Trivia: Doing for bald men what no amount of Minoxodil ever could, Patrick Stewart won international fame for his portrayal of Captain Jean-Luc Picard in the popular TV series Star Trek: The Next Generation. Before earning immortality for his ability to handle a phaser convincingly, Stewart was known as a stage actor of great talent in his native Britain, where he had been performing since he was a teenager.Born in Mirfield, Yorkshire, England on July 13, 1940, Stewart was performing in various drama groups by the age of twelve. After leaving school at fifteen, he went to work as a junior reporter for a local newspaper. He quit the job after being told by the paper's editor that he was spending too much time at the theatre and not enough on the newspaper and worked for a year as a furniture salesman to pay for drama school. He was accepted at the Bristol Old Vic Theatre School in 1957, and two years later made his professional stage debut in a production of Treasure Island. Stewart went on to enjoy a prolific and acclaimed stage career, joining the Royal Shakespeare Company in 1966 and remaining with it for the next twenty-seven years. He also began to work on the big and small screens, and in the early 1980s started popping up in a number of popular films like Excalibur (1981) and Dune (1984). In 1987, he was chosen to play Picard on Next Generation. Certain that he would be fired from the series, Stewart reportedly refused to unpack his bags for six weeks. Although more than one snarky observer spent the first year of the series making idiot jokes about Stewart's bald pate, the actor--and the show--proved to be a hit. Stewart stayed with Next Generation for seven seasons, and then reprised his role for a string of successful Star Trek films: 1994's Star Trek Generations, 1996's Star Trek: First Contact, 1998's Star Trek: Insurrection and 2002's Star Trek: Nemesis.In addition to his work with the Next Generation series and films, Stewart also continued to work on the stage and in various films. In 1995, he had a hilarious turn as a flamboyant, acid-tongued interior decorator in Jeffrey, while in 1997 he tried his hand at intrigue with a part in The Conspiracy Theory. The following year, he appeared on the small screen, giving a terrific portrayal of the obsessive Captain Ahab in Moby Dick. Though a new Star Trek film every few years may not have been quite enough to keep the legions of sci-fi addicts satisfied, Stewart scored brownie points among fans by taking an impressive turn as Professor Charles Xavier in X-Men (2000), X2: X-Men United (2003), and X-Men: The Last Stand (2006). On the stage, Stewart enjoyed acclaim for a number of productions, particularly a one-man production of A Christmas Carol, which he performed in numerous theatrical venues around the world, winning numerous awards for his portrayal. He also earned extensive praise for his portrayal of Prospero in the Broadway production of The Tempest in 1996. Interestingly, Stewart, though appreciative of his star status, has repeatedly bristled at the notion that his lack of hair is "sexy," à la Yul Brynner. In regards to his reluctant sex symbol status, he has stated that he would much rather be judged on the basis of his acting ability rather than his appearance.

Trivia: Handsome, dark-haired, blue-eyed actor/director Jonathan Frakes is best known among Star Trek lovers for playing Commander William Riker in Star Trek: The Next Generation (1987-1994) and in the Star Trek feature films. Before joining the other legends of Gene Roddenberry's operatic future world, Frakes had worked on television and was a regular in two sudsy, short-lived series, Bare Essence (1983) and Paper Dolls (1984). The Pennsylvania native made his television debut in the 1979 movie Beach Patrol. Frakes has also appeared in numerous miniseries including Beulah Land (1980) and both installments of North and South (1985 and 1986). Frakes cut his directorial teeth with episodes of Star Trek the Next Generation and went on to helm other episodes in the Star Trek franchise, including Star Trek: Deep Space Nine and Star Trek: Voyager. He has also directed episodes of Diagnosis Murder and University Hospital, as well as the CD-ROM Star Trek-Klingon (1996). Frakes made his feature-film debut as an actor in Star Trek: Generations (1994). He made his big-screen directorial bow in Star Trek: First Contact (1996). His fame from Star Trek has led Frakes to host various sci-fi/paranormal-oriented documentaries including the UPN network's series Paranormal Borderline and the Fox network's popular special Alien Autopsy: Fact or Fiction.

