Trivia: For audiences around the world whose ears ring with the haunting and fateful revelation of a child tortured by terrifying visions of the afterlife, Haley Joel Osment may forever be linked to his role in what would rank among the most popular supernatural thrillers ever made, The Sixth Sense (1999). An Oscar nominee at the age of 11, Osment quickly became one of the most recognized and versatile young actors working in film, proving to audiences that his talents exceeded typecasting by constantly tackling new and challenging roles and characterizations.Born in Los Angeles, CA, on April 10, 1988, Osment set his acting career into motion, as many actors do, by appearing in commercials and taking small roles on television. Accompanied by his father to an audition for a Pizza Hut commercial and initially discouraged by the overwhelming amount of children vying for the role, Osment eventually stuck out the wait at his father's request and landed the role that would launch his career. Soon making his feature debut as the son of the titular shrimp slinger in the phenomenally successful Forrest Gump in 1994, Osment alternated between television (Murphy Brown and The Jeff Foxworthy Show) and film (Mixed Nuts and Bogus) while frequently appearing in such made-for-TV movies as The Ransom of Red Chief before making his breakthrough in director M. Night Shayamalan's The Sixth Sense.Following the success of The Sixth Sense with the well-intended but fatally flawed feel-good failure Pay It Forward, Osment escaped relatively unscathed as critics recognized the young actor's exceptional performance in what was otherwise a flop with critics and audiences alike. Imagination was the key to Osment's next project: director Steven Spielberg's long-anticipated, much-hyped A.I. An elaborately futuristic tale of an android that aspires to experience human emotion, A.I. was the first and only collaboration of two of the most influential filmmakers of the 20th century, the late Stanley Kubrick (who conceived the story based on Brian Aldiss' short story Supertoys Last All Summer Long) and Spielberg. In addition to appearing onscreen, Osment lent his voice to a number of animated films in 2000 and 2001, including the Disney sequels The Hunchback of Notre Dame II and The Jungle Book II. After once again providing voice work for the comedy musical The Country Bears, Osment returned to the screen body intact with Secondhand Lions in 2003. Cast as an intorverted youngster whose irresponsible mother sends him off to spend his summer with his eccentric uncles in Texas, Osment's onscreen abilities were key in making his character's transformation from withdrawn child to responsible young man believable.

Trivia: American actress Candice Bergen was a celebrity even before she was born. As the first child of popular radio ventriloquist Edgar Bergen and his young wife Frances, Candice was a hot news item months before her birth, and headline material upon that blessed event (her coming into the world even prompted magazine cartoons which suggested that Edgar would try to confound the nurses by "giving" his new daughter a voice). Candice made her first public appearance as an infant, featured with her parents in a magazine advertisement. Before she was ten, Candice was appearing sporadically on dad's radio program, demonstrating a precocious ability to throw her own voice (a skill she hasn't been called upon to repeat in recent years); at 11 she and Groucho Marx's daughter Melinda were guest contestants on Groucho's TV quiz show You Bet Your Life. Candice loved her parents and luxuriated in her posh lifestyle, though she was set apart from other children in that her "brothers" were the wooden dummies Charlie McCarthy and Mortimer Snerd - and Charlie had a bigger bedroom than she did! Like most 1960s teens, however, she rebelled against the conservatism of her parents and adopted a well-publicized, freewheeling lifestyle - and a movie career. In her first film, The Group (1965), Candice played a wealthy young lesbian - a character light years away from the sensibilities of her old-guard father. She next appeared with Steve McQueen in the big budget The Sand Pebbles (1966), simultaneously running smack dab into the unkind cuts of critics, who made the expected (given her parentage) comments concerning her "wooden" performance. Truth to tell, Candice did look far better than she acted, and this status quo remained throughout most of her film appearances of the late 1960s; even Candice admitted she wasn't much of an actress, though she allowed (in another moment that must have given papa Edgar pause) that she was terrific when required in a film to simulate an orgasm. Several films later, Candice decided to take her career more seriously than did her critics, and began emerging into a talented and reliable actress in such films as Carnal Knowledge (1971) and The Wind and the Lion (1975). Most observers agree that Candice's true turnaround was her touching but hilarious performance as a divorced woman pursuing a singing career - with little in the way of talent - in the Burt Reynolds comedy Starting Over (1979). Candice's roller-coaster offscreen life settled into relative normality when she married French film director Louis Malle; meanwhile, her acting career gained momentum as she sought out and received ever-improving movie and TV roles. In 1988, Candice began a run in the title role of the television sitcom Murphy Brown, in which she was brilliant as a mercurial, high-strung TV newsmagazine reporter, a role that won Ms. Bergen several Emmy Awards. While Murphy Brown capped Candice Bergen's full acceptance by audiences and critics as an actress of stature, it also restored her to "headline" status in 1992 - when, in direct response to the fictional Murphy Brown's decision to become a single mother, Vice President Dan Quayle delivered his notorious "family values" speech.Murphy Brown finished its successful run in 1997, and Bergen would make a handful of big-screen appearances in the ensuing years including Miss Congeniality, Sweet Home Alabama, and The In-Laws. In 2004 she became part of the cast of Boston Legal, another hit show that ran for five often award-winning seasons. When that show came to a close, she appeared in films such as The Women, Sex and the City, and Bride Wars - where she portrayed the country's leading wedding planner.

