Trivia: The son of a Canadian railroad executive, Glenn Ford first toddled on-stage at age four in a community production of Tom Thumb's Wedding. In 1924, Ford's family moved to California, where he was active in high-school theatricals. He landed his first professional theater job as a stage manager in 1934, and, within a year, he was acting in the West Coast company of Lillian Hellman's The Children's Hour. Although he made his film debut in 20th Century Fox's Heaven With a Barbed Wire Fence (1939), Ford was signed by Columbia, which remained his home base for the next 14 years. After an apprenticeship in such B-movies as Blondie Plays Cupid (1940), Ford was promoted to Columbia's A-list. Outwardly a most ordinary and unprepossessing personality, Ford possessed that intangible "something" that connected with audiences. The first phase of his stardom was interrupted by World War II service in the Marines (he retained his officer's commission long after the war, enabling him to make goodwill visits to Korea and Vietnam). Upon his return, Ford had some difficulty jump-starting his career, but, in 1946, he was back on top as Rita Hayworth's co-star in Gilda. While he insisted that he "never played anyone but [himself] onscreen," Ford's range was quite extensive. He was equally effective as a tormented film noir hero (The Big Heat [1953], Human Desire [1954]) as he was in light comedy (Teahouse of the August Moon [1956], The Gazebo[1959]). Nearly half of his films were Westerns, many of which -- The Desperadoes (1943), The Fastest Gun Alive (1956), 3:10 to Yuma (1957), Cowboy (1958) -- were among the best and most successful examples of that highly specialized genre. He was also quite effective at conveying courage under pressure: While it was clear that his characters in such films as The Blackboard Jungle (1955) and Ransom (1956) were terrified by the circumstances surrounding them, it was also obvious that they weren't about to let that terror get the better of them. In 1958, Ford was voted the number one male box-office attraction. Through sagacious career choices, the actor was able to extend his popularity long after the studio system that "created" him had collapsed. In 1971, he joined such film stars as Shirley MacLaine, Anthony Quinn, and Jimmy Stewart in the weekly television grind. While his series Cade's County ended after a single season, in the long run it was more successful than the vintage-like programs of MacLaine, Quinn, et al., and enjoyed a healthy life in syndication. Ford went on to star in another series, The Family Holvak (1975), and hosted a weekly documentary, When Havoc Struck (1978). He also headlined such miniseries as Once an Eagle (1976) and Evening in Byzantium (1978), and delivered a particularly strong performance as an Irish-American patriarch in the made-for-TV feature The Gift (1979). He continued showing up in choice movie supporting roles into the early '90s; one of the best of these was as Clark Kent's foster father in Superman: The Movie (1978).Although illness sharply curtailed his performing activities after that, Ford was still seemingly on call during the 1980s and '90s whenever a cable TV documentary on Hollywood's Golden Era required an eyewitness interview subject. In 1970, Ford published an autobiography, Glenn Ford, RFD Beverly Hills. His first wife was actress Eleanor Powell; He was also married to Kathryn Hays and Cynthia Hayward. His last film appearance was a cameo in 1993's Tombstone; after a series of strokes later that decade, he died in 2006 at the age of 90.

Trivia: The son of an Oklahoma dentist, Van Heflin moved to California after his parents separated. Drawn to a life on the sea, Heflin shipped out on a tramp steamer upon graduating from high school, returning after a year to attend the University of Oklahoma in pursuit of a law degree. Two years into his studies, Heflin was back on the ocean. Having entertained thoughts of a theatrical career since childhood, Heflin made his Broadway bow in Channing Pollock's Mister Moneypenny; when the play folded after 61 performances, Heflin once more retreated to the sea, sailing up and down the Pacific for nearly three years. He revitalized his acting career in 1931, appearing in one short-lived production after another until landing a long-running assignment in S. N. Behrmann's 1936 Broadway offering End of Summer. This led to his film bow in Katharine Hepburn's A Woman Rebels (1936), as well as a brief contract with RKO Radio. Katharine Hepburn requested Heflin's services once more for her Broadway play The Philadelphia Story, and while the 1940 MGM film version of that play cast James Stewart in Heflin's role, the studio thought enough of Heflin to sign him to a contract. One of his MGM roles, that of the alcoholic, Shakespeare-spouting best friend of Robert Taylor in Johnny Eager (1942), won Heflin a "Best Supporting Actor" Oscar. After serving in various Army film units in World War II, Heflin resumed his film career, and also for a short while was heard on radio as Raymond Chandler's philosophical private eye Philip Marlowe. He worked in both Hollywood and Europe throughout the 1950s. In 1963, he was engaged to narrate the prestigious TV anthology The Great Adventure. He was forced to pull out of this assignment when cast as the Louis Nizer character in the Broadway play A Case of Libel. Heflin's final film appearance was in the made-for-TV speculative drama The Last Child; he died of a heart attack at the age of 61. Van Heflin was married twice, first to silent film star Esther Ralston, then to RKO contract player Frances Neal (who should not be confused with Heflin's actress sister Frances Heflin).