Trivia: Best known for playing the android Data on the syndicated television series Star Trek: The Next Generation and in its feature film spin-offs, Brent Spiner is also a talented singer. Before agreeing to play Data, Spiner had spent a decade on the New York stage. A native of Houston, TX, he was raised by his mother and her second husband (Spiner's real father died when he was a baby). The Quaid brothers Randy and Dennis were among his high school classmates and the three learned about acting under Cecil Pickett. Eventually Pickett would leave the school to take a teaching job at the University of Houston. Spiner enrolled there soon after graduation, but only remained at the university through 1974 when he decided to become a professional actor in New York City. Like many other aspiring thespians, Spiner had dues to pay in the form of taking a job as a cab driver before launching his career off-Broadway. He made his Broadway debut with Sunday in the Park With George opposite Mandy Patinkin. He made his television debut in a miniseries, The Dain Curse, and first appeared in films with a bit part in Woody Allen's Stardust Memories (1980). Spiner had a rare starring role in Rent Control (1981). He moved to Los Angeles in 1985 and launched a career as a television guest star on series and as a supporting actor in telemovies and miniseries. He most frequently appeared on the sitcom Night Court as the man who establishes a snack bar in the courthouse. He then successfully auditioned for the role of Data. Interestingly, Spiner claims no particular love for science fiction and was not a big fan of the original Star Trek. He says he mainly took the job because he didn't think the new series would last and because he needed to pay a few bills. The show lasted seven years also spawning a successful film series, and from the start, his was the most popular character on the show. In an effort to capitalize and satirize his nonhuman role on the show -- and perhaps to poke fun at actors William Shatner and Leonard Nimoy who capitalized on their Star Trek fame by each recording equally awful albums (can anyone forget Nimoy's bouncy rendition of "Bilbo Hobbitt"?) -- Spiner recorded his own album, Old Yellow Eyes Is Back (1991), with an 80-piece orchestra and fellow castmates Patrick Stewart, Jonathan Frakes, and Michael Dorn. Though the bulk of his fame comes from being Data, Spiner is not content to spend the rest of his career typecast and so occasionally plays other characters. His portrayal of prissy singing cruise director Gil Godwin was the funniest thing about Martha Coolidge's waterlogged Out to Sea (1997).

Trivia: African American actor LeVar Burton was a 19-year-old UCLA drama student when he was catapulted into international fame. On January 23, 1977, Burton made his professional debut as young Kunta Kinte, the protagonist of the classic TV miniseries Roots. He went on to give first-rate performances in such TV movies as Dummy (79) and One in a Million: The Ron LeFlore Story (78). Among LeVar Burton's more conspicuous TV appearances in the past decade have included his hosting chores on PBS' Reading Rainbow and his regular role as sightless Lieutenant Geordi LaForge on the syndicated Star Trek: The Next Generation (87-92). He has continued playing Lt. LaForge in the feature film versions of Star Trek. Burton is also a published author. Aside from the Star Trek films, his big-screen credits include the biopic Ali. Burton has also directed a handful of projects including episodic television, the senior-citizen romantic comedy Reach for Me, and Miracle's Boys - a drama about three brothers growing up in difficult circumstances.

Trivia: Lead actress Denise Crosby has been on screen since the '80s. She is the granddaughter of singer-actor Bing Crosby.

Trivia: A black-eyed, exotic beauty from Great Britain, supporting actress Marina Sirtis is best known for playing the empathic Lt. Commander Deanna Troi on the Star Trek: The Next Generation series and in the feature films it spawned. Of Greek heritage, Sirtis was born in East London but raised in North London. Before launching her acting career with the Worthing Repertory Theatre, she studied at the Guild Hall School of Music and Drama. She appeared in many classical dramas with the theater, including Hamlet. A versatile performer, she has also appeared in musicals and, at one time, toured Europe in a production of The Rocky Horror Picture Show. Sirtis has extensive experience on British television and made her film debut in The Wicked Lady (1983) opposite Faye Dunaway. She had a major role in the Charles Bronson revenge vehicle Death Wish III (1985).

