Trivia: For an actor almost universally associated with a single character -- Captain James Tiberius Kirk of the U.S.S. Enterprise -- William Shatner has found diverse ways to stay active in the public eye, even spoofing his overblown acting style in a way far more hip than desperate. Years after he last uttered "warp speed," Shatner remains a well-known face beyond Star Trek conventions, re-creating himself as the spoken-word pitchman for priceline.com, and starring in a popular series of smoky nightclub ads that featured some of the most cutting-edge musicians of the day.The Canadian native was born on March 22, 1931, in Montréal, where he grew up and attended Verdun High School. Shatner studied commerce at McGill University before getting the acting bug, which eventually prompted him to move to New York in 1956. He initially worked in such live television dramatic shows as Studio One and The United States Steel Hour in 1957 and 1958, as well as on Broadway. His big screen debut soon followed as Alexei in the 1958 version of Dostoyevsky's The Brothers Karamazov.Throughout the 1960s, Shatner worked mostly in television. His most memorable appearance came in a 1963 episode of The Twilight Zone entitled "Nightmare at 20,000 Feet," in which he plays a terrified airline passenger unable to convince the crew that there's a mysterious gremlin tearing apart the wing. He also appeared in such films as Judgment at Nuremberg (1961) and the bizarrely experimental Esperanto-language horror film Incubus (1963). In 1966, he got his big break, though neither he nor anyone else knew it at the time. Shatner was cast as the macho starship captain James Kirk on Star Trek, commanding a crew that included an acerbic doctor, a Scottish engineer, and a logician with pointy ears, on a mission "to boldly go where no man has gone before." However, the show lasted only three seasons, considered by many to be high camp. After providing a voice on the even shorter-lived animated series in 1973, Shatner must have thought Star Trek too would pass. A costly divorce and a lingering diva reputation from Star Trek left him with few prospects or allies, forcing him to take whatever work came his way. But in 1979, after a decade of B-movie labor in such films as The Kingdom of Spiders (1977) and a second failed series (Barbary Coast, 1975-1976), Shatner re-upped for another attempt to capitalize on the science fiction series with Star Trek: The Motion Picture. This time it caught on, though the first film was considered a costly disappointment. With dogged determination, the producers continued onward with Star Trek II: The Wrath of Khan (1982), at which point fans finally flocked to the series, rallying behind the film's crisp space battles and the melodramatic tête-à-tête between Shatner and Ricardo Montalban.Shatner had to wrestle with his advancing age and the deaths of several characters in Star Trek II and Star Trek III: The Search for Spock (1984), but by Star Trek IV: The Voyage Home (1986), the actor got to indulge in his more whimsical side, which has since characterized his career. As the series shifted toward comedy, Shatner led the way, even serving as director of Star Trek V: The Final Frontier (1989), which many considered among the series' weaker entries. During this period, Shatner also began parodying himself in earnest, appearing as host of Saturday Night Live in a famous sketch in which he tells a group of Trekkies to "Get a life." He also turned in a wickedly energetic mockery of a moon base captain in Airplane II: The Sequel (1982). Shatner made one final appearance with the regular Star Trek cast in Star Trek VI: The Undiscovered Country (1991), then served as one of the crossovers to the new series of films in Star Trek: Generations (1994), in which endlessly theorizing fans finally learned the fate of Captain Kirk.The success of the Trek movies reenergized Shatner's TV career, even if it didn't immediately earn him more film roles. Shatner played the title role on the successful police drama T.J. Hooker from 1982 to 1987, directing some episodes, then began hosting the medical reality series Rescue 911 in 1989. Shatner returned to the movies with another parody, Loaded Weapon I, in 1993, and in 1994 began directing, executive producing, and acting in episodes of the syndicated TV show TekWar, based on the popular series of Trek-like novels he authored. In the later '90s, Shatner was best known for his humorously out-there priceline.com ads, but also guested on a variety of TV shows, most notably as the "Big Giant Head" on the lowbrow farce Third Rock From the Sun. He also appeared as game show hosts both in film (Miss Congeniality, 2000) and real life (50th Annual Miss America Pageant, 2001). In 1999, Shatner suffered public personal tragedy when his third wife, Nerine, accidentally drowned in their swimming pool. The champion horse breeder and tennis enthusiast owns a ranch in Kentucky and remains active in environmental causes. Shatner took on a small role for 2004's Dodgeball: A True Underdog Story, and voiced the villainous wildebeest Kazar in Disney's animated adventure The Wild in 2006. Shatner returned to television for a starring role on the popular dramady Boston Legal, in which he plays Denny Crane, a once unbeatable lawyer who co-founded the successful law firm where he continues to work despite his reputation as an eccentric old man.

