and performing odd jobs in Yiddish-language films made in New York, Ruskin turned to acting full-time in the 1940s, usually playing excitable types such as headwaiters, bartenders, store keepers, haberdashery salesmen, and the like. Late in life, he appeared as Meyer, the waiter on the short-lived television series The Corner Bar (1972-1973) and played Mordcha in the screen version of Fiddler on the Roof (1971).

Trivia: Slight, grey-templed, bespectacled actor Harry Hayden was cast to best advantage as small-town store proprietors, city attorneys and minor bureaucrats. Dividing his time between stage and screen work from 1936, Hayden became one of the busiest members of Central Casting, appearing in everything from A-pictures like Mr. Smith Goes to Washington (1939) to the RKO 2-reelers of Leon Errol and Edgar Kennedy. Among his better-known unbilled assignments are horn factory owner Mr. Sharp (his partner is Mr. Pierce) in Laurel and Hardy's Saps at Sea (1940) and Farley Granger's harrumphing boss who announces brusquely that there'll be no Christmas bonus in O. Henry's Full House (1951). Hayden's final flurry of activity was in the role of next-door-neighbor Harry on the 1954-55 season of TV's The Stu Erwin Show (aka The Trouble with Father), in which he was afforded the most screen time he'd had in years -- though he remains uncredited in the syndicated prints of this popular series. From the mid '30s until his death in 1955, Harry Hayden and his actress wife Lela Bliss ran Beverly Hills' Bliss-Hayden Miniature Theatre, where several Hollywood aspirants were given an opportunity to learn their craft before live audiences; among the alumni of the Bliss-Hayden were Jon Hall, Veronica Lake, Doris Day, Craig Stevens, Debbie Reynolds, and Marilyn Monroe.

Trivia: Possessor of one of the meanest faces in the movies, American actor Ray Teal spent much of his film career heading lynch mobs, recruiting for hate organizations and decimating Indians. Naturally, anyone this nasty in films would have to conversely be a pleasant, affable fellow in real life, and so it was with Teal. Working his way through college as a saxophone player, Teal became a bandleader upon graduation, remaining in the musical world until 1936. In 1938, Teal was hired to act in the low-budget Western Jamboree, and though he played a variety of bit parts as cops, taxi drivers and mashers, he seemed more at home in Westerns. Teal found it hard to shake his bigoted badman image even in A-pictures; as one of the American jurists in Judgment at Nuremberg (1961), he is the only member of Spencer Tracy's staff that feels that sympathy should be afforded Nazi war criminals -- and the only one on the staff who openly dislikes American liberals. A more benign role came Teal's way on the '60s TV series Bonanza, where he played the sometimes ineffectual but basically decent Sheriff Coffee. Ray Teal retired from films shortly after going through his standard redneck paces in The Liberation of LB Jones (1970).