Trivia: She is best known for creating a multitude of memorable comic characters, including Ernestine the telephone operator and the rotten five-year-old rugrat Edith Ann, on television and in her stage shows, but let it not be forgotten that Lily Tomlin is also a talented dramatic actress, something she has thus far only demonstrated in two films. She was born Mary Tomlin in Detroit, MI. She was studying premed at Wayne State University when she heard the stage calling and so dropped out to perform skits and characterizations in cabarets and coffeehouses. Tomlin made her television debut on The Garry Moore Show but didn't get her first real break until she became a regular on Rowan and Martin's Laugh-In in 1970 and stayed through 1973. The series' machine gun pace proved the perfect outlet for Tomlin's offbeat humor and gave her the opportunity to hone her skills and develop her characters. She made an auspicious film debut with a touching dramatic role as a troubled gospel singer trying to deal with her hearing-impaired children and a womanizing Keith Carradine in Robert Altman's Nashville (1975), winning an Oscar nomination for Best Supporting Actress and a New York Film Critics award for the same category. Her next film, The Late Show (1977), was also more dramatic than comic and Tomlin again won kudos, though not in the form of awards, for her work. While she started off strongly in films, her subsequent output has been of uneven quality ranging from the entertaining All of Me (1984) to the abysmal Big Business (1988). But while her film career has never quite taken flight, Tomlin remained successful on-stage, in clubs, and on television. On Broadway, Tomlin has had two successful one-woman shows, Appearing Nitely (1976) and The Search for Signs of Intelligent Life in the Universe (1986), which Tomlin made into a film in 1991. In 1996, Tomlin became a regular on the cast of the long-running sitcom Murphy Brown playing a canny news producer and foil for Candice Bergan's Murphy. That same year she would work for the first time with director David O. Russell on the film Flirting With Disaster. After returning to film with the demise of Murphy Brown, Tomlin took on supporting roles in a variety of films, such as Tea with Mussolini and Disney's The Kid. But television soon came calling again in the form of a recurring role on NBC's The West Wing as The President's eccentric personal secretary.In 2004, Tomlin teamed with Russell again for the ensemble comedy I Heart Huckabees. A subsequent visit to the animated town of Springfield found Tomlin dropping in on The Simpsons the following year, withg recurring roles on both Will and Grace and The West Wing preceding a turn as one-half of a sisterly singing act along with Meryl Streep in the 2006 Robert Altman radio-show adaptation A Prairie Home Companion. At the Oscar telecast in 2006 Streep and Tomlin presented Altman with a lifetime achievement award, delivering their speech in a style that emulated the distinctive rhythms of his films. That same year she leant her vocal talents to an animated film for the first time in her career providing the voice for Mommo in The Ant Bully, which coincidently also featured her Prairie Home Companion cohort Meryl Streep. She had a major role in Paul Schrader's The Walker, and provided a voice in the English-language version of Ponyo. She joined the cast of the award-winning cable series Damages in 2010 for that show's third season and was a series regular on Malibu Country in 2012-13, playing Reba McEntire's mother.

