Trivia: Ever since his film debut in director Michael Mann's 1981 crime drama Thief, actor William L. Petersen (born February 21st, 1953) has carved a successful niche for himself in the realm of crime-oriented television and film. Audiences were quick to warm to the actor thanks to his everyman appearance and ability to elicit sympathy by portraying authority figures whose rank rarely surpassed their humanity, and in the following decades, Petersen would hone this persona to a fine point in such efforts as Mann's 1986 thriller Manhunter and, much later, the popular CBS crime series CSI: Crime Scene Investigation. It was while studying on a football scholarship at Idaho State University that the Evanston, IL, native first discovered his love for the stage, and though the popular jock initially signed up for drama classes as a means of boosting his grade point average, his love for the stage soon surpassed his grip on the gridiron. A post-graduate move to Spain found Petersen studying Shakespearean acting, with a subsequent return to the States leading the burgeoning actor to Chicago. In addition to an association with the famed Steppenwolf Theater, Petersen and several of his peers co-founded Chicago's Remains Theater Ensemble in 1980. The next year, a small supporting role in Mann's Thief marked Petersen's first foray into the celluloid universe, and it was also around this time that Petersen made his Broadway debut with a starring role in The Night of the Iguana. The actor remained a fixture on CSI until 2008, and went on to co-star in the films Detatchment (2011) and Seeking a Friend for the End of the World (2010).As the 1980s progressed, Petersen became an increasingly recognizable figure in the world of film, in particular thanks to solid performances in such efforts as To Live and Die in L.A., Manhunter, and Amazing Grace and Chuck, with his stature on the screen virtually cemented by the time he kicked off the 1990s with a turn as Pat Garrett in Young Guns II. Though roles in such films as Return to Lonesome Dove, Fear, and The Beast did indeed increase Petersen's recognition factor among the moviegoing and television-viewing masses, he more often than not seemed to be lost without Mann's direction and criminals to chase. Of course, all of this would be solved when the veteran actor stepped into the role of crime scene investigator for the 2000 television series CSI, and though feature work had certainly taken precedence over television thus far in his career, the transition seemed to benefit Petersen when the Emmy-nominated series soon shot to the top of the ratings.

Trivia: Best known for her television work, Marg Helgenberger started acting in college theatrical productions while studying speech at Northwestern University. A native of Omaha, NE, where she was born on November 16, 1958, Helgenberger moved to New York after graduating from college and landed a role as a tough young policewoman on the soap opera Ryan's Hope. During her four-year tenure on the show, she also maintained her ties with the theater through her involvement with TADA, the Children's Theater Company.Following a move to Southern California, Helgenberger began guest starring on such television series as Matlock, thirtysomething, and HBO's Tales From the Crypt. She co-starred on the short-lived series Shell Game (1987) before getting her big break with the role of K.C., a tough prostitute, on the distinguished drama China Beach in 1988. Helgenberger's role won her two Emmy nominations and one win in 1990. Following the series' demise in 1991, Helgenberger returned to television guest-star status on ER, where she had a four-episode-long recurring role, and in the miniseries The Tommyknockers.A presence on the big screen since 1989, when she made her feature-film debut in Steven Spielberg's romantic fantasy Always, Helgenberger has played a wide variety of roles in films ranging from Species (1995) to the moody The Last Time I Committed Suicide (1997) to Steven Soderbergh's widely acclaimed Erin Brockovich (2000). Helgenberger would continue to appear in films like In Good Company and Mr. Brooks, and found particular success with the starring role of Catherine Willows on the long running proceedural CSI: Crime Scene Investigation.

