Trivia: In his youth, George Reeves aspired to become a boxer, but gave up this pursuit because his mother was worried that he'd be seriously injured. Attracted to acting, Reeves attended the Pasadena Playhouse, where he starred in several productions. In 1939, Reeves was selected to play one of the Tarleton twins in the Selznick superproduction Gone With the Wind (1939). He made an excellent impression in the role, and spent the next few years playing roles of varying sizes at Warner Bros., 20th Century Fox, and Paramount. He was praised by fans and reviewers alike for his performances in Lydia (1941) and So Proudly We Hail (1943); upon returning from WWII service, however, Reeves found it more difficult to get good roles. He starred in a few "B"'s and in the title role of the Columbia serial The Adventures of Sir Galahad (1949), but for the most part was shunted away in ordinary villain roles. In 1951, he starred in the Lippert programmer Superman vs. the Mole Men, playing both the Man of Steel and his bespectacled alter ego, Clark Kent. This led to the immensely popular Superman TV series, in which Reeves starred from 1953 through 1957. While Superman saved Reeves' career, it also permanently typecast him. He made an appearance as wagon train leader James Stephen in Disney's Westward Ho, the Wagons! (1956), though the producer felt it expeditious to hide Reeves behind a heavy beard. While it is now commonly believed that Reeves was unable to get work after the cancellation of Superman in 1957, he was in fact poised to embark on several lucrative projects, including directing assignments on two medium-budget adventure pictures and a worldwide personal appearance tour. On June 16, 1959, Reeves died of an apparently self-inflicted gunshot wound. The official ruling was suicide -- and, since he left no note, it was assumed that Reeves was despondent over his flagging career. Since that time, however, there has been a mounting suspicion (engendered by the actor's friends and family) that George Reeves was murdered.

Trivia: Very few people remember Tito Vuolo's name, but in more than 40 movies and dozens of television shows -- ranging from comedy to film noir -- the Italian-born actor graced audiences with his presence. With his thick accent, short stature, and open, honest features, Vuolo was for many years the epitome of the ethnically identifiable, usually genial Italian, at a time when such portrayals were routine and encouraged in cinema. He could play excitable or nervous in a way that stole a scene, or move through a scene so smoothly that you scarcely noticed him. Vuolo's movie career began in 1946 with an uncredited appearance as a waiter in Shadow of the Thin Man, and he quickly chalked up roles in two further crime movies, the film noir classics Michael Gordon's The Web and Henry Hathaway's Kiss of Death. He was also part of the cast of Dudley Nichols' Mourning Becomes Electra, RKO's disastrous attempt to bring serious theater to the screen, but much of Vuolo's work turned up in films of a grittier nature, such as Anthony Mann's T-Men and The Enforcer, directed by Bretaigne Windust and Raoul Walsh -- the latter film afforded Vuolo one of his most prominent roles in a plot, as the hapless cab driver whose witnessing (with his little girl) of a murder sets in motion a series of events that brings about a dozen murders and ultimately destroys an entire criminal organization. Vuolo's short, squat appearance could also be used to comical effect in a specifically non-ethnic context, as in King Vidor's The Fountainhead, when he turns up at the home of Dominique Francon (Patricia Neal), in place of the expected arrival of tall, lean Howard Roarke (Gary Cooper), in response to her calculated request for repairs to the stone-work in her home. And sometimes he just stole a scene with his finely nuanced use of his accent and an agitated manner, as in Mr. Blandings Builds His Dream House -- his character goes into an excruciatingly funny explanation to Cary Grant about why he has to blast part of the proposed building site ("Thas-a no rock -- thas-a ledge"). Baby boomers may also remember Vuolo from his role in the 1953 Adventures of Superman episode "My Friend Superman," in which he portrayed a well-meaning luncheonette owner whose claim that Superman is a personal friend of his sets in motion a plot to kidnap Lois Lane. Vuolo's final film appearance was in the Ray Harryhausen science fiction thriller 20 Million Miles to Earth, playing the police commissioner. The beloved character actor died of cancer in 1962. Published dates of birth on Vuolo vary by as much as 19 years (1873 or 1892), so he was either 70 years old or 89 years old at the time of his death.