Trivia: Wil Wheaton was eight years old when he got his first showbiz break, appearing with Bill Cosby in a Jell-O pudding commercial. The following year (1982), Wheaton was prominently featured in the voiceover cast of the animated The Secret of NIMH. During this same period, he made his Los Angeles stage debut in a Company of Angels Theatre production of All My Sons. His starmaking turn was as Gordie Lachance, the Stephen King alter-ego, in the 1986 feature Stand By Me (1986). He then went on to play the title role in the 1987 Disney TV-movie Young Harry Houdini. Wheaton gained worldwide fame (and a worldwide website) as ensign Wesley Crusher in the weekly TV series Star Trek: The Next Generation, a role he played from 1987 to 1990. After leaving STNG on his own accord, Wheaton transitioned into adult roles with appearances in Flubber and a slew of independent films, and in 2001 he launched Wil Wheaton Dot Net, a blog that quickly gained a considerable following while turning the veteran actor into something of a geek icon. Meanwhile, in addition to staying busy with voice roles in such popular videogames as the Grand Theft Auto series and Fallout: New Vegas, Wheaton also contributed vocally to such animated television series' as Naruto, Ben 10: Alien Force, and Batman: The Brave and the Bold. In 2009 he began riffing on his own public persona with a recurring role as a fictional version of himself on The Big Bang Theory, and in 2010 he joined the cast of the quirky Sci-fi Channel series Eureka as Dr. Isaac Parrish. The author of both Dancing Barefoot and Just a Geek, Wheaton is the brother of actress Amy Wheaton.

Trivia: African-American actor Michael Dorn received much of his on-the-job training as a semi-regular on the daytime drama Days of Our Lives. In the prime-time hours, Dorn was seen as Officer Turner during the final two seasons (1980-1982) of the weekly cop series CHiPs. He went on to a flurry of supporting-cast activity in such theatrical features as The Jagged Edge (1985). Then, in 1987, Michael Dorn donned mounds of facial makeup for what was to be his signature role: the U.S.S. Enterprise's Klingon officer Lt. Worf on Star Trek: The Next Generation (1987-1994).

Trivia: Gates McFadden (aka Cheryl McFadden) primarily works in television and is best known for playing Dr. Beverly Crusher on the TV series Star Trek: The Next Generation (1987-1994), but she has also done some film work, including the Star Trek film series. McFadden has also worked as a choreographer on The Dark Crystal (1982), Dreamchild (1985), and Labyrinth (1986). McFadden made her film debut in The Muppets Take Manhattan (1984). In the thriller The Hunt for Red October (1990), she played Caroline Ryan, the wife of Jack Ryan (Alec Baldwin) (in the sequel, McFadden was replaced by Ann Archer). In addition to Star Trek: The Next Generation, McFadden has been a semi-regular on Mad About You, The Cosby Show, and Party of Five.

Trivia: Colm Meaney is no stranger to the run down Barrytown district of Dublin depicted in The Commitments, The Snapper, and The Van, having grown up near the much mythologized neighborhood. The Dublin native began his acting career at the age of 14, eventually receiving formal training at Dublin's prestigious Abbey Theatre School of Acting and going on to join the Irish National Theatre Company. Meaney eventually graduated to the English stage, working in various London theaters, and then began to audition for television work, mainly landing bit parts in such TV shows as the cop drama Z Cars.Meaney moved to the U.S. in 1982, continuing to work mainly on the stage, but gradually made the transition into television and film playing small parts and guest roles on a variety of series. He was part of the cast of One Life to Live from 1986 to 1987, playing Patrick London, and then was hired for a bit part on Encounter at Farpoint, the pilot for the Star Trek: The Next Generation series. He was hired again for another part and then given the role of Chief Miles Edward O'Brien, and quickly went from being a bit player to an important member of the ensemble cast. The character was transferred to Star Trek: Deep Space Nine in the pilot for that series, and Meaney became a staple member of the show's cast.During his tenure on both Star Trek series, Meaney's motion picture career began to take off, as the bit parts he was given gradually became more substantial. Meaney made his greatest impact in smaller films like the so-called Barrytown Trilogy -- The Commitments (1991), in which he played the father of one of the band members; The Snapper (1993), in which he portrayed Dessie, who finds himself out of a job and suddenly a grandfather; and The Van (1996), which cast him as Larry, a layabout who manages to have a grand idea one day that results in his and a friend Bimbo starting a business out of a derelict vending van. Meaney was also notable in 1996's The Englishman Who Went Up a Hill But Came Down a Mountain: his Morgan the Goat, a randy Welsh pub owner with a flair for smart remarks, was an appropriate foil for the naive Englishman played by Hugh Grant. Meaney has continued to divide his time between the U.K. and the U.S., making particularly notable appearances in Paul Quinn's This Is My Father (1998), which cast him as the swishy son of an old gypsy woman; Lodge Kerrigan's Claire Dolan, in which he played a high-class pimp; Ted Demme's Monument Avenue (1998), which featured him as the bullying leader of a Boston gang; and Chapter Zero (2000), an independent comedy that cast Meaney as the cross-dressing father of a struggling writer.He continued to work steadily well into the 21st century in a variety of projects including Bitter Harvest, Intermission, Layer Cake, and Turning Green. He played soccer coach Don Revie in the sports drama The Damned United before playing the father of a strung-out rockstar in the comedy Get Him to the Greek. He appeared in Robert Redford's historical drama The Conspirator, as well as the period drama Bel Ami.

