Trivia: Steve McQueen was the prototypical example of a new sort of movie star which emerged in the 1950s and would come to dominate the screen in the 1960s and '70s -- a cool, remote loner who knew how to use his fists without seeming like a run-of-the-mill tough guy, a thoughtful man in no way an effete intellectual, a rebel who played by his own rules and lived by his own moral code, while often succeeding on his own terms. While McQueen was one of the first notable examples of this new breed of antihero (along with James Dean, Marlon Brando, and Paul Newman), he was also among the most successful, and was able to succeed as an iconoclast and one of Hollywood's biggest box-office draws at the same time.Terrence Steven McQueen was born in Indianapolis, IN, on March 24, 1930. In many ways, McQueen's childhood was not a happy one; his father and mother split up before his first birthday, and he was sent to live with his great uncle on a farm in Missouri. After he turned nine, McQueen's mother had married again, and he was sent to California to join her. By his teens, McQueen had developed a rebellious streak, and he began spending time with a group of juvenile delinquents; McQueen's misdeeds led his mother to send him to Boys' Republic, a California reform school. After ninth grade, McQueen left formal education behind, and after a spell wandering the country, he joined the Marine Corps in 1947. McQueen's hitch with the Leathernecks did little to change his anti-authoritarian attitude; he spent 41 days in the brig after going Absent With Out Leave for two weeks.After leaving the Marines in 1950, McQueen moved to New York City, where he held down a number of short-term jobs while trying to decide what he wanted to do with his life. At the suggestion of a friend, McQueen began to look into acting, and developed an enthusiasm for the theater. In 1952, he began studying acting at Sanford Meisner's Neighborhood Playhouse. After making an impression in a number of small off-Broadway productions, McQueen was accepted into Lee Strasberg's prestigious Actor's Studio, where he further honed his skills. In 1956, McQueen made his Broadway debut and won rave reviews when he replaced Ben Gazzara in the lead of the acclaimed drama A Hatful of Rain. The same year, McQueen made his film debut, playing a bit part in Somebody Up There Likes Me alongside Paul Newman, and he married dancer Neile Adams. In 1958, after two years of stage work and television appearances, McQueen scored his first leading role in a film as Steve, a noble and rather intense teenager in the sci-fi cult item The Blob, while later that same year he scored another lead, in the television series Wanted: Dead or Alive. McQueen's moody performances as bounty hunter Josh Randall elevated him to stardom, and in 1960, he appeared in the big-budget Western The Magnificent Seven (an Americanized remake of The Seven Samurai), confirming that his new stardom shone just as brightly on the big screen. In 1961, McQueen completed his run on Wanted: Dead or Alive and concentrated on film roles, appearing in comedies (The Honeymoon Machine, Love With a Proper Stranger) as well as action roles (Hell Is for Heroes, The War Lover). In 1963, McQueen starred in The Great Escape, an action-packed World War II drama whose blockbuster success confirmed his status as one of Hollywood's most bankable leading men; McQueen also did his own daredevil motorcycle stunts in the film, reflecting his offscreen passion for motorcycle and auto racing. (McQueen would also display his enthusiasm for bikes as narrator of a documentary on dirt-bike racing, On Any Sunday).Through the end of the 1960s, McQueen starred in a long string of box-office successes, but in the early '70s, he appeared in two unexpected disappointments -- 1971's Le Mans, a racing film that failed to capture the excitement of the famed 24-hour race, and 1972's Junior Bonner, an atypically good-natured Sam Peckinpah movie that earned enthusiastic reviews but failed at the box office. Later that year, McQueen would team up again with Peckinpah for a more typical (and much more successful) action film, The Getaway, which co-starred Ali MacGraw. McQueen had divorced Neile Adams in 1971, and while shooting The Getaway, he and MacGraw (who was then married to producer Robert Evans) became romantically involved. In 1973, after MacGraw divorced Evans, she married McQueen; the marriage would last until 1977.After two more big-budget blockbusters, Papillon and The Towering Inferno, McQueen disappeared from screens for several years. In 1977, he served as both leading man and executive producer for a screen adaptation of Ibsen's An Enemy of the People, which fared poorly with both critics and audiences when it was finally released a year and a half after it was completed. In 1980, it seemed that McQueen was poised for a comeback when he appeared in two films -- an ambitious Western drama, Tom Horn, which McQueen co-directed without credit, and The Hunter, an action picture in which he played a modern-day bounty hunter -- and he wed for a third time, marrying model Barbara Minty in January of that year. However, McQueen's burst of activity hid the fact that he had been diagnosed with mesothelioma, a highly virulent form of lung cancer brought on by exposure to asbestos. After conventional treatment failed to stem the spread of the disease, McQueen traveled to Juarez, Mexico, where he underwent therapy at an experimental cancer clinic. Despite the efforts of McQueen and his doctors, the actor died on November 7, 1980. He left behind two children, Chad McQueen, who went on to his own career as an actor, and daughter Terry McQueen, who died of cancer in 1998.