Trivia: The son of a Boston barber, Leonard Nimoy was a star at the age of 8, when he played Hansel in a children's theatre production of Hansel and Gretel. Nimoy remained with his local kiddie theater troupe until 16 (one of his directors during this period was Boris Sagal). After studying drama at Boston College and Antioch College, he took acting lessons from Jeff Corey at the Pasadena Playhouse. In films from 1950, Nimoy played the title character in the low-budget Kid Monk Baroni and essayed bits and minor roles in such productions as Zombies of the Stratosphere (1951), Rhubarb (1951) and Them! (1954). In between acting assignments, he held down a dizzying variety of jobs: soda jerk, newspaper carrier, vacuum-cleaner salesman, vending machine mechanic, pet-shop clerk, cabbie and acting coach. During his 18 months in Special Services at Fort McPherson, Georgia, he acted with Atlanta Theater Guild when he could spare the time. Back in Hollywood in 1956, he became virtually a regular at the Ziv TV studios, playing villains in programs like Highway Patrol and Sea Hunt. For a short while, he specialized in the plays of Jean Genet, appearing in both the stage and film productions of The Balcony and Deathwatch. Impressed by Nimoy's guest turn on a 1963 episode of The Lieutenant, producer Gene Roddenberry vowed to cast the saturnine, mellow-voiced actor as an extraterrestrial if ever given the chance. That chance came two years later, when Roddenberry signed Nimoy to play Vulcanian science officer Spock on Star Trek. At first pleased at the assignment, Nimoy came to resent the apparent fact that the public perceived him as Spock and nothing else: indeed, one of his many written works was the slim autobiography I Am Not Spock. After Star Trek's cancellation, Nimoy joined the cast of Mission: Impossible in the role of "master of disguise" Paris (he replaced the series' previous master of disguise Martin Landau, who ironically had originally been slated to play Spock). In the early 1970s, Nimoy began racking up directorial credits on such series as Night Gallery. He also made his first Broadway appearance in 1973's Full Circle. And, perhaps inevitably, he returned to Spock, thanks to the popular demand engendered by the then-burgeoning Star Trek cult. His initial reacquaintance with the role was as voiceover artist on the 1973 Saturday-morning cartoon version of Star Trek. Then Spock went on the back burner again as Nimoy devoted himself to his theatrical commitments (a touring production of Sherlock Holmes, his one-man show Vincent), his writing and directing activities, and his hosting chores on the long-running (1976-82) TV documentary series In Search Of.... Finally in 1978, Nimoy was back in his Enterprise uniform in the first of several Star Trek theatrical features. The Spock character was killed off in the second Trek picture The Wrath of Khan, but Nimoy stayed with the franchise as director of the next two feature-length Trek entries (PS: Spock also came back to life). He went on to direct such non-Trek filmic endeavors as 3 Men and a Baby (1987), The Good Mother (1988), Funny About Love (1990) and Holy Matrimony (1994). He also produced and acted in the 1991 TV movie Never Forget, and served as executive producer of the 1995 UPN network series Deadly Games. Perhaps because he will always have dozens of professional irons in the fire, Leonard Nimoy now seems resigned to being forever associated with the role that brought him international fame; his most recent autobiographical work was aptly titled I Am Spock. In 2009 he returned to his iconic role portraying Spock in J.J. Abrams smash-hit reboot of the Star Trek franchise. He next took on a recurring role in the sci-fi series Fringe, playing scientist William Bell. Nimoy made a final cameo appearance in Star Trek Into Darkness (2013). He died in 2015, at age 83.

