Trivia: Long before Eddie Murphy, Andrew Dice Clay, or Howard Stern raised the ire of censors and threatened the delicate sensibilities of mainstream American good taste, there was Redd Foxx, arguably the most notorious "blue" comic of his day. Prior to finding fame in the 1970s as the star of the popular sitcom Sanford and Son, Foxx found little but infamy throughout the first several decades of his performing career; salty and scatological, his material broke new ground with its point-blank riffs and brazen discussions of sex and color, and although his party albums were generally banned from white-owned record stores, the comedian's funky narrative style and raspy delivery proved highly influential on comic talents of all ethnic backgrounds.Foxx was born John Elroy Sanford in St. Louis on December 9, 1922. While still in his teens, he became a professional performer, working as both a comedian and actor on the so-called "chitlin circuit" of black theaters and nightclubs. He formulated his stage name by combining an old nickname, "Red" (given because of his ruddy complexion), with the surname of baseball's Jimmie Foxx. After cutting a handful of explicit blues records in the mid-'40s, beginning in 1951 he often teamed with fellow comic Slappy White, a partnership which lasted through 1955. Foxx was performing at Los Angeles' Club Oasis when a representative from the tiny Dooto label contacted him about cutting an album. The comedian agreed, and was paid 25 dollars to record Laff of the Party, the first of over 50 albums of Foxx's racy anecdotes. An onslaught of Dooto releases followed, among them over half a dozen other Laff of the Party sets, The Sidesplitter, The New Race Track, Sly Sex, and New Fugg. His records were poorly distributed, and offered primarily in black neighborhoods. When they did appear in white record stores, they were sold under the counter. In the 1960s, Foxx signed to the MF label and his routines became even more explicit, as evidenced by titles like Laff Your Ass Off, Huffin' and a Puffin', I'm Curious (Black), 3 or 4 Times a Day, and Mr. Hot Pants. After a brief tenure on King, he signed to Loma, a division of Frank Sinatra's Reprise imprint. With records like Foxx A Delic and Live at Las Vegas, he became one of the very first performers to use four-letter words on major-label releases.As the 1960s wore on and long-standing cultural barriers began to crumble, Foxx's audience expanded, and he made a number of television appearances. In 1970, he made his film debut in Ossie Davis' Cotton Comes to Harlem. When the film became a surprise hit, Foxx became a hot talent, and soon signed to star in Sanford and Son, a retooled sitcom version of the British television hit Steptoe and Son. The series, which starred Foxx as junk dealer Fred Sanford, premiered in 1972 and became a huge hit, running through 1977. He also continued recording, issuing You Gotta Wash Your Ass, a live set taped at the Apollo Theater, in 1976. The short-lived programs Sanford, The Redd Foxx Show, and The Redd Foxx Comedy Hour followed; additionally, he starred in the 1976 feature Norman, Is That You?, and became a Las Vegas headliner.By the early '80s, Foxx's career hit the skids. By the end of the decade, however, his influence on the new breed of African-American comedians was openly acknowledged, and in 1989 Eddie Murphy tapped him to co-star in his black-themed crime-noir film Harlem Nights. Although the film flopped, Foxx's career was renewed, and in 1991 he began work on a new sitcom, The Royal Family. Tragically, he suffered a heart attack on the series' set and died on October 11, 1991. Still, even in death, Foxx's name remained synonymous with off-color comments; on an episode of the hit show Seinfeld broadcast several years later, Jason Alexander's character, George, was chastised for the "curse toast" he delivered at a friend's wedding, prompting an exasperated Jerry Seinfeld to exclaim, "You were like a Redd Foxx record up there!"

Trivia: Began his acting career at the age of 4 with an appearance in the Broadway play Green Pastures. Was drafted by the Army and served a tour of duty in Vietnam. Guest-starred on an Emmy-winning episode of All in the Family, which helped him earn a lead role on the popular sitcom Sanford and Son. Scaled back his acting work after experiencing a spiritual awakening and becoming a minister in 1983. Is also a writer whose works include several children's books and the memoir Second Banana: The Bitter Sweet Memoirs of the Sanford & Son Years.

Trivia: Marlene Clark, a black supporting actress and occasional lead, appeared on screen beginning in the '70s.

Trivia: Bald-pated, mustachioed Canadian character actor Lou Jacobi began entertaining theatre audiences as a child. Though many of his characterizations were urban-American ethnic types, Jacobi was well into his career before ever setting foot on an American stage. Among his more memorable screen roles were the explosive Mr. Van Daan in The Diary of Anne Frank (1959) and the philosophical Parisian bartender Moustache in Irma La Douce (1963). After his cameo as a middle-aged transvestite in Woody Allen's Everything You Always Wanted to Know About Sex, But Were Afraid to Ask (1972), the hapless Mr. Jacobi found himself called upon to don women's garb on a nearly-weekly basis for the various TV variety series of the early 1970s. Lou Jacobi's other television work included supporting parts on The Dean Martin Show, Somerset and Melba, and the lead in the 1976 sitcom Ivan the Terrible.

