Trivia: The son of Broadway actress Mary Martin, Larry Hagman was born September 21st, 1931 in Fort Worth, Texas. After his parents divorced, he lived with his grandmother in California until the time of her death. Hagman, 12 years old at the time, then returned to his mother who was working on the Broadway stage. After attending Bard College in Anandale-on-the-Hudson for one year, his own early efforts at breaking into showbiz began at the Margo Jones Theatre-in-the-Round in Dallas, and soon after in The Taming of the Shrew at the New York City Center. While working as a cast member on his mother's hit show South Pacific, Hagman took up residence in England and ended up staying there for five years. During that time he joined the U.S. Air Force where he found time to produce and direct several theater productions. It was also during that time that he met and fell in love with Maj Axelsson, a young Swedish designer. They were married in December of 1954. Back in the U.S., Hagman began to make progress in his career, tallying up several TV guest-star appearances (including, presciently, a smiling villain on an episode of Sea Hunt), a regular role as lawyer Ed Gibson on the daytime soap opera The Edge of Night, and a beautifully played supporting role as a Russian/ English interpreter in the nuclear nailbiter Fail Safe. In 1965, Hagman received his most prominent acting assignment to date as eternally flustered astronaut Tony Nelson on the TV sitcom I Dream of Jeannie. After five years of Jeannie, Hagman took a few film and TV-movie parts, co-starred with Donna Mills on the 1971 sitcom The Good Life, co-starred with Lauren Bacall in the TV rendition of the Broadway musical Applesauce, acted and directed in the low-grade horror spoof Beware! The Blob. Hagman's best-ever TV stint was as the charming but conniving J. R. Ewing on the nighttime TV serial Dallas, a role he played from 1978 through 1990. At first reluctant to accept the role, Hagman acknowledges that it was his wife Maj's encouragement that convinced him to do the series. Proof of Hagman's drawing power as J.R. came when, at the end of the 1979-80 season, the character was shot down by a mysterious assailant--setting the stage for the "Who Shot J.R.?" episode, one of the highest-rated telecasts of all time. After the cancellation of Dallas in 1991, Hagman was forced to slow down his busy schedule due to an ongoing battle with liver cancer, and in August of 1995 he was the recipient of a liver transplant, a procedure that saved his life. Hagman's public life has always included a variety of civic and philanthropic undertakings. A staunch non-smoker, Hagman acted as the chairperson of the American Cancer Society's Great American Smokeout for nine years, and following his 1995 surgery, he became the National Spokesperson for the 1996 U.S. Transplant Games sponsored by the National Kidney Foundation and was recognized by the foundation for his role in increasing public awareness in regards to organ donation. In 1997, Hagman made a television comeback as the Honorable Judge Luther Charbonnet in the critically acclaimed CBS series Orleans, and in 1998 he appeared in the popular political satire Primary Colors. Hagman resumed his portrayal of J.R. Ewing opposite Patrick Duffy and Linda Gray for the well-received TNT revival of Dallas that began in the summer of 2012, but that turn was short lived; in November of that year, the actor succumbed to complications from cancer. He was 81.