Trivia: Sweet, Southern Faith Ford is perhaps best known as perky anchorwoman Corky from the long-running sitcom Murphy Brown. After growing up in Virginia, where she honed her passion for acting in school plays, Ford headed off to New York at the age of 17 to pursue a career in show business. She began landing appearances on shows like Webster and the soap opera Another World before changing coasts and trying her luck in Hollywood. She landed a recurring role on the drama thirtysomething, and shortly following, she landed the now-iconic role of Corky on Murphy Brown. Ford stayed with the show through all of its nine seasons, using her downtime to try out other projects like the family movie North. When Murphy Brown ended its run, Ford executive produced and starred in the series Maggie Winters, which got excellent reviews but sadly lasted for only one season. Ford had no shortage of projects, however; she was cast in the hit show Norm in 1999, and in 2003, she took a starring role in the ABC series Hope & Faith, playing a typical, Midwestern mom whose world is turned upside down when her movie-star sister shows up at her door. The popular series lasted until 2006, when Ford started looking for a new project. She found what she was looking for with 2007's comedy series Carpoolers, a show about the hilarious and strange goings-on between a group of men who drive to work together.

Trivia: Joe Regalbuto has been seen in films since 1982, when he played an investigative reporter in Costa-Gavras' Missing. Before his big-screen debut, Regalbuto played shifty Wall Street lawyer Elliot Streeter in the 1979 TV series The Associates. His other TV roles included Toomey, the CPA assistant to bumbling detective Tim Conway in Ace Crawford, Private Eye (1982), and Harry Fisher in Knots Landing (1985-86 series). Regalbuto also labored in what one journalist described as "relative obscurity" on the TV-movie circuit, playing such roles as William C. Sullivan in 1987's J. Edgar Hoover. In his most famous characterization, Joe Regalbuto travelled full circle from his Missing days, playing investigative reporter Frank Fontana on the TV sitcom Murphy Brown (1988- ).

Trivia: Tall, bookish-looking American actor Charles Kimbrough attended Indiana University and Yale before his first off-Broadway appearances in All for Love and Struts and Frets. Beginning in 1966, Kimbrough and then-wife Mary Jane were principal players of the Milwaukee Repertory Theatre, a troupe which included such celebrities-to-be as Michael Tucker and Judith Light. Kimbrough briefly abandoned Milwaukee for Broadway in 1969, garnering excellent revues for his appearance in the 1970 Stephen Sondheim musical Company. He returned to the Milwaukee Rep in the early '70s; so popular were Charles and his wife that, when they left Milwaukee for good in 1972, an original musical was specially commissioned for the Kimbrough's final rep appearance. Remaining active in plays, commercials, and films (The Front [1976], The Seduction of Joe Tynan [1977]), Kimbrough established himself as a reliable if not overly famous presence. Charles Kimbrough finally became a fullfledged celebrity in 1988 with his weekly appearances as newsmagazine anchorman Jim Dial on the Candice Bergen sitcom Murphy Brown.

Trivia: Daytime-drama addicts first became aware of American actress Gail Strickland when she was cast as Dorcas Trilling in the Gothic soaper Dark Shadows (1966-71). Strickland made her movie debut as villain Murray Hamilton's put-upon spouse in The Drowning Pool, sharing the film's soggy "thrill" highlight with star Paul Newman. She later played significant character roles in films like Norma Rae (1979) and Uncommon Valor (1981). On TV, she has been a regular on The Insiders (1985), What a Country (1986) and Dr. Quinn Medicine Woman (1992-). In the 1988 weekly series Heartbeat, Strickland played nurse-practitioner Marilyn McGrath, the first lesbian continuing character in Prime Time television. Gail Strickland continued to tote up impressive film credits into the 1990s, notably How to Make an American Quilt (1995) and An American President (1995).