Trivia: Best known for his role as Warrick Brown, the detective with a marked predilection for risk (and an ongoing gambling addiction), on CBS's blockbuster series CSI: Crime Scene Investigation, the easygoing, congenial, and memorably handsome African-American actor Gary Dourdan has built his life and his public image around uniqueness and originality. Six foot two inches tall, green-eyed, sporting bushy yet sculpted dreadlocks, and straddling the worlds of drama and avant-garde music, Dourdan commented to Ebony magazine, "I've always tried to be unconventional as much as I possibly could...one thing I'm trying to do with my career and with my craft is to blur the lines between what people think African-Americans should play and what I'm doing. I'm not much into fads and fashions and trying to follow things."Born December 11, 1966, in Philadelphia, PA, as the son of Robert and Sandy Durdin (his actual surname), the adolescent Dourdan attended "Freedom Theater," an inner-city program for aspiring actors, during adolescence. Success in this venue prompted him to travel to Manhattan on a weekly basis for musical training and dramatic auditions. Dourdan landed his "big break" as an actor in the early '90s, seemingly without even trying. While dating fashion model Roshumba Williams around 1991 and vacationing with her in France, Dourdan was spotted by powerhouse Debbie Allen, then the producer and director of A Different World; impressed by his looks and manner, she invited him to audition for the series. He played Shazza Zulu, the resident "con man" of Hillman College -- a role he sustained through the end of 1992 (for less than one season), before moving on to new endeavors. Dourdan debuted onscreen inauspiciously, with a bit part as the Second Cartel Man in Weekend at Bernie's II. Additional roles included that of a copy guy in Ron Howard's The Paper (1994), Christie in Alien Resurrection, and Yates in the Andy Wilson-directed medical thriller Playing God (1997). In 2000, Dourdan landed his biggest break with the CSI role, for executive producer Jerry Bruckheimer -- and (when the program instantly shot up to number one) continued the part as the series progressed. The same year that he signed with Bruckheimer and company, Dourdan played Malcolm X in the telemovie Muhammad Ali: King of the World. As mentioned, Dourdan is also a prolific alternative musician (with solo albums to his credit) and a record producer. He married African-American model Williams in 1992; the couple divorced two years later. He has two children, a son, Lyric, and a daughter, Nyla (the daughter of Jennifer Sutton, whom Dourdan dated from 1995 to 2000). He voiced the character of Detective Crispus Allen in 2008's Batman: Gotham Knight, and took on a supporting role as a chef in Jumping the Broom (2011).

Trivia: Whether scanning a homicide scene for evidence or blasting up a motorcycle ramp at 120 miles per hour as one of the world's greatest daredevils, it seems there's little that square-jawed CSI star George Eads can't accomplish on the small screen. However, the future wasn't always so sunny for the decidedly down-to-earth star; Eads has most certainly earned his rank among television's best, thanks to a solid work ethic and the kind of steadfast determination that's been known to move mountains. Born in Fort Worth, TX, and raised in nearby Belton, it didn't take the Texas Tech graduate long to realize his calling -- and despite the fact that chiseled Texans with big-time aspirations are a dime a dozen in Hollywood, Eads was determined to stand apart from the crowd. Of course, nothing comes easy in Hollywood, and after making the rounds to various auditions during the daytime, the eager up-and-comer would earn his keep as a weight adjuster at the local Gold's Gym in the off hours. Persistence eventually paid off in the form of a supporting role on the little-seen nighttime soap opera Savannah, and though the show barely lasted one season, it did provide an ideal training ground for the relatively inexperienced Eads. In the years that followed, Eads continued to hone his craft with a recurring role on the hit series ER as well as numerous supporting performances in such blink-and-you-miss-them made-for-television pictures as The Ultimate Lie and Crowned and Dangerous. Eads' persistence eventually paid off, and he was hired for the key role of forensic analyst Nick Stokes in the breakout television hit CSI. Cast as a former college baseball star with a hero complex, Eads charmed audiences by creating a character that was as believable as he was personable. The show proved an enormous success, but the young star nearly lost the role forever by making the simple mistake of oversleeping on the day of his salary negotiations (CBS at first thought Eads was attempting to strong-arm them for more money, but the situation soon blew over when Eads apologized for his actions). Now seated comfortably at the top of the television food chain, Eads continued to make a name for himself with roles in numerous made-for-television features including Just a Walk in the Park and Monte Walsh, though it was a role as his childhood hero Evel Knievel in a small-screen biography that truly brought Eads' career full circle. When he's not investigating some of the most grisly crimes ever witnessed on the small screen in CSI, Eads fulfills his duties as part owner of Hollywood's popular Cinespace restaurant -- a perfect place to take in dinner and a movie.

