Trivia: Despite her efforts to be taken seriously as an actress, Brooke Shields has been unable to escape her youth, during which time she found herself in the precarious position of simultaneously being idolized as a late-'70s icon of adolescent wholesome virginal innocence and being constantly photographed in manners verging on the mildly pornographic. Shields' early career was managed and pushed by her mother, Teri Shields, a small-time actress who placed her daughter in front of the camera before she was even one. As the Ivory Snow baby, Shields was once hailed as the "most beautiful baby in America." After spending many years hawking products, she was in such demand that her mother started marketing her under the logo "Brooke Shields & Co." Shields made her feature film debut in Alice Sweet Alice (1976), but did not become a bona fide star until French director Louis Malle cast her as a 12-year-old New Orleans prostitute who becomes the romantic obsession of a much older painter in Pretty Baby (1978). The film was released amidst great controversy because of the scenes in which Shields (or a body double representing her) appeared nude. But while she did participate in some adult scenes, those moments were handled with taste and discretion by Malle and his cinematographer, Sven Nyquist, and the general consensus was that Shields was not exploited in the film. Thus far, her acting in Pretty Baby remains Shields' best. Through her teens, Shields was among the world's top fashion models and her countenance was everywhere. Controversy again stirred when she did some provocative ads for Calvin Kline in which she was seen wearing a too tight pair of jeans and cooed, "Nothing comes between me and my Calvins." This was in contrast to her other ads in which she advised young girls to abstain from sex and a different campaign against smoking. At the peak of her fame, Shields appeared three times on the cover of Life magazine and once on the cover of Time. Her film career picked up around this time with appearances in such venues as King of the Gypsies (1978) and Wanda Nevada (1979), but her best-known film is the so-bad-it's-good The Blue Lagoon (1980) in which she and teenage hunk Christopher Atkins find themselves shipwrecked for years on a desert island. Ostensibly, the film is a tender tale about innocence and true love, but it's primarily a titillating romp filled with plenty of flesh shots of Shields and Atkins' taut, tanned, and partially clad bodies. In 1981, Shields tried her hand with a more serious role in Franco Zeffirelli's tepid teen romance Endless Love, but did not succeed. Shields decided it was time for college and so enrolled in Princeton, where but for the occasional appearance on a Bob Hope television special, made-for-TV movie, or other special event, she immersed herself in college life. While there, she majored in French Literature and also became interested in the theater, gaining experience in two regional productions of Love Letters. Shields graduated from Princeton with honors. Upon her graduation, Shields returned to acting full time and appeared in films that can most kindly be described as mediocre. In 1996, Shields was given her own situation comedy on NBC network's Suddenly Susan, where she played a single career girl struggling to reassemble her life following her breakup with her wealthy fiancé. Though never among the most natural and relaxed of actresses, Shields gradually grew into her role and proved to be a competent, charismatic comedy actress, turning in guest appearances on popular television shows such as That 70s Show, Nip/Tuck, Two and a Half Men, and Hannah Montana after Suddenly Susan went off the air in 2000. Meanwhile, on Broadway, Shields could bee seen in revivals of Grease, Cabaret, and Chicago before taking over the role of Morticia Addams in the Broadway musical version of The Addams Family. In 1997 Shields married tennis great Andre Agassi, but the union only lasted two years and in 2001 she was wed to television producer Chris Henchy.

Trivia: After only a handful of TV guest spots, New York-born actor Nestor Carbonell landed a starring role on the Brooke Shields sitcom Suddenly Susan. After the show's four-year run, Carbonell appeared on the cult superhero comedy The Tick as Batmanuel before being cast as the lead on the short-lived CBS drama Century City in 2004. In 2007, Carbonell took a recurring role on ABC's hit mindbender Lost as the mysterious and seemingly ageless Richard Alpert. Following that stint, he was cast along with Jimmy Smits as one of the leads on CBS's family drama Cane. Over the coming years, Carbonell would continue to find success on the small screen, starring on shows like Lost and Ringer, and appearing in movies like The Dark Knight Rises.

Trivia: Even by the unexacting standard of Hollywood's 1980s "brat pack," actor Judd Nelson seemed wildly undisciplined and self-indulgent on screen. One tends to conclude that Nelson (a former philosophy student and the son of a Maine politician) has played his screen characters as written: he was, after all, very well trained by famed drama coach Stella Adler, and came up from the exacting ranks of summer stock. Among his earliest screen assignments -- all in his watershed year of 1985 -- including the dope-smoking detentionee in The Breakfast Club, Kevin Costner's parachute-jumping fraternity pal in Fandango, and Ally Sheedy's philandering live-in boyfriend in St. Elmo's Fire. Always seeming to be on the verge of punching someone out, Nelson was well cast as a mercurial killer in 1989's Relentless. Like many brat-packers, Judd Nelson spent the 1990s transitioning into his career as an adult, but he hit his stride by 1996, when he joined the cast of the hit sitcom Suddenly Susan. In the years to come, Nelson would remain a consistent force on screen, appearing in movies like Jay and Silent Bob Strike Back and Grizzley Flats.