Trivia: The son of a Baptist minister, actor DeForest Kelley was one of the lucky few chosen to be groomed for stardom by Paramount Pictures' "young talent" program in 1946. He served an apprenticeship in 2-reel musicals like Gypsy Holiday before starring as a tormented musician in Fear in the Night (47). Unfortunately, a sweeping cancellation of Paramount young talent contracts ended Kelley's stardom virtually before it began. By the mid-1950s, he was scrounging up work on episodic TV and playing bits in such films as The Man in the Grey Flannel Suit (56) (this film, by the way, is the first in which Kelley uttered his now-famous line, "He's dead, captain"). Producer/writer Gene Roddenberry took a liking to Kelley and cast the actor in the leading role of a flamboyant criminal attorney in the 1959 TV pilot film 333 Montgomery. The series didn't sell, but Roddenberry was still determined to help Kelley on the road back to stardom. One of their next collaborations was Star Trek (66-69), in which (as everybody in the galaxy knows) Kelley appeared as truculent ship's doctor Leonard "Bones" McCoy. Virtually all of Kelley's subsequent film appearances have been as McCoy in the seemingly endless series of elaborate Star Trek feature films. And on the pilot for the 1987 syndie Star Trek: The Next Generation, DeForrest Kelley was once more seen as "Bones" -- albeit appropriately stooped and greyed.

Trivia: Canadian-born actor James Doohan trained for his career at New York's Neighborhood Playhouse and built much of his reputation upon his uncanny skill at foreign dialects. It was director James Goldstone who in 1965 suggested that Doohan audition for the supporting role of chief engineer of the U.S.S. Enterprise on Star Trek. After trying out a variety of accents during the audition, Doohan latched onto a Scottish brogue which tickled the fancy of Trek producer Gene Roddenberry. Thus, the chief engineer was dubbed Scotty -- or, more formally, Lt. Montgomery Scott (Montgomery happened to be Doohan's middle name). The actor remained in the role until Star Trek's cancellation in 1969, subsequently reviving the character for the 1974 cartoon series and the many theatrical films. Though he most assuredly had a career outside of Scotty (among many other projects, he was one of the stars of the 1979 Saturday-morning TV series Jason of Star Command), Doohan has frequently been called upon to play variations of the character in film and TV projects ranging from National Lampoon's Loaded Weapon 1 to Knight Rider 2000.

Trivia: Actor Walter Koenig is best known as Ensign Chekhov on the evergreen TV series Star Trek. Before his tenure on Star Trek he'd done some acting, both in his native Chicago and in New York. Absent from Star Trek's first season, Koenig was signed on in 1967 as Russian-born Pavel Chekhov when the NBC "suits" decided that a new, young regular was needed to woo the female teenaged viewers. The role turned out to be Koenig's life's work: he has portrayed Chekhov in every Star Trek feature film since. Oddly, he did not appear in the 1975 Saturday morning Star Trek cartoon spin-off, though he did contribute one of that series' scripts. Firmly entrenched in the science-fiction mode into the 1990s, Walter Koenig has appeared as Mr. Bester in the syndicated series Babylon 5.

Trivia: Upon graduating from Nichols College, Charles Ruppert entered the professional world as a salesman. When he decided to switch to acting, Ruppert changed his name to Drake. In films from 1939, Drake was signed to a Warner Bros. contract and appeared in such films as The Man Who Came to Dinner (1941), The Maltese Falcon (1941), Now, Voyager (1942), Dive Bomber (1942), Air Force (1943), and Mr. Skeffington (1944). Freelancing in the mid-'40s, he played the romantic lead in the Marx Brothers flick A Night in Casablanca (1946). Once he moved to Universal in 1949, Drake proved that the fault lay not in himself but in the roles he'd previously been assigned to play. He was quite personable as Dr. Sanderson in Harvey (1950) and thoroughly despicable as the cowardly paramour of dance-hall girl Shelley Winters in Winchester '73 (1950). One of his most unusual performances was as the ostensible hero of You Never Can Tell (1951), who after spending two reels convincing the viewer that he's a prince of a fellow, turns out to be the villain of the piece. Drake did some of his best work at Universal as a supporting player in the vehicles of his offscreen pal Audie Murphy. In 1955, Drake turned to television as one of the stock-company players on Robert Montgomery Presents; three years later, he was star/host of the British TV espionage weekly Rendezvous. Charles Drake prospered as a character actor well into the early 1970s.

