Trivia: Whitman College graduate Adam West began getting his first acting breaks in 1959. That was the year that West, newly signed to a Warner Bros. contract, was cast in the small but pivotal role of Diane Brewster's impotent husband in The Young Philadelphians. After two years' worth of guest-star assignments in Warners' TV product (he was hung by his heels and humiliated by James Garner in a memorable Maverick episode), West accepted the role of Sergeant Steve Nelson on the weekly TVer Robert Taylor's Detectives. In 1962, the series was cancelled, compelling West to free-lance in such films as Robinson Crusoe on Mars (1964, as the astronaut who doesn't make it back) and Island of the Blue Dolphins (1964). In 1965, he landed his biggest and best role to date: Millionaire Bruce Wayne, aka the "Caped Crusader", on the smash TV series Batman. Approaching the role with the seriousness and sobriety usually afforded MacBeth or Hamlet, West struck the happy medium between "camp" and conviction. Though in recent years West has apparently basked in the adulation he has received for his two-year stint as Batman, at the time the series was cancelled in 1968, he vowed to distance himself as far from the character as possible, accepting villainous TV and film roles and even fitfully pursuing a singing career. His movie projects ranged from sublime (Marriage of a Young Stockbroker, Hooper) to ridiculous (The Happy Hooker Goes to Washington); no matter what the role, however, West's performance was invariably compared to his Batman work. Finally adopting an "if you can't beat 'em, join 'em" stance, West began making appearances at nostalgia conventions, supplied his vocal talents to the 1977 animated series The New Adventures of Batman, and publicly expressed disappointment that he was not offered a cameo role in the 1989 big-screen blockbuster Batman (he did however, provide a voice-over for the 1992 Fox TV series Batman: The New Adventures, not as Batman but as a washed-up superhero called the Gray Ghost). Adam West's most recent TV projects have included the weekly series The Last Precinct (1986) and Danger Theatre (1993); he also served as a spokesperson for the Nickelodeon cable network, a service specializing in nostalgia-inducing reruns.He continued to work steadily, often trading in on his own history as a caped crusader. He appeared in the comedy The New Age and Drop Dead Gorgeous. At the dawn of the 21st century he took a regular gig voicing the role of Mayor Adam West on the animated series The Family Guy., a gig that led to more animated work in projects such as Chicken Little and Meet the Robinsons. He spoofed his superhero history yet again in 2008's Super Capers and appeared as himself on an episode of The Big Bang Theory. West died in 2017, at age 88.

Trivia: American actress Julie Newmar's father was a college instructor and her mother was a former Ziegfeld dancer. This odd mix may explain why Julie complemented her dancing and acting career with offscreen intellectual pursuits. A lifelong student of ballet, Newmar was accepted as a dancer by the Los Angeles Opera Comany at age 15, and before her UCLA enrollment was under way she'd left college to try her luck in films. A stint as a gold-painted exotic dancer in Serpent of the Nile (1954) was usually conveniently ignored by Newmar's biographers, who preferred to list Seven Brides for Seven Brothers (1954) as her screen debut. From here it was on to Broadway for a featured dance in the musical Can-Can, then to the sizable but nonspeaking role of Stupefyin' Jones in Li'l Abner. It was for Newmar's performance as a Swedish sexpot in the genteel farce The Marriage-Go-Round that the actress attained true stardom - and also won a Tony Award. Recreating her stage roles for the film versions of Li'l Abner (1959) and Marriage-Go-Round (1961), Newmar spent the next few years dividing her time between stage work and TV guest spots (she played the Devil in the 1963 "Twilight Zone" episode "Of Late I Think of Cliffordville"). In 1964, Newmar was cast as a beautiful robot on the TV sitcom "My Living Doll," a series that languished opposite "Bonanza" and barely got through the season. According to Newmar, she accepted her best-remembered TV role, that of Catwoman on the weekly series Batman on the advice of her brother, a Harvard fellow in Physics who, along with his classmates, was a rabid Batman fan. Newmar played Catwoman for two seasons, but contractual committments kept her from appearing in the 1966 feature film version of Batman, wherein her role was taken over by Lee Meriwether. For diverse reasons, Newmar wasn't back as Catwoman for the final "Batman" season, so Eartha Kitt essayed the role. Newmar's film career peaked with MacKenna's Gold (1968) and The Maltese Bippy (1969), after which she was consigned to such deathless projects as Hysterical (1983), Nudity Required (1990) and Ghosts Can't Do It (1991). In 1995 she returned to the big screen playing herself in the cross-dressing comedy To Wong Foo, Thanks for everything, Julie Newmar. In the mid 1980s, Julie Newmar began making the personal-appearance rounds thanks to the publicity attending the 20th anniversary of the "Batman" series, and in 1992 Julie was again an interview subject as a byproduct of Michelle Pfeiffer's unforgettable Catwoman stint in the 1992 feature film Batman Returns.

