Trivia: The son of a Lithuanian coal miner, American actor Charles Bronson claimed to have spoken no English at home during his childhood in Pennsylvania. Though he managed to complete high school, it was expected that Bronson would go into the mines like his father and many brothers. Experiencing the world outside Pennsylvania during World War II service, however, Bronson came back to America determined to pursue an art career. While working as a set designer for a Philadelphia theater troupe, Bronson played a few small roles and almost immediately switched his allegiance from the production end of theater to acting. After a few scattered acting jobs in New York, Bronson enrolled in the Pasadena Playhouse in 1949. By 1951, he was in films, playing uncredited bits in such pictures as The People Against O'Hara (1951); You're in the Navy Now (1952), which also featured a young bit actor named Lee Marvin; Diplomatic Courier (1952); Bloodhounds of Broadway (1952), as a waiter(!); and The Clown (1953). When he finally achieved billing, it was under his own name, Charles Buchinsky (sometimes spelled Buchinski). His first role of importance was as Igor, the mute granite-faced henchman of deranged sculptor Vincent Price in House of Wax (1953). The actor was billed as Charles Bronson for the first time in Drum Beat (1954), although he was still consigned to character roles as Slavs, American Indians, hoodlums, and convicts. Most sources claim that Bronson's first starring role was in Machine Gun Kelly (1958), but, in fact, he had the lead in 1958's Gang War, playing an embryonic version of his later Death Wish persona as a mild-mannered man who turned vengeful after the death of his wife. Bronson achieved his first fan following with the TV series Man With a Camera (1959), in which he played adventurous photojournalist Mike Kovac (and did double duty promoting the sponsor's camera products in the commercials). His best film role up until 1960 was as one of The Magnificent Seven (1960), dominating several scenes despite the co-star competition of Yul Brynner, Steve McQueen, Eli Wallach, and others. Most of Bronson's film roles after Seven remained in the "supporting-villainy category," however, so, in 1968, the actor packed himself off to Europe, where American action players like Clint Eastwood and Lee Van Cleef were given bigger and better opportunities. Multiplying his international box-office appeal tenfold with such films as Guns for San Sebastian (1967), Once Upon a Time in the West (1968), Cold Sweat (1970), and The Valachi Papers (1971), Bronson returned to Hollywood a full-fledged star at last. His most successful films of the 1970s were Death Wish (1974) and its sequels, a series of brutal "vigilante" pictures which suggested not so subliminally that honest people would ultimately have to dole out their own terminal justice to criminals. In many of his '70s films, Bronson co-starred with second wife Jill Ireland, with whom he remained married until she lost her fight against cancer in 1990. Bronson's bankability subsequently fell off, due in part to younger action stars doing what he used to do twice as vigorously, and because of his truculent attitude toward fans. He did little but television work after 1991's The Indian Runner (Sean Penn's directorial debut), with Death Wish 5: The Face of Death (1994) his only feature since. Bronson's onscreen career would soon draw to a close with his role as law enforcing family patriarch Paul Fein in the made-for-cable Family of Cops series.On August 30, 2003 Charles Bronson died of pneumonia in Los Angeles. He was 81.

Trivia: The daughter of show folk, Hope Lange was 12 when she appeared in her first Broadway play, Sidney Kingsley's The Patriots. Fourteen years later, with dozens of plays and TV programs to her credit, Lange made her screen debut in Bus Stop (1956), managing to garner critical and audience attention despite her omnipresent co-star Marilyn Monroe (Lange's first husband was Bus Stop leading man Don Murray). Signed to a 20th Century Fox contract, Lange was Oscar nominated for her performance in Peyton Place (1957) and was equally impressive in such films as The Young Lions (1957) and The Best of Everything (1959). In the early 1960s, Lange was briefly linked romantically with Glenn Ford, who insisted that she co-star with him in Pocketful of Miracles, a fact that inspired a stream of published invective from the film's director, Frank Capra, who'd wanted Shirley Jones for the part. Despite Capra's reservations in regards to her acting ability, Lange continued to prosper as a film actress until turning to TV in 1968 as star of the weekly The Ghost and Mrs. Muir, a project that would earn her two Emmys. She then spent three years in a thankless "supportive housewife" part in The New Dick Van Dyke Show. In 1974, Lange received some of her best reviews in years for her work in Death Wish -- in which she spent most of her time in a coma before expiring in Reel Two! Subsequent projects in which Lange was involved included the 1977 play Same Time Next Year and the first of the Nightmare on Elm Street films. Hope Lange was first married to Don Murray, then producer/director Alan J. Pakula.