Trivia: American actor Richard Crenna started out as a radio performer at age 11, demonstrating an astonishing range for one so young. The momentum of his career was unaffected by an army hitch and time spent earning an English degree at the University of Southern California. But even though he was by then in his twenties, Crenna found himself still playing adolescents, notably squeaky-voiced high schooler Walter Denton on the radio comedy Our Miss Brooks. That he was able to play characters of virtually any age was overlooked by movie and TV casting directors, who could see Crenna only in callow-juvenile roles. After making an excellent impression as ballplayer Daffy Dean in the 1953 film Pride of St. Louis, for example, Crenna wasn't cast in another film until the 1955 movie version of Our Miss Brooks--in which, at 29, he was Walter Denton once more. The following year, Crenna decided "to sorta let Walter Denton die," and took a decidedly mature role in the sleazy exploitation film Over-Exposed (1956). It was a fully grown Crenna who took on the role of Luke McCoy on the Walter Brennan TV series The Real McCoys, which ran from 1957 through 1963 and which gave Crenna his first opportunities as a director. After McCoys, Crenna found himself facing potential career standstill again, since it seemed that now he was typed as the rubeish Luke McCoy. This time, however, the actor had impressed enough producers with his dogged work ethic and the range displayed in guest-star appearances. In 1964, Crenna was cast in a prestigious TV drama For the People as assistant DA David Koster, and though the program lasted only one season, Crenna was firmly established as a compelling dramatic actor. Still, and despite solid Richard Crenna film performances in The Sand Pebbles (1966), Body Heat (1981) and The Flamingo Kid (1985), the actor has never completely escaped the spectre of Walter Denton. Crenna was able to conjure up the old adenoidal Denton voice on talk shows of the 1980s and 1990s, and in the action-film spoof Hot Shots: Part Deux, the actor, with an absolute straight face, portrayed Colonel Denton Walters!