Trivia: The son of an actor of the same name, Paul Guilfoyle has appeared in several major film productions, portraying a wide variety of supporting characters. He is a member of the prestigious Actor's Studio, as well as being a longtime resident of New York. He also has numerous stage credits to his name. However, the actor is best known for his role in the crime drama CSI: Crime Scene Investigation. He joined the show in its first season in 2000 as L.V.P.D Captain James "Jim" Brass, and continued to work on the show throughout the 2000s and early 2010s.

Trivia: The lithe and attractive brunette American actress Jorja Fox entered the public eye in the late '90s and early 2000s, given her involvement as a recurrent cast member in three consecutive, top-ranked U.S. television series: ER (1994), The West Wing (1999), and CSI: Crime Scene Investigation (2000). Fox is perhaps most familiar to fans of CSI, appearing in well over 150 episodes and numerous seasons.Born Jorja-An Fox on July 7, 1968, in New York, NY, but raised in Melbourne Beach, FL, Fox moved back to Manhattan in her teens and began a modeling career after winning a local modeling contest, then subsequently enrolled as a drama student at the Lee Strasberg Institute, where she studied acting under the aegis of legendary actor William Hickey (Prizzi's Honor, Forget Paris). Fox's early roles were minor and somewhat forgettable, though she debuted onscreen under the tutelage one of the finest American indie filmmakers -- Maggie Greenwald -- in that director's well-received film noir debut The Kill-Off (1991). She followed it up with an equally dark turn, as Fate 3 (alongside future West Wing co-star Allison Janney), in John Feldman's little-seen black comedy thriller Dead Funny (1995), and joined mentor Hickey and Alan Arkin for the best-forgotten Jerky Boys (1995) -- a loud, rude and obnoxious farce about a couple of prank phone callers. The film bombed with critics and the public, and disappeared instantly.Fox joined the cast of the blockbuster series ER in 1996, during its third season on the air. She played Maggie Doyle, a lesbian intern at County General Hospital who launches a sexual harassment suit against a seemingly invincible administrator. The role lasted for three seasons, wrapping in 1999; that same year, Fox signed for a supporting role on The West Wing, mega-producer Aaron Sorkin's blockbuster series drama about life in the Oval Office. Fox would spend the following years finding continued success on the small screen, most notably in the role of investigator Sara Sidle on the hit CBS series CSI: Crime Scene Investigation.

Trivia: Although bit parts in A-list features such as The Rules of Attraction (2002) and Little Athens (2005) highlight his resumé, the sandy-blonde-haired actor Eric Szmanda may find it difficult to supersede his own ties with the characterization of Greg Sanders on the top-tiered CBS series drama CSI: Crime Scene Investigation. As Sanders -- a DNA and trace expert analysis with a "nonconformist exterior" and an enduring taste for heavy metal (not to mention a deep-seated infatuation for Sarah Sidle [Jorja Fox]), Szmanda made an enduring impression among series fans, starting as a recurring character and working his way up to series regular; he stayed with the show for several years.