Trivia: Penn State alumnus Felicia Farr always seemed much too intelligent for the standard western leading lady parts she was usually saddled with in films. It was a far more rewarding experience to watch Farr essay such roles as the drunken, frustrated housewife who--almost in spite of herself--seduces pop star Dean Martin in Kiss Me, Stupid. In 1962, Farr became the second wife of actor Jack Lemmon, a union that stands to this day. Felicia Farr has acted with her husband in That's Life (1986), and was directed by him in Kotch (1971).

Trivia: American actress Leora Dana entered films and TV after extensive stage work. Her prim, prematurely matronly features precluded leading-lady work for Leora, except for occasional appearances on such TV anthologies as The Alfred Hitchcock Show. Her film work consisted of sizeable supporting roles in films like 3:10 to Yuma (1957), Kings Go Forth (1958), and Pollyanna (1960), playing preacher Karl Malden's wife in the latter film. Additional film credits include The Group (1966), The Boston Strangler (1968), Change of Habit (1969) and Shoot the Moon (1981). Leora was also seen in a continuing role on the never-ending daytime drama Another World, and in 1976 she played the older Abigail Adams in the 13-part PBS series The Adams Chronicles (Kathryn Walker was the younger Abigail). At one time, Leora Dana was married to stage and film actor Kurt Kasznar.

Trivia: Starting out in musicals and comedies, leather-lunged character actor Henry Jones had developed into a versatile dramatic actor by the 1950s, though he never abandoned his willingness to make people laugh. Jones scored his first cinematic bullseye when he re-created his Broadway role as the malevolent handyman Leroy in the 1956 cinemadaptation of Maxwell Anderson's The Bad Seed (1956). Refusing to be typed, Jones followed this triumph with a brace of quietly comic roles in Frank Tashlin's The Girl Can't Help It (1956) and Will Success Spoil Rock Hunter. He returned to Broadway in 1958, winning the Tony and New York Drama Critics' awards for his performance in Sunrise at Campobello. Since that time, Jones has flourished in films, often making big impressions in the tiniest of roles: the coroner in Vertigo (1958), the bicycle salesman in Butch Cassidy and the Sundance Kid (1969), the hotel night clerk in Dick Tracy (1990) and so on. From 1963's Channing onward, Jones has been a regular on several weekly TV series, most notably as Judge Jonathan Dexter in Phyllis (1975-76) and B. Riley Wicker on the nighttime serial Falcon Crest (1985-86). Henry Jones is the father of actress Jocelyn Jones.

Trivia: Born R. Hanley Jaeckel (the "R" stood for nothing), young Richard Jaeckel arrived in Hollywood with his family in the early 1940s. Columnist Louella Parsons, a friend of Jaeckel's mother, got the boy a job as a mailman at the 20th Century-Fox studios. When the producers of Fox's Guadalcanal Diary found themselves in need of a baby-faced youth to play a callow marine private, Jaeckel was given a screen test. Despite his initial reluctance to play-act, Jaeckel accepted the Guadalcanal Diary assignment and remained in films for the next five decades, appearing in almost 50 movies and playing everything from wavy-haired romantic leads to crag-faced villains. Between 1944 and 1948, Jaeckel served in the U.S. Navy. Upon his discharge, he co-starred in Sands of Iwo Jima with John Wayne and Forrest Tucker. In 1971, Jaeckel was nominated for a "Best Supporting Actor" Oscar on the strength of his performance in Sometimes a Great Notion. Richard Jaeckel has also been a regular in several TV series, usually appearing in dependable, authoritative roles: he was cowboy scout Tony Gentry in Frontier Circus (1962), Lt. Pete McNeil in Banyon (1972), firefighter Hank Myers in Firehouse (1974), federal agent Hank Klinger in Salvage 1 (1979), Major Hawkins in At Ease (1983) (a rare -- and expertly played -- comedy role), and Master Chief Sam Rivers in Supercarrier (1988). From 1991-92, Jaeckel played Lieutenant Ben Edwards on the internationally popular series Baywatch. Jaeckel passed away at the Motion Picture & Television Hospital of an undisclosed illness at the age of 70.