Trivia: Stuart Margolin was a published writer and off-Broadway playwright before he was old enough to vote. The pinch-faced, curly-headed Margolin began showing up in character parts in 1966, in films like Women of a Prehistoric Planet and TV series like Occasional Wife. He was a staff writer and member of the acting ensemble on the popular sitcom anthology Love American Style, which ran from 1969 through 1974. In 1971, Margolin co-starred on the western series Nichols, launching his long friendship and professional association with actor James Garner. He went on to win two Emmy awards for his portrayal of mildly larcenous Angel Martin on Garner's long-running (1974-80) series The Rockford Files; played Philo Sandine on the 1981 retro Garner TV vehicle Bret Maverick; and guest-starred on the first episode of Garner's short-lived "dramedy" Man of the People (1991). Stuart Margolin turned to directing in the 1980s, beginning with (inevitably) a brace of James Garner TV movies, The Long Summer of George Adams (1982) and The Glitter Dome (1984)); he has since helmed two theatrical features, Paramedics and Donna d'Onore (both 1990).

Trivia: During the '70s and '80s Vincent Gardenia was one of the most familiar character actors in film, television, and on the Broadway stage. Though viewers may not always have remembered his name, his sad eyes, hawk-nosed Italian-American face, short, stocky build, and distinctive often booming Brooklyn-accented voice and exaggerated gestures made him instantly recognizable. Gardenia was born Vincent Scognamiglio in Naples, Italy, but he was raised in New York from the age of two. Once in the Big Apple, his father founded an Italian-language theater troupe and it is with them that Gardenia learned his craft. When he was 14, Gardenia dropped out of school to become a full-time actor with the company. He was in the army during WWII; after his discharge he returned to work in his father's theater and in other Italian-American productions. Though he had played a bit part in the 1945 film The House on 92nd Street, Gardenia did not launch his real film career until he was in his mid-thirties and played his first major role in The Cop Hater (1958). Though most often cast as Italian-Americans or in simple ethnic roles, Gardenia was a versatile actor who could easily switch from comedic to dramatic roles in films of widely varying quality. Some of his best-known roles include that of a bartender in 1961 in The Hustler, and Dutch Schnell in Bang the Drum Slowly (1973) opposite Robert De Niro. The latter garnered Gardenia his first Oscar nomination for Best Supporting Actor. Gardenia's second nomination came in 1987 for his memorable portrayal of Cher's father in Moonstruck. The character actor was 70 when he played his final role in the Joe Pesci vehicle The Super (1991). Gardenia's considerable television work includes the soap opera Edge of Night, a regular role on All in the Family (during the 1973-1974 season), the short-lived series Breaking Away (1980-1981), and a semi-regular role on L.A. Law in 1990. He has also made numerous guest appearances. Gardenia died of heart failure in 1992 at the age of 70.

Trivia: Most of actor Steven Keats' earliest film appearances were in such New York-based productions as 1974's Death Wish (in which he played Jack Toby). It was in one such film, director Joan Micklin Silver's Hester Street (1975), that Keats was top-billed as Jake, the young progressive Jewish-immigrant husband of traditional old-world bride Carol Kane. Other films to Keats' credit include the memorable The Gambler (1974) and such forgettables as Turk 182 and Eternity. Steven Keats was also seen in the leading role of garment czar Jay Blackman on the 1977 TV miniseries Seventh Avenue.