Trivia: The granddaughter of John Barrymore and grandniece of Ethel Barrymore and Lionel Barrymore, Drew Barrymore was born in Culver City, California on February 22, 1975. From there, she didn't waste much time getting in front of the cameras, making her first commercial at nine months and her first television movie, Suddenly Love, at the age of two. Two years later, she made her film debut, appearing as William Hurt's daughter in Altered States (1980). At the advanced age of seven, Barrymore became a true celebrity, thanks to her role as the cherubic Gertie in Steven Spielberg's E.T. The Extra-Terrestrial. The huge success of that 1982 film endeared Barrymore to millions of audience members, but following leads in two more films, Irreconcilable Differences and Firestarter (both 1984), the young actress began to succumb to a destructive lifestyle defined by drugs, alcohol, and too much partying. A child expected to behave like an adult, Barrymore began drinking at the age of nine and started taking drugs a short while later.Unsurprisingly, observers began writing Barrymore off as just another failed child star when she was barely into her teens. She made a string of (largely forgettable) movies, many of which only reinforced her image as a has-been. However, in the middle of her teen years, Barrymore entered rehab, cleaned herself up, and wrote an autobiography, Little Girl Lost, which detailed her travails with drugs and alcohol. In the early 1990s, she entered another phase in her career, gaining notoriety for playing a series of vampy, trampy trailer-park Lolitas. In this capacity, she turned in memorable performances in Poison Ivy (1992), the 1993 made-for-TV The Amy Fisher Story, and Batman Forever (1995), all of which featured her pouting seductively and showing more thigh than all the Rockettes combined. Barrymore's on-screen antics were ably complemented by the off-screen reputation she was forming at the time: first she could be seen posing nude with then-boyfriend Jamie Walters on the cover of Interview magazine, then modeling for a series of racy Guess ads, flashing David Letterman during an appearance on The Late Show as a "birthday present" to the host, and finally posing nude for Playboy in 1995.In 1996, Barrymore's image underwent an abrupt and effective transformation from slut to sweetheart. With a brief but memorable role in Wes Craven's Scream and a lead in Woody Allen's Everyone Says I Love You that featured her as a Kelly Girl for the '90s, Barrymore's career received an adrenaline shot to the heart. She began working steadily again, and she reshaped her offscreen persona into that of a delightful and sweet-natured girl trying to mend her ways. This new image was supported by her screen work, much of which featured her as a chaste heroine. Her starring role as the "real" Cinderella in Ever After (1998) was a good example, and it had the added advantage of turning out to be a fairly solid hit. Barrymore's other major 1998 film, The Wedding Singer, was another hit, further enhancing her reputation as America's new sweetheart. The following year, the actress all but put the final nail in the coffin of her wild-child reputation of years past, starring as the nerdy, lovelorn twenty-something reporter who bears the titular condition of Never Been Kissed. That movie not only marked a notable transition in Barrymore's reputation, but an advancement in her cinematic career as well. Expanding her role from actress to producer, Barrymore would continue starring in and producing such efforts as Charlie's Angels (2000), Donnie Darko (2001).Though some may have suspected that her millennial transition from sweetheart to skull-cracker in Charlie's Angels may have signaled a shift towards more action oriented roles -- and despite her return to the role in Charlie's Angels: Full Throttle (2003) -- Barrymore once again charmed audiences with another emotional comedy, Riding in Cars With Boys in 2001, while Confessions of a Dangerous Mind (2002) found Drew in the role of long-suffering girlfriend alongside Sam Rockwell's unlikely CIA operative. Though the film did not fare particularly well critically or otherwise, Barrymore took a nonetheless interesting turn as an apple-pie wife turned sinister in 2003's Duplex, and held her own against scene-chomper Ben Stiller. Barrymore teamed up with fellow Stiller-flick alumni Owen Wilson for 2004's Date School, and once again played Adam Sandler's sugar sweet girlfriend in director Peter Segal's romantic comedy Fifty-First Dates.2005 brought yet another openly fluffy romantic comedy with Fever Pitch, in which she played the straight-girl against Red Sox super-fan Jimmy Fallon, but she soon changed gears, signing on to appear in Lucky You, a gambling drama by Curtis Hanson. She was soon back to romcom terretory, with Music and Lyrics and He's Just Not That Into You, but also took on an extremly meaty character role in the 2009 HBO film Grey Gardens, in which she mimiced the particular speech and mannerisms of infamous shut-in "Little Edie" and met with major critical acclaim. Around this same time, Barrymore took on her first directorial effort, helming the modest, young-adult movie Whip It, which critics deemed a solid debut. Barrymore then took on a starring role alongside sometime boyfriend Justin Long in the 2010 comedy Going the Distance, before signing on to play an environmental activist in the feel-good period movie Big Miracle. She then took a career break in order to focus on her growing family before re-teaming with Adam Sandler in 2014 for the romcom Blended.

Trivia: Supporting actor Billy Drago first appeared onscreen in the '80s.

Trivia: With long brown hair, bright eyes, and full lips, Ione Skye first worked as a fashion model before getting into acting. The daughter of '60s folk rocker Donovan, she was born in England but raised by her mother in the U.S. Her modeling photographs caught the attention of director Tim Hunter, who cast her in his bleak teen drama River's Edge along with Keanu Reeves and Crispin Glover. She continued to get good roles throughout the '80s as the spoiled rich girl Denise in A Night in the Life of Jimmy Reardon and the valedictorian Diane Court in Cameron Crowe's bittersweet romantic comedy Say Anything..., arguably her best leading performance. She also had significant roles in the comedy The Rachel Papers, the drama Mindwalk, and the short period piece Carmilla. In 1992, she played the rebellious older sister Trudi in Gas Food Lodging, which also starred her brother, Donovan Leitch, as Fairuza Balk's glam friend, Darius. Director Allison Anders would later cast Skye in a segment of Four Rooms. The same year, she played Rob Lowe's girlfriend in Wayne's World and Eleanor Grey in the medieval TV series Covington Cross. A number of supporting performances followed, including the '50s-inspired crime flicks Guncrazy with Drew Barrymore and Girls in Prison with Anne Heche. Starring roles included the romantic comedy Dream for an Insomniac and the independent comedy drama Went to Coney Island on a Misson From God... Be Back by Five. In the 21st century she worked less frequently, but appeared in The Clinic, Fever Pitch, and had a memorable scene playing a terrified possible victim of the Zodiac killer in David Fincher's 2007 film about the infamous unsolved case. Following the breakup of her nine-year marriage to Beastie Boy Adam Horowitz, Skye got remarried and had her first baby.