Trivia: American actor Robert Emhardt began his Broadway career in the late '30s as an understudy for corpulent character star Sidney Greenstreet whom he closely resembled. In films from 1952, the paunchy, phlegmatic Emhardt carved a niche in characterizations calling for gross, obnoxious villainy. His best and most typical screen role was the "respectable" crime boss in Sam Fuller's Underworld U.S.A. (1961). A television fixture well into the 1980s, Robert Emhardt showed up in several Alfred Hitchcock Presents installments, was seen on a regular basis as Mackenzie Cory on the daytime soap opera Another World, and won an Emmy for his wonderful performance as an ulcerated businessman stranded in Mayberry, NC, in "Man in a Hurry," a 1963 episode of The Andy Griffith Show.

Trivia: Character actor/director Robert Ellenstein first appeared onscreen in 1955.

Trivia: In films since 1949's White Heat, American actor Ford Rainey most often played judges, doctors and police officials. Rainey's weekly TV roles included small-town newspaper editor Lloyd Ramsey in Window on Main Street (1961), research director Dr. Barnett in Search (1972) James Barrett in The Manhunter (1974) and Jim in The Bionic Woman (1975). Undoubtedly his most rewarding TV-series assignment was The Richard Boone Show (1963), in which, as a member of Boone's "repertory company," he was allowed to essay a different role each week. When last we saw Ford Rainey, he was playing a big-time counterfeiter on Wiseguy (1987).

Trivia: Whenever Ellen Corby or Mary Field weren't available to play a timid, spinsterish film role, chances are the part would go to Dorothy Adams. Though far from a shrinking violet in real life, Ms. Adams was an expert at portraying repressed, secretive women, usually faithful servants or maiden aunts. Her best-remembered role was the overly protective maid of Gene Tierney in Laura (1944). Dorothy Adams was the wife of veteran character actor Byron Foulger; both were guiding forces of the Pasadena Playhouse, as both actors and directors. Dorothy and Byron's daughter is actress Rachel Ames, who played Audrey March on TV's General Hospital.

Trivia: Mean-looking John Lacy Cason was one of those unsung Hollywood heroes: a stuntman. A former professional prizefighter (hence his battered-looking nose), Cason was, according to his fellow stunt people, Pierce Lyden, "one of the toughest men in the business." He had arrived in Hollywood in the late '30s and began receiving billing in 1941, always playing henchmen. Nicknamed "Lefty" due to a fierce left-handed hook, Cason appeared in scores of B-Westerns in the '40s and guest starred on nearly all the television oaters of the following decade. He died in a road accident near Santa Barbara, CA, shortly after finishing an episode of Wagon Train.

Trivia: Often cast as American Indians, tough-looking stunt man/supporting player Boyd Stockman appeared in more than 50 B-Westerns and serials between 1946 and 1956, and was equally busy on such television shows as Gene Autry Show, The Range Rider, Adventures of Wild Bill Hickock, and Sky King. A namesake son (1938-1992) also worked as a Hollywood stunt man in the 1950s.

Trivia: "A very funny guy -- funnier than most gave him credit for," as one director described him, lanky, slow-moving Guy Wilkerson is fondly remembered for playing comedy sidekick Panhandle Perkins in the 1942-1945 PRC Texas Rangers film series, a low-rent competition for Republic Pictures' popular Three Mesquiteers Westerns. As Panhandle, Wilkerson's comedy was never intrusive and often used merely as a slow-witted counterpoint to the action. In Hollywood from at least 1937 (some sources claim he appeared onscreen as early as the 1920s), Wilkerson had honed his skills in minstrel shows, burlesque, and vaudeville, but away from his sidekick duties at PRC, he was usually seen playing less humorous characters, notably ministers or undertakers. Appearing in hundreds of feature films and television series over three decades, Guy Wilkerson was last seen in the crime thriller The Todd Killings in 1971, the year of his death from cancer.

