Trivia: With long, shapely legs, a svelte, curvaceous body to die for, and thick black hair cascading around her lovely face, Fran Drescher has all the looks of a sophisticated movie star. And then she opens her mouth. Out comes a crow-like cacophony of nasal sounds made more grating by a thick Queens accent and a tendency to pull no punches. The paradox between the book and its cover is what has made Drescher a rich and popular comedienne; her long-running sitcom The Nanny, with its combination of romantic and slapstick comedy, led many to hail her as Lucille Ball's successor. Though she capitalizes on playing a rather ditzy working-class gal from Flushing, Drescher is known for her creativity and shrewdness. In addition to acting, she is a talented writer and producer.Much of Drescher's comedy, especially that from her sitcom, is drawn from her life experiences. Like her character, Fran Fine, she was born and raised in Queens. She has had a lifelong interest in acting and studied drama in high school. She attended a year at Queens College and then attended cosmetology school to become a hairdresser. For a time, she had her own business. She made her film debut playing Connie in Saturday Night Fever (1977). Her next film, American Hot Wax (1978), provided Drescher with her first major role and though she would continue on to play supporting parts in numerous other films, it was not until she played a small but memorable part in Rob Reiner's hilarious mockumentary This Is Spinal Tap (1984) that she began making a name for herself. In addition to her film roles, she was also busy on television, guest starring in series and appearing in television films like Terror in the Towers. She played starring roles in three short-lived series, including Princesses. She and her husband Peter Marc Jacobson created The Nanny and it aired on CBS from 1993 to 1999. She not only starred in the show, but also wrote and produced it; Drescher received Emmy nominations for her work on the show. In 1996, she co-starred with Robin Williams in the Disney comedy Jack, while in 1997, she and Jacobson co-created the idea for the romantic comedy The Beautician and the Beast, in which she also starred. Drescher published her autobiography, Enter Whining, in 1996.Drescher once again drew from her life experiences in the 2002 memoir Cancer Schmancer, which chronicled the actress's battle with uterine cancer, and formed the Cancer Schmancer Movement in 2007. The nonprofit is dedicated to educating women about cancer prevention and the importance of early detection (Drescher's cancer was initially misdiagnosed). In 2011, Drescher appeared on Oprah Winfrey to discuss her relationship with her then ex-husband Peter Mark Jacobson after he came out as gay after the end of their 21-year marriage. The television series Happily Divorced (2011-2013) is based on her experience with Jacobson.

Trivia: While at Cambridge, appeared in a comedy troupe called Footlights Revue. Trained at London's Central School for Speech and Drama. When he played Shane Donovan on the soap Days of Our Lives from 1984 to 1992, pictures that were on the mantel in his TV home were actually old Shaughnessy family photos. (The actor reprised his role for a multiple-episode stint in May 2010.) Has been a contestant on Celebrity Jeopardy, as well as the game shows Super Password, The New Hollywood Squares, Win Lose or Draw, To Tell the Truth and Hollywood Squares. Became the fifth Baron Shaughnessy of Montreal and Ashford in 2007. Has been active in AIDS and antiwar organizations.

Trivia: Habitues of the late-night Jack Paar Program first became aware of the offbeat comic talents of Renee Taylor during her semi-regular appearances in the years 1959 through 1962. In films, Taylor has usually been seen in such small but distinctive roles as whispering dress extra in Jerry Lewis' The Errand Boy and Eva Braun (yes, Eva Braun) in Mel Brooks' The Producers. In 1965, she married actor/writer Joseph Bologna, becoming his partner both professionally and in life. In 1969, Taylor and Bologna wrote and starred in the Broadway comedy Lovers and Other Strangers; the play was transferred to the screen in 1970, minus the authors' on-screen presence but with all their comic insights and witticisms intact. Taylor and Bologna went on to create the 1973 TV series Calucci's Department, co-direct such films as 1989's It Had to Be You, and co-star in such projects as the 1976 TV-movie remake of Woman of the Year. In 1972, they shared an Emmy Award for their scriptwork on the 1972 television special Acts of Love-And Other Comedies. On her own, Renee Taylor has been a TV-series regular on 1977's Mary Hartman, Mary Hartman (as Annabelle) and 1993's Daddy Dearest (as Helen Mitchell, the mother of Richard Lewis and estranged wife of Don Rickles).