Trivia: One of England's most respected actors and directors, Sir Richard Attenborough made numerous contributions to world cinema both in front of and behind the camera. The son of a Cambridge school administrator, Attenborough began dabbling in theatricals at the age of 12. While attending London's Royal Academy of Dramatic Art in 1941, he turned professional, making his first stage appearance in a production of Eugene O'Neill's Ah, Wilderness! He made his screen debut as the Young Sailor in Noel Coward and David Lean's In Which We Serve (1943), before achieving his first significant West End success as the punkish, cowardly, petty criminal Pinkie Brown in Brighton Rock. After three years of service with the Royal Air Force, Attenborough rose to film stardom in the 1947 film version of Brighton Rock -- a role that caused him to be typecast as a working-class misfit over the next few years. One of the best of his characterizations in this vein can be found in The Guinea Pig (1948), in which the 26-year-old Attenborough was wholly credible as a 13-year-old schoolboy. As the '50s progressed, he was permitted a wider range of characters in such films as The Magic Box (1951), The Ship That Died of Shame (1955), and Private's Progress (1956). In 1959, he teamed up with director Bryan Forbes to form Beaver Films. Before the partnership dissolved in 1964, Attenborough had played such sharply etched personalities as Tom Curtis in The Angry Silence (1960) and Bill Savage in Séance on a Wet Afternoon (1964); he also served as producer for the Forbes-directed Whistle Down the Wind (1962) and The L-Shaped Room (1962). During the '60s, Attenborough exhibited a fondness for military roles: POW mastermind Bartlett in The Great Escape (1963); hotheaded ship's engineer Frenchy Burgoyne in The Sand Pebbles (1966); and Sgt. Major Lauderdale in Guns at Batasi (1964), the performance that won him a British Academy Award. He also played an extended cameo in Doctor Dolittle (1967), and sang "I've Never Seen Anything Like It in My Life," a paean to the amazing Pushmi-Pullyu. This boisterous musical performance may well have been a warm-up for Attenborough's film directorial debut, the satirical anti-war revue Oh, What a Lovely War (1969). He subsequently helmed the historical epics Young Winston (1972) and A Bridge Too Far (1977), then scaled down his technique for the psychological thriller Magic (1978), which starred his favorite leading man, Anthony Hopkins. With more and more of his time consumed by his directing activities, Attenborough found fewer opportunities to act. One of his best performances in the '70s was as the eerily "normal" real-life serial killer Christie in 10 Rillington Place (1971). In 1982, Attenborough brought a 20-year dream to fruition when he directed the spectacular biopic Gandhi. The film won a raft of Oscars, including a Best Director statuette for Attenborough; he was also honored with Golden Globe and Director's Guild awards, and, that same year, published his book In Search of Gandhi, another product of his fascination with the Indian leader. All of Attenborough's post-Gandhi projects were laudably ambitious, though none reached the same pinnacle of success. Some of the best of his latter-day directorial efforts were Cry Freedom, a 1987 depiction of the horrors of apartheid; 1992's Chaplin, an epic biopic of the great comedian; and Shadowlands (1993), starring Anthony Hopkins as spiritually motivated author C.S. Lewis. Attenborough returned to the screen during the '90s, acting in avuncular character roles, the most popular of which was the affable but woefully misguided billionaire entrepreneur John Hammond in Steven Spielberg's Jurassic Park (1993), a role he reprised for the film's 1997 sequel. Other notable performances included the jovial Kriss Kringle in Miracle on 34th Street (1994) and Sir William Cecil in Elizabeth (1998). The brother of naturalist David Attenborough and husband of actress Sheila Sim, he was knighted in 1976 and became a life peer in 1993. Attenborough has chaired dozens of professional organizations and worked tirelessly on behalf of Britain's Muscular Dystrophy Campaign.In 1998 the venerable screen legend has a small part in the Oscar-nominated Elizabeth, and in 1999 he directed Grey Owl. Then, in 2007, at the age of 84 he directed the seeping World War II epic romance Closing the Ring with a stellar cast that included Shirley MacLaine, Christopher Plummer, Brenda Fricker, and Pete Postlethwaite. In 2008, he suffered several health setbacks and retired from filmmaking. He died in 2014, just before his 91st birthday.

Trivia: American actress Candice Bergen was a celebrity even before she was born. As the first child of popular radio ventriloquist Edgar Bergen and his young wife Frances, Candice was a hot news item months before her birth, and headline material upon that blessed event (her coming into the world even prompted magazine cartoons which suggested that Edgar would try to confound the nurses by "giving" his new daughter a voice). Candice made her first public appearance as an infant, featured with her parents in a magazine advertisement. Before she was ten, Candice was appearing sporadically on dad's radio program, demonstrating a precocious ability to throw her own voice (a skill she hasn't been called upon to repeat in recent years); at 11 she and Groucho Marx's daughter Melinda were guest contestants on Groucho's TV quiz show You Bet Your Life. Candice loved her parents and luxuriated in her posh lifestyle, though she was set apart from other children in that her "brothers" were the wooden dummies Charlie McCarthy and Mortimer Snerd - and Charlie had a bigger bedroom than she did! Like most 1960s teens, however, she rebelled against the conservatism of her parents and adopted a well-publicized, freewheeling lifestyle - and a movie career. In her first film, The Group (1965), Candice played a wealthy young lesbian - a character light years away from the sensibilities of her old-guard father. She next appeared with Steve McQueen in the big budget The Sand Pebbles (1966), simultaneously running smack dab into the unkind cuts of critics, who made the expected (given her parentage) comments concerning her "wooden" performance. Truth to tell, Candice did look far better than she acted, and this status quo remained throughout most of her film appearances of the late 1960s; even Candice admitted she wasn't much of an actress, though she allowed (in another moment that must have given papa Edgar pause) that she was terrific when required in a film to simulate an orgasm. Several films later, Candice decided to take her career more seriously than did her critics, and began emerging into a talented and reliable actress in such films as Carnal Knowledge (1971) and The Wind and the Lion (1975). Most observers agree that Candice's true turnaround was her touching but hilarious performance as a divorced woman pursuing a singing career - with little in the way of talent - in the Burt Reynolds comedy Starting Over (1979). Candice's roller-coaster offscreen life settled into relative normality when she married French film director Louis Malle; meanwhile, her acting career gained momentum as she sought out and received ever-improving movie and TV roles. In 1988, Candice began a run in the title role of the television sitcom Murphy Brown, in which she was brilliant as a mercurial, high-strung TV newsmagazine reporter, a role that won Ms. Bergen several Emmy Awards. While Murphy Brown capped Candice Bergen's full acceptance by audiences and critics as an actress of stature, it also restored her to "headline" status in 1992 - when, in direct response to the fictional Murphy Brown's decision to become a single mother, Vice President Dan Quayle delivered his notorious "family values" speech.Murphy Brown finished its successful run in 1997, and Bergen would make a handful of big-screen appearances in the ensuing years including Miss Congeniality, Sweet Home Alabama, and The In-Laws. In 2004 she became part of the cast of Boston Legal, another hit show that ran for five often award-winning seasons. When that show came to a close, she appeared in films such as The Women, Sex and the City, and Bride Wars - where she portrayed the country's leading wedding planner.