Trivia: After a scant few supporting roles in both Tinseltown duds (Here Come the Littles, 1985) and respected Hollywood A-listers (Michael Apted's Class Action, 1991), American actor Robert David Hall connected with his broadest fan base via his multi-season portrayal of Dr. Albert Robbins, the middle-aged coroner on the television phenomenon CSI: Crime Scene Investigation. With his portly figure, balding pate, and ever-present white beard, Hall lent a distinguished aura to his evocation of Robbins, a character with the most unusual of personal and professional histories. Off-camera, Hall is a double-leg amputee who has served for long periods as the national chairperson of the Performers With Disabilities committees of SAG and AFTRA. His career includes a long tenure as the daytime music and voice director of KNX-FM, Los Angeles. In addition to his acting role on CSI and occasional movie work, Hall made occasional guest appearances on such series as L.A. Law and The Practice.

Trivia: Mainstream America got its first taste of David Caruso when he appeared in a nationally syndicated mid-'70s coffee commercial as a stock boy in a general store run by Margaret Hamilton. In those days, Caruso would pick up extra cash by appearing in lineups for the New York police department, where his street-urchin style made him fit right in. This same street-tough quality won Caruso his first semi-regular TV series role in 1981, as the Irish-American gang leader "Shamrock" on Hill Street Blues. Building up his resumé, he continued to take supporting roles like the "washout" aviation candidate in An Officer and a Gentleman (1982) and assistant to Judd Nelson's quest for revenge in Blue City (1986). 1984 proved a busy year as he divorced wife Cheri Maugans and married Rachel Ticotin, with whom he had a daughter, Greta, later that year. More supporting roles paid Caruso's bills throughout the '80s, as well as a starring TV gig on a short-lived 1990 cop series called H.E.L.P. A much more important law enforcement role still lay ahead, however, in the form of a hot new series called NYPD Blue that premiered in 1993. Playing the role of Detective John Kelly on the series made Caruso an overnight star. The show was produced by his old Hill Street Blues boss Steven Bochco, and Caruso had the groundbreaking drama to thank for his transformation from working actor to sought-after star -- yet he remained with the monumentally successful show for only 26 episodes. After a very public series of disagreements with producers, Caruso left NYPD Blue in 1994, hoping to use his new celebrity to invigorate a film career. He returned to audiences in 1995, starring the crime thriller Kiss of Death. Unfortunately, Kiss of Death was a critical and box-office failure, as were his successive suspense thrillers Jade, Cold Around the Heart, and Body Count. Though he walked down the isle a third time in 1995, the actor's wedding seemed to be the only happy news associated with his name. By the end of the '90s, Caruso's decision to leave NYPD Blue was considered one of the most infamous career blunders in history, landing him on the C-list and making a joke of the inflated ego that some said put him there. In 1997, the first episode of the outrageous animated media satire South Park seemed to summarize the actor's status with a gag in which the two-year-old character Ike is persuaded to jump from a spaceship and fall several feet to the ground when his brother yells "Do your impression of David Caruso's career!" Many actors find themselves remembered as cinematic or TV one-hit wonders, and this was how Caruso was already being recorded in pop-culture history. The new millennium, however, would find the actor defeating the Hollywood laws of physics with a resurrection on a par with that of John Travolta. In 2002, the hit procedural prime-time crime drama CSI: Crime Scene Investigation was launching a spin-off, CSI: Miami, and in the starring role of Lieutenant Horatio Caine was none other than David Caruso. The spin-off proved to be just as successful as its predecessor, and almost ten years after his first shot at fame with NYPD Blue, Caruso was back in the game. While cynics predicted that he would grow too big for his britches and leave the series in a disastrous repetition of history, Caruso remained loyal to the show, even making cameo appearances on the other CSI series. Though 2005 brought a divorce, it also saw the birth of a son with girlfriend Liza Marquez.

