Trivia: American actress Merry Anders was a professional model when she signed her first studio contract in 1951. After two years of uncredited bits in such 20th Century-Fox features as Belles on Their Toes (1952) and Titanic (1953), Merry found more rewarding work on TV. From 1953 through 1955, she appeared in The Stu Erwin Show, replacing Ann Todd in the role of Joyce, Erwin's oldest daughter. While most of her film assignments were along the bargain-basement lines of The Dalton Girls (1957) and The Hypnotic Eye (1960), Merry built up a reputation as "queen" of the TV pilot films. If she appeared as guest star in the pilot episode of a potential series, that series would most likely be sold. Merry would be the last person to insist that she was a great actress; her "versatility" in her many TV roles consisted of changing her hair color as often as possible. It was as a redhead that Merry was cast in the lead of the syndicated sitcom How to Marry a Millionaire, which ran from 1958 through 1960. After this assignment, Merry continued to show up as a blonde, brunette and redhead in such deathless movie offerings as Women of the Prehistoric Planet (1966) and Legacy of Blood (1973). In the late 1960s, she had a semi-recurring role on Dragnet as a super-efficient policewoman; the character was meant to develop into a love interest for Joe Friday (Jack Webb), but the series never went in that direction. It can be argued that Merry Anders' most memorable performance (and the one most often seen these days) was as a woman who is drowned in a phone booth (!) on a 1966 episode of Get Smart.

Trivia: Character actor, onscreen from 1966.

Trivia: American comedian George Burns had a taste for show business from his youth on New York's Lower East Side, and by the time he was seven he and his buddies had formed a singing group called the Pee Wee Quartet. Amateur shows led to small-time vaudeville, where Burns faced rejection time and again, often gaining jobs from people who had fired him earlier through the simple expedient of constantly changing his professional name. Usually working as part of a song-and-snappy-patter team, he was in the process of breaking up with his latest partner Billy Lorraine in 1922 when he met a pretty young singer/dancer named Gracie Allen. The game plan for this new team was to have Gracie play the "straight man" and George the comic, but so ingenuous and lightheaded was Gracie's delivery that the audience laughed at her questions and not at George's answers. Burns realized he'd have to reverse the roles and become the straight man for the act to succeed, and within a few years Burns and Allen was one of the hottest acts in vaudeville, with George writing the material and Gracie garnering the laughs. George and Gracie married in 1926; thereafter the team worked on stage, in radio, in movies (first in a series of one-reel comedies, then making their feature debut in 1932's The Big Broadcast) and ultimately in television, seldom failing to bring down the house with their basic "dizzy lady, long-suffering man" routine. Though the public at large believed that Gracie had all the talent, show business insiders knew that the act would have been nothing without George's brilliant comic input; indeed, George was often referred to by his peers as "The Comedian's Comedian". Gracie decided to retire in 1958, after which George went out on his own in television and in nightclubs, to less than spectacular success. After Gracie's death in 1964, George concentrated on television production (he had vested interests in several series, among them Mr. Ed) and for a nervous few years tried using other comic actresses in the "Gracie" role for his club appearances. But it wasn't the same; George Burns would be first to admit there was only one Gracie Allen. Though he never retired, Burns was more or less out of the consciousness of moviegoers until he was hired at the last minute to replace his late friend Jack Benny in the film version of Neil Simon's The Sunshine Boys (1975). His performance as a cantankerous old vaudeville comic won him an Oscar, and launched a whole new career for the octogenarian entertainer as a solo movie star. Perhaps his most conspicuous achievement in the late 1970s was his portrayal of the Almighty Spirit - with distinct Palace Theatre undertones - in Oh, God! (1977). Even after reaching his centennial year, Burns remained as sharp-witted as ever. Less than three months after his 100th birthday Burns passed away. But fans can take comfort because Burns has gone beyond the realm of Show Business Legend; he is practically an immortal.