Trivia: Educated at Sweet Briar College, Diana Muldaur began her New York stage career in 1963, appearing in three Broadway plays--Seidelman and Son, Poor Biros and A Very Rich Woman--back to back. She also played a regular role in the Manhattan-based soap opera The Secret Storm. In 1968, Muldaur appeared in her first film, The Swimmer. Exuding a serenity and maturity beyond her years, she was generally cast in cool, sophisticated roles, often as a deliberate contrast to her less-polished male co-stars: for example, she was a regular on the TV series McCloud (1970-77) cast as rambunctious Marshal Sam McCloud's(Dennis Weaver) low-key lady friend Chris Coughlin. Conversely, she was vitriol personified as barracuda lawyer Rosalind Shays in LA Law (1989-91)--at least she was until her character took a spectacular season--ending plunge down an empty elevator shaft. Other TV programs that have utilized Muldaur on a weekly basis have included The Survivors (1970), Black Beauty (1972), Born Free (1974), The Tony Randall Show (1976), Hizzoner (1979), Fitz and Bones (1981) and A Year in the Life (1987). In addition, she is among the few actors who have shown up in both the original Star Trek (in two guest-star assignments) and Star Trek: The Next Generation (as Dr. Katherine Pulaski). Undoubtedly one of her more enjoyable (and least taxing) assignments was as the voice of Dr. Leslie Thompson on Batman: The Animated Series. Equally busy when not performing before the cameras, Muldaur is a past member of the SAG board of the directors. Diana Muldaur is the widow of actor James Mitchell Vickery.

Trivia: While she has appeared in a handful of feature films, Michelle Forbes is best known for her TV work in the 1990s. Born in Austin, TX, Forbes moved to New York when she joined the cast of daytime serial The Guiding Light in 1987. Moving to prime time after 1989, Forbes endeared herself to legions of Trekkies as Ensign Ro on Star Trek: The New Generation during the 1991-1992 season. Leaving the show to pursue feature films, the actress appeared in the Irish romance The Playboys (1992), co-starred with David Duchovny as the unwitting companions of Brad Pitt and Juliette Lewis' homicidal couple in Kalifornia (1992), and helped send up the Hollywood snakepit in Swimming With Sharks (1994). Following a couple of B-films and a supporting turn in John Carpenter's over-the-top sequel Escape From L.A. (1996), Forbes returned to series TV on the highly praised NBC police drama Homicide: Life on the Street in 1996. Though her character was written out after 1998, Forbes returned for the final TV film Homicide: The Movie (2000). She seemed on track to add another well-regarded series to her resumé in 2000 as one of the doctors on duty in Peter Berg's edgy mental hospital drama Wonderland, but ABC showed little patience for the show's slow start and yanked it off the air after a couple of episodes. After Wonderland's quick disappearance, Forbes played photographer Jared Harris's wife in the fashion world feature Perfume (2001). Despite an illustrious ensemble cast, though, Perfume didn't fare much better than Robert Altman's ignominious haute couture flop Ready to Wear (1994). Finding better work in TV, Forbes appeared in the cable western The Johnson County War (2002) and joined the cast of Fox's much lauded real time CIA drama 24 in 2002, playing a tough, loyal aide to Dennis Haysbert's President Palmer. She continued her run of being part of well-respected TV shows with recurring roles in Battlestar Galactica, In Treatment, True Blood, and AMC's The Killing.

Trivia: Dour, lantern-jawed character actor John Anderson attended the University of Iowa before inaugurating his performing career on a Mississippi showboat. After serving in the Coast Guard during World War II, Anderson made his Broadway bow, then first appeared on screen in 1952's The Crimson Pirate. The actor proved indispensable to screenwriters trafficking in such stock characters as The Vengeful Gunslinger, The Inbred Hillbilly Patriarch, The Scripture-Spouting Zealot and The Rigid Authority Figure. Anderson's many screen assignments included used-car huckster California Charlie in Psycho (1960), the implicitly incestuous Elder Hammond in Ride the High Country (1962), the title character in The Lincoln Conspiracy (1977) and Caiaphas in In Search of Historic Jesus (1980). A dead ringer for 1920s baseball commissioner Judge Kenesaw Mountain Landis, Anderson portrayed that uncompromising gentleman twice, in 1988's Eight Men Out and the 1991 TV biopic Babe Ruth. A veteran of 500 TV appearances (including four guest stints on The Twilight Zone), John Anderson was seen as FDR in the 1978 miniseries Backstairs in the White House, and on a regular basis as Michael Spencer Hudson in the daytime drama Another World, Virgil Earp in The Life and Legend of Wyatt Earp (1955-61) and the leading man's flinty father in MacGiver (1985-92).