Trivia: Japanese actor Mako, born Makoto Iwamatsu, has spent most of his professional career in the United States. His first important film appearance was as Po-Han, Steve McQueen's assistant machinist, in The Sand Pebbles (1966), a performance that earned him an Oscar nomination. He remained in films into the 1990s, playing choice character parts in such films as Hawaiians (1967), Conan the Destroyer (1984), and Rising Sun (1993). Mako's TV credits include the role of Major Oshira on the weekly Hawaiian Heat (1984) and the 1990 TV movie Hiroshima: Out of the Ashes.

Trivia: After attending the University of Minnesota, actor Larry Gates made his Broadway bow in 1939. In middle age, Gates was seen in numerous movie and TV productions, usually cast in mercantile or executive roles. His average-man demeanor and personality was put to good use in The Invasion of the Body Snatchers (1956), wherein Gates played "pod person" Dr. Dan Kaufmann. On television, Larry Gates spent several years in the role of H. B. Lewis on the CBS daytime drama The Guiding Light and was cast as President Herbert Hoover in the 1979 miniseries Backstairs at the White House.

Trivia: Supporting actor, onscreen from 1965.

Trivia: A former violinist, character actor Simon Oakland made his Broadway debut in 1948's The Skipper Next to God. Oakland's later stage credits include Light Up the Sky, The Shrike and Inherit the Wind. In films from 1957, Oakland was often cast as an outwardly unpleasant sort with inner reserves of decency and compassion. In I Want to Live (1958) for example, he played a journalist who first shamelessly exploited the murder trial of death-row inmate Susan Hayward, then worked night and day to win her a reprieve. And in Hitchcock's Psycho (1960), he had a memorable curtain speech as a jumpy, jittery, apparently neurotic psychiatrist who turned out to be the only person who fully understood transvestite murderer Anthony Perkins. Conversely, Oakland played his share of out-and-out villains, notably the bigoted Officer Schrank in West Side Story (1961). Far busier on television than in films--he once estimated that he'd appeared in 550 TV productions--Oakland was seen almost exclusively on the small screen after 1973. Within a five-year period, he was a regular on four series: Kolchak: The Night Stalker, Toma, Black Sheep Squadron and David Cassidy, Man Undercover. After a long losing bout with cancer, Simon Oakland died one day after his 63rd birthday.

Trivia: In films since 1949's White Heat, American actor Ford Rainey most often played judges, doctors and police officials. Rainey's weekly TV roles included small-town newspaper editor Lloyd Ramsey in Window on Main Street (1961), research director Dr. Barnett in Search (1972) James Barrett in The Manhunter (1974) and Jim in The Bionic Woman (1975). Undoubtedly his most rewarding TV-series assignment was The Richard Boone Show (1963), in which, as a member of Boone's "repertory company," he was allowed to essay a different role each week. When last we saw Ford Rainey, he was playing a big-time counterfeiter on Wiseguy (1987).

