Trivia: Best known as the rumpled television detective Columbo, character actor Peter Falk also enjoyed a successful film career, often in association with the groundbreaking independent filmmaker John Cassavetes. Born September 16, 1927, in New York City, Falk lost an eye at the age of three, resulting in the odd, squinting gaze which later became his trademark. He initially pursued a career in public administration, serving as an efficiency expert with the Connecticut Budget Bureau, but in the early '50s, boredom with his work sparked an interest in acting. By 1955, Falk had turned professional, and an appearance in a New York production of The Iceman Cometh earned him much attention. He soon graduated to Broadway and in 1958 made his feature debut in the Nicholas Ray/Budd Schulberg drama Wind Across the Everglades.A diminutive, stocky, and unkempt presence, Falk's early screen roles often portrayed him as a blue-collar type or as a thug; it was as the latter in 1960's Murder Inc. that he earned a Best Supporting Actor Oscar nomination, a major career boost. He was nominated in the same category the following year as well, this time as a sarcastic bodyguard in Frank Capra's Pocketful of Miracles. In 1962, Falk won an Emmy for his work in the television film The Price of Tomatoes, a presentation of the Dick Powell Theater series. The steady stream of accolades made him a hot property, and he next starred in the 1962 feature Pressure Point. A cameo in Stanley Kramer's 1963 smash It's a Mad, Mad, Mad, Mad World preceded Falk's appearance in the Rat Pack outing Robin and the Seven Hoods, but the film stardom many predicted for him always seemed just out of reach, despite lead roles in 1965's The Great Race and 1967's Luv.In 1968, Falk first assumed the role of Columbo, the disheveled police lieutenant whose seemingly slow and inept investigative manner masked a steel-trap mind; debuting in the TV movie Prescription: Murder, the character was an immediate hit, and after a second telefilm, Ransom for a Dead Man, a regular Columbo series premiered as part of the revolving NBC Mystery Movie anthology in the fall of 1971, running for seven years and earning Falk a second Emmy in the process. In the meantime, he also continued his film career, most notably with Cassavetes; in 1970, Falk starred in the director's Husbands, and in 1974 they reunited for the brilliant A Woman Under the Influence. In between the two pictures, Falk also returned to Broadway, where he won a Tony award for his performance in the 1972 Neil Simon comedy The Prisoner of Second Avenue. In 1976, Cassavetes joined him in front of the camera to co-star in Elaine May's Mikey and Nicky, and directed him again in 1977's Opening Night.After Columbo ceased production in 1978, Falk starred in the Simon-penned mystery spoof The Cheap Detective, followed by the William Friedkin caper comedy The Brink's Job (1978). After 1979's The In-Laws, he starred two years later in ...All the Marbles, but was then virtually absent from the screen for the next half decade. Cassavetes' 1986 effort Big Trouble brought Falk back to the screen (albeit on a poor note; Cassavetes later practically disowned the embarrassing film) and and in 1987 he starred in Happy New Year along with the Rob Reiner cult favorite The Princess Bride. An appearance as himself in Wim Wenders' masterful Wings of Desire in 1988 preceded his 1989 resumption of the Columbo character for another regular series; the program was to remain Falk's focus well into the next decade, with only a handful of film appearances in pictures including 1990's Tune in Tomorrow and a cameo in Robert Altman's The Player. After the cancellation of Columbo, he next turned up in Wenders' Desire sequel Far Away, So Close before starring in the 1995 comedy Roommates. Falk continued to work in both film and television for the next decade and a half, starring in various Columbo specials through 2003, appearing with Woody Allen in the made-for-TV The Sunshine Boys in 1997, and playing a bar owner caught up in mafia dealings in 1999's The Money Kings. Other projects included the Adam Sandler-produced gangster comedy Corky Romano (2001), the Dreamworks animated family film A Shark Tale (as the voice of Ira Feinberg), and the Paul Reiser-scripted, Raymond de Felitta-directed comedy-drama The Thing About My Folks (2005). In 2007, Falk starred opposite Nicolas Cage and Julianne Moore in Lee Tamahori's sci-fi thriller Next. That same year, Falk announced to the public that he had Alzheimer's disease. He died in June 2011 at age 83.

Trivia: He got a degree in drama and then broke into films in 1957; he appeared in a film per year through the early '60s, meanwhile returning to school to get his master's degree in acting and a Ph.D. in political science. For his work in The Young Philadelphians (1959) he received a Best Supporting Actor Oscar nomination. In the mid '60s he starred in the popular TV spy series The Man From U.N.C.L.E. Although never a movie star, he has sustained a busy screen career through the '90s. He is the author of Only Victims (1972), a study of Hollywood blacklisting during the McCarthy Era.

