Trivia: In his youth, George Reeves aspired to become a boxer, but gave up this pursuit because his mother was worried that he'd be seriously injured. Attracted to acting, Reeves attended the Pasadena Playhouse, where he starred in several productions. In 1939, Reeves was selected to play one of the Tarleton twins in the Selznick superproduction Gone With the Wind (1939). He made an excellent impression in the role, and spent the next few years playing roles of varying sizes at Warner Bros., 20th Century Fox, and Paramount. He was praised by fans and reviewers alike for his performances in Lydia (1941) and So Proudly We Hail (1943); upon returning from WWII service, however, Reeves found it more difficult to get good roles. He starred in a few "B"'s and in the title role of the Columbia serial The Adventures of Sir Galahad (1949), but for the most part was shunted away in ordinary villain roles. In 1951, he starred in the Lippert programmer Superman vs. the Mole Men, playing both the Man of Steel and his bespectacled alter ego, Clark Kent. This led to the immensely popular Superman TV series, in which Reeves starred from 1953 through 1957. While Superman saved Reeves' career, it also permanently typecast him. He made an appearance as wagon train leader James Stephen in Disney's Westward Ho, the Wagons! (1956), though the producer felt it expeditious to hide Reeves behind a heavy beard. While it is now commonly believed that Reeves was unable to get work after the cancellation of Superman in 1957, he was in fact poised to embark on several lucrative projects, including directing assignments on two medium-budget adventure pictures and a worldwide personal appearance tour. On June 16, 1959, Reeves died of an apparently self-inflicted gunshot wound. The official ruling was suicide -- and, since he left no note, it was assumed that Reeves was despondent over his flagging career. Since that time, however, there has been a mounting suspicion (engendered by the actor's friends and family) that George Reeves was murdered.

Trivia: American actor Harry Tyler wasn't really as old as the hills when he started his film career in 1929; in fact, he was barely 40. Still, Tyler's wizened, gimlet-eyed face was his fortune, and he spent most of his movie years playing variations of the Spry Old Timer. Tyler began his stage career as a boy soprano in 1901, under the aegis of producer Flo Ziegfeld and Ziegfeld's wife Anna Held. He married Gladys Crolius in 1910, and for the next twelve years they toured vaudeville in a precursor to Burns and Allen's smart guy/dumb dora act. Returning to the legitimate stage in 1925, Tyler journeyed to Hollywood when talking pictures took hold four years later. His inaugural screen appearance was a recreation of his stage role in The Shannons on Broadway. Harry Tyler played bits and featured roles as janitors, sign painters, philandering businessmen, frontier farmers and accident victims from 1929 until his farewell appearance in John Ford's The Last Hurrah (1958).

Trivia: Born in L.A. and raised in Pasadena, Jack Larson's ingenuous, "golly gee" screen image served him well when in 1951 he was cast as cub reporter Jimmy Olsen on the TV series Superman. He remained with the program until 1957, by which time he had become so thoroughly identified with the role that he had considerable difficulty landing other film assignments. Eventually Larson gave up acting to concentrate on writing plays and musical librettos; one of his more prestigious assignments was a collaboration with noted composer Virgil Thompson. The longtime companion of filmmaker James Bridges, Jack Larson served as the co-producer of such Bridges films as The Paper Chase (1973), Urban Cowboy (1980), and Bright Lights, Big City (1988). He made a guest appearance in a 1996 episode of Lois & Clark: The New Adventures of Superman, playing an older version of Jimmy Olsen. Larson died in 2015, at age 87.

Trivia: Born and educated in Pennsylvania, John Hamilton headed to New York in his twenties to launch a 25-year stage career. Ideally cast as businessmen and officials, the silver-haired Hamilton worked opposite such luminaries as George M. Cohan and Ann Harding. He toured in the original company of the long-running Frank Bacon vehicle Lightnin', and also figured prominently in the original New York productions of Seventh Heaven and Broadway. He made his film bow in 1930, costarring with Donald Meek in a series of 2-reel S.S.Van Dyne whodunits (The Skull Mystery, The Wall St. Mystery) filmed at Vitaphone's Brooklyn studios. Vitaphone's parent company, Warner Bros., brought Hamilton to Hollywood in 1936, where he spent the next twenty years playing bits and supporting roles as police chiefs, judges, senators, generals and other authority figures. Humphrey Bogart fans will remember Hamilton as the clipped-speech DA in The Maltese Falcon (1941), while Jimmy Cagney devotees will recall Hamilton as the recruiting officer who inspires George M. Cohan (Cagney) to compose "Over There" in Yankee Doodle Dandy (1942). Continuing to accept small roles in films until the mid '50s (he was the justice of the peace who marries Marlon Brando to Teresa Wright in 1950's The Men), Hamilton also supplemented his income with a group of advertisements for an eyeglasses firm. John Hamilton is best known to TV-addicted baby boomers for his six-year stint as blustering editor Perry "Great Caesar's Ghost!" White on the Adventures of Superman series.