Trivia: The daughter of Rick Nelson (son of Ozzie and Harriet Nelson) and Chris Harmon (daughter of football legend Tom Harmon and sister of actor Mark Harmon), Tracy Nelson made her film debut at age five as one of Henry Fonda's daughters in Yours, Mine and Ours (1968). Her movie career didn't really pick up until her teens, when she began appearing in such films as Footloose (1982) and Down and Out in Beverly Hills (1986). Before that, Tracy was seen as Jennifer DeNuccio, a zoned-out valley girl on the 1982 "teen-misfit" TV sitcom Square Pegs. Seven years later she was playing Sister Stephanie, a spunky young nun with a gift for sleuthing and a predisposition for disguise on the weekly television crime drama Father Dowling Mysteries. Between 1987 and 1989, Nelson battled with Hodgkins disease. She has continued her film career through the 1990s, appearing in television series and made-for-television movies.

Trivia: Actress and comedian Marcia Wallace began her career as a stage actress, appearing with the improv troupe The Fourth Wall and in off-Broadway plays in the late '60s. After a guest appearance on the Merv Griffin Show, Wallace began a thriving TV career playing secretary Carol Kester Bondurant on The Bob Newhart Show and making countless appearances over the coming decades on game shows like Hollywood Squares and To Tell the Truth, as well as shows like Full House and The Young and the Restless. In 1990, she began voicing Edna Krabappel, Bart's jaded 4th grade teacher, on The Simpsons, winning an Emmy Award for Outstanding Voice-Over Performance in 1992. Wallace continued to appear on the show in a recurring role up until her death in 2013.

Trivia: Wendie Jo Sperber was born in Hollywood in 1962 and aimed for a performing-arts career from high school onward. She attended the Summer Drama Workshop at California State University, Northridge, during the '70s, and began her screen career at age 15 when she was cast in the small role of Kuchinsky in Matthew Robbins' teen comedy Corvette Summer (1978), starring Mark Hamill. Her talent for comedy was showcased far better in Robert Zemeckis' period comedy I Wanna Hold Your Hand (1978), as the irrepressible Beatles fan Rosie Petrofsky, stealing a big chunk of the movie with her performance. Sperber was a large woman (over 200 pounds), yet she was also very pretty and as physically dexterous as any gymnast -- and as funny as any comic actress this side of Lucille Ball. She played the title role in the made-for-television feature Dinky Hocker (1979) and got to show off her physical comedy in Steven Spielberg's gargantuan 1941 (1979). Zemeckis (who also worked on 1941) brought Sperber back to the big screen in 1980 with a role in his offbeat comedy Used Cars, but it was on television that year when Sperber finally began getting some serious acknowledgement. She was cast in the role of Amy Cassidy -- a character that was funny, romantic, and exuberant -- in the series Bosom Buddies, starring Tom Hanks and Peter Scolari. It was a fair bet that she'd steal almost any scene in which she was featured. Following its cancellation in 1982, Sperber appeared in the offbeat comedy The First Time (1983) and did a year on the series Private Benjamin before resuming her feature work in the Hanks theatrical vehicle Bachelor Party, directed by Neal Israel, who used her again in Moving Violations (1985). That same year, she finally got to appear in a successful movie with her portrayal of Linda McFly in Zemeckis' Back to the Future. Sperber's roles grew larger in the wake of the goofy sci-fi adventure film, and over the next decade she starred in the series Babes (a comedy about three zoftig women) and had a major supporting part in the series Hearts Afire, as well as numerous big-screen comedies, interspersed with the occasional drama. By her own account, however, she prefers comedy if given the choice. As she told TV Guide in 1990, "I'm an actress who likes to say something funny -- everybody laughs and your job is done." In 1998, Sperber was diagnosed with breast cancer, which seemed to go into remission following treatment. She revealed in April of 2002, though, that the cancer had reappeared and spread throughout her body. She continued to work in television and movies during this period, including episodes of Unhappily Ever After, Home Improvement, Will & Grace, and the movies Desperate but Not Serious (1999) and Sorority Boys (2002).