Trivia: Though perhaps best-known internationally for playing tough-guy roles in Romper Stomper (1993), L.A. Confidential (1997), and Gladiator (2000), New Zealand-born actor Russell Crowe has proven himself equally capable of playing gentler roles in films such as Proof (1991) and The Sum of Us (1992). No matter what kind of characters he plays, Crowe's weather-beaten handsomeness and gruff charisma combine to make him constantly watchable: his one-time Hollywood mentor Sharon Stone has called him "the sexiest guy working in movies today."Born in Wellington, New Zealand, on April 7, 1964, Crowe was raised in Australia from the age of four. His parents made their living by catering movie shoots, and often brought Crowe with them to work; it was while hanging around the various sets that he developed a passion for acting. After making his professional debut in an episode of the television series Spyforce when he was six, Crowe took a 12-year break from professional acting, netting his next gig when he was 18. In film, he had his first major roles in such dramas as The Crossing (1990) and Jocelyn Moorhouse's widely praised Proof (1991) (for which he won an Australian Film Institute award). He then went on to gain international recognition for his intense, multi-layered portrayal of a Melbourne skinhead in Geoffrey Wright's controversial Romper Stomper (1992), winning another AFI award, as well as an Australian Film Critics award. It was Sharon Stone who helped bring Crowe to Hollywood to play a gunfighter-turned-preacher opposite her in Sam Raimi's The Quick and the Dead (1995). Though the film was not a huge box-office success, it did open Hollywood doors for Crowe, who subsequently split his time between the U.S. and Australia. In 1997, the actor had his largest success to date playing volatile cop Bud White in Curtis Hanson's L.A. Confidential (1997). Following the praise surrounding both the film and his performance in it, Crowe found himself working steadily in Hollywood, starring in two films released in 1999: Mystery, Alaska and The Insider. In the latter, he gave an Oscar-nominated lead performance as Jeffrey Wigand, a real-life tobacco industry employee whose personal life was dragged through the mud when he chose to blow the whistle on his former company's questionable business practices.In 2000, however, Crowe finally crossed over into the public's consciousness with, literally, a tour de force performance in Ridley Scott's glossy Roman epic Gladiator. The Dreamworks/Universal co-production was a major gamble from the outset, devoting more than 100 million dollars to an unfinished script (involving the efforts of at least half a dozen writers), an untested star (stepping into a role originally intended for Mel Gibson), and an all-but-dead genre (the sword-and-sandals adventure). Thanks to an aggressive marketing campaign and mostly positive notices, however, the public turned out in droves the first weekend of the film's release, and kept coming back long into the summer for Gladiator's potent blend of action, grandeur, and melodrama -- all anchored by Crowe's passionate man-of-few-words performance.Anticipation was high, then, for the actor's second 2000 showing, the hostage drama Proof of Life. Despite -- or perhaps because of -- the widely publicized affair between Crowe and his co-star Meg Ryan, the film failed to generate much heat during the holiday box-office season, and attention turned once again to the actor's star-making role some six months prior. In an Oscar year devoid of conventionally spectacular epics, Gladiator netted 12 nominations in February 2001, including one for its lead performer. While many wags viewed the film's eventual Best Picture victory as a fluke, the same could not be said for Crowe's Best Actor victory: nudging past such stiff competition as Tom Hanks and Ed Harris, Crowe finally nabbed a statue, affirming for Hollywood the talent that critics had first noticed almost ten years earlier.Crowe's 2001 role as real-life Nobel Prize-winning schizophrenic mathematician John Forbes Nash Jr. brought the actor back into the Oscar arena. The film vaulted past the 100-million-dollar mark as it took home Golden Globes for Best Picture, Supporting Actress, Screenplay, and Actor and racked up eight Oscar nominations, including a Best Actor nod for Crowe. The film cemented Crowe as a top-tier leading man, and he would spend the following years proving this again and again, with landmark roles in Master and Commander: The Far Side of the World, Cinderella Man, A Good Year, 3:10 to Yuma, Robin Hood, and State of Play.