Trivia: The son of a wholesale grocer who later became one of the founders of the U.S. Chamber of Commerce, Robert Shayne studied business administration at Boston University. Intending to study for the ministry, Shayne opted instead to work as field secretary for the Unitarian Layman's League. He went on to sell real estate during the Florida Land Boom of the 1920s before heading northward to launch an acting career. After Broadway experience, Shayne was signed to a film contract at RKO radio in 1934. When this led nowhere, Shayne returned to the stage. While appearing with Katharine Hepburn in the Philip Barry play Without Love, Shayne was again beckoned to Hollywood, this time by Warner Bros. Most of his feature film roles under the Warner banner were of the sort that any competent actor could have played; he was better served by the studio's short subjects department, which starred him in a series of 2-reel "pocket westerns" built around stock footage from earlier outdoor epics. He began free-lancing in 1946, playing roles of varying size and importance at every major and minor outfit in Hollywood. In 1951, Shayne was cast in his best-known role: Inspector Henderson on the long-running TV adventure series Superman. He quit acting in the mid-1970s to become an investment banker with the Boston Stock Exchange. The resurgence of the old Superman series on television during this decade thrust Shayne back into the limelight, encouraging him to go back before the cameras. He was last seen in a recurring role on the 1990 Superman-like weekly series The Flash. Reflecting on his busy but only fitfully successful acting career, Robert Shayne commented in 1975 that "It was work, hard and long; a terrible business when things go wrong, a rewarding career when things go right."

Trivia: Rotund, moon-faced character actor Charles Watts made a mini-career out of portraying glad-handing politicians, voluble businessmen and salesmen, crafty bankers, and cheerful or cynical parents, uncles, family friends, and other supporting players. He never had a starring role, or even a co-starring role, in a motion picture, but his physical presence and voice made for some memorable moments. Born in Clarksville, TN, in 1912, Watts was a high-school teacher -- handling both business law and drama -- for a time during his mid-twenties, working in Chattanooga. He worked in local theater and tent shows early in his career, and after World War II was also in demand for industrial shows. Watts didn't start doing movie or television appearances until 1950, and in that first year he played small, uncredited roles in such serious dramas as The Killer That Stalked New York (1950), as a mailman, and Storm Warning (1951), as a lunch-counter proprietor -- and somewhat larger parts, as a sheriff, in three episodes of The Lone Ranger. Over the next 16 years, he was seen in nearly 100 movies and television shows. His most prominent big-screen role was that of Judge (and later United States Senator) Oliver Whiteside in George Stevens' Giant (1956), where his rich, melodious voice and cheerful demeanor were put to extensive use. Watts was also an uncredited man in the crowd in Stuart Heisler's I Died a Thousand Times, a police sergeant in Philip Dunne's The View From Pompey's Head (both 1955), and Mr. Schultz, the salesman from the suspender company, in Billy Wilder's The Spirit of St. Louis (1957). Watts even found his way into two big-scale musicals -- Million Dollar Mermaid (1952) and Jumbo (1962) -- a decade apart. When he had a role with dialogue of any length, he was often used -- or so it seemed -- for his tendency to speechify, and to make even ordinary words stand out in relief. As active on television as he was in movies, Watts was familiar to several generations of young viewers for his role as Bill Green, the skeptical anti-superstition league leader in the Adventures of Superman episode "The Lucky Cat" (1955). He also played a small but key role in the Father Knows Best episode "24 Hours in Tyrantland," done on behalf of the Treasury Department to sell U.S. Savings Bonds, as the Andersons' skeptical neighbor, whose brief, cynical talk to son Bud finally pushes Jim Anderson (Robert Young) to straighten his kids out about the importance of savings bonds. Watts remained busy into the mid-'60s, and died of cancer in 1966.

Trivia: Diminutive, baby-faced actress Noel Neill entered films as a Paramount starlet in 1942. Though she was showcased in one of the musical numbers in The Fleet's In (1944) and was starred in the Oscar-nominated Technicolor short College Queen (1945), most of her Paramount assignments were thankless bit parts. She fared better as one of the leads in Monogram's Teen Agers series of the mid- to late '40s. In 1948 she was cast as intrepid girl reporter Lois Lane in the Columbia serial The Adventures of Superman, repeating the role in the 1950 chapter play Atom Man vs. Superman. At the time, she regarded it as just another freelance job, perhaps a little better than her cameos in such features as An American in Paris (in 1951 as the American art student) and DeMille's The Greatest Show on Earth (1953). But someone was impressed by Neill's appealingly vulnerable interpretation of Lois Lane, and in 1953 she was hired to replace Phyllis Coates as Lois in the TV version of Superman. She remained with the series for 78 episodes, gaining an enormous fan following (consisting primarily of ten-year-old boys) if not a commensurately enormous bank account. Retiring to private life after the cancellation of Superman in 1958, she was brought back into the limelight during the nostalgia craze of the 1970s. She made countless lecture appearances on the college and film convention circuit, and in 1978 returned to films as Lois Lane's mother in the big-budget Superman: The Movie: alas, most of her part ended up on the cutting-room floor, and neither she nor fellow Adventures of Superman alumnus Kirk Alyn received billing. Noel Neill's last TV appearance to date was a guest spot in a 1991 episode of the syndicated The Adventures of Superboy; she made a cameo appearance in 2006's Superman Returns. Neill died in 2016, at age 95.

Trivia: John Phillips is a British character player, active in films from 1954. He has been seen in such roles as the Duke of Norfolk in Olivier's Richard III (1954), as authority figures in the sci-fi movies Village of the Damned (1960) and Man in the Moon (1961), and as the prosecutor at the Esterhazy trial in I Accuse (1958). Phillips has also shown up in several TV miniseries (Jesus of Nazareth, Masada), and was cast as MacGown in the internationally syndicated The Forsyte Saga. This John Phillips is no relation to the American actor or the musical composer who share his name.