Trivia: A child model from the age of six months, Yvette Duguay's parents brought her to Hollywood when she was two and, at 12, she played Maria Montez as a child in Ali Baba and the Forty Thieves (1943). The exotic-looking child actress, who later took to spelling her name Dugay, proved one of the few to also enjoy an adult career. She co-starred with Vince Edwards as Minnehaha in Hiawatha (1952) and was an Indian squaw again in Cattle Queen of Montana (1954), her most visible performance due to its public domain status. Dugay seemed to leave performing behind following a 1960 episode of television's Cheyenne.

Trivia: Born in L.A. and raised in Pasadena, Jack Larson's ingenuous, "golly gee" screen image served him well when in 1951 he was cast as cub reporter Jimmy Olsen on the TV series Superman. He remained with the program until 1957, by which time he had become so thoroughly identified with the role that he had considerable difficulty landing other film assignments. Eventually Larson gave up acting to concentrate on writing plays and musical librettos; one of his more prestigious assignments was a collaboration with noted composer Virgil Thompson. The longtime companion of filmmaker James Bridges, Jack Larson served as the co-producer of such Bridges films as The Paper Chase (1973), Urban Cowboy (1980), and Bright Lights, Big City (1988). He made a guest appearance in a 1996 episode of Lois & Clark: The New Adventures of Superman, playing an older version of Jimmy Olsen. Larson died in 2015, at age 87.

Trivia: Born and educated in Pennsylvania, John Hamilton headed to New York in his twenties to launch a 25-year stage career. Ideally cast as businessmen and officials, the silver-haired Hamilton worked opposite such luminaries as George M. Cohan and Ann Harding. He toured in the original company of the long-running Frank Bacon vehicle Lightnin', and also figured prominently in the original New York productions of Seventh Heaven and Broadway. He made his film bow in 1930, costarring with Donald Meek in a series of 2-reel S.S.Van Dyne whodunits (The Skull Mystery, The Wall St. Mystery) filmed at Vitaphone's Brooklyn studios. Vitaphone's parent company, Warner Bros., brought Hamilton to Hollywood in 1936, where he spent the next twenty years playing bits and supporting roles as police chiefs, judges, senators, generals and other authority figures. Humphrey Bogart fans will remember Hamilton as the clipped-speech DA in The Maltese Falcon (1941), while Jimmy Cagney devotees will recall Hamilton as the recruiting officer who inspires George M. Cohan (Cagney) to compose "Over There" in Yankee Doodle Dandy (1942). Continuing to accept small roles in films until the mid '50s (he was the justice of the peace who marries Marlon Brando to Teresa Wright in 1950's The Men), Hamilton also supplemented his income with a group of advertisements for an eyeglasses firm. John Hamilton is best known to TV-addicted baby boomers for his six-year stint as blustering editor Perry "Great Caesar's Ghost!" White on the Adventures of Superman series.

Trivia: A tough-looking character actor in Grade-Z Westerns of the 1940s, Terry Frost's screen career was highly affected by a role he didn't get to play. In 1945, Frost, who had been portraying henchmen in Westerns since 1941, was signed to star the title role in Dillinger, a low-budget but highly publicized melodrama depicting the exploits of real life gangster and Public Enemy Number One, John Dillinger. The proposed screenplay, however, came in for intense scrutiny by the Production Code censors and when the cameras finally rolled, the part had been re-cast with newcomer Lawrence Tierney, who thus embarked on a long and profitable career portraying public enemies. Frost, in contrast, returned to the realm of low-budget oaters, laboring rather anonymously in countless Western melodramas for also-ran studios Monogram and PRC. He was even busier on television in the 1950s, appearing in seemingly every Western series ever produced, from The Gene Autry Show to Gunsmoke to Rawhide. In his later years, the erstwhile vaudevillian and coffee shop owner became a popular guest speaker at various B-Western conventions, where he would reminisce about everyone from Johnny Mack Brown to Whip Wilson. His death was attributed to a heart attack.