Trivia: Christian Bale is one of the few actors in Hollywood whose child stardom has successfully translated to steady and respectable adult employment. With a wistful handsomeness to complement his impressive, sometimes underrated talent, Bale has become something of a quiet sensation, netting choice roles in a number of unconventional, critically acclaimed films.Born January 30, 1974, in Pembrokeshire, Wales, Bale was raised in England, Portugal, and the U.S. The product of a creative family (his mother was a dancer and both of his grandfathers were part-time actors), Bale made his stage debut at the age of ten, playing opposite British comedian Rowan Atkinson in The Nerd. In 1986, he debuted on television as Alexis in the miniseries Anastasia: The Mystery of Anna. His film debut came the following year with the lead role in Steven Spielberg's adaptation of J.G. Ballard's Empire of the Sun. Although the film met with very mixed reviews, Bale received almost ubiquitous praise for his portrayal of a young boy interned in a Japanese prison camp during World War II. Following a starring role in a Swedish film, Mio min Mio, Bale next appeared in Kenneth Branagh's celebrated 1988 adaptation of Henry V and in 1990, starred opposite Charlton Heston in a highly-regarded cable adaptation of Treasure Island. In 1992, Bale appeared in his first adult role in the musical Newsies, in which he could be seen singing, dancing, and sporting a fairly convincing American accent. His next film, Swing Kids (1993), also featured him dancing, this time alongside Robert Sean Leonard in wartime Germany. Although the film failed to impress most critics, it succeeded in making a favorable impact on teenage girls and swing afficionados everywhere. The following year, Bale appeared as Laurie in Gillian Armstrong's acclaimed adaptation of Little Women and then went on to lend his voice to Disney's animated film Pocahontas, which proved to be one of 1995's biggest box-office draws. The actor next appeared in The Secret Agent (1996), which, despite a strong cast including Gérard Depardieu, Bob Hoskins, and Patricia Arquette, was widely unseen in the U.S. After a tragically small role in the same year's The Portrait of a Lady, Bale was finally given the opportunity to step into the limelight with the 1997 film Metroland, an adaptation of Julian Barnes' novel. Starring alongside Emily Watson, Bale played a young husband and father wallowing in discontented nostalgia and received overwhelmingly positive notices for his thoughtful, complex portrayal. The film was not released in the U.S. until the following year, when he also had lead roles in Todd Haynes' eagerly anticipated Velvet Goldmine and All the Little Animals, which premiered at the Cannes Film Festival to strong reviews. The following year, Bale starred alongside Kevin Kline, Michelle Pfeiffer, and Rupert Everett in a lavish adaptation of A Midsummer Night's Dream. In addition to the exposure he (literally) received in his role as Demetrius, Bale got a different kind of recognition for his part in the well-documented controversy surrounding the casting of Mary Harron's adaptation of Bret Easton Ellis' American Psycho. After winning and then losing the film's lead role to Leonardo DiCaprio, Bale then won it back, prompting a wave of media coverage and at least one publication's decision to describe him as everyone's favorite underdog. It was a title that, deserved or not, seemed to fit an actor who, beneath all of the hyperbole and hype, was one of Hollywood's most engaging and underrated treasures. Bale next starred in the humans versus dragons opus Reign of Fire (2002), followed by the dystopian thriller Equilibrium before returning to the present day with the low-key sexual comedy drama Laurel Canyon (2002). Bale was about to make a breakthrough move into blockbuster film, however, as he was cast as the superhero Batman in Christopher Nolan's latest entry in the franchise, Batman Begins. The franchise reboot would prove overwhelmingly successful, especially with the dark, crime-drama style sequel, The Dark Knight (2008). Though Bale would become something of an infamous fixture in viral media for an explosively angry outburst at an on-set crewmember that was caught on audio, this did nothing to upset the actor's star power. He would also collaborate with Nolan on The Prestige (2006), before starring in the critically acclaimed western 3:10 to Yuma. Bale would also take on the infamous role of John Conner in a long-awaited Terminator Salvation in 2009, before playing a hard-nosed FBI agent on the trail of Johnny Depp's John Dillinger in Public Enemies that same year. In 2010, Bale joined the cast of the hard hitting sports drama The Fighter, directed by David O. Russell, playing the troubled brother and coach of an underdog boxer played by Mark Wahlberg. Bale would take home the Oscar and Golden Globes for Best Supporting Actor for his performance, but he was soon onto his next project, the period war drama Flowers of War. Soon, he was gearing up to don the cowl once again, with the third and final installment in Nolan's Batman franchise, The Dark Knight Rises. He reteamed with Russell to play a con man in American Hustle, earning Bale a second Oscar nomination. In 2014, he played Moses in Ridley Scott's bible epic Exodus: Gods and Kings. The following year, he returned in the ensemble film The Big Short, garnering Bale a third Oscar nomination.

Trivia: In terms of chosen material, actor Logan Lerman scored points at an early age for tackling some of the most difficult parts imaginable for a preteenager. His first major role was that of Jason, the put-upon young son of a harried single mother (Drew Barrymore) and a heroin addict (Steve Zahn) in Penny Marshall's coming-of-age period picture Riding in Cars with Boys (2001). Not long after, Lerman signed to portray the eight-year-old version of the central character in the controversial (and critically reviled) sci-fi melodrama The Butterfly Effect (2004) -- a part that found his character strangled, beaten, sexually abused, and fallen prey to a host of other atrocities. Then, after these arresting and emotionally challenging debuts, Lerman dropped down a few notches as far as the intensity of the material he sought out. From 2004-2005, Lerman co-starred in the short-lived drama series Jack & Bobby, playing Bobby, who was destined to one day become President of the United States. He also played an average young boy determined to band together with his buddies and save some rare owls in the family-friendly picture Hoot and portrayed the son of Christian Bale in James Mangold's Western remake 3:10 to Yuma. In the Joel Schumacher thriller The Number 23 (2007), Lerman played Robin Sparrow, the son of a seemingly normal man (Jim Carrey) driven around the bend by a numerical mystery. He went on to appear in Gamer before scoring his most-high profile part taking on the role of Percy Jackson, the hero of a popular series of fantasy novels, in Percy Jackson & the Olympians: The Lightning Thief. He followed that up by tackling the role of D'Artagnan in the 2011 version of The Three Musketeers before returning to smaller fare in The Perks of Being a Wallflower.