Trivia: Burt Ward is best remembered as Adam West's diminutive cohort, Robin, on the '60s television series Batman (1966-1968). He was born Bert Gervis. Following the demise of the series, Ward disappeared until the late '80s when he started showing up in such movies as Robo Chick (1989), Virgin High (1990), and Beach Babes From Beyond (1993). In 1995, Ward created a minor scandal when he published Boy Wonder: My Life in Tights, a tell-all book describing the many alleged sexcapades of himself and West (who strongly denies Ward's claims). Ward owns a publishing company, Logical Figments as well as Boy Wonder Visual Effects, Inc., which provides visual effects and 3-D animation for movies and TV shows. In addition to his film and television work, Ward left his mark on the music industry bt recording two songs with Frank Zappa and the Mothers of Invention.

Trivia: Classically handsome film leading man Neil Hamilton was trained in stock companies before making his 1918 film bow. He rose to stardom under the guidance of D. W. Griffith, who cast Hamilton in leading roles in The Great Romance (1919), The White Rose (1923), America (1924) and Isn't Life Wonderful? (1924). In an era when sturdy dependability was one of the prerequisites of male stardom, Hamilton was one of the silent screen's most popular personalities, as well suited to the role of faithful Nick Carraway in The Great Gatsby (1925) as he was to the Foreign Legion derring-do of Beau Geste (1927). His pleasant voice and excellent diction enabled Hamilton to make the transition to sound with ease. Unfortunately, he always seemed a bit of a stick in his talkie portrayals, and it wasn't long before he found himself shunted off to "other man" assignments (Tarzan and His Mate) and villainous characterizations (The Saint Strikes Back). By the early 1940s, he had lost both fame and fortune -- and, as he'd ruefully observe later, most of his so-called industry friends. Only the love of his wife and his rock-solid religious convictions saw him through his darkest days. Hamilton made a comeback as a character actor, playing brusque, businesslike types in TV series like Perry Mason and Fireside Theatre. From 1966 through 1968, Neil Hamilton co-starred as poker-faced Commissioner Gordon on the TV series Batman.

Trivia: Though no one in his family had ever pursued a theatrical career (one of his more illustrious relatives was British Prime Minister Neville Chamberlain), Alan Napier was stagestruck from childhood. After graduating from Clifton College, the tall, booming-voiced Napier studied at the Royal Academy of Dramatic Art, then was engaged by the Oxford Players, where he worked with such raw young talent as John Gielgud and Robert Morley. He continued working with the cream of Britain's acting crop during his ten years (1929-1939) on the West End stages. Napier came to New York in 1940 to co-star with Gladys George in Lady in Waiting. Though his film career had begun in England in the 1930s, Napier had very little success before the cameras until he arrived in Hollywood in 1941. He essayed dignified, sometimes waspish roles of all sizes in such films as Cat People (1942), The Uninvited (1943), and House of Horror (1946); among his off-the-beaten-track assignments were the bizarre High Priest in Orson Welles' Macbeth (1948) and a most elegant Captain Kidd in the 1950 Donald O'Connor vehicle Double Crossbones. In 1966, Alan Napier was cast as Bruce Wayne's faithful butler, Alfred, on the smash-hit TV series Batman, a role he played until the series' cancellation in 1968. Alan Napier's career extended into the 1980s, with TV roles in such miniseries as QB VII and such weeklies as The Paper Chase.

