Trivia: The ninth in a family of 18 children, Esther Rolle left her family's Florida home for New York once she came of age. She worked her way through Hunter College, Spellman College and the New School for Social Research. Even after her 1962 New York stage debut in The Blacks, Esther was compelled to hold down a day job in the city's garment district. She appeared in such Broadway productions as The Crucible and Blues for Mr. Charlie, and toured extensively with Robert Hooks' Negro Ensemble Company. Her breakthrough role was Florida the maid in the 1972 Norman Lear sitcom Maude. Though she balked at playing a domestic, Rolle was impressed by Florida's independence and pugnaciousness. In February of 1973, the Florida character was spun off into her own series, Good Times, the saga of a tightly-knit black family surviving in the Chicago projects. Rolle welcomed the series as an opportunity to depict a poor but proud African-American family with a strong father figure (played by John Amos) at the center. But when Amos, upset that co-star Jimmie "J.J." Walker was dominating the series, left Good Times in 1974, Rolle echoed the words of such groups as the National Black Media Coalition in chastising the renovated series, wherein an irresponsible, wisecracking teenaged cut-up was now "head" of the household. When her contract ran out in 1977, Esther joined John Amos in bolting Good Times. After a year of pursuing other projects -- one of which, the made-for-TV film Summer of My German Soldier, won Rolle an Emmy -- she was back on Good Times, having been assured that she would be given full script approval and that the J.J. character had matured. But by this time, audiences had wearied of Good Times, and the series was cancelled in 1979. Since that time, Rolle has hardly wanted for work: her most recent credits include the strong role of Idella in the 1989 Oscar-winner Driving Miss Daisy, the starring part of the black owner of a Jewish deli in the 1990 sitcom Singer and Son, and a guest appearance as the dying Mammy in the 1994 Gone with the Wind sequel Scarlet. In addition, Esther Rolle has been nominated honorary chairperson of the President's Committee on the Employment of the Handicapped, and has been honored with several Image Awards from the NAACP.

Trivia: An actor with hulking presence and a stern countenance, John Amos undercuts his ominous appearance with the kind of warm grin and fun-loving attitude that makes him a natural for comedy. More recognizable as a television actor, the former pro football player has made enough visible forays into film to earn him a reputation in both arenas.After stints in a variety of divergent career fields -- pro sports, advertising, commercial acting, stand-up comedy, comedy writing -- Amos got his big break with the role of Gordy the weatherman on The Mary Tyler Moore Show in 1970. After three years as a side player next to Mary Tyler Moore, Ed Asner, and Ted Knight, Amos thought he'd get the chance for top billing by signing on to the gig for which he is best known: James Evans, the temperamental patriarch of Good Times. But Jimmie Walker, who played son J.J. Evans, soon gave the show a sassy youthful focus with his catchphrase "Dy-no-mite!" stealing the spotlight from Amos and Esther Rolle, who played wife Florida. Amos asked out of his contract after three years, and in 1976, James Evans was killed off in a car accident.The decision to leave a hit series did not squash Amos, as it has some others who have made that bold decision. Instead, Amos stepped into the highly celebrated and widely seen role of the adult Kunta Kinte in the 1977 miniseries Roots. The role challenged the actor's dramatic abilities like none of his previous work had, and he won praise for documenting the travails of a captured African who resists his enslavement.While continuing to turn up in TV series such as Future Cop and Hunter, Amos began making regular appearances in film in the 1980s. Among his more prominent roles were as Seth, companion to Marc Singer's title character in the sword and sorcerer film The Beastmaster (1982); Cleo McDowell, owner of a McDonald's knockoff burger chain and employer of Eddie Murphy and Arsenio Hall's transplanted dignitaries in Coming to America (1988); and the double-crossing Major Grant, who becomes one of the villains opposite Bruce Willis in Die Hard 2 (1990). Settling back into a career of guest shots on TV shows, Amos occupied himself during the 1990s and beyond with recurring roles on The Fresh Prince of Bel Air and as Admiral Percy Fitzwallace on NBC's The West Wing.