Trivia: The son of a Manhattan orchestra conductor and a former Ziegfeld Follies girl, little Billy Redfield made his Broadway bow at age 9 in Swing Your Lady. Billy launched his radio career around the same time, and made his earliest movie appearance in 1939. As adult actor William Redfield, he was one of the original founders of the influential Actors Studio. While his film assignments of the 1950s and 1960s were unremarkable (as Captain Owens in 1966's Fantastic Voyage, for example, he played third fiddle to the special effects and Raquel Welch's diving suit), he remained a much-in-demand stage performer, and also proved a delightful raconteur on such TV chatfests as The Tonight Show. His reminiscences of the ups and downs of the acting profession were candid and perceptive without ever descending into maliciousness; many of his best anecdotes were self-deprecatory, notably his oft-repeated tale about being saddled in the 1956 film The Proud and the Profane with some of the worst movie dialogue ever written. An ever-busy TV performer, Redfield played the title role in the 1953 DuMont Network series Jimmy Hughes, Rookie Cop, and the following year was seen as Bobby Logan in The Marriage, the first live network series to be regularly broadcast in color. A talented writer, Redfield co-created the popular Wally Cox TV sitcom Mister Peepers, penned the stage play A View with Alarm, and published the 1965 volume Letters From an Actor, a candid memoir of his experiences while playing Guildenstern in the John Gielgud-directed 1964 staging of Hamlet, which starred Richard Burton. Not long after making his final film appearance as pensive mental patient Harding in the Oscar-winning One Flew Over the Cuckoo's Nest, 49-year-old William Redfield died of leukemia.

Trivia: Most of actor Stephen Elliot's film credits were piled up after he reached the age of fifty. The best of these include Hospital (1971), Death Wish (1974), The Hindenburg (1978) and Taking Care of Business (1988). Elliot was cast as Jill Eikenberry's bullying millionaire father in Arthur (1981), in which he pummeled prospective son-in-law Dudley Moore to a pulp when Moore balked at the altar; he repeated this ham-fisted characterization in Arthur 2, On the Rocks (1985). Stephen Elliot's acting contributions to television include patriarch Benjamin Lassiter on Beacon Hill (1975), Jane Wyman's ex-husband (not Ronald Reagan) on Falcon Crest (1981-82), and several years in the role of Paul Ailey on the daytime drama Love of Life.

Trivia: Character actor, onscreen from the '70s.

Trivia: Tall, gangly, and oddly handsome, stage, screen, and television actor Jeff Goldblum is an unlikely sex symbol. But for many women, especially those fond of eccentric intellectual types, he fits the role perfectly. Known for the range of quirky, often otherworldly characters he has portrayed, Goldblum is adept at playing lead and supporting roles in dramas and comedies alike. A native of Pittsburgh, PA, where he was born October 22, 1952, Goldblum moved to New York at the age of 17 to pursue an acting career. He got his start at Sanford Meisner's distinguished Neighborhood Playhouse, and in the '70s began performing in a wide variety of on and off-Broadway productions. When he was 22, Goldblum made his film debut with a small role as a rapist in Michael Winner's brutal revenge drama Death Wish (1974). He was performing on-stage in the El Grande de Coca Cola review when Robert Altman gave him a small part in California Split (1974) and a slightly larger role in Nashville (1975). Afterwards, Goldblum was steadily employed as a bit player in both major and minor features, turning in one of his most notable performances as a nervous houseguest struggling to remember his mantra in the Los Angeles-set segment of Annie Hall (1977). In 1980, Goldblum branched out into television, starring opposite Ben Vereen in the short-lived television detective comedy Tenspeed and Brown Shoe. As Brown Shoe, Goldblum played an uptight stockbroker trying to make it as a hardboiled private detective. Although the role may have given him greater recognition, the actor gained his first really favorable reviews playing a tabloid magazine reporter in The Big Chill (1983). This led to leading roles in such films as Into the Night (1985), where Goldblum played an aerospace engineer opposite Michelle Pfeiffer, and Silverado (also 1985), which cast him as a villainous gambler. In 1986, he had his first hit movie with David Cronenberg's terrifying sci-fi-horror film The Fly (1986), playing a driven scientist whose research turns him into a gruesome mutant. His co-star was his then-wife, Geena Davis, whom he met while they were on the set of the comedy-thriller Transylvania 6-5000 (1985). The couple divorced in the early '90s and Goldblum then embarked on a highly publicized relationship with actress Laura Dern that broke up in the mid-'90s.In 1989, Goldblum made a favorable transatlantic impression in the British romantic comedy The Tall Guy, playing a perpetually unemployed actor who is cast as the lead of a musical about the Elephant Man. He continued to work steadily throughout the subsequent decade, appearing in films of markedly varying quality. He found great success in Steven Spielberg's Jurassic Park, playing a mathematician in one of the decade's biggest blockbusters. In 1996, Goldblum again explored blockbuster territory with a leading role as a computer genius in Independence Day. He reprised his role from Jurassic Park in that film's sequel 1997 sequel, The Lost World: Jurassic Park. He starred opposite Eddie Murphy in the notorious bomb Holy Man.At the beginning of the next decade Goldblum worked primarily in independent films such as Burr Steers' debut Igby Goes Down, and playing the romantic and professional rival to Bill Murray in Wes Anderson's The Life Aquatic with Steve Zissou. In 2006 he scored a role in his most mainstream film in quite sometime as part of the impressive ensemble in Barry Levinson's satire Man of the Year. In 2009, Goldblum joined the cast of Law & Order: Criminal Intent in the show's eighth season to play the role of Detective Zach Nichols. 2010 found the actor co-starring with Harrison Ford and Diane Keaton for the showbiz comedy Morning Glory. In 2014, he re-teamed with Anderson in The Grand Budapest Hotel. The following year, he appeared opposite Johnny Depp in Mortdecai and began filming his role in the long-awaited Indepdendence Day sequel, due in 2016.