Trivia: Jeremy Clyde acted and sang his way to stardom. When he performed pop music in the '60s as part of the Chad & Jeremy duo, he and his singing partner, Chad Stuart, were good enough to compete in record sales with four fellow Brits named John, Paul, George, and Ringo. In 1964, Clyde and Stuart's "A Summer Song" pleased ears everywhere and made Top Ten lists in the U.S. But probably not many of Clyde's fans knew that the thirtyish, six-footer was also an actor trained in the classical style. Before etching his voice into the 45 and 78 rpm records that endeared him to teenagers on every continent, he had performed Shakespeare and Molière on the stage, using skills he learned at London's Central School of Speech and Drama. At the height of his music career, Clyde also appeared often on popular American television programs, including The Dick Van Dyke Show, The Andy Williams Show, Hullabaloo, Batman, and Hollywood Squares. In the 1970s, he continued his TV work, mostly in British productions such Great Mysteries, Tales of the Unexpected, and Moll Flanders. And in the 1980s, he performed in both TV and film productions, including The Importance of Being Earnest, Charles and Diana: A Royal Love Story, and Invitation to the Wedding. His role as villain Hermann Gessler in the 1986-1988 TV series Crossbow earned him high praise and fame in the U.K. A native of Dorney in Buckinghamshire, Clyde received an excellent education in England at Ludgrove Preparatory School and Eton, then in France at the University of Grenoble. In the late '90s, he appeared in such productions as The Moth, A Rather English Marriage, The Colour of Justice, Bodywork, and The Musketeer. Clyde hasn't made a recording with Stuart since 1983, although their songs continue to be popular here in the 21st century.

Trivia: A former ventriloquist and radio deejay, bespectacled character-actor Joe Flynn was a professional even before he graduated from Northwestern University. He made his first film appearance as a priest in the Bob Hope comedy The Seven Little Foys (1955) then spent several years in uncredited roles before building up a reputation as a reliable comic foil on television. He was one of the regulars on the first season of The Joey Bishop Show (1961), but left early on, reportedly because he was stealing too many scenes from star Bishop. From 1962 through 1966, Flynn played the irascible Captain Binghamton on the TV sitcom McHale's Navy (1962) and also starred in two theatrical films spun off from the series. In the early 1970s, Flynn spearheaded a movement on behalf of the Screen Actors' Guild for more equitable distribution of TV residual payments. Shortly after completing his voiceover work in the Disney animated feature The Rescuers, 50-year-old Joe Flynn died of a heart attack.

Trivia: Alternately tagged as a novelty act and as Honolulu's answer to Dean Martin, the baritone lounge vocalist Don Ho was best known for his signature tune, "Tiny Bubbles," and for his trademark raspberry-colored sunglasses. The Kakaako-born chanteur signed with Sinatra's label, Reprise, in the early '60s, which issued his first album, The Don Ho Show, in 1965. Ho landed a massive hit with "Tiny Bubbles" in the fall of 1966, and issued a handful of albums in the ensuing years, but after 1969, Ho's record sales plummeted. To keep himself afloat as an entertainer, he not only became a club staple in his native Hawaii, but branched out into occasional film and television roles. These included guest appearances on such series programs as The Fall Guy, Charlie's Angels, Sanford and Son, The Brady Bunch, and I Dream of Jeannie (where the entertainer seemed particularly at home in the beach-laden setting of Cape Canaveral). Circa 1996, Ho signed for one of his only feature film roles: that of Alberto Bianco, a vile landlord who oversees several dilapidated tenements, in the MTV-produced, FX-laden picture Joe's Apartment. (The film's detractors decried the producers' decision to pass up an onscreen number by Ho and bequeath the singing roles to 5,000 cockroaches instead.) Several years after participating in the documentary Waikiki, in the Wake of Dreams, Ho died of heart failure in Honolulu. He was 76.