Trivia: American actor Bruce Kirby made his Broadway bow at age 40 in the 1965 production Diamond Orchid. More stage work followed, and then movie assignments, commencing with the all-star Catch 22 (1970), and continuing into the 1980s with such productions as Sweet Dreams (1985) and Throw Momma from the Train (1987). Kirby's TV career has embraced both series successes (1989's Anything But Love, as Jamie Lee Curtis' father), ignoble failures (1976's Holmes and Yoyo, as Henry Sedford), and a few projects which never sold (Kirby was in two busted pilots for something called McNamara's Band). In 1984, Kirbyreturned to Broadway to understudy Dustin Hoffman as Willy Loman in the revival of Death of a Salesman. Bruce Kirby, sometimes billed as Bruce Kirby Sr., was the father of actor Bruno Kirby, who formerly billed himself as B. Kirby Jr.

Trivia: Actress Diane Baker's well-scrubbed, all-American beauty has frequently been employed as a cool veneer for film characters of smoldering passions. The daughter of actress Dorothy Harrington, Diane was studying at USC when she was tapped for her first film role as Millie Perkins' sister in 20th Century-Fox's The Diary of Anne Frank (1959); the studio then cast Diane as Pat Boone's "girl back home," who didn't get to go along on Boone's Journey to the Center of the Earth (1959). She remained at Fox until 1962, essaying the title role in the studio's re-remake of Tess of the Storm Country (1961). Her most famous screen assignment was at Columbia, where she portrayed axe murderess Joan Crawford's supposedly well-balanced daughter in Straitjacket (1963). Diane became a documentary director in the 1970s with Ashanya, and a producer with Never Never Land (1982). The best of Diane Baker's latter-day roles was the media-savvy politico mother of the kidnap victim in Silence of the Lambs (1991).

Trivia: British actor Wilfred Hyde-White entered the Royal Academy of Dramatic Art upon graduation from Marlborough College. After some stage work, he made his first film in 1934 and became a stalwart in British movies like Rembrandt (1936) and The Demi-Paradise (1943), often billed as merely "Hyde White" and specializing in benign but stuffy upper-class types. Hyde-White received a somewhat larger role than usual in The Third Man (1949), principally because his character was an amalgam of two characters who were originally written for the erstwhile British comedy team Basil Radford and Naunton Wayne. Working both sides of the continent, Hyde-White appeared in such American productions as In Search of the Castaways (1962) and Gaily, Gaily (1969). His best-loved role was as Colonel Pickering in the 1964 Oscar-winner My Fair Lady, wherein he participated in two musical numbers, "The Rain in Spain" and "You Did It." Remaining in films until 1983, Hyde-White was still inducing audience chuckles in such films as The Cat and the Canary (1979), in which he appeared "posthumously" in a pre-filmed last will and testament.

Trivia: Starting out as an assistant animator at the Walt Disney studios, John Dehner went on to work as a professional pianist, Army publicist, and radio journalist. From 1944 until the end of big-time radio in the early '60s, Dehner was one of the busiest and best performers on the airwaves. He guested on such series as Gunsmoke, Suspense, Escape, and Yours Truly, Johnny Dollar, and starred as British news correspondent J.B. Kendall on Frontier Gentleman (1958) and as Paladin in the radio version of Have Gun Will Travel (1958-1960). On Broadway, he appeared in Bridal Crown and served as director of Alien Summer. In films from 1944, Dehner played character roles ranging from a mad scientist in The Bowery Boys Meet the Monsters (1954) to Sheriff Pat Garrett in The Left-Handed Gun (1958) to publisher Henry Luce in The Right Stuff (1983). Though he played the occasional lead, Dehner's cocked-eyebrow imperiousness generally precluded any romantic entanglements; he once commented with pride that, in all his years as an actor, he never won nor kissed the heroine. As busy on TV as elsewhere, Dehner was seen regularly on such series as The Betty White Show (1954), The Westerner (1960), The Roaring '20s (1961), The Baileys of Balboa (1964), The Doris Day Show (1968), The Don Knotts Show (1969), Temperatures Rising (1973-1974), Big Hawaii (1977), Young Maverick (1979-1980), and Enos (1980-1981). He also essayed such TV-movie roles as Dean Acheson in The Missiles of October (1974). Working almost up to the end, John Dehner died of emphysema and diabetes at the age of 76.