Trivia: In the late '30s she worked in Chicago's WPA Theater. She moved to New York City in the early '40s, where she was a member of the Rose McClendon Players. She debuted on Broadway in 1941, portraying the sister of Bigger Thomas (Canada Lee) in Orson Welles's production of Native Son (1941). She established herself as a serious stage actress. She was one of the founders of the American Negro Theater. Over the years she landed a small handful of film roles, debuting onscreen in The Phenix City Story (1955). In the '70s she became recognizable to a large audience through her appearances on a number of sitcoms; she was a regular on Baby, I'm Back and 227, and she had guest appearances on many other shows.

Trivia: Tough-looking supporting actor, onscreen from the '50s, Hank Garrett was formerly a pro wrestler.

Trivia: An alumnus of New York City's High School of Music and Arts and Bard College, actor/writer/director Christopher Guest made his initial Broadway appearance in the 1970 revival of Room Service; two years later, he co-starred in Moonchildren. Guest's early acting accomplishments have tended to become obscured in the light of his extensive work for the National Lampoon folks: he wrote several articles for the Lampoon magazine, and was a writer/performer for the organization's radio programs, record albums, and stage reviews. His extensive comic talents went largely untapped in such "mainstream" acting assignments as the made-for-TV Blind Ambition (1982), in which he portrayed Nixon intimate Jeb Stuart Magruder, and the theatrical feature The Long Riders (1982), in which he was co-starred with his younger brother Nicholas.In 1982, Guest played divorced suburbanite Bucky Frische in Million Dollar Infield (1982), a made-for-TV movie produced and co-written by Rob Reiner. His association with Reiner extended into appearances in the latter's big-screen directorial efforts: In This is Spinal Tap (1983), Guest not only penned the script but also played heavy metal rocker Nigel Tufnel; and in The Princess Bride (1986), cast as the evil Count Rubin, he offered a sly impression of British character actor Henry Daniell. Guest has since parlayed his "Spinal Tap" association into something of a second career, touring as Nigel Tufnel with fellow "Tap" members David St. Hubbins (Michael McKean) and Derek Smalls (Harry Shearer) and composing many of the group's "hits." On TV, Guest was a regular during the 1984-1985 season of Saturday Night Live and shared a scriptwriting Emmy for a 1976 Lily Tomlin special. Making his directorial debut with the Tinseltown satire The Big Picture (1989), Guest has gone on to helm the TV-movie remake of Attack of the 50 Foot Woman (1993), the "Johnny Appleseed" segment of Shelley Duvall's cable-TV anthology American Tall Tales and Legends, and most of the episodes of Rob Reiner's 1992 TV sitcom Morton and Hayes.After once again appearing as Nigel Tufnel in The Return of Spinal Tap (1992), the latter '90s found Guest expanding on his successes in the world of showbiz mockery by taking the directors chair with a few irreverent faux documentaries of his own. Re-teaming with fellow bandmates McKean and Shearer for the musical numbers in Waiting for Guffman (1996), the critically praised comedy proved that Guest's eye for satire was indeed as sharp as his pen. Following with some vocal work in Small Soldiers (1998), Guest returned to the director's chair for what would be comedian Chris Farley's last film, Almost Heroes (1998). Both of these projects proved to be brief diversions, though, and, as old habits die hard, Guest couldn't resist his urges for parody for long.Though not related (in a traditional sense) to show business, Best in Show targeted a subject that some may say was screaming for parody, the world of Championship Dog shows. His skills as a director more focused and refined than ever, Guest lead a talented cast of the usual suspects in creating yet another hilarious and scathing take on a what many considered to be well-deserving subject. After earning a Golden Globe nomination for "Best Comedy" at that year's ceremony, the film went on to live a healthy life on DVD and cable television. Guest's next film set its sights on a target that many may agree was begging for the treatment even more so than that of his last subject, and though A Mighty Wind's spot on folk song parodies would prove almost so effective as to be considered the real deal, the film itself differed from Best in Show in that it sharply divided its supporters and detractors as few of his films had. Guest worked as an actor, screenwriter, songwriter, and director for The Mighty Wind (2003), an award-winning mockuementary chronicling the ups and downs of a career in folk music, and again with For Your Consideration (2006). The actor would co-star with Judi Dench and Bob Hoskins in Mr. Henderson Presents (2005), which followed a wealthy eccentric determined to transform a dingy London theater into a thriving hotspot for entertainment, and take on roles in 2009's The Invention of Lying and Night at the Museum: Battle of the Smithsonian. Guest is married to actress Jamie Lee Curtis.