Trivia: Though she got her start in the film industry late in life, actress Anne Haney would go on to become a dependable character actress with a strong reputation and a healthy sense of humor.Born in March of 1934 in Memphis, TN, Haney studied radio, drama, and television at the University of North Carolina before marrying Georgia Public Television executive John Haley. Soon raising a daughter and devoting herself to family life, Haney began to seek work in the local theater in the 1970s, touring with Noel Coward's Fallen Angels and joining the Screen Actors Guild in preparation for her family's post-retirement move to Southern California. Her plans sadly stifled by her husband's death in 1980, with her daughter in college Haney was on her own for her Westward voyage, though soon after arriving she got an agent and a role in the Walter Matthau vehicle Hopscotch (1980). Alternating between stage and screen for the duration of her Hollywood career, Haney gained over 50 credits with her frequent appearances in television and film. With memorable roles in such films as Liar Liar and Mrs. Doubtfire, in addition to her appearances on Matlock, L.A. Law, The Geena Davis Show, and Ally McBeal, Haney's likeable personality proved both enduring and endearing.On May 26, 2001, Anne Haney died of natural causes in her Studio City, CA, home. She was 67.

Trivia: Though he did other things in the film and television industry, producer/filmmaker/actor Gene Roddenberry will always be best remembered as the father of Star Trek, a relatively short-lived science fiction television series that became a cultural phenomenon of the '70s, '80s, '90s, and on, spawned three sequel series, a string of novels and novellas, a cartoon show, and a highly successful series of feature films. Born in El Paso, TX, Roddenberry originally studied law, then aeronautical engineering in college. He then became a pilot and volunteered for the U.S. Army Air Corps in 1941. Piloting a B-17, he earned medals for his bombing in the Pacific Theater. After the war ended, he became a commercial pilot for Pan Am airlines. The newly developed medium of television intrigued Roddenberry and he wanted to become a writer. When that didn't work out, he joined the Los Angeles Police Department where he eventually became a sergeant. He used his writing skills to write speeches for the department chief and during the '50s, became a writer for two police shows, Dragnet and Naked City. He then became the head writer for the popular Western Have Gun Will Travel. By the early '60s, the idea for Star Trek had begun to grow in Roddenberry's mind. Star Trek was launched on the NBC network in 1966. Produced at Desi-Lu studios on a fairly low budget, the series was a sci-fi excursion like no other. Intelligently written and focused on relationships and modern issues as much as action/adventure, Star Trek was an optimistic, humanist vision of the distant future in which people of all races, humanoid or not, struggled to find peace. Among its innovations was the first interracial/interspecies crew that worked without racial discrimination, a hot topic during the mid-'60s. Roddenberry initially attempted to present women as equals to men (another fairly radical concept back then) as can be seen in the original pilot episode "The Menagerie" (which did not air until the series was established). Unfortunately, the network was uncomfortable about that notion and relegated the female characters to wearing short skirts and playing slightly more "feminine" roles. Despite the attire though, Star Trek's women were strong, intelligent, and courageous. The show was not enormously popular, but it had a devoted core of fans who, in another unprecedented move, launched a tremendous letter-writing campaign that brought the series back for a third year after it was canceled at the end of the second. By the time the show was finally canceled for good, the fan base for Star Trek had grown. Since the early '70s, large groups of fans the world over congregate at enormous Star Trek conventions. Millions of dollars of merchandise have been sold, and the show has spun off into a series of novels and a cartoon show. During the third season, Roddenberry left Star Trek to try other venues. In 1971, he produced and wrote the screenplay for Roger Vadim's black comedy Pretty Maids All in a Row. In the late '70s, Roddenberry returned to the Star Trek venue to produce and write the screenplay for Star Trek: the Motion Picture, the first of a long series of related feature films. On subsequent series entries, he returned as executive consultant. He also served as executive producer on the first television series sequel Star Trek: The Next Generation (1987-1994) until his death of cardiac arrest in 1991.