Trivia: It was only a matter of time before burgeoning teen star Nicholle Tom joined the family business. Her older sister, Heather Tom, won a Daytime Emmy for her portrayal of Victoria Newman on the soap The Young and the Restless and her twin brother, David Tom, has had roles in Pleasantville and Swing Kids.Tom grew up in Seattle and Los Angeles, but was born in Hinsdale, IL, on March 23, 1978. She and her brother did print ads and commercials in Chicago before the family headed out west. Soon after they moved to L.A., Tom began winning high-profile parts in films (Beethoven) and television shows (Beverly Hills 90210, The Nanny). She basically grew up on The Nanny and has embarked on a somewhat successful film and TV-movie career since the show ended in 1999. She starred with Olympic champ Tara Lipinski in the made-for-TV movie Ice Angel and has turned in supporting roles in Panic and The Princess Diaries.

Trivia: Fans of 1990s prime-time sitcoms will invariably remember actress Madeline Zima as the sugar-sweet, angelic Grace, six-year-old daughter of British theatrical producer Maxwell Sheffield (Charles Shaughnessy), on the Fran Drescher series comedy The Nanny. In fact, when Zima landed that part, she had already tackled child roles in features as diverse as The Hand that Rocks the Cradle (1992) and Mr. Nanny (1993). The Drescher series, of course, represented Zima's breakthrough, and by the late '90s, the young actress (who remained with the sitcom cast for all six seasons, until it wrapped in 1999) had blossomed into a starkly beautiful teenager. She branched out into more adult-oriented material with an uncanny portrayal of the young Lucille Ball in the telemovie Lucy (2003), then returned to series programs with a regular role on the quirky David Duchovny-headlined Showtime comedy drama Californication (2007). She went on to appear in The Collector, The Family Tree, Crazy Eyes, and Lake Effects.

Trivia: Tall, straight-laced American actor Robert Culp parlayed his appearance and demeanor into a series of clean-cut character roles, often (though not always) with a humorous, mildly sarcastic edge. He was perhaps best known for three accomplishments: his turn as a Southern California documentary filmmaker who decides, along with his wife (Natalie Wood) to suddenly go counterculture with an "open marriage" in Paul Mazursky's Bob & Carol & Ted & Alice (1969); his iconic three-season role as an undercover agent in the espionage-themed series I Spy (1965-8); and his three-season run as Bill Maxwell on Stephen Cannell's superhero spoof series The Greatest American Hero (1981-3). Born in Oakland, California in 1930, Culp attended several West Coast colleges while training for a dramatic career. At 21, he made his Broadway debut in He Who Gets Slapped. Within six years, he was starring in his own Friday night CBS Western, Trackdown (1957-9) as Hoby Gilman, an 1870s era Texas Ranger. During the two-year run of this program, Culp began writing scripts, a habit he'd carry over to other series, notably The Rifleman and Gunsmoke. These all represented fine and noble accomplishments for a young actor, but as indicated, I Spy delivered a far greater impact to the young actor's career: it made Culp (along with his co-star, Bill Cosby) a bona fide celebrity. The men co-starred in the NBC adventure yarn as, respectively, Kelly Robinson and Alexander Scott, undercover agents involved in globetrotting missions for the U.S. government. Both actors brought to the program a sharp yet subtle sense of humor that (coupled with its exotic locations) made it one of the major discoveries of the 1965-6 prime-time line-up. During the second of I Spy's three seasons, Culp made his directorial debut by helming episodes of Spy; he went on to direct installments of several other TV programs. The success of Bob & Carol at the tail end of the 1960s proved that Culp could hold his own as a movie star, and he later directed and co-starred in 1972 theatrical feature Hickey and Boggs, which reunited him with Cosby, albeit to much lesser acclaim. Unfortunately, as the years rolled on, Culp proved susceptible to the lure of parts in B-pictures, such as Sky Riders (1976), Flood! (1976) and Hot Rod (1979), though he delivered a fine portrayal in television's critically-acclaimed Roots: The Next Generations (1979). Culp rebounded further with the semicomic role of CIA chief Maxwell on American Hero, but many now-infamous behind-the-scenes issues (and external issues, such as the shooting of Ronald Reagan) beleaguered that program and ended its run after only three seasons. In the years that followed, Culp vacillated between exploitation roles, in tripe such as Big Bad Mama 2 and Silent Night, Deadly Night 3, and more respectable, mainstream guest turns in television series including The Cosby Show and Murder, She Wrote. He enjoyed one of his most prestigious assignments with a supporting role in the big screen John Grisham-Alan Pakula thriller The Parallax View (1993), opposite Denzel Washington and Julia Roberts. In the years that followed, Culp's on-camera presence grew less and less frequent, though he did make a cameo in the 1996 Leslie Nielsen laugher Spy Hard. Television continued to provide some of Culp's finest work: he rejoined old friend Cosby for a 1994 I Spy TV-movie reunion and made guest appearances in such series as Lonesome Dove, Law & Order and The Dead Zone. Following a period of semi-retirement, Culp died suddenly and rather arbitrarily, when he sustained a head injury during a fall outside of his Hollywood home in March 2010. He was 79 years old.