Trivia: White-haired, dignified, avuncular Swiss-born character actor Felix Locher (pronounced "Lo-Shay") didn't begin acting until the age of 73, completely on a whim and through an accident of fate. The father of 1940s action star Jon Hall (born Charles Locher), Felix Locher had made his living in a multitude of capacities for much of his adult life, including inventor (he held 100 copyrights and patents relating to a unique mapping system that he used when lecturing military officers) and salesman (principally of insurance). He chanced to visit his son while the latter was preparing for the movie Hell Ship Mutiny (1957) and, seeing the script, remarked that he would be perfect to play the elderly Tahitian chief. The elder Locher not only believed that he looked the part but also that he knew how to play it, having lived in Tahiti. His son dismissed the idea, pointing out that his father had never acted, much less done anything else in front of a camera; but then he was spotted by the director of the movie, who decided that the dignified, well-spoken 73-year-old would, in fact, be perfect for the chief. Following that screen debut, Locher spent the next couple of years reading plays and doing scenes in his agent's office, and gradually started attending auditions. He got small parts on Have Gun Will Travel, The Loretta Young Show, and movies, including the ultra low-budget horror film Frankenstein's Daughter. Later that same year, Locher got the biggest movie part of his career, a Basque leader in the drama Thunder in the Sun (1959) starring Susan Hayward and Jeff Chandler. Locher remained busy on television and in movies into the '60s, appearing in more than 30 productions, and, ironically, was active for several years after his son's career had ended. His most well-remembered roles were in Frankenstein's Daughter, portraying the loving scientist uncle of the heroine, and in the second season Star Trek episode "The Deadly Years," portraying the prematurely aged and senile expedition leader Robert Johnson. Locher died in 1969 at the age of 87.

Trivia: Amid the all-too-common stories of child performers who never made a happy transition to adult lives and careers, Beverly Washburn's career stands as one of the great success stories. Born in Los Angeles on Thanksgiving Day 1943, she made her uncredited screen debut in 1950, at age six, as the first victim of a plague-carrier in the thriller The Killer That Stalked New York. Even at that early age, she had a screen magnetism that shone through to audiences (and makes the death of her character, midway through the movie, a highly emotional moment for the viewer, despite taking place off-screen). The following year, she turned up (once more uncredited) playing the little girl who unknowingly entertains two visitors from the center of the earth in the feature film Superman and the Mole Men (1951), which introduced George Reeves in the role of Superman, and which was later re-edited into the two-part Adventures of Superman episode The Unknown People. She also had one great scene with James Stewart in Cecil B. DeMille's The Greatest Show on Earth (1952), and appeared in small, uncredited roles in George Stevens' Shane (1953) and Edward Dmytryk's The Juggler (1953), starring Kirk Douglas, which was notable as the first Hollywood film shot in Israel. The mid-'50s saw a sharp downturn in film production and mass layoffs at most of the studios, and for the next five years, Washburn primarily worked in television, on series as different as Dragnet and The Loretta Young Show -- where the young actress was part of the stock company for both series -- and The Jack Benny Show. Apart from being a very quick study and an appealing child, Washburn was also popular with producers and directors for her ability to cry on cue, which eliminated the need for many a retake. Her range and ability to memorize lines -- and not just her own, but those of the performers around her -- allowed her to take roles on numerous anthology shows and guest spots on series such as Father Knows Best, Fury, and Leave It to Beaver, and she was also one of the regular cast members on an earlier Barbara Billingsley series called Professional Father. In 1957, she returned to feature films by way of Walt Disney in the movie Old Yeller, playing Lisbeth Searcy, but a lot of her work remained confined to television, across a whole range of series, including anthology series, comedies, westerns, dramas, and crime thrillers, plus appearing as a sketch player in The Hollywood Palace, one of the live variety shows of the early/middle '60s.Washburn was unable to professionally break stride as she reached her early twenties, owing to her family's financial situation. Her father contracted a serious illness in the early '60s, and in addition to being unable to work, he required expensive medical treatments. Washburn actually went to court -- successfully -- to get the trust fund money her parents had started to put aside for her from age six released, in order to pay for her father's treatments. She remained busy throughout the 1960s, and among the many series in which she turned up was the original Star Trek. Fans will likely remember Washburn as Lieutenant Galway, the luckless crewmember who succumbs to the old-age-like radiation sickness encountered on planet Gamma Hydra 2 in the episode "The Deadly Years" -- though it must be conceded that the 20-second century hairdo she was forced to wear in that episode did not become her (making her look like a young Alice Ghostley) She also appeared in episodes of The Streets of San Francisco and Scarecrow and Mrs. King and was in the 2003 pilot to Las Vegas. Washburn was still working in 2009, and, indeed, in that decade had found herself participating in cult celebrations of one of the stranger feature films in which she ever appeared, Jack Hill's Spider Baby (1964).