Trivia: Born in Arizona on August 23, 1934, actress Barbara Eden was three years old when her family moved to San Francisco, where as a teenager she plunged into acting and singing classes at San Francisco State College's Conservatory of Music. After briefly working as a band singer, Eden took up residence at Hollywood's Studio Club, an inexpensive rooming house for aspiring actresses. Other Studio Club residents would note in later years that Eden would look at the club's bulletin board and apply for every show business job available, even those that she was advised would "ruin" her career. Persistence paid off, and in 1956 Eden made her film debut in Back from Eternity. She worked steadily in television, finally attaining leading-lady status on the 1958 sitcom How to Marry a Millionaire, in which she played a myopic "Marilyn Monroe"-type golddigger. Good film and TV roles followed for the lovely blonde actress, and full stardom arrived with the NBC comedy series I Dream of Jeannie. Eden played the curvaceous bottle imp from 1965-70, reviving the character in a brace of TV movies, the last one produced in 1991. Eden's post-Jeannie career has included several films, TV guest star appearances, theatrical and nightclub engagements, and still another sitcom, 1981's Harper Valley P.T.A.In 1983, Eden joined the cast of Jaws 3, and played a role in Chattanooga Choo Choo (1984) before participating in The Fantasy Film Worlds of George Pal in 1985. The actress would return to her Genie roots throughout her later career, including in the 1985 comedy I Dream of Jeannie: 15 Years Later, and I Still Dream of Jeannie (1991). Eden also made her mark in other sitcom-based films, most notably A Very Brady Sequel (1996). After starring alongside Hal Linden for the play Love Letters and taking a guest-starring role on Army Wives, a drama from Lifetime, Eden joined the cast of Always and Forever, a made-for-television movie for The Hallmark Channel (2009). In 2011, Eden published a memoir titled Jeannie Out of the Bottle that spoke candidly of her personal life, including detailed accounts of her failed marriages and the tragic death of her son.

Trivia: Emmaline Henry was primarily a television actress, and principally specialized in comedy, most notably the role of Amanda Bellows on I Dream of Jeannie. Born in Philadelphia in 1931, it was her intention to become a singer and by her teens she was appearing on local radio; with her perky, clean good looks, she might well have succeeded in either a Doris Day or a Dinah Shore mode. She went to Hollywood in the early '50s and found her way into the choruses of various musicals. Producers began noticing, however, that her comedy skills were superior to her singing. She toured in shows like Top Banana (and played in the film of that show) and succeeded Carol Channing in the play Gentlemen Prefer Blondes. She made her television debut on The Red Skelton Show in 1961 and subsequently did guest spots on various sitcoms, including The Farmer's Daughter and Petticoat Junction. Her first starring role was as John Astin's wife in the sitcom I'm Dickens, He's Fenster, which also starred Marty Ingels, in a series about a pair of zany carpenters. She also made film appearances in Divorce American Style, Rosemary's Baby, and The Harrad Summer, but her most familiar role was as Amanda Bellows, the wife of perennially suspicious psychiatrist Alfred Bellows, for four seasons on I Dream of Jeannie. Following that series' cancellation in 1970, she made appearances on more sitcoms, including the anthology series Love American Style and in the dramatic mini-series Backstairs at the White House.

Trivia: From the late '60s through the mid-'70s, first on I Dream of Jeannie and later on The Bob Newhart Show, Bill Daily was one of the most visible comic acting talents in television, despite the fact that he'd always intended on a career in music. Born in Des Moines, IA, in 1928, he was raised by his mother with help from several aunts and uncles after the death of his father and he gravitated toward music as a teenager. Following a stint in the army in the late '40s, Daily became a professional musician, playing upright bass with different groups in the Midwest, and he eventually added little bits of stand-up comedy to his repertory in the course of performing. He hooked up with an NBC station in Chicago, first working behind the camera as a writer and musician and then doing comedy on the air. Eventually, he became a regular guest as a comedian on The Mike Douglas Show, which originated from Chicago. From there, he was discovered by Steve Allen who brought him onto his show as a comedian and sidekick. Daily subsequently credited his musical side with providing him with the sense of timing to become a successful comedian. During the early and mid-'60s, Daily moved into acting roles on programs like Bewitched -- on which he debuted in a straight dramatic role, in a Christmas episode in which he was highly effective -- and was given a small role in the pilot of I Dream of Jeannie. That part, of Major Roger Healy, turned into the co-starring role after the program's first season. Following five successful seasons on that program, he moved to The Bob Newhart Show as Howard Borden, providing comedic support similar to the part he'd played on I Dream Of Jeannie, as Newhart's befuddled, constantly jet-lagged next door neighbor. Daily has only ever appeared in two feature films, both of them comedies -- the made-for-television In Name Only in 1969, as a carefree bachelor (clearly modeled after one aspect of his character on I Dream of Jeannie) and in Disney's release of The Barefoot Executive in 1971. Since the first Bob Newhart series left the air, his television appearances have been infrequent and always in supporting, guest starring roles, although he did appear on Nick-at-Nite helping to promote The Bob Newhart Show when it aired on the channel. He has since reportedly become a theatrical actor and director in the Albuquerque, NM, area.