Trivia: Equipped with classical training as a stage actor, American thespian Dallas Roberts cut his chops on and off Broadway during the 1990s and early 2000s before transitioning to film -- a shift that represented a broad stylistic and technical leap for the dramatist. Born and raised in the Houston area, Roberts first attended a Lone Star community college with an unclear idea of how he wanted to spend his professional life. Had he never discovered Juilliard, his life might very well have forked off in another direction; instead, Roberts -- directed toward acting at the behest of a collegiate drama professor -- applied to the hallowed New York conservatory and gained acceptance. Involvement in numerous theatrical productions on the Great White Way ensued, such as the 2002 Burn This (with Edward Norton and Catherine Keener) and Adam Rapp's Nocturne, for which Roberts received a Drama Desk Award nomination.Though a couple of unremarkable independent films preceded it, the Michael Mayer-directed, Michael Cunningham-scripted 2004 picture A Home at the End of the World (an adaptation of Cunningham's beloved novel) marked Roberts' first noteworthy cinematic achievement. The picture also shot Roberts instantly to third billing -- not an unpromising start for a cinematic newcomer. It concerns the relationship triangle that develops between Jonathan (Roberts), a thirtysomething gay man desperate to act as a father to his roommate's baby; the eccentric roommate Clare (Robin Wright Penn); and Jonathan's lifelong, heterosexual best friend, Bobby (Colin Farrell), who move to a house together in rural, upstate New York. Roberts, who reportedly felt a bit thrown by the lack of advance character preparation and dramatic adjustment in film (compared to theater) nonetheless delivered a bravura performance; the film itself received mixed reviews.Over the next several years, Roberts would enjoy a sustained level of fame and respect as an actor, appearing memorably in movies like Walk the Line (2005) , 3:10 to Yuma, and on TV series like The Walking Dead, Rubicon, The Good Wife, and Unforgettable.