Trivia: Best remembered for his high-profile acting roles on two 1970s television sitcoms -- that of genial news writer Murray Slaughter on CBS's The Mary Tyler Moore Show (1970-1977) and that of sweet-natured Captain Merrill Stubing on ABC's The Love Boat (1977-1986), stage-trained actor Gavin MacLeod in fact began his career typecast as a villain. He landed parts in Hollywood features including The Sand Pebbles (1966), Deathwatch (1966), and The Comic (1969), and enjoyed a tenure as Joseph "Happy" Haines on the sitcom McHale's Navy from 1962 through 1964. After The Love Boat permanently laid anchor in the mid-'80s, MacLeod signed on as a spokesperson and pitchman for Princess Cruises and returned to regional theatrical work. He also tackled guest spots on programs including Touched by an Angel and (in a move that surprised everyone) the HBO prison drama Oz. Off-camera, MacLeod is an outspoken born-again Christian. He hosted a popular talk show on the Trinity Broadcasting Network, along with his wife, Patti (whom he divorced in 1982 and remarried three years later), called Back on Course, and personally funded many of the Greatest Adventure Stories from the Bible animated videos for children.

Trivia: Though he was the personification of the cruel, calculating Japanese military officer in many a wartime propaganda film, Richard Loo was actually born in Hawaii of Chinese parents. The holder of a Business Studies degree from the University of California, Loo ran a successful importing firm until his assets were wiped out in the 1929 stock market crash. He launched his acting career in 1931, first in California-based stock companies, then in films, beginning with Frank Capra's Dirigible (1931). His movie career picked up momentum after the attack on Pearl Harbor, with villainous roles in such films as Wake Island (1942) and The Purple Heart (1944). In all, Richard Loo toted up some 200 film appearances in his five-decade career.

Trivia: Formerly a Broadway and Hollywood actor/dancer--he was seen as Indio in the Oscar-winning West Side Story (1961)--Gus Trikonis switched to directing in 1968. During his first years as director, Trikonis paid his dues with such drive-in fodder as Swinging Barmaids (1975), Student Body (1976), Nashville Girl (1976) and Moonshine County Express (1978), all decidedly better than their titles. The one Trikonis film that garnered the largest amount of audience approval was his 1981 blue-collar comedy Take This Job and Shove It. As busy in television as in films (if not busier), Gus Trikonis has called the shots on such top-rated weeklies as Baywatch, and such noteworthy made-for-TV movies as Elvis and the Beauty Queen (1981), Dempsey (1983) and Malice in Wonderland (1985)

Trivia: Beulah Quo is the founder of one of America's first Asian-American repertory groups, the East West Players. The Emmy-nominated actress embarked on a lucrative film and television career following her film debut in 1955's Love Is a Many Splendored Thing. Born Beulah Kwoh in Stockton, CA, the future dialog coach-cum-actress earned a bachelor's degree in social welfare at the University of California, later obtaining a master's in sociology from the University of Chicago. Subsequently, Quo and her family relocated to China so she could find work as a teacher, but she and her family fled the country on a U.S. destroyer, just as the Communists took over shortly after World War II. It was while working as a sociology teacher at a small community college that Quo received news that director Henry King was searching for an Asian dialect coach for his film Love Is a Many Splendored Thing, and after meeting with the director, King cast Quo in a small role in the film. Her career took off shortly thereafter. Quo appeared in such films as Girls! Girls! Girls! (1962) and Chinatown (1974) before receiving an Emmy nomination for her role as a dowager empress in 1978's Meeting of Minds. Joining the cast of television's General Hospital in 1985, Quo would remain on the soap opera for six years. She also appeared in such films as Bad Girls (1994) and Brokedown Palace (1999). In her later years, Quo's final feature role was in the 2001 film Forbidden City. In late October of 2002, Beulah Quo died of heart failure in La Mesa, CA. She was 79.

