Trivia: The son of a Jewish movie-publicist father and an Irish Catholic musical-comedy actress, Michael Landon grew up in a predominantly Protestant New Jersey neighborhood. The social pressures brought to bear on young Michael, both at home and in the schoolyard, led to an acute bedwetting problem, which he would later dramatize (very discreetly) in the 1976 TV movie The Loneliest Runner. Determined to better his lot in life, Landon excelled in high school athletics; his prowess at javelin throwing won him a scholarship at the University of Southern California, but a torn ligament during his freshman year ended his college career. Taking a series of manual labor jobs, Landon had no real direction in life until he agreed to help a friend audition for the Warners Bros. acting school. The friend didn't get the job, but Landon did, launching a career that would eventually span nearly four decades. Michael's first film lead was in the now-legendary I Was a Teenage Werewolf (1957), widely derided at the time but later reassessed as one of the better examples of the late-'50s "drive-in horror" genre. The actor received his first good reviews for his performance as an albino in God's Little Acre. This led to his attaining the title role in 1959's The Legend of Tom Dooley, which in turn was instrumental in his being cast as Little Joe Cartwright on the popular TV western Bonanza. During his fourteen-year Bonanza stint, Landon was given the opportunity to write and direct a few episodes. He carried over these newfound skills into his next TV project, Little House on the Prairie, which ran from 1974 to 1982 (just before Little House, Landon made his TV-movie directorial bow with It's Good to Be Alive, the biopic of baseball great Roy Campanella). Landon also oversaw two spinoff series, Little House: The New Beginning (1982-83) and Father Murphy (1984). Landon kept up his career momentum with a third long-running TV series, Highway to Heaven (1984-89) wherein the actor/producer/director/writer played guardian angel Jonathan Smith. One of the most popular TV personalities of the '70s and '80s, Landon was not universally beloved by his Hollywood contemporaries, what with his dictatorial on-set behavior and his tendency to shed his wives whenever they matured past childbearing age. Still, for every detractor, there was a friend, family member or coworker who felt that Landon was the salt of the earth. In early 1991, Landon began work on his fourth TV series, Us, when he began experiencing stomach pains. In April of that same year, the actor was informed that he had inoperable pancreatic cancer. The courage and dignity with which Michael Landon lived his final months on earth resulted in a public outpouring of love, affection and support, the like of which was seldom witnessed in the cynical, self-involved '90s. Michael Landon died in his Malibu home on July 1, 1991, with his third wife Cindy at his side.

Trivia: The son of a movie stunt man, Victor French made his screen entree in westerns, where his unkempt beard and scowling countenance made him a perfect heavy. He carried over his robbin' and rustlin' activities into television, making multiple appearances on such series as Gunsmoke and Bonanza. It was former Bonanza star Michael Landon, a great friend of French's, who "humanized" the veteran screen villain with the role of farmer Isiah Edwards in the weekly TV drama Little House on the Prairie. French temporarily left Little House in 1977 to star in his own sitcom, Carter Country, in which he played an affable Southern sheriff who tried his best to accommodate the ever-changing racial relationships of the 1970s. In 1984, Landon cast French as ex-cop Michael Gordon, whose bitterness at the world was softened by the presence of a guardian angel (Landon), in the popular TV series Highway to Heaven. French directed every third episode of this series, extending his directorial activities to the Los Angeles theatre scene, where he won a Critics Circle award for his staging of 12 Angry Men. In contrast to his earlier bad-guy roles, French went out of his way in the 1980s to avoid parts that required him to exhibit cruelty or inhumanity. Victor French died in 1989, shortly after completing work on the final season of Highway to Heaven.

Trivia: If you were an avid television viewer throughout the 1960s and '70s, chances are good that you have fond memories of former stage star-turned-small-screen stalwart Hal England. A frequent guest-star on such television hits as Bewitched, Sanford and Son, CHiPs, and Charlie's Angels, the talented character actor could always be counted on for a memorable secondary role. A native of North Carolina who showed an affinity for the stage early on, England got his big break on Broadway while working as an understudy to Robert Morse in How to Succeed in Business Without Really Trying. An early association with Joseph Papp's Shakespeare in the Park found England standing out in such productions as Romeo and Juliet and Macbeth, with a role in the short-lived 1960 television series The Clear Horizon marking his entrance into television. In the years that followed, England would also move into feature-film territory with roles in Hang 'Em High and The Dirt Gang. Frequent appearances in such made-for-television features as The Amazing Howard Hughes and Sweet Bird of Youth also kept England busy on the small screen. In the early '90s, England could be seen in The Bonfire of the Vanities and Going Under, but the 1991 made-for-television feature Our Sons provided him with his last substantial role. On November 6, 2003, Hal England died of heart failure in Burbank, CA. He was 71.

Trivia: First acting gig was in his senior year of high school in a production of Fiddler on the Roof, in which he was cast as the lead, Tevye. Studied sports medicine before changing his focus to acting. Won the Natalie Wood Acting Award at UCLA. Nearly left the acting profession when he was offered a lucrative job in financial services. Served as Georgia's representative on the National Board of the Screen Actors Guild from January 2002 to September 2004. Advocated for the merger of SAG (Screen Actors Guild) and AFTRA (American Federation of Television and Radio Artists) prior to their 2012 merger as SAG-AFTRA. Has also served as the Atlanta Local First Vice-President of SAG-AFTRA. Has used acting principles and experience to launch a successful business as a career coach.