Trivia: African American actress/singer Nichelle Nichols was born in Robbins, a progressive Illinois community founded by blacks in the 1890s. Nichelle sang with the Duke Ellington and Lionel Hampton bands, then performed as a single in nightclubs. Garnering acting experience in supporting roles in such films as Mister Buddwing (1965) and Doctor, You've Got to Be Kidding!(1966), Ms. Nichols was cast in her signature role in 1966: Lieutenant Nyota Uhura on Star Trek. Much was made in the mainstream press over the fact that here was the first TV science-fiction series to feature a black regular. Much more was made on the set of Trek by Nichols, who issued public complaints about the paucity of her character's screen time. She also seethed inwardly whenever star William Shatner, laboring under the assumption that every move he made was for the good of the series, ordered that Nichelle's lines be cut or altered because they "didn't fit her character." At the end of the first season, Nichols was poised to quit the series. She was persuaded to stay--by one of Star Trek's biggest fans: Dr. Martin Luther King, who felt that Uhura was a positive role model for black women. Before the series' three-year run was out, Nichols made television history by participating in an interracial kiss with William Shatner (though the scene itself was "fudged" so as not to offend those bigots who found such things offensive). In all her subsequent Trek endeavors, including the six theatrical features and the 1972 animated cartoon spin-off, Nichols saw to it that Uhura's contributions were of ever-increasing importance. In recent years, Nichelle Nichols has been active in several educational and pro-social organizations, and has been a guest host on the Sci-Fi cable channel's Inside Space; in 1994, she published her autobiography, Beyond Uhura: Star Trek and Other Memories. In 1996 she made a memorable appearance at a roast of her former captain William Shatner.

Trivia: Asian-American actor George Takei studied architecture at the University of California and theatre arts at UCLA. Takei's first film appearance was in the 1960 Warner Bros. feature Ice Palace He appeared with regularity on series television in the early 1960s; his most controversial TV role was the son of a World War II traitor in the 1964 Twilight Zone episode "The Encounter," which was withdrawn from the series' syndicated package due to charges of misrepresentation from several Japanese-American groups. In 1966, Takei began what was to become a lifelong assignment when he was cast as chief navigator Hikaru Sulu on the evergreen science-fiction series Star Trek. He has extended this characterization into seven Star Trek feature films, as well as a Saturday morning cartoon series. Erudite and socially correct at all times, Takei nonetheless enjoyed a reputation as Star Trek's most aggressive on-set practical joker. The show's three-year run ended, and although Takai appeared in a smattering of pictures including The Green Berets and Which Way to the Front?, he didn't find steady work on screen until the Star Trek film franchise got under way in 1979. The ongoing love for the series, and Takai's own ability to stay in the public eye thanks in part to his ongoing association with Howard Stern's radio show, helped him find steady work throughout the nineties, eventually finding a very lucrative career using his quite recognizable, resonant voice in a variety of animated endeavors. He announced in a 2005 interview that he's been in a long-term relationship with another man for nearly 20 years, and this news did nothing to halt his career or the public's goodwill toward him. Among his most high-profile acting gigs apart from Star Trek have been the television show Heroes, okaying Le Duc Tho in Kissinger and Nixon, and playing a quirky economics teacher in the Tom Hanks directed Larry Crowne.