Trivia: An alumnus of the American Academy of Dramatic Arts, Brooklyn-born Hayden Rorke became a member of the original Walter Hampden theatrical company in the early '30s (he ended up the last surviving member of that hardy troupe). While serving in WWII, Rorke appeared in both the road company and film versions of the all-serviceman musical This Is the Army. He would make 70 Broadway appearances in his career, in additional to some 50 films and nearly 400 TV shows. Though usually unbilled, Rorke was instantly recognizable in roles calling for erudition and urbanity, notably in such films as An American in Paris (1951) and The Robe (1953). Among his many TV assignments was the role of CBS radio announcer John Daly (though his character was not identified by name) in the Pearl Harbor episode of the CBS historical series You Are There; he also co-starred in the two-part pilot for an intriguing 1951 science fiction series Project Moonbase, which didn't make it as a series but was released as a theatrical feature. Still essaying small movie roles into the 1960s, Hayden Rorke finally achieved a fame (and generous screen time) in the continuing role of flustered air force psychiatrist Dr. Bellows on the fanciful TV sitcom I Dream of Jeannie (1965-1970).

Trivia: Beefy, silver-haired John Myhers was a busy Broadway actor/director/playwright. In both his stage and TV work, Myhers was usually cast as executive types, both conservative and skirt-chasing. His New York theatrical credits include such farces as The Golden Fleecing and The Good Soup; he also co-starred in the touring companies of the musicals Kiss Me Kate and The Sound of Music. In films from 1958, John Myhers' favorite screen assignment was the role of corporate veep Mr. Bratt in How to Succeed in Business Without Really Trying (1967), who holds his salacious subordinates at bay with the song "A Secretary is Not a Toy."

Trivia: American actress Farrah Fawcett was an art student at the University of Texas before she deduced that she could make more money posing for pictures than painting them. A supermodel before that phrase had fallen into common usage, Fawcett moved from Wella Balsam shampoo ads into acting, making her first film Myra Breckenridge in 1970. She worked in TV bits and full supporting parts, obtaining steady employment in 1974 with a small recurring role on the cop series Harry O, but true stardom was still some two years down the road. In 1976, producer Aaron Spelling cast Fawcett, Kate Jackson and Jaclyn Smith in a pilot for an adventure series titled Charlie's Angels. The pilot graduated to a series, and the rest was TV history; during her Charlie's Angels tenure Fawcett was the most visible of the three actresses, adorning magazine covers and pin-up posters (including one particularly iconic image), which set sales records. There were even Farrah Fawcett dolls before the first season of Charlie's Angels was over.Now in the hands of high-profile agents and advisors, Fawcett (billed Farrah Fawcett-Majors after her marriage to Lee Majors) decided she'd outgrown Angels and left the series, even though she had another year on her contract. While the studio drew up legal papers to block her move, she was replaced by Cheryl Ladd. Fawcett settled her dispute by agreeing to a set number of guest appearances on the program. Some industry cynics suggested that Fawcett would have problems sustaining her popularity. Certainly such lukewarm film projects as Sunburn (1979), Somebody Killed Her Husband (1978) and Saturn 3 (1980) seemed to bear this theory out. But Fawcett took matters into her own hands and decided to make her own opportunities--and like many other performers who strive to be taken seriously, she chose the most extreme, demanding method of proving her acting mettle. Playing a vengeful rape victim in both the play and 1986 film version of Extremities (an apt title) and making a meal of her role as a battered wife who murders her husband out of self-defense in the TV movie The Burning Bed (1984), Fawcett confounded her detractors and demonstrated she was a more-than-capable actress. Other TV movie appearances of varying quality cast her as everything from a child killer to a Nazi hunter to famed LIFE photographer Margaret Bourke-White. Never as big a name as she was in 1976, Fawcett nonetheless affirmed her reputation as an actress of importance. Her fans were even willing to forgive her misbegotten fling at situation comedy in the 1991 series Good Sports, in which she co-starred with her longtime "significant other" Ryan O'Neal. Fawcett died in 2009 at age 62, following a lengthy and well-publicized battle with cancer.