Trivia: American actress/singer Susanna Foster was 11 years old when a friend of her family recorded her voice and sent the results to MGM. That studio had recently lost Deanna Durbin to Universal, thus was casting about for a pre-teen songstress who could be groomed for stardom. Foster sat out her contract taking singing lessons, and was dropped before she'd even seen a camera, reportedly due to an MGM executive who was promoting his own wife. Paramount cast Foster in a tiny role in The Great Victor Herbert (1939), which led to an "introducing" assignment in There's Magic in Music (1939). In a deliberate attempt to avoid the cutesy-poo image of Deanna Durbin, Foster was cast in her first starring picture as a street-wise toughie who happened to have a gorgeous voice. This image didn't stick, and soon Foster was playing goodie-goodies. In 1942, Universal studios, which always liked to have a few stray sopranos on hand just in case, signed Foster to co-star with Nelson Eddy and Claude Rains in The Phantom of the Opera (1943). As always, Foster sang like an angel, but her acting was easily overshadowed by both Rains and Eddy. In 1944, Universal decided to re-use the Phantom sets for a similar period musical, The Climax, which paired Foster with Boris Karloff--again no contest. Outgrowing her youthful charm, Foster became hard to cast (and somewhat difficult personally, it is said). Realizing that Universal didn't have anything worthwhile lined up for her, Foster retired from the screen, declaring that she'd always hated her film career. Following an unsuccessful marriage to singer Wilbur Evans, Susanna Foster faded into private life, taking clerical work to support herself and her sons and turning down all offers to resume her singing career.

Trivia: Character actress Shera Danese specialized in bit parts, initially ones of a slightly sultry nature. She landed one of her earliest big-screen roles as one of saxophone player Jimmy Doyle's (Robert De Niro) girlfriends in Martin Scorsese's revisionist musical New York, New York (1977), then drew attention away from Rebecca De Mornay as one of two prostitutes who accompany a high-school senior (Tom Cruise) out for a wild evening on the town, in Paul Brickman's satire on teen angst, Risky Business (1983). Subsequent projects included the 1987 Baby Boom (as a cloak room attendant), the 2002 John Q., and the 2006 Alpha Dog. Danese also appeared in numerous Columbo telemovies opposite longtime off-camera husband Peter Falk.

Trivia: Character actor John Finnegan first appeared onscreen in the '70s.

Trivia: Most of actor Stephen Elliot's film credits were piled up after he reached the age of fifty. The best of these include Hospital (1971), Death Wish (1974), The Hindenburg (1978) and Taking Care of Business (1988). Elliot was cast as Jill Eikenberry's bullying millionaire father in Arthur (1981), in which he pummeled prospective son-in-law Dudley Moore to a pulp when Moore balked at the altar; he repeated this ham-fisted characterization in Arthur 2, On the Rocks (1985). Stephen Elliot's acting contributions to television include patriarch Benjamin Lassiter on Beacon Hill (1975), Jane Wyman's ex-husband (not Ronald Reagan) on Falcon Crest (1981-82), and several years in the role of Paul Ailey on the daytime drama Love of Life.

Trivia: Mike Lally started in Hollywood as an assistant director in the early 1930s. Soon, however, Lally was steadily employed as a stunt man, doubling for such Warner Bros. stars as James Cagney and Pat O'Brien. He also played innumerable bit roles as reporters, court stenographers, cops and hangers-on. Active until 1982, Mike Lally was frequently seen in functionary roles on TV's Columbo.

Trivia: American character actor Vito Scotti may not be the living legend as described by his publicity packet, but he has certainly been one of the most familiar faces to bob up on small and large screens in the last five decades. Scotti's father was a vaudeville impresario, and his mother an opera singer; in fact, he was born while his mother was making a personal appearance in San Francisco. Launching his own career at seven with an Italian-language commedia del arte troupe in New York, Scotti picked up enough improvisational knowhow to develop a nightclub act. When the once-flourishing Italian theatre circuit began to fade after World War II, Scotti began auditioning for every job that came up -- whether he could do the job or not. Without his trademarked mustache, the diminuitive actor looked like a juvenile well into his thirties, and as such was cast in a supporting role as a timorous East Indian on the "Gunga Ram" segment of the '50s TV kiddie series Andy's Gang. Once the producers discovered that Scotti had mastered several foreign dialects, he was allowed to appear as a comic foil to Andy's Gang's resident puppet Froggy the Gremlin. In nighttime television, Scotti played everything from a murderous bank robber (on Steve Canyon) to a misplaced Japanese sub commander (on Gilligan's Island). He was indispensable to TV sitcoms: Scotti starred during the 1954 season of Life with Luigi (replacing J. Carroll Naish), then appeared as gesticulating Latin types in a score of comedy programs, notably The Dick Van Dyke Show (as eccentric Italian housepainter Vito Giotto) and The Flying Nun (as ever-suspicious Puerto Rican police captain Gaspar Fomento). In theatrical films, Scotti's appearances were brief but memorable. he is always greeted with appreciative audience laughter for his tiny bit as a restauranteur in The Godfather (1972); while in How Sweet it Is (1968) he is hilarious as a moonstruck chef, so overcome by the sight of bikini-clad Debbie Reynolds that he begins kissing her navel! Vito Scotti was still essaying dialect parts into the '90s.