Trivia: Olympia Dukakis is one of those character actresses who infallibly lends a touch of class to whatever picture she's in. Despite her extraordinary dignity and class, she is able to make even the most outrageous character believable. Though she is well regarded in film, Dukakis has spent the bulk of her distinguished career on-stage as an actress and a director. She is also a highly respected drama teacher. The daughter of Greek immigrants, Dukakis once worked as a physical therapist. Her interest in acting came after appearing in summer stock and then taking adult-ed classes in drama at Boston University, where she graduated with a master's in Fine Arts. After graduation, she began her theatrical career and then co-founded Boston's renowned Charles Playhouse. Dukakis made her film debut in director Robert Rossen's last film Lillith (1964). She continued to make sporadic and undistinguished appearances in movies though much of the '80s, but did not gain notice until 1987 when she won an Academy Award for playing Cher's Italian mother in Moonstruck. Since then, Dukakis has specialized in playing older women from different ethnic backgrounds or mothers. Subsequent film appearances include Steel Magnolias (1989), where she played the elegant widow Clairee Belcher, Mighty Aphrodite (1995), and Picture Perfect (1997). In addition to her film and stage work -- she has appeared in over 100 plays -- Dukakis has also occasionally appeared on television in movies and mini-series. One of her most famous roles was that of the mysterious and kooky Annie Madrigal in the PBS adaptation of Armistad Maupin's Tales of the City (1993). Though the miniseries' gay themes led to considerable controversy, a sequel starring Dukakis was released in 1998. In addition to her Oscar win, she has earned Obie Awards, a New York and Los Angeles Critics Award, and a Golden Globe. As a drama teacher, Dukakis has worked at New York University and Yale. Her cousin, Michael Dukakis, was a presidential candidate for the Democratic party in 1988.She co-starred with Juli Dench for The Last of the Blonde Bombshells in 2000, and took a leading role in 2001's Further Tales of the City. Though she remained busy throughout the early and mid-2000s, it wasn't until 2006 that she would enjoy critical success in the acclaimed drama Away From Her. In 2007 she co-starred in the comedy drama The Land of Women. In 2011 she appeared in The Misadventures of the Dunderheads and Cloudburst, and joined the cast of Joe Papp in Five Acts in 2012.