Trivia: Though blonde actress Joanna Kerns may be best known for her breakthrough role as Maggie Seaver on the popular 1980s television sitcom Growing Pains, the seasoned actress-turned-director has subsequently made quite a name for herself behind the camera by taking the reigns of such popular small-screen series as Ally McBeal, Felicity, Judging Amy, and Boston Public. Born Joanna Cruisse de Varona in San Francisco in 1953, the talented teen pursued many avenues before eventually discovering her love of acting. Though she would compete unsuccessfully for a spot on the 1968 Olympics Gymnastics team (her sister Donna would later take home the gold medal for swimming), she remained steadfast in her athleticism and subsequently dropped out of high school to tour with the Gene Kelly stage musical Clown Around. It wasn't long before she gained affection for the spotlight, and following a move to New York, the aspiring young actress could be spotted in a Broadway production of Ulysses in Nighttown. A move back to the West Coast resulted in numerous film and television roles, and as her television career continued to take off, the up-and-coming actress married producer Richard Kerns. On the heels of minor roles in such films as Ape (1976) and Coma (1978), roles in Magnum, P.I., The A-Team, and Hill Street Blues made Kerns a familiar face to television viewers, and by the time she accepted the role of loving mother Maggie Seaver, Kerns had also turned heads in Hunter and V. Balancing out her seven-year run on Growing Pains with numerous made-for-television feature roles, Kerns ultimately realized that her small-screen fame would inevitably be short-lived, and that realization eventually led her to step behind the camera as a frequent director for the series. Of course, her prediction did come true, and after Growing Pains went off the air in 1992, Kerns juggled acting and directing in television throughout the 1990s in addition to remarrying Mark Appleton following the breakup of her previous marriage. After helming many of the decade's most popular shows, Kerns brought in the new millennium with a role as Winona Ryder's distant mother in Girl, Interrupted before experiencing something of a family reunion with 2000's The Growing Pains Movie. Kerns' frequent recognition of her Spanish roots has also made her something of a role model to Chicano and Latino youth. In 2007 the sitcom Mom was cast as the mother of Alison, the ambitious television producer Knocked Up by Seth Rogen, and in 2009 Kerns wrote and directed the short The Gold Lunch.

Trivia: Prior to Growing Pains, his only acting experience was in TV commercials. His breakthrough performance as Ben Seaver on Growing Pains earned him two Young Artist awards: Best Young Supporting Actor in a New TV Series and Exceptional Performance by a Young Actor in a Comedy. For one season of Growing Pains, worked with then child actor Leonardo DiCaprio. Was the voice of Linus van Pelt in several Charlie Brown movies and TV shows. Is a spokesman for Fresh Start Recovery of Santa Ana, a group that helps individuals address alcohol abuse.

Trivia: The inimitable American actress Kathleen Freeman has been convulsing film audiences with portrayals of dowdy, sharp-tongued matrons since she was in her 20s. After stage work, Freeman began taking bit roles in major-studio features in 1948, seldom getting screen credit but always making a positive impression. The best of her earliest roles was in Singin' in the Rain (1952); Freeman played long-suffering vocal coach Phoebe Dinsmore, whose Herculean efforts to get dumb movie star Jean Hagen to grasp the proper enunciation of the phrase "I can't staaaand him" proved uproariously futile. Often cast as domestics, Freeman had a year's run in 1953 as the "spooked" maid on the ghostly TV sitcom Topper. Freeman was a particular favorite of comedian Jerry Lewis, who cast the actress in showy (and billed!) roles in such farces as The Errand Boy (1961), The Nutty Professor (1963) and Who's Got the Action?. As Nurse Higgins in Lewis' Disorderly Orderly (1964), Freeman weeps quietly as Jerry meekly scrapes oatmeal off her face and babbles "Oh, Nurse Higgins...you're all full of...stuff." Lewis so trusted Freeman's acting instincts that he sent her to the set of director William Wyler's The Collector (1965) in order to help build up the confidence of Wyler's nervous young leading lady Samantha Eggar. Throughout the '70s and '80s, Freeman took occasional "sabbaticals" from her movie and TV assignments to do stage work, enjoying a lengthy run in a Chicago production of Ira Levin's Deathtrap. Like many character actors of the '50s, Kathleen Freeman is frequently called upon to buoy the projects of baby-boomer directors: she was recently seen as an hysterical Julia Child clone in Joe Dante's Gremlins 2: The New Batch (1990).

Trivia: American character actor Dick O'Neill began showing up in films in 1961. Most of O'Neill's movie roles were in the supporting category, e.g. his portrayal of Sol Zuckermann in The Buddy Holly Story. His extensive TV credits include recurring roles on at least four weekly series. Dick O'Neill was seen as Judge Praetor D. Hardcastle in Rosetti and Ryan (1977), street-smart Malloy in Kaz (1978), corporate vice president Arthur Broderick in Empire (1984), and Fred Wilkinson in the 1987 episodes of Falcon Crest. Fans of the detective series Cagney and Lacey will remember O'Neill for playing Charlie Cagney. Before entering film and television, O'Neill was a well established supporting actor on the New York stage where he appeared on and off Broadway. In the early '50s, O'Neill was a charter member of the Arena Stage in Washington, D.C. For the last seven years of his life, O'Neill served on the Academy of Motion Picture Arts and Sciences Screening Committee.