Trivia: As a screen performer, Vinton Hayworth had an evolution similar to that of his older contemporary, Ernest Truex, beginning in weasley and milquetoast roles (often as good-natured but conniving husbands) and aging into dignified character parts; screen work, however, was only a small part of his career. Born Vinton Haworth in Washington, D.C., in 1906, he began acting in his late teens. Possessed of a melodious voice, he was a pioneering radio announcer in the early '20s, first in Washington, later in New York, and then in Chicago, where he became familiar to the public as one of the first identifiable newscasters in the new medium. Subsequently, he also appeared on numerous radio programs in various roles. Hayworth entered movies in 1933, under the stage name Jack Arnold (not to be confused with the movie director of that name), and made appearances in small roles under that name, as well as under his real name. He usually played comically good-natured, sneaky characters, such as nervous husbands trying to get a night out away from the wife. His appearances as Jack Arnold ended in the early '40s and he did a two-year stint on Broadway, from 1942 to 1944, in the cast of Doughgirls before returning to California. His appearances in film from the late '50s onward, usually in crafty but dignified roles, were under his own name, to which he added the "y" to the spelling in the mid-'60s. By that time, Hayworth, sporting a dignified moustache and thinning, elegant silvery hair, had settled into avuncular character parts, in anthology series such as Alfred Hitchcock Presents and on programs like Gunsmoke, Perry Mason, Dennis The Menace, Petticoat Junction, Hazel, and The Munsters. On Green Acres, he played Dr. Faber, the long-suffering New York phyisican to Eddie Albert's Oliver Wendell Douglas. He is best remembered for his portrayal of General Schaeffer, Tony Nelson's commanding officer in I Dream of Jeannie for the series' final two seasons. Haworth, who had been a leading anti-communist spokesman for his profession during the 1930's and 1940's, became notorious during the early/mid-1950s for his participation in the blacklist while an officer of AFTRA and also a leader of Aware, Inc., an anti-communist "screening" organization that regularly named members of the acting profession as suspect. He and the slate that he headed within the union organized against accused and alleged communists and also moderates who were opposed to the warfare between the right and the left, and Haworth became so well-known for his political activities that he was considered unemployable by many producers, this in a time when anti-communism was in the ascent. His career recovered somewhat in the 1960's as the passions over this issue died down. Haworth passed away in 1970, at the age of 63. His wife, the former Jean Owens, was the aunt of actress Ginger Rogers.

Trivia: Prolific American character actor Pedro Gonzalez-Gonzalez has been involved in films since the 1950s. Of Mexican heritage, he frequently played comical, highly stereotyped Latinos, but every once in a while he was given meatier roles in films such as Six Pack Annie (1975) and Down the Drain (1989). Gonzalez-Gonzalez also appears in television films.

Trivia: Howard Morton played character and supporting roles on stage, screen, and television. It is in the latter medium that he is best-remembered, especially for the roles he played for popular '70s producer Norman Lear. For Lear, Morton appeared frequently on All in the Family, The Jeffersons, and Mary Hartman, Mary Hartman. Fans of the NBC sitcom Gimme a Break will know Morton for playing police officer Ralph. He made his feature film debut in The Mechanic (1972). Morton suffered a stroke and died on May 11, 1997, at the age of 71.