Trivia: Born October 08, 1968, actress Emily Procter made her way into the stormy world of acting by forecasting the weather. While a Journalism and Dance major at East Carolina University, she landed a job as a weather anchor for a local CBS affiliate. One thing led to another, and soon she was headed west, travelling the well-travelled route to Los Angeles. Luck greeted Procter shortly after her arrival, when she began landing spots on television sitcoms and dramas. After appearing on such shows as Lois and Clark and Friends, Procter made her film debut with a small role in Leaving Las Vegas in 1995. Work in a number of small films followed, as did parts in Jerry Maguire (1997), the HBO movie Breast Men (1997), and such television movies as The Dukes of Hazzard: Reunion! (also 1997). 1999 proved a busy year for the actress, as she had supporting roles in both Guinevere and the Scottish film The Big Tease. She also starred in Body Shots, playing a member of a group of friends looking for love and/or sex in pre-millennial Los Angeles.2002 brought what could effectively be called a "big break" as Procter landed a leading role on the CSI spin-off CSI: Miami. The show proved just as successful as its predecessor and Procter found herself on one of the most watched shows on television, sticking around for season upon season as its popularity seemed to only grow with each passing year.

Trivia: Supporting actor Rory Cochrane made his film debut with a small role in James Dearden's A Kiss Before Dying (1991). Prior to that, while still enrolled at New York City's LaGuardia High School, he had appeared in the CBS television docudrama Saturday Night With Connie Chung (1989); he then appeared in an episode of the ABC series H.E.L.P. (1990). Cochrane has subsequently earned recognition for playing memorable character roles in independent features. He is best known for playing the constantly zoned-out teenaged stoner Slater in Richard Linklater's ode to adolescence in the 1970s, Dazed and Confused (1993). Other notable roles include a turn as a troubled teen wrangling with a dysfunctional father (Jeff Goldblum) in Fathers and Sons (1992) and Cochrane's multilayered and funny portrayal of a paranoid, gun-loving biker in Love and a .45 (1994). Cochrane continued to work steadily in little-seen independent films like Empire Records, and The Low Life. He did have a major role in James Toback's confrontational Black and White. He appeared in Hats's War opposite fellow Dazed and Confused alum Cole Hauser. Cochrane scored a role on the CSI spin-off CSI: Miami, but his character was killed off. In 2006 Cochrane would be cast again by Richard Linklater in his adaptation of A Scanner Darkly. Cochrane would remain active on screen as the years rolled on, apperaing in movies like Public Enemies and on shows like The Company, CSI: Miami, and 24.

Trivia: Latino actor and heartthrob Adam Rodriguez found a convenient backdoor to Hollywood success. Proving definitively the old adage that "it's all in who you know," Rodriguez's dad, the longtime COO of the U.S. Hispanic Chamber of Commerce, happened to be watching the Emmys in 1996 and recognized an old army buddy accepting a production award. The gentleman in question had graduated from policeman to NYPD Blue consultant to one of the program's producers. The elder Rodriguez impulsively phoned his pal to congratulate him on the award; this led to a renewed friendship, and in time, a small guest spot for Adam on NYPD Blue. At that point, Rodriguez had only just decided on his true calling in life. A stint of seemingly random occupations (including stockbroker and bellhop) followed by a brief theatrical tenure at the Jersey Peppermill Playhouse convinced the young man that his passion lay in acting. The Emmy incident, as it were, happened almost immediately afterward.A recurring role on the brief series drama Brooklyn South ensued, followed by a guest spot on Law & Order, then a bit part in the Gary Fleder movie Impostor. Rodriguez attained his first substantial recognition, however, as Jesse Ramirez, an erudite attorney unknowingly saddled with an extraterrestrial girlfriend, on the sci-fi series Roswell. But his greatest exposure was still yet to come. Beginning in 2002, he played Eric Delko, drug and fingerprint expert at the Miami-Dade crime laboratory, on CSI: Miami, the first successful spin-off to the crime series phenomenon CSI: Crime Scene Investigation. Shortly thereafter, Rodriguez also signed for a part in Jessica Kavana Dornbusch's indie coming-of-age drama Thanks to Gravity (2005), about the trials and travails of a young woman of Jewish-Hispanic ancestry enrolled at Harvard. Numerous film roles followed, and on the heels of an appearance in Tyler Perry's I Can Do Bad All By Myself Rodriguez turned up in Ugly Betty as Hilda's on again-off again flame Bobby Talercio. In 2012 the chisled actor could be seen opposite Channing Tatum in Steven Soderbergh's Magic Mike.

