Trivia: Born Thelma Ford, Shirley Booth began appearing in amateur plays at age 12, then made her professional stage debut four years later; her Broadway debut, in 1925, was opposite Humphrey Bogart in Hells' Bells. Booth toiled on Broadway for a decade before being cast in her first significant role. Ultimately, her work on stage and radio led to a lead role in Come Back, Little Sheba (1950), for which she won the Tony Award and the New York Drama Critics Award; she made her screen debut in the film version of that play (1952) and won the Best Actress Oscar for her efforts. Booth did a number of other films, but in her later years she was best-known as the maid Hazel in the TV series Hazel (1961-66). She retired after appearing in the TV series A Touch of Grace (1973).

Trivia: Character actor Don Defore was the son of an Iowa-based locomotive engineer. His first taste of acting came while appearing in church plays directed by his mother. Defore briefly thought of becoming an attorney, but gave up a scholarship to the University of Iowa to study at the Pasadena Playhouse. He began appearing in films in 1937 and in professional theatre in 1938, billed under his given name of Deforest. Defore's career turning point was the Broadway play The Male Animal, in which he played a thickheaded college football player; he repeated the role in the 1942 film version, and later played a larger part in the 1952 remake She's Working Her Way Through College. In most of his film assignments, Defore was cast as the good-natured urbanized "rube" who didn't get the girl. For several years in the 1950s, Defore played "Thorny" Thornberry, the Nelson family's well-meaning next door neighbor, on TV's Ozzie and Harriet. Don Defore's best-known TV role was George Baxter on the Shirley Booth sitcom Hazel (1961-65).

Trivia: Actor John Banner was forced out of his native Austria in 1938 when Hitler marched in. Though most familiar to filmgoers and TV viewers as a man of considerable heft, he was a trim 180 pounds when, while touring with an acting troupe in Switzerland, he found he couldn't return to Austria because he was Jewish. Banner came to America as a refugee; though unable to speak a word of English, he was almost immediately hired as emcee for a musical revue, From Vienna, for which he had to learn all his lines phonetically. Picking up the language rapidly, Banner was cast in several films of the 1940s, starting with Pacific Blackout. Because of his accent and Teutonic features, he most often played Nazi spies -- a grim task, in that Banner's entire family in Austria was wiped out in the concentration camps. Tipping the scales at 280 pounds in the 1950s, Banner worked steadily as a character man in films and on television; he can be seen as a variety of foreign-official types on such vintage TV series as The Adventures of Superman and Rocky Jones, Space Ranger. In 1965, Banner was cast as Sgt. Schultz in the long-running wartime sitcom Hogan's Heroes. A far cry from the villainous Nazis he'd played in the 1940s, Schultz was a pixieish, lovable blimp of a man who'd rather have been working as a toymaker than spending the war guarding American POWS, and who, to protect his own skin, overlooked the irregularities occurring in Stalag 13 (which as every TV fan knows was Colonel Hogan's secret headquarters for American counterespionage) by bellowing "I know nothing! I see nothing! Nothing!" John Banner enjoyed playing Schultz, but bristled whenever accused of portraying a cuddly Nazi: "I see Schultz as the representative of some kind of goodness in every generation," the actor told TV Guide in 1967. As to the paradox of an Austrian Jew playing a representative of Hitler's Germany, Banner replied, "Who can play Nazis better than us Jews?" Or who could play them funnier than John Banner?

Trivia: Sicilian actor Frank Puglia started his career with a travelling operetta company at age 13. He and his family moved to the US in 1907, where he worked in a laundry until he hooked up with an Italian-language theatrical troupe based in New York. In 1921, Puglia was appearing as Pierre Frochard in a revival of the old theatrical warhorse The Two Orphans when he was spotted by film director D.W. Griffith. Puglia was hired to repeat his role for Griffith's film version of the play, retitled Orphans of the Storm; while Pierre Frochard was slated to die at the end of the film, preview-audience reaction to the death was so negative that Griffith called Puglia back to reshoot his final scenes, allowing him to survive for the fade-out. For the rest of his long film career, Puglia essayed a wide variety of ethnic supporting parts, portraying priests, musicians, diplomats and street peddlers. In 1942's Casablanca, Puglia has a memorable bit as a Morroccan rug merchant who automatically marks down his prices to any friends of Rick Blaine (Humphrey Bogart). Frank Puglia played a larger and less likable role as a treacherous minion to sultan Kurt Katch in Ali Baba and the Forty Thieves (1944); when the film was remade as Sword of Ali Baba in 1965, so much stock footage from the 1944 film was utilized that Puglia was hired to replay his original part.

Trivia: An imposing presence in films of the late '40s, as well as early television shows such as The Aldrich Family (1949), New York stage actor Howard I. Smith actually made his screen debut as far back as 1918, in Young America. Relocating to Hollywood in 1946, Smith usually played overbearing politicos or other figures of authority, but is perhaps best remembered today as Uncle Charley in the 1951 screen version Death of a Salesman.