Trivia: Known in turn as Henry Fonda's son, Jane Fonda's brother, counter-culture icon Captain America, and Bridget Fonda's father, Peter Fonda finally got his due as an actor for his superb performance as a Florida beekeeper in Ulee's Gold (1997). Snaring an Oscar nomination and a Golden Globe for his work, Fonda was finally able to step out of his celebrated family's shadow, earning recognition for something besides his title as the black sheep of the Fonda clan.Born in New York City on February 23, 1940, Fonda, by his own accounts, grew up trying to live up to his famous father's expectations. An exceptionally bright young man, he entered the University of Omaha as a sophomore at the age of seventeen, without even finishing high school. In Omaha, he broke into acting, appearing in the Omaha Playhouse's production of Harvey. He then went to New York to pursue his acting career, first working with the Cecilwood Theatre and then debuting on Broadway at the age of twenty-one in a production of Blood, Sweat and Stanley Poole. His early career took shape under the specter of his famous father, with the young actor incurring comparisons to the elder Fonda with everything he did. His onstage success led to a Hollywood screen test for the part of John F. Kennedy in PT 109. The role in the 1963 film ultimately went to Cliff Robertson, but Fonda made his film debut that same year in the Sandra Dee vehicle Tammy and the Doctor.Fonda continued to be consigned to romantic leads until he appeared in Roger Corman's The Wild Angels in 1966. A motorcycle enthusiast whom Corman cast after the film's original star, George Maharis, demanded a stunt double, Fonda seemed a natural for the role of a motorcycle gang leader. The film, which cast actual Hell's Angels and co-starred Bruce Dern, was a violent, drug-addled affair that catalyzed Fonda's reputation as his father's delinquent spawn and direct antithesis. This reputation was furthered by his starring role in Corman's The Trip, a 1967 film about the healing powers of LSD. Co-starring Dern and featuring a screenplay written by Jack Nicholson, The Trip, with its emphasis on sex, drugs, and societal estrangement, provided a preview of the film that would give Fonda both fame and notoriety.In 1969, Fonda starred in Easy Rider, a film that he also produced. Directed by Dennis Hopper, it starred Fonda, Hopper, and Nicholson as freewheeling, pot-smoking adventurers who find their counter-culture lifestyle threatened by the encroaching confines of the Establishment. One of the cultural landmarks of the late 1960s, tt was also an unexpected commercial success, grossing over $19 million at the box office, earning Fonda an Oscar nomination for Best Screenplay, and contributing to Hollywood's new interest in young audiences and socially relevant movies.Following the film's success, Fonda, now both a cult hero and a millionaire, went on to collaborate with Hopper again on 1971's The Last Movie. The film didn't enjoy the acclaim of their previous collaboration, and Fonda's subsequent efforts of that decade also failed to live up to the stature of Easy Rider. One possible exception was the 1974 sleeper Dirty Mary, Crazy Larry, a film in which Fonda appeared to finance his directorial projects, one of which was Wanda Nevada, a 1979 film that featured his father. Increasingly, Fonda became better-known for his activities off-screen than on: his status as an anti-Establishment figurehead was enhanced when John Lennon wrote the song "She Said She Said" about him. Reportedly, it was inspired by a bad acid trip the musician had taken, during which Fonda repeatedly told him, "I know what it's like to be dead, man."Fonda's screen career continued its downward spiral during the 1980s, and towards the end of that decade it was once again overshadowed by that of a family member, in this case his daughter, Bridget. Fonda, who had exiled himself from L.A. in 1969 to live in Montana, seemed more aware of this than anyone: in an interview, he was quoted as saying, "I was Captain America and where....can you go with that? You can only ride so many motorcycles and smoke so many joints." But in the mid-1990s, Fonda's career began to get some much-needed resuscitation. After making a cameo appearance in Bodies, Rest & Motion, a 1993 film starring his daughter, he had a starring role in Michael Almereyda's Nadja (1994) and essentially parodied himself in John Carpenter's Escape From L.A. (1996). Fonda's true comeback was Ulee's Gold, Victor Nunez's 1997 exploration of loss and family ties. He won raves for his portrayal of the title character, and the Best Actor Oscar nomination he received for the film served as the industry's formal recognition of his re-emergence as a Hollywood player. The actor, always one to play by his own rules, next rejected mainstream Hollywood fare to star in Steven Soderbergh's The Limey in 1999, playing a shifty record producer, and earning uniformly excellent reviews. He also starred in The Passion of Ayn Rand as the author's long-suffering husband; the film premiered at that year's Sundance Film Festival. He branched out into kids films with a leading role in Thomas and the Magic Railroad in 2000, and appeared in The Laramie Project one year later. He continued to work steadily, often taking smaller parts in bigger movies like Supernova, Ghost Rider, and Wild Hogs. He was a fearsome, grizzled, and authentic Western presence in James Mangold's remake of 3:10 to Yuma in 2007. In 2011 he paid tribute to the man who helped launch his career by sitting down for interviews in Corman's World: Exploits of a Hollywood Rebel.

Trivia: Fair-haired teen model cum versatile actress Vinessa Shaw has made her mark playing everything from sexy siren to innocent angel, though her breakthrough role came as a mixture of both with her turn as a sympathetic prostitute in director Stanley Kubrick's final film, Eyes Wide Shut (1999).Born in California in July of 1976, Shaw began her career in show business early in childhood, though her big break came with her casting in the 1992 Rodney Dangerfield comedy Ladybugs. Soon appearing in such efforts as Hocus Pocus the following year and in the television series Fallen Angels and McKenna shortly after, Shaw made a memorable appearance in the girl-tames-wild horse-coming-of-age story Coyote Summer before her affable prostitute loaned Tom Cruise's character a little understanding in Eyes Wide Shut. Shaw took on a large role in the made-for-television miniseries The '70s in 2000 and made an appearance in Saturday Night Live alumni Chris Kattan's comedy Corky Romano in 2001.