Trivia: Actor James Hong was working as a nightclub comic in San Francisco and Hawaii when he was tapped for his first regular TV role: "Number One Son" Barry Chan in the Anglo-American co-production The New Adventures of Charlie Chan (1957). Hong would later appear as Frank Chen in Jigsaw John (1976) and Wang in Switch (1977-78). In theatrical features, he played characters bearing such flavorful monikers as Chew, Lo Pan and Bing Wong. He was seen as Faye Dunaway's butler in Roman Polanski's Chinatown (1974), repeating the role (minus Faye) in the 1990 sequel The Two Jakes. One of his most sizeable screen roles was Lamont Cranston's brainy assistant Li Peng in The Shadow (1994). James Hong has also directed a brace of feature films, including 1979's The Girls Next Door and 1989's The Vineyard.

Trivia: More familiar for his radio work than his film appearances, American actor Ben Wright was active professionally from the early '40s. Dialects were a specialty with Wright, as witness his two-year hitch as Chinese bellhop Hey Boy on the radio version of Have Gun Will Travel. Most of Wright's film roles were supporting or bit appearances in such productions as A Man Called Peter (1955), Journey to the Center of the Earth (1959), Judgment at Nuremberg (1961), My Fair Lady (1964), and The Fortune Cookie (1964). On TV, Wright was one of Jack Webb's stock company (including fellow radio veterans Virginia Gregg, Stacy Harris, and Vic Perrin) on the '60s version of Dragnet. Ben Wright's most frequently seen film appearance was as the humorless Nazi functionary Herr Zeller in the 1965 megahit The Sound of Music.

Trivia: He was Walter Reed Smith on his birth certificate, but when he decided to pursue acting, the Washington-born hopeful dropped the "Smith" and retained his first and middle name professionally. Bypassing the obvious medical roles that an actor with his hospital-inspired cognomen might have accepted for publicity purposes, Reed became a light leading man in wartime films like Seven Days Leave (1942). Banking on his vague resemblance to comic-book hero Dick Tracy, Reed starred in the 1951 Republic serials Flying Disc Man from Mars and Government Agents vs. Phantom Legion. He was also seen as mine supervisor Bill Corrigan in Superman vs. the Mole Men (1951), a 58-minute B-film which represented George Reeves' first appearance as the Man of Steel. Walter Reed continued as a journeyman "authority" actor until 1970's Tora! Tora! Tora!

Trivia: Born in Northern Australia, Gil Perkins distinguished himself in his teen years as a champion athlete, trackman and swimmer. Perkins left his homeland at age 18 to go to sea; nearly a decade later he found himself in Hollywood, where he sought out acting roles, the first of which was in The Divine Lady (1928). Though a personable screen presence, he found that his true forte was stunt work. Over a period of thirty years, he doubled for dozens of male stars, from William Boyd ("Hopalong Cassidy") to Red Skelton (whom he closely resembled). While he was willing to tackle the riskiest of stunts, Perkins was far from reckless, always working out in advance the safest and least painful method of pulling off his "gags." He was especially in demand for slapstick comedies, eventually receiving so many pies in the face that the very sight of the pastry made him physically ill. Perkins did more acting than stunting in the latter stages of his career (he can be seen as Jacob of Bethlehem in 1965's The Greatest Story Ever Told), and also kept busy as a stunt coordinator. A most engaging and candid interview with Gil Perkins can be found in Bernard Rosenberg and Harry Silverstein's 1970 book of Hollywood reminiscences, The Real Tinsel.

Trivia: American actor Joe Turkel had at least one movie leading role, as the Genie in the 1961 kiddie-matinee feature The Boy and the Pirates. Otherwise he seldom rose any farther than featured billing (sometimes, as in Harold and Maude [1971], he got no billing at all). In films since the late '40s, Turkel essayed character parts in such productions as City Across the River (1949), Visit to a Small Planet (1959), The Sand Pebbles (1966), Hindenberg (1977) and Blade Runner (1980) (as Tyrrell); though firmly entrenched in Hollywood, he occasionally grabbed a quick paycheck in such exploitation flicks as Savage Abduction (1975), which afforded him star billing if not a whole lot of prestige. Joe Turkel is best remembered by "auteur" critics for his appearances in the films of director Stanley Kubrick: He played Tiny in The Killing (1955), Private Arnaud in Paths of Glory (1957), and the other-worldly bartender Lloyd in The Shining (1978).