Trivia: The son of a wholesale grocer who later became one of the founders of the U.S. Chamber of Commerce, Robert Shayne studied business administration at Boston University. Intending to study for the ministry, Shayne opted instead to work as field secretary for the Unitarian Layman's League. He went on to sell real estate during the Florida Land Boom of the 1920s before heading northward to launch an acting career. After Broadway experience, Shayne was signed to a film contract at RKO radio in 1934. When this led nowhere, Shayne returned to the stage. While appearing with Katharine Hepburn in the Philip Barry play Without Love, Shayne was again beckoned to Hollywood, this time by Warner Bros. Most of his feature film roles under the Warner banner were of the sort that any competent actor could have played; he was better served by the studio's short subjects department, which starred him in a series of 2-reel "pocket westerns" built around stock footage from earlier outdoor epics. He began free-lancing in 1946, playing roles of varying size and importance at every major and minor outfit in Hollywood. In 1951, Shayne was cast in his best-known role: Inspector Henderson on the long-running TV adventure series Superman. He quit acting in the mid-1970s to become an investment banker with the Boston Stock Exchange. The resurgence of the old Superman series on television during this decade thrust Shayne back into the limelight, encouraging him to go back before the cameras. He was last seen in a recurring role on the 1990 Superman-like weekly series The Flash. Reflecting on his busy but only fitfully successful acting career, Robert Shayne commented in 1975 that "It was work, hard and long; a terrible business when things go wrong, a rewarding career when things go right."

Trivia: Diminutive, baby-faced actress Noel Neill entered films as a Paramount starlet in 1942. Though she was showcased in one of the musical numbers in The Fleet's In (1944) and was starred in the Oscar-nominated Technicolor short College Queen (1945), most of her Paramount assignments were thankless bit parts. She fared better as one of the leads in Monogram's Teen Agers series of the mid- to late '40s. In 1948 she was cast as intrepid girl reporter Lois Lane in the Columbia serial The Adventures of Superman, repeating the role in the 1950 chapter play Atom Man vs. Superman. At the time, she regarded it as just another freelance job, perhaps a little better than her cameos in such features as An American in Paris (in 1951 as the American art student) and DeMille's The Greatest Show on Earth (1953). But someone was impressed by Neill's appealingly vulnerable interpretation of Lois Lane, and in 1953 she was hired to replace Phyllis Coates as Lois in the TV version of Superman. She remained with the series for 78 episodes, gaining an enormous fan following (consisting primarily of ten-year-old boys) if not a commensurately enormous bank account. Retiring to private life after the cancellation of Superman in 1958, she was brought back into the limelight during the nostalgia craze of the 1970s. She made countless lecture appearances on the college and film convention circuit, and in 1978 returned to films as Lois Lane's mother in the big-budget Superman: The Movie: alas, most of her part ended up on the cutting-room floor, and neither she nor fellow Adventures of Superman alumnus Kirk Alyn received billing. Noel Neill's last TV appearance to date was a guest spot in a 1991 episode of the syndicated The Adventures of Superboy; she made a cameo appearance in 2006's Superman Returns. Neill died in 2016, at age 95.

Trivia: Hearty character actor Ralph Sanford made his first screen appearances at the Flatbush studios of Vitaphone Pictures. From 1933 to 1937, Sanford was Vitaphone's resident Edgar Kennedy type, menacing such two-reel stars as Shemp Howard, Roscoe Ates, and even Bob Hope. He moved to Hollywood in 1937, where, after playing several bit roles, he became a semi-regular with Paramount's Pine-Thomas unit with meaty supporting roles in such films as Wildcat (1942) and The Wrecking Crew (1943). He also continued playing featured roles at other studios, usually as a dimwitted gangster or flustered desk sergeant. One of his largest assignments was in Laurel and Hardy's The Bullfighters (1945), in which he plays vengeance-seeking Richard K. Muldoon, who threatens at every opportunity to (literally) skin Stan and Ollie alive; curiously, he receives no screen credit, despite the fact that his character motivates the entire plot line. Busy throughout the 1950s, Ralph Sanford was a familiar presence on TV, playing one-shot roles on such series as Superman and Leave It to Beaver and essaying the semi-regular part of Jim "Dog" Kelly on the weekly Western Wyatt Earp (1955-1961).