Trivia: Thin, jug-eared, and rubber-faced black comedian Jimmie Walker is best remembered for playing J.J. on the sitcom Good Times (1974-1979). His exuberant "Dyno-mite!!" was briefly a popular catch phrase back then. Walker made his feature film debut in Sing Thanksgiving (1974). Following the demise of his show, Walker embarked upon a modest film career and carried on with his standup career. He occasionally showed up on television talk shows and in 70's retrospectives, not afraid to poke fun at his '70s persona.

Trivia: In 1970, made his Broadway musical debut at the age of 9 in The Me Nobody Knows. Originated the role of Travis Younger in Raisin, a Broadway musical based on the Lorraine Hansberry drama A Raisin in the Sun. Released his first album, When You're Young and in Love, in 1975.

Trivia: Entered Miss Black America pageants as a teen, and as Miss Brooklyn eventually won first runner-up in the Miss New York State contest. Auditioned for role of Thelma Evans on the CBS comedy series Good Times while still in college. Won the part and made her TV-series debut when it premiered in 1974. In the late 1990s, appeared in a hip-hop music video for Camp Lo with former Good Times costar Jimmie Walker. Produced several plays, including Whatever Happened to Black Love. In 2006 released first book, Situations 101: Relationships The Good, The Bad & The Ugly.

Trivia: Actor Frank Campanella's physical form almost single-handedly defined his Hollywood typecasting. A 6' 5" barrel-chested Italian with a great, hulking presence and memorably stark facial features, Campanella excelled as a character player, almost invariably appearing as toughs and heavies. Born to a piano builder father who played in the orchestras of Eddie Cantor, Jimmy Durante, and Al Jolson, Campanella studied music exhaustively as a young man, and trained as a concert pianist, but discovered a rivaling passion for drama and entered Manhattan College as an acting major. Campanella's career as an actor began somewhat uncharacteristically, on a light and jovial note, by playing Mook the Moon Man during the first season of the Dumont network's infamous and much-loved kiddie show Captain Video and his Video Rangers (1949-1954). One- and two-episode stints on many American television programs followed for Campanella, most on themes of crime and law enforcement, including Inside Detective (1952), The Man Behind the Badge (1954), Danger (1954), and episodes of the anthology series Playwrights '56 (1956), Studio One (1956), and Suspicion (1957) that called for gritty, thuggish, urban types. During the 1960s, Campanella sought out the same kinds roles in feature films -- a path he pursued for several decades. Turns included John Frankenheimer's 1966 Seconds (as the Man in the Station); Mel Brooks' 1968 The Producers (as a bartender); 1970's The Movie Murderer (as an arson lieutenant); the Steve Carver-directed, Roger Corman-produced gangster film Capone (1975, as Big Jim Colosimo); Ed Forsyth's 1976 Chesty Anderson -- U.S. Navy (as the Baron); Conway in Warren Beatty's 1978 Heaven Can Wait; and Judge Neal A. Lake in Michael Winner's 1982 Death Wish 2. Campanella teamed with director Garry Marshall seven times: as Col. Cal Eastland in The Flamingo Kid (1984), Remo in Nothing in Common (1986), Captain Karl in Overboard (1987), Frank the Doorman in Beaches (1988), Pops in Pretty Woman (1990), a retired customer in Frankie and Johnny (1991), and a Wheelchair Walker in Exit to Eden (1994). Campanella re-teamed with Warren Beatty for the first time since 1978 as Judge Harper in Dick Tracy (1990) and again as the Elevator Operator in Love Affair (1994). Additional series in which Campanella appeared during the 1970s and '80s included Maude, Hardcastle & McCormick, Quincy, M.E., The Love Boat, Barnaby Jones, The Rockford Files, The Fall Guy, St. Elsewhere, and many others. In middle age, Campanella parlayed his early musical training into two career choices that blended music and drama: a part on a commercial that required him to play the piano and a job as co-host of a musical program on KCSN Radio called "Offbeat Notes on Music." He also appeared on Broadway in such musicals as Guys and Dolls and Nobody Loves an Albatross. After many years of inactivity, Frank Campanella ultimately died at his home in the San Fernando Valley, of unspecified causes. He was 87. Survivors included his brother, actor Joseph Campanella, his sister-in-law, and 13 nephews and nieces.

Trivia: Black supporting actress Ja'net DuBois first appeared onscreen in 1970.