Trivia: An American-born actor reared in Ireland and England, McGoohan made a memorable impression on the American and English viewing audiences by playing essentially the same role in three different television series. He began his performing career as a teen-ager, eventually played Henry V for the Old Vic company in London, and made mostly unremarkable films in the '50s. His movies include the delightful Disney film The Three Lives of Thomasina (1964). Success came in 1961, when McGoohan played government agent John Drake in Danger Man, a role he continued on Secret Agent (1965-66). He created, produced and often wrote episodes of the nightmarish, surrealistic cult series The Prisoner (1968-69). This show featured a character assumed to be the same John Drake (although he was known as Number 6 and his real name was never mentioned), who had been kidnapped and taken to a strange community. McGoohan later starred in the TV series Rafferty (1977) and directed the film Catch My Soul (1974). He won an Emmy Award in 1975 for his guest appearance on Columbo with Peter Falk.

Trivia: Actor George Hamilton got his start in high school dramatics. Movie-star handsome, Hamilton played the lead in his very first film, Crime and Punishment USA (1959). While his acting talent was barely discernible in his earliest effort, Hamilton steadily improved in such MGM films as Home From the Hill (1960), Where the Boys Are (1960), Light in the Piazza (1961). He was at his best in a brace of biopics: in Warner Bros.' Act One (1963) he played aspiring playwright Moss Hart, while in Your Cheatin' Heart (1965), he registered well as self-destructive C&W singer Hank Williams. His much-publicized mid-1960s dating of President Johnson's daughter Lynda Bird was unfairly written off by some as mere opportunism, a calculated ploy to buoy up a flagging career. In fact, it did more harm than good to Hamilton: by 1969, movie roles had dried up, and he was compelled to accept his first TV-series role, playing jet-setter Duncan Carlyle in The Survivors. The following year, he starred as State Department functionary Jack Brennan in the weekly TV espionager Paris 7000. He staged a spectacular comeback as star and executive producer of Love at First Bite (1979), a screamingly funny "Dracula" take-off that won the actor a Golden Globe nomination. Even better was Zorro the Gay Blade (1980), which unfortunately failed to match the excellent box-office performance of First Bite but which still provided a much-needed shot in the arm to Hamilton's career. He went on to play such campish roles as villainous movie producer Joel Abrigor in TV's Dynasty (1985-86 season only) and jaded 007-type Ian Stone in the weekly Spies (1987). Throughout the thick and thin of his acting career, Hamilton remained highly visible on the international social scene, squiring such high-profile lovelies as Elizabeth Taylor and Imelda Marcos. He also remained financially solvent with his line of skin products and tanning salons. In 1995, George Hamilton hopped on the talk-show bandwagon, co-starring with his former wife Alana (who'd remarried rocker Rod Stewart) on a not-bad syndicated daily TV chatfest.

Trivia: Publicity notwithstanding, Lesley Ann Warren did not exactly burst fully grown into the world in 1966 to star in the Rodgers and Hammerstein TV special Cinderella. Trained at New York's Professional Children's School, Lesley Ann studied under Lee Strasberg before making her Broadway debut in 110 in the Shade, the 1964 musical version of The Rainmaker. On the strength of Cinderella, Lesley Ann was signed to a Disney contract; but after starring in The Happiest Millionaire (1966) and The One and Only Genuine Original Family Band, she rebelled against her studio-imposed sweetness-'n'-light image. Upon replacing Barbara Bain in the long-running espionage TVer Mission: Impossible in 1970, Warren publicly emphasized that her character, Dana Lambert, was a "now" person, wise in the ways of sex. She stayed with Mission for only a year, after which she established herself as a leading light in the made-for-TV movie field, frequently cast as an older woman involved romantically with a much-younger man. She earned an Academy Award nomination for her hilarious performance as bleach-blond gangster's moll Norma in Victor/Victoria (1981), then starred in a couple of intriguing Alan Rudolph-directed dramas, Choose Me (1984) and The Songwriter (1986). Her more recent roles include Molly, the homeless woman in Mel Brooks' Life Stinks(1991), who goes into a "death throes" act whenever she feels like it, and the barracuda booking agent for c-and-w star George Strait in Pure Country (1994). For nearly a decade, Lesley Ann Warren was the wife of producer/hairstylist Jon Peters.