Trivia: In the first ten years of his life, Raymond Burr moved from town to town with his mother, a single parent who supported her little family by playing the organ in movie houses and churches. An unusually large child, he was able to land odd jobs that would normally go to adults. He worked as a ranch hand, a traveling tinted-photograph salesman, a Forest service fire guard, and a property agent in China, where his mother had briefly resettled. At 19, he made the acquaintance of film director Anatole Litvak, who arranged for Burr to get a job at a Toronto summer-stock theater. This led to a stint with a touring English rep company; one of his co-workers, Annette Sutherland, became his first wife. After a brief stint as a nightclub singer in Paris, Burr studied at the Pasadena Playhouse and took adult education courses at Stanford, Columbia, and the University of Chunking. His first New York theatrical break was in the 1943 play Duke in Darkness. That same year, his wife Sutherland was killed in the same plane crash that took the life of actor Leslie Howard. Distraught after the death of his wife, Burr joined the Navy, served two years, then returned to America in the company of his four-year-old son, Michael Evan Burr (Michael would die of leukemia in 1953). Told by Hollywood agents that he was overweight for movies, the 340-pound Burr spent a torturous six months living on 750 calories per day. Emerging at a trim 210 pounds, he landed his first film role, an unbilled bit as Claudette Colbert's dancing partner in Without Reservations (1946). It was in San Quentin (1946), his next film, that Burr found his true metier, as a brooding villain. He spent the next ten years specializing in heavies, menacing everyone from the Marx Brothers (1949's Love Happy) to Clark Gable (1950's Key to the City) to Montgomery Clift (1951's A Place in the Sun) to Natalie Wood (1954's A Cry in the Night). His most celebrated assignments during this period included the role of melancholy wife murderer Lars Thorwald in Hitchcock's Rear Window (1954) and reporter Steve Martin in the English-language scenes of the Japanese monster rally Godzilla (1956), a characterization he'd repeat three decades later in Godzilla 1985. While he worked steadily on radio and television, Burr seemed a poor prospect for series stardom, especially after being rejected for the role of Matt Dillon on Gunsmoke on the grounds that his voice was too big. In 1957, he was tested for the role of district attorney Hamilton Burger in the upcoming TV series Perry Mason. Tired of playing unpleasant secondary roles, Burr agreed to read for Burger only if he was also given a shot at the leading character. Producer Gail Patrick Jackson, who'd been courting such big names as William Holden, Fred MacMurray, and Efrem Zimbalist Jr., agreed to humor Burr by permitting him to test for both Burger and Perry Mason. Upon viewing Burr's test for the latter role, Perry Mason creator Erle Stanley Gardner jumped up, pointed at the screen, and cried "That's him!" Burr was cast as Mason on the spot, remaining with the role until the series' cancellation in 1966 and winning three Emmies along the way. Though famous for his intense powers of concentration during working hours -- he didn't simply play Perry Mason, he immersed himself in the role -- Burr nonetheless found time to indulge in endless on-set practical jokes, many of these directed at his co-star and beloved friend, actress Barbara Hale. Less than a year after Mason's demise, Burr was back at work as the wheelchair-bound protagonist of the weekly detective series Ironside, which ran from 1967 to 1975. His later projects included the short-lived TVer Kingston Confidential (1976), a sparkling cameo in Airplane 2: The Sequel (1982), and 26 two-hour Perry Mason specials, lensed between 1986 and 1993. Burr was one of the most liked and highly respected men in Hollywood. Fiercely devoted to his friends and co-workers, Burr would threaten to walk off the set whenever one of his associates was treated in a less than chivalrous manner by the producers or the network. Burr also devoted innumerable hours to charitable and humanitarian works, including his personally financed one-man tours of Korean and Vietnamese army bases, his support of two dozen foster children, and his generous financial contributions to the population of the 4,000-acre Fiji island of Naitauba, which he partly owned. Despite his unbounded generosity and genuine love of people, Burr was an intensely private person. After his divorce from his second wife and the death from cancer of his third, Burr remained a bachelor from 1955 until his death. Stricken by kidney cancer late in 1992, he insisted upon maintaining his usual hectic pace, filming one last Mason TV movie and taking an extended trip to Europe. In his last weeks, Burr refused to see anyone but his closest friends, throwing "farewell" parties to keep their spirits up. Forty-eight hours after telling his longtime friend and business partner Robert Benevides, "If I lie down, I'll die," 76-year-old Raymond Burr did just that -- dying as he'd lived, on his own terms.

Trivia: American leading man Don Galloway started his television career in the 1950s in the New York-based soap opera The Secret Storm. In 1963, Galloway was among the first regular cast members of ABC's General Hospital, playing Buzz Stryker. His first regular nighttime video stint was on Tom Dick and Harry, one-third of the 90-minute weekly sitcom 90 Bristol Court (1964). From 1967 through 1975, Galloway was seen as officer Ed Brown on the Raymond Burr prime-time vehicle Ironside, reprising the character for a made-for-TV "reunion" film in the late 1980s. He later appeared with Burr in a brace of Perry Mason TV movies, playing a different character in each. Don Galloway's movie credits include the role of Richard in The Big Chill (1983).