Trivia: The acerbic, razor-tongued, take-no-prisoners comedian Kathy Griffin has built a career for herself -- as an actress and a standup performer -- around the schtick of being permanently under-respected by everyone (as the title of her TV series, My Life on the D List, suggests), and fighting back with her claws extended. Griffin is notorious for mercilessly skewering and taking potshots at worthy targets (particularly fellow celebrities and comedians) through her comedy, and has built a considerable career out of doing so.Born in Oak Park, IL, and raised in the Chicago area, to an electronics store manager father and a hospital administrator mother, Griffin reportedly wanted to become an actress from the age of five and frequently improvised elaborate stage and comedy acts for her family. Griffin attended Oak Park High School, and -- after graduation -- studied acting at the Lee Strasberg Institute in Southern California. In 1988, the then-28-year-old joined the now-infamous sketch comedy troupe the Groundlings, alongside such stars-to-be as Lisa Kudrow, Will Ferrell, and Julia Sweeney, where she evinced an extraordinary gift for improvisatory work. After the Groundlings, Griffin developed and honed a solo standup act, which -- as she later recalled -- opened numerous doors for her as an actress, including a turn as Lucy in the Bobcat Goldthwait vehicle Shakes the Clown (1992), a brief cameo in Pulp Fiction, and a small multi-episode role on Seinfeld. Griffin was particularly memorable in the latter, as Sally Weaver, the standup comedian whose act consists of trashing Jerry Seinfeld by revealing embarrassing details from his personal life. A cameo as herself in the SNL big-screen vehicle It's Pat (1994) reunited Griffin with fellow Groundling Sweeney. Beginning in 1996, Griffin parlayed her comic flair and small-screen experience into a standing role in the hit NBC sitcom Suddenly Susan, starring Brooke Shields; that program cast Griffin as Vicki Groener, magazine columnist Shields' not-so-subtly envious, über-saucy colleague. The program scored with viewers and ran for three seasons. Meanwhile, Griffin continued her big-screen roles, with turns in the 1995 omnibus picture Four Rooms (as Betty), the 1996 Ben Stiller-directed The Cable Guy (as Jim Carrey's mother), and Muppets from Space (1999), as an armed guard. Additional guest contributions on a myriad of sitcoms during the '90s and 2000s gave an added charge to the respective series casts.Griffin also starred in the aforementioned cable series Kathy Griffin: My Life on the D List, which began airing on the Bravo network in 2004. The comically charged reality show cast Griffin as herself, battling through the experiences of everyday life -- such as training a new puppy and teaching a class as The Learning Annex. Griffin would continue to find huge success as a stand-up, as well as a show host on her own aptly titled talkshow, Kathy, which was canceled after two seasons.

Trivia: If ever there was a "late bloomer," it was American comedian Rodney Dangerfield. His father was a vaudeville pantomimist who was known professionally as Phil Roy, thus when Dangerfield struck out on his own stand-up comedy career at age 19 (he'd been writing jokes for other comics since 15), he called himself Jack Roy. For nine years he labored in some of the worst clubs on the East Coast, giving it all up at age 28 in order to support his new wife. Unfortunately, the marriage was an unhappy one, soon ending in divorce. In 1963 the comic returned to performing, using the name "Rodney Dangerfield" to distance himself from his miserable "Jack Roy" days. Four more years passed before Dangerfield finally got his big break on The Ed Sullivan Show, for which he'd auditioned by sneaking in during a dress rehearsal. By this time, Dangerfield had fully developed his belligerently neurotic stage persona, tugging at his tie and mopping his brow while he delineated the variety of ways in which he "don't get no respect." On top at last, Dangerfield opened his own nightclub in 1969, where many major comics of the 1970s and 1980s got their first opportunities; fiercely competitive onstage, Dangerfield is known to be more than generous to new talent offstage. In films since his turn as a nasty theatre manager in the 1970 low-budgeter The Projectionist, Dangerfield has exuded a movie image somewhat different than his paranoid nightclub character; he often plays a crude-and-rude "nouveau riche" type who delights in puncturing the pomposity of his "old money" opponents (Caddyshack). Rodney Dangerfield's best screen role was, significantly, his nicest--in Back to School (1985), he played a blunt but decent self-made millionaire who decides to join his son in getting an expensive college education.

Trivia: American character actor Khalil Kain built a varied and substantial resumé from the early '90s onward, in a dazzling combination of films and television series. Though he debuted as Raheem in director Ernest Dickerson's urban crime drama Juice, Kain quickly broke the mold of roles traditionally offered to young African-American males by branching off into some unusual and variegated arenas. He followed up his Dickerson work with a turn as Private Roosevelt Hobbs in the Penny Marshall-directed, Danny DeVito-headlined service comedy Renaissance Man (1994), then landed guest appearances in such sitcoms as Suddenly Susan and Friends, and a plum role as porno star Venus, in Dan Ireland's romantic triangle-themed erotic dramedy The Velocity of Gary (1998). Kain returned to urban material (albeit unconventional urban material) opposite rapper Snoop Dogg in Dickerson's gruesome haunted-house movie Bones (2001). He also played Gene in the mockumentary Dave Barry's Complete Guide to Guys (2005), headlined by columnist Barry, actor John Cleese and footballer Dan Marino, and played Darnell Wilkes in the sitcom Girlfriends.