Trivia: A comedienne turned actress who rose to fame as outspoken bible-thumper Aunt Ester in Redd Foxx's hit sitcom Sanford and Son, LaWanda Page performed with such other famous contemporaries as Richard Pryor and Rudy Ray Moore before finding success on the small screen. A native of Cleveland who grew up in St. Louis, Page first hit the stage as an exotic dancer and chorus girl billed "the Bronze Goddess of Fire" (due to her penchant for playing with fire on-stage) before fully realizing her talents as a standup comic. Subsequently approached by Foxx to star in Sanford and Son, Page tickled television viewers' funny bones with her memorable role as Foxx's aggressively religious sister-in-law in the original series' spin-off The Sanford Arms, and the 1980 revival Sanford. Throughout the 1980s and '90s, Page crafted a feature-film career with minor roles in such comedies as Zapped! (1982), My Blue Heaven (1990), Friday (1995), and Don't Be a Menace to South Central While Drinking Your Juice in the Hood (1996). Always retaining her fiery approach to comedy, Page also performed on-stage in productions of The Inquest of Sam Cooke and Take It to the Lord...Or Else. On September 14, 2002, LaWanda Page died from complications of diabetes in Los Angeles, CA. She was 81.

Trivia: The product of a tough, impoverished upbringing, African American actor Robert Guillaume fought his way out of the St. Louis slums by virtue of talent, persistence and an unwillingness to bow down to anyone. After military service and college, Guillaume held down short-term jobs ranging from cook to streetcar conductor, all the while training his voice for potential musical comedy work--training that paid off with his first Broadway show, 1961's Kwamina. Among his many stage credits were the musical versions of Golden Boy (with Sammy Davis Jr.) and Purlie Victorious, and the long-running review Jacques Brel is Alive and Well and Living in Paris. When New York stage work was scarce, Guillaume created his own opportunities by giving one-man concerts. After guesting in several of the black-oriented TV sitcoms of the 1970s, Guillaume was cast in 1977 as the imperious, outspoken family retainer Benson in the daytime-drama parody Soap (the actor would be first to admit that many of Benson's more contentious traits sprang from Guillaume's own prickly personality). The role won Guillaume a 1978 Emmy as "Outstanding Supporting Actor." In 1979, Guillaume carried over his Soap role into his own starring series, the now classic sitcom Benson, which ran until 1986 and which won Guillaume another Emmy, this time as "Outstanding Lead Actor." Robert Guillaume also headlined the appropriately titled 1989 series The Robert Guillaume Show, wherein for approximately five months he starred as divorced marriage counselor Edward Sawyer. In the several years to follow, Guillaume would star in shows like Sports night, as well as a number of films like Big Fish and Satin.

Trivia: American actor John Larroquette began gaining public attention as a disc jockey. For several years, he paid the bills with TV and movie voiceovers, notably as the (uncredited) narrator of Tobe Hooper's The Texas Chainsaw Massacre (1974). Larroquette started getting on-camera assignments in the mid 1970s, making his network TV bow in the role of Dr. Paul Herman in the prime time weekly Doctors' Hospital (1975-76); this was followed by a two-year stint as Robert Anderson on the Robert Conrad TV vehicle Black Sheep Squadron (1976-78). From 1984 through 1992, Larroquette portrayed assistant DA and self-styled ladies man Dan Fielding on the popular sitcom Night Court, a role which won him four Emmy awards. In 1994, the actor starred in his own series, The John Larroquette Show, playing an erudite recovering alcoholic who manages a St. Louis bus depot.His film career never quite matched the success he found on the small- screen, but he had small parts in The Twilight Zone Movie and Choose Me before he reached the height of his Night Court Fame. He was a friend to Bruce Willis in the Blake Edwards comedy Blind Date and appeared opposite his fellow NBC sitcom star Kirstie Alley in the flop Madhouse. He was one o the adult leads in the 1994 version of Richie Rich. As the '90s came to a close he returned to the small-screen in Payne, an attempt to update the classic British series Fawlty Towers. As the new century began, Larroquete could be seen in The 10th Kingdom, and a few years later he lent his voice as the narrator of the remake of The Texas Chainsaw Massacre - just as he did for the original thirty years before. He appeared in diverse projects such as Beethoven's 5th, and the 2006 Southland Tales. He scored a recurring role for a couple of seasons on Boston Legal.