Trivia: An artist, a dancer, and a true "actor's actor," hard-working Khandi Alexander began her career on-stage with the first national touring company of Bob Fosse's Dancin' and then on Broadway in Dreamgirls. While the mid-'80s saw Alexander land small roles in movies like Streetwalkin' and Maid to Order, her skills as a dancer earned her a full scholarship at the Alvin Ailey American Dance Theater School. Her dance career also regularly found her appearing in award shows, which eventually brought her into contact with pop sensation Whitney Houston. Impressed with Alexander's talent and no-nonsense attitude, Houston signed Alexander on to choreograph her sold-out I'm Your Baby Tonight world tour.Music was only part of the picture for the thespian, however, and to pursue her dream of becoming an accomplished actress, Alexander enrolled at the Stella Adler Conservatory. While she would continue to accept supporting roles in projects she was attracted to, two prominent gigs would catapult Alexander's career in 1995 when she accepted a regular part on the prime-time drama ER as sister to Eriq La Salle's Dr. Peter Benton, as well as a starring role in the critically acclaimed ensemble sitcom NewsRadio. While the two strong characters and formats were drastically different, Alexander stayed with NewsRadio until 1998, and continued to reprise her role on ER for seven years. After retiring from both of her TV gigs, Alexander continued to participate in a variety of projects until 2002, when an irresistible character would draw her back into television. The CSI spin-off CSI: Miami offered the part of smart, dignified coroner named Dr. Alexx Woods. The character seemed tailor-made for the charismatic actress, who joined the cast from the show's inception. Alexander would stick with the series for season upon season, as it became one of the most watched shows on TV. Alexander never abandoned the love of dance and stage acting that once dominated her career. In 1998 she played the leading role of Velma Kelly in a nationally touring production of Bob Fosse's Chicago. She has also taken to the stage in productions such as The Tragic and Horrible Life of the Singing Nun, Does a Tiger Wear a Necktie?, Legacy, Period of Adjustment, and Color of Blue.

Trivia: Supporting player David Alan Basche did some of his earliest work on the small screen, with guest appearances on such smash series as Law & Order, Frasier, and CSI: Crime Scene Investigation. He broke through to full acclaim, however, not on television but on the big screen -- by essaying the role of Todd Beamer, one of the more famous victims of September 11th Flight 93, in Paul Greengrass' Oscar-winning docudrama United 93 (2006). Basche then signed for the lead in the much different I'll Believe You (2007) -- a comedy drama about a hick-town radio host who picks up signs of extraterrestrial activity via an on-air distress signal. Basche's next project involved taking a regular supporting role in the Brooke Shields-headlined prime-time drama Lipstick Jungle -- a Sex and the City-style romp (from the same author, Candace Bushnell) that traces the vicissitudes in the lives of New York's "Three Most Powerful Women." In 2011 he appeared in The Adjustment Bureau.

Trivia: Supporting actor, onscreen from the '80s.