Trivia: Though he lived in Los Angeles before moving to New York and founding the Court Jesters Improv Troupe, actor Alan Tudyk freely admits that he will always be a Texan at heart. Born in El Paso and raised in Plano, Tudyk was a ham even before he pursued a serious acting career at Julliard from 1993 to 1996. Frequently dressing in cowboy garb on family dinner outings and faking fainting spells in school to get a rise out of teachers, it was easy to see that Tudyk had found his calling early in life. Later, performing at the Dallas Shakespeare Festival and founding the city's Rubber Chicken Standup Improv Troupe, Tudyk moved to the West Coast and bounced to the East Coast before making his feature debut in 1997, with 35 Miles From Normal. It didn't take long before Tudyk found more roles in such popular films as Patch Adams (1998) and The Wonder Boys (2000), though his breakthrough role would come as Sandra Bullock's rehab-mate in 28 Days (also 2000). Tudyk's character was so popular with audiences in test screenings, that director Betty Thomas called him back to shoot a scene giving closure to his character within the film. Larger roles began to pour in, such as his turn in the energetic jousting adventure A Knight's Tale (2001), as well as a lead role in writer-director Joss Whedon's short-lived sci-fi series Firefly and its much-adored theatrical spin-off, Serenity. By the early 2000's, Tudyk had become a favorite, familiar face - and voice, as well, lending his vocal talents to the cast of the animated Ice Age franchise, beginning in 2002. He would earn particular accolades for turns as the drunken Simon in the 2007 British sleeper hit Death at a Funeral, as well as the easily shaken Doc Potter in the gritty western 3:10 to Yuma that same year. Even die-hard fans might not have recognized Tudyk's comic cameo in 2011's Transformers: Dark of the Moon as effete and surprisingly hardcore fighting henchman Dutch. Tudyk would also find a continual home for his talents in the realm of TV, however, with recurring roles on Doll House, Good Vibes, and Suburgatory, as well as voice-acting roles on animated series like Glenn Martin DDS, Young Justice, and Batman: The Brave and the Bold. Never straying far from his cinematic routes, however, Tudyk would gear up for 2012 with the comedic role of historical politician Stephen A. Douglas in the comedy-centric revisionist horror-history film Abraham Lincoln: Vampire Hunter.

Trivia: Her early experience a testament to the dangers of premature publicity, Gretchen Mol was all but declared Hollywood's new "it" girl before her career had even left the gates. After appearing in only a handful of films, Mol was chosen to star as Matt Damon's girlfriend in John Dahl's Rounders. A highly touted film that also starred Edward Norton, it was endlessly publicized before its 1998 release. Mol was made part and parcel of this publicity, and her blonde, milk-fed looks were the subject of numerous magazine articles, including a memorably provocative Vanity Fair September cover story. Rounders, however, turned out to be a sizable disappointment, and the slavish attention surrounding its female lead virtually evaporated. Mol continued to work steadily though, apparently refusing to disappear with the hype that had initially surrounded her.Born in Deep River, Connecticut, on November 8, 1973, Mol entertained performing ambitions from a young age, studying musical theatre in addition to receiving a regular public school education. Following her high school graduation, she moved to New York, where she did a stint at the American Musical and Dramatic Academy and began performing in a number of stage productions. To support herself, Mol also worked a number of odd jobs, the most fortuitous of which was as a coat-check attendant at a popular industry restaurant. There she was "discovered" by an agent, who subsequently got her work in commercials and on the TV sitcom Spin City. Mol made her film debut with a supporting role as a phone-sex operator in Spike Lee's Girl 6 (1996) and went on to do bit work in Abel Ferrara's The Funeral (1996), Mike Newell's Donnie Brasco (1997), and Stephen Kay's The Last Time I Committed Suicide (1997). Although these projects afforded Mol the opportunity to work with the likes of Al Pacino, Johnny Depp, Christopher Walken, Claire Forlani, and Adrien Brody, she was quickly being typecast into "girlfriend" roles that capitalized more on her looks than acting abilities. She did do more substantial work in Music From Another Room (1998), opposite Jude Law, but the film went virtually unnoticed by critics and audiences.After 1998, which in addition to the Rounders debacle, also featured Mol as part of the all-star ensemble cast of Woody Allen's much anticipated -- and much lambasted -- Celebrity, the actress continued to work, albeit far from the limelight's glare. She again collaborated with Allen on Sweet and Lowdown (1999), portrayed actress Marion Davies in Tim Robbins' star-studded ensemble drama Cradle Will Rock (1999), and starred opposite Ray Liotta and Joseph Fiennes in Paul Schrader's Forever Mine (1999). Mol also directed some of her energy towards television, portraying Madge Owens in the 2000 remake of Picnic and starring alongside Madeleine Stowe, James Cromwell, and Jonathan Rhys-Meyers in Alfonso Arau's 2001 small-screen adaptation of The Magnificent Ambersons. A turn as one of the most iconic pin-up models of the 1950s followed in Mary Harron's The Notorious Betty Page, an on the heels of a high-profile role on the short-lived cop drama Life on Mars, Mol joined the cast of the hit HBO series Boardwalk Empire. Created by Terence Winter (The Sopranos) and produced by Martin Scorsese, the lavish period crime series earned numerous critical accolades in its first few seasons, including two consecutive Screen Actor's Guild awards for Outstanding Performance by an Ensemble in a Drama Series, in 2011 and 2012.