Trivia: Jeremy Davies has made a name for himself playing a series of damaged and offbeat characters that highlight the young actor's considerable talents. Born October 28, 1969, in Rockford, IA, the skinny, dark-haired Davies trained at the American Academy of Dramatic Arts in Pasadena, CA. After making his television debut in a Suzuki commercial, he worked on various television shows. The actor made his film debut in the Drew Barrymore film Guncrazy (1992), but it was not until his turn as a young man being manipulated into an Oedipal relationship by his mother in David O. Russell's Spanking the Monkey (1994) that the actor began to garner wide respect and recognition. The film earned the actor considerable rave reviews, indie credibility, and an eventual role in the Jodie Foster movie Nell. In 1997, Davies went on to do The Locusts, co-starring Ashley Judd and Vince Vaughn. His role as Flyboy, the emotionally crippled son of an abusive mother, further added to the actor's reputation of playing victimized, internally conflicted young men. He next played a similarly conflicted character in the Mark Pellington adaptation of Dan Wakefield's coming-of-age novel Going All the Way, in which he co-starred with Ben Affleck. Davies' knack for choosing roles that allow him to go beyond Hollywood's conventions and mine the complexities of the human spirit was further reflected in his portrayal of the battle-shy Corporal Upham in Steven Spielberg's Saving Private Ryan and his role as a despondent officer in Ravenous (1999). 2001 found Davies stepping in front of the camera as a director whose attempt at finishing a film with a troubled production history proves exceptionally grating in CQ, the directorial debut of the legendary Francis Ford Coppola's son Roman Coppola.Davies two most memorable roles in 2002 saw him developing a twitchy eccentricity that would become a trademark in many of his films. The dark sexual comedy Secretary had him as a lovelorn suitor opposite a masochistic Maggie Gyllenhal and the sci-fi drama Solaris offered him the opportunity to work under the direction of Academy Award winner Steven Soderbergh.Having proven time and again his ability to pull off quirky, Davies tried his hand at all-out madness in 2004 when he starred as the infamous Charles Manson in the made-for-television remake of Helter Skelter. He worked with director Lars Von Trier on Manderlay, and starred in Rescue Dawn. In 2008 he started a three-year term as a time-traveling scientist on the hit ABC series Lost, and in 2010 he was cast as a compassionate hospital employee overseeing a psychiatric ward in It's Kind of a Funny Story.

Trivia: American actor Joseph Crehan bore an uncanny resemblance to Ulysses S. Grant and appeared as Grant in a number of historical features, notably They Died With Their Boots On (1941) and The Adventures of Mark Twain (1944). Appearing in hundreds of other films as well, the short, snappish actor's field-commander personality assured him authoritative roles as police chiefs, small-town mayors and newspaper editors. Because he never looked young, Joseph Crehan played essentially the same types of roles throughout his screen career, even up until 1961's Judgment at Nuremberg. Perhaps Joseph Crehan's oddest appearance is in a film he never made; in West Side Story (1961), it is Crehan's face that appears on those ubiquitous political campaign posters in the opening Jets vs. Sharks sequences.

Trivia: Short, portly, and possessed of a high-pitched laugh that cuts through the air like a buzzsaw, Massachussetts-born Dick Elliott had been on stage for nearly thirty before making his screen bow in 1933. Elliott was a frequent visitor to Broadway, enjoying a substantial run in the marathon hit Abie's Irish Rose. Physically and vocally unchanged from his first screen appearance in the '30s to his last in 1961, Elliott was most generally cast in peripheral roles designed to annoy the film's principal characters with his laughing jags or his obtrusive behavior; in this capacity, he appeared as drunken conventioneers, loud-mouthed theatre audience members, and "helpful" pedestrians. Elliott also excelled playing small-scale authority figures, such as stage managers, truant officers and rural judges. Still acting into his mid 70s, Dick Elliott appeared regularly as the mayor of Mayberry on the first season of The Andy Griffith Show, and was frequently cast as a department-store Santa in the Yuletide programs of such comics as Jack Benny and Red Skelton.

Trivia: American general-purpose actor George Lynn played scores of younger characters in Hollywood film during World War II, sometimes billing himself Peter Lynn and George Peter Lynn, a fact that makes tracking his many screen credits something of an ordeal. He was George Peter Lynn as Professor Fisher in the Republic serial Adventures of Captain Marvel (1941), George Lynn as the heavy in Laurel & Hardy's A-Haunting We Will Go (1943), and Peter Lynn as a reporter in Suddenly It's Spring (1947). To confuse matters even further, the actor used his real name, George M. Lynn, playing bit parts in Something to Live For (1952) and The Bushwackers (1952). Lynn also guest-starred on television shows such as The Lone Ranger and Adventures of Rin Tin Tin.

Trivia: A University of Florida football star, Dale Van Sickel entered films in the very early '30s as an extra. Playing hundreds of bit parts at almost every studio in Hollywood, Van Sickel earned his true fame as one of Republic Pictures' famous stuntmen, specializing in fisticuffs and car stunts. He appeared in nearly all the studio's serials in the 1940s, including The Tiger Woman (1944), The Purple Monster Strikes (1945), and The Black Widow (1947), almost always playing several bit roles as well. Often the studio cast their leading men because of their resemblance to Van Sickel and the other members of the serial stunt fraternity that included Tom Steele, Dave Sharpe, and Ted Mapes. A founding member and the first president of the Stuntmen's Association of Motion Pictures, Van Sickel later performed in innumerable television shows as well as such diverse feature films as Spartacus (1960), It's a Mad Mad Mad Mad World (1963), and The Love Bug (1969).