Trivia: Before he inaugurated his professional career, African-American actor Paul Winfield received a well-rounded education: He trained at the University of Portland, Los Angeles City College, Stanford, U.C.L.A., the University of Hawaii, and the University of Santa Barbara. After stage work, Winfield received his first major Hollywood break as Paul Cameron on the TV sitcom Julia (1968-1971). In films from 1969, he received an Academy Award nomination for his portrayal of a fiercely proud sharecropper in Sounder (1972). Back on the small screen, he earned Emmy nominations for his interpretation of Dr. Martin Luther King Jr. in the 1978 miniseries King and his work as Dr. Huguley in 1979's Roots: The Next Generation. An indispensable purveyor of authoritative roles, he has played several judges, winning a 1994 Emmy for his performance in this capacity on TV's Picket Fences. Paul Winfield has also been seen on a regular basis in three television series, playing Julian C. Barlow in the 1989-1990 episodes of 227, Isaac Tuhle in Wiseguy (1987-1991), and a no-nonsense Magic Mirror (voice only) in the 1987 Cinderella spoof The Charmings. In 2004, not long after playing a small role in a remake of Sounder, Winfield suffered a heart attack and passed away at the age of 62.

Trivia: Jack Hogan is a character actor and leading man best known for his work in television -- most notably as Private Kirby on the long-running 1960s series Combat! -- and in action films and dramas. Born Richard Roland Benson, Jr. in Chapel Hill, North Carolina in 1929, he briefly studied architecture at the University of North Carolina before entering the army in 1948, which took him to stations in the Far East. After leaving the service in 1952, he decided to try his hand at acting, and received training at the Pasadena Playhouse in California and the American Theatre Wing in New York. His screen career began in 1956 with the western in Man From Del Rio, starring Anthony Quinn and Katy Jurado. Two years later, he played "Guy Darrow" (sic), the film-a-clef stand-in for the notorious Depression-era bank robber Clyde Barrow in William Witney's The Bonnie Parker Story (1958), starring Dorothy Provine. And that same year, he co-starred with Michael Landon in Ted Post's The Story of Tom Dooley. Hogan appeared in episodes of Have Gun, Will Travel and Bonanza over the next few years, interspersed with occasional film work, until the series Combat! came along in 1962. Hired by director Robert Altman, who shepherded the series through its early stages, Hogan portrayed Private William Kirby in the middle of a strong cast headed by Vic Morrow and Rick Jason, and also including notable character actors Dick Peabody, Pierre Jalbert, and Conlan Carter. He still managed to stand out -- his Private William Kirby (nicknamed "Wild Man" back home) was a sometime screw-up, a skirt-chaser, and complainer, but also a top man with a BAR (Browning Automatic Rifle) and exactly the kind of soldier any sergeant would want in a tight spot. Hogan was perfect in the role, completely convincing in the action scenes, yet also the valid butt of jokes from his comrades (when one too-young recruit is being shipped home at the end of one episode and promises to be back in two years, he adds that "you guys will probably have this wrapped up by then," to which Vic Morrow's Sgt. Saunders, looking at Hogan after the boy leaves, says, "With you on our side, Kirby, it might be ten.")Following the series' cancellation, Hogan continued to work in television, on programs such as Adam-12, and also had a short-lived series called Sierra. He retired from acting in the 1980s and moved to Hawaii, where he founded a construction business, also working as casting director on Magnum, P.I. and appearing on Jake And The Fat Man. And thanks to the release of Combat! on DVD, and the series' being rerun on ME-TV, he is finding a whole new generation of fans for his work on the series in the twenty-first century.

Trivia: Whether playing a wiseacre waitress, an insane bioengineer, or a vengeful, darkly comic widow, Diane Ladd brings energy and accomplishment to her roles. Born Rose Diane Ladner in Meridian, MS, she moved to New York City as a teen. Before making her stage debut in Tennessee Williams' Orpheus Descending, Ladd worked as a model and a dancer at the Copacabana nightclub. In 1961, Ladd debuted in her first feature film, Something Wild. Though she subsequently appeared in a few more films during the '60s, including The Reivers (1969), Ladd focused on her stage career. In film, 1974 proved to be a great year for Ladd. Her portrayal of Flo, the tough waitress who helps out a recently widowed Ellen Burstyn in Martin Scorsese's Alice Doesn't Live Here Any More, garnered her nominations for an Oscar, a Golden Globe, and a British Academy Award. She then appeared opposite Jack Nicholson and Faye Dunaway in Roman Polanski's Chinatown. Beginning in 1976, Ladd became a familiar face in television movies like The Guyana Tragedy: The Story of Jim Jones (1980) and miniseries such as Black Beauty (1978). Though she continued to sporadically appear in feature films through the '80s, her movie career didn't perk up again until the early '90s. Formerly married to character actor Bruce Dern, Ladd is the mother of willowy leading lady Laura Dern. Mother and daughter have appeared in several films together, notably 1991's Rambling Rose and David Lynch's Wild at Heart (1990) -- the former film earned mother and daughter a place in Oscar history when they became the first such duo to be nominated for the same film (Ladd for Best Supporting Actress and Dern for Best Actress).

Trivia: Character actor, onscreen from the early '70s.

Trivia: African American actress Gloria Edwards was primarily active in theater and on television, but she also worked in a few films including 1972's Black Girl, a reprisal of a role she made famous on stage. Edwards served as the vice president of the Black Women in Theater West.

Trivia: African-American supporting actor, onscreen from the 60s.'