Trivia: The inspiration for over a dozen web shrines, B-movie queen and pop diva Kari Wuhrer has built an expansive list of credits since debuting in the early '80s. Born in Brookfield, CT, to Andrew, a police officer turned salesman, and Karin, a payroll accountant, Wuhrer began her career by singing in local talent contests. As a teenager, she would sneak into Manhattan to play with her punk rock band, Freudian Slip. She also began taking acting classes and persuaded her mother to take her to an audition for Ford Modeling Agency's Talent Division. The company signed her on the spot. She started appearing in commercials, and later juggled her acting roles with drama classes at N.Y.U.'s Tisch School of the Arts and the Royal Academy of Dramatic Arts in London. After making her film debut in Fire With Fire (1986), Wuhrer became an MTV veejay and the co-host of network's quiz show Remote Control. She then paid her own way out to Hollywood to make a cameo in the Andrew Dice Clay vehicle The Adventures of Ford Fairlane (1990). Wuhrer eventually settled in Los Angeles, appearing in Beastmaster 2: Through the Portal of Time (1991) and landing a guest spot on Fox's Married With Children. Her own 1993 Fox series, Class of '96, failed to attract viewers, but the network still hired Wuhrer to bed Brian Austin Green in two episodes of Beverly Hills 90210 in 1994. That same year, she began landing more substantial roles, acting opposite Jack Nicholson in Sean Penn's The Crossing Guard and Laurence Fishburne in John Singleton's Higher Learning (1995). Wuhrer played a gypsy in Stephen King's Thinner (1996), before increasing her fan base exponentially when she joined the cast of the sci-fi series Sliders in 1997. While portraying sultry Maggie Beckett on the hit show, she appeared with Jennifer Lopez in Anaconda (1997) and David Schwimmer in Kissing a Fool (1998), as well as headlined numerous B-films, straight-to-video releases, and television movies. In 1999, Wuhrer, who sang and composed songs for several soundtracks, released her first album. Entitled Shiny, it boasted the popular single "There's a Drug." The new millennium saw Wuhrer leaving Sliders and lending her talents (and internet following) to the computer game series Command & Conquer, starring as Agent Tanya in Red Alert 2 and Yuri's Revenge. She made two guest appearances on CBS's CSI and appeared in a string of B-pictures and independent pictures, including Spider's Web (2001), The Rose Technique (2001), The Medicine Show (2001), Berserker (2001), and Malevolent (2002). A veteran of over 40 screen roles, Wuhrer then cashed in on her cult status for Centropolis Entertainment's big-budget homage to low-budget creature flicks, Eight Legged Freaks (2002) -- proving that she had both wit and staying power.

Trivia: Louise Lombard lived and breathed the fine arts from an early age, and projected extreme versatility in many arenas. A trained dancer and actress from early childhood, Lombard graduated to television commercials by age 14, and subsequently delved into dramatic roles. Lombard evinced a remarkable predilection for emotionally and psychologically challenging evocations, such as that of a heroin addict in a PSA directed by Jon Amiel (Copycat). After gracing the BBC series Casualty and Bergerac, the ITV show Capital City, and the ITV telemovies Catherine Cookson's A Black Velvet Gown, and Perfect Scoundrels: Sweeter Than Wine, Lombard broke through to national fame in 1991, with the lead role of Evangeline Eliott in the three-season House of Eliott series on the BBC. The story concerns two sisters who travel the road from extreme poverty to wealth as proprietors of the most successful dressmaking business in all of England.For the remainder of the 1990s, Lombard sought out a series of highly individualized and intelligent projects, including Elizabeth Gill's 1997 ensemble drama Gold in the Streets (as the girlfriend of an illegal Irish immigrant) and the ITV series Bodyguards (as one of the toughs of the title). After a brief tenure as a literature student at Cambridge University (as well as studying photography and print work at St. Martin's College), Lombard spent the first decade of the new millennium branching out into more internationally oriented roles, including insurance investigator Ellen Brachman in the Dutch movie Claim (2000), and the part of Kath in My Kingdom (2001), a highly modernized adaptation of Shakespeare's King Lear. American viewers, however, will most closely associate Lombard with the romantic lead of Lady Anne Davenport in the Viggo Mortensen period adventure saga Hidalgo (2004), and the role of Dr. Harriet Fellows, a physician who assists crash survivor Alec Baldwin, in the TNT telemovie Second Nature (2003).

Trivia: HBO enthusiasts will invariably remember character actor Wallace Langham for his winning multi-season portrayal of Phil, the conceited head writer of Larry Sanders' late-night talk show, on the Garry Shandling-headlined sitcom The Larry Sanders Show. Langham (who first received billing in projects as Wally Ward) grew up in Los Angeles; his parents divorced at an early age and his mother, Sunni, designed costumes for the musical variety series Donny and Marie. Langham was, by all accounts, drawn magnetically to showbusiness; he enrolled in acting classes, signed with an agent, and landed a string of television commercials beginning at age 16 (in 1981). After high school, Langham enrolled briefly in Cal State Northridge, but dropped out after snagging a bit part in John Hughes' teenage sci-fi comedy Weird Science (1985). Scattered appearances on such series as Murder, She Wrote and Star Trek: Voyager followed -- as well as the recurring role of Josh, smart-alecky assistant to lingerie proprietor Veronica on the Kirstie Alley sitcom Veronica's Closet. It was the Shandling turn, however, that put Langham on top of his game. He made occasional feature appearances in such pictures as the Nora Ephron comedy-fantasy Michael (1996) opposite John Travolta, the Eddie Murphy vehicle Daddy Day Care (2003), the ensemble comedy drama Little Miss Sunshine (2006), the award-winning The Social Network and 2012's Ruby Sparks but -- outside of Larry Sanders -- he is probably best known for his fine work on the series drama CSI: Crime Scene Investigation. On that program, Langham sustained a multi-season portrayal as lab technician David Hodges.

Trivia: Known to many as Coroner "Super Dave" Phillips on the popular series CSI, actor David Berman has also appeared on the show Heroes. He's also played a recurring role on Vanished and CSI: Crime Scene Investigation.

Trivia: Marc Macaulay is an actor who's just got one of those faces -- you know you've seen it somewhere before but you just can't seem to put your finger on it. Of course, one glance at the screen veteran's credit list and movie fanatics will instantly realize that they have indeed seen Macaulay numerous times on screens both large and small, it's just that he has a way of immersing himself in the role so effectively that it's difficult to distinguish which performance stood out the most. It was during his junior year of college that the aspiring commercial illustrator accepted a dare to audition for an upcoming play, yet while the friend who issued that challenge was well on his way to becoming a professional actor, Macaulay himself had never even considered a career in the performing arts. When the cast list was posted and Macaulay discovered that he had landed one of the lead roles, however, the course of his entire life would suddenly be altered by the decision of one single casting director. After receiving a scholarship for acting and graduating with a BFA in theater, Macaulay relocated to Jupiter, FL, in order to attend the Burt Reynolds Institute of Theatre Training. While a move to New York seemed only natural for Macaulay upon finishing his training in Florida, acting gigs in the Big Apple were few and far between. After racking up a few film credits and continuing his studies at H.B. Studios, Macaulay eventually returned to the Sunshine State to audition for a new series called Miami Vice (1984). Over the course of the following decade, Macaulay was swept up in a whirlwind of supporting roles. From short-lived series like B.L. Stryker and Wiseguy to major motion pictures such as Edward Scissorhands, Passenger 57, Contact, and The Truman Show, the workman-like actor could always be counted on to deliver a convincing, well-mannered performance. While frequent roles in such shows as Matlock, Walker, Texas Ranger, and Nash Bridges provided a bit of stability in a notoriously volatile industry, the increasingly busy actor largely earned his keep by continually leaping from the big screen to the small -- all the while displaying impressive footing on both. By the year 2000, casting directors were finally wising up to the true talent at their disposal, and Macaulay was landing consistent work in feature films. Never tied to just one genre, Macaulay turned in impressive performances in films as diverse as From Justin to Kelly, Monster, Transporter 2, and The Hawk Is Dying (opposite Academy Award-nominee Paul Giamatti). A minor role in the 2006 feature film Miami Vice served well to bring Macaulay's career full circle. In 2006, Macaulay could be seen in a recurring role on the popular Fox drama Prison Break, with subsequent parts in the feature films Premonition and Walking Tall 2 preceding yet another small-screen recurring role in the weekly USA Network thriller Burn Notice in 2007.