Trivia: Actor Kenneth Haigh received his preliminary training at that cradle of top British talent, the Central School of Speech and Drama. Haigh's first professional job was in a 1952 Irish stage production. He joined the vanguard of Britain's "angry young man" movement when he originated the role of Jimmy Porter in both the London and Broadway productions of John Osborne's Look Back in Anger. He remained in the Jimmy Porter mode in most of his film appearances: exceptions included the part of Brutus in the mammoth 1963 version of Cleopatra and his hilarious uncredited cameo as a supercilious TV producer in the Beatles' A Hard Day's Night (1964). Kenneth Haigh's television credits include the British TV series Man at the Top (1971-75), a spin-off of the 1959 film Room at the Top, and the role of Sir Richard Burton in the internationally distributed miniseries Search for the Nile (1972).

Trivia: One of the theatre's greatest legends, Sir John Gielgud spent almost 80 of the 96 years of his life appearing in countless plays that saw him portray every major Shakespearean role. The last surviving member of a generation of classical actors that included Laurence Olivier, Peggy Ashcroft, and Ralph Richardson, Gielgud worked up to a month before his death, performing in over 50 films and numerous television productions when he wasn't busy with his stage work.The grandnephew of famed stage actress Ellen Terry, Gielgud was born in London on August 14, 1904. He received his education at Westminster School and would have studied to be an architect had he not rebelled against his parents by announcing his plans to be an actor. Persuading his parents to let him train at the Royal Academy of Dramatic Arts, Gielgud promised them that if he had failed to make a stage career by the age of 25, he would become an architect. As it turned out, Gielgud was playing Hamlet by the time he was 26, having made his stage debut eight years earlier at the Old Vic. His reputation was made in 1924, when he played Romeo to rave reviews; in addition to Hamlet, roles in plays by Chekov and Ibsen followed, and in 1928, Gielgud traveled to the U.S. for the first time to play the Grand Duke Alexander in The Patriot. The epitome of the kind of old-school Englishness associated with the Victorian theatre, he went on to break theatre box office records when he brought his Hamlet to Broadway in the 1930s.Gielgud began appearing on the big screen in the 1920s, and over the course of the next seven decades, he lent his name to films of every imaginable genre and level of quality. In addition to starring in a number of film adaptations of Shakespeare, he could be seen in projects as disparate as Orson Welles' Chimes at Midnight (1967), the 1977 porn extravaganza Caligula, and Peter Greenaway's Prospero's Books (1991), in which he was able to fulfill a lifelong dream by playing the role of the Shakespearean patriarch Prospero.In 1981, Gielgud was awarded his only Oscar for his portrayal of Dudley Moore's butler in Arthur; he reprised the role for the film's 1988 sequel, despite the fact that the character had died. Gielgud continued to appear onscreen until the year preceding his death, making enthusiastically-received turns in Shine (1996), in which he played pianist David Helfgott's mentor; Al Pacino's Looking for Richard (1996); and Shekhar Kapur's Elizabeth (1998), in which he made a brief appearance as the Pope.Gielgud also did notable work on television, particularly in Brideshead Revisited (1981), which cast him as a stodgily eccentric patriarch, and Merlin (1998), a lavish and well-received take on Arthurian legend. He wrote several books as well, including an autobiography entitled Early Stages. Gielgud was knighted in 1953 and was honored on his 90th birthday with the decision to rename the West End's Globe Theatre as the Gielgud Theatre. He died on May 21, 2000, at the age of 96, having spent the last 25 years of his life with his partner, Martin Hensler.

Trivia: Sir Ralph Richardson was one of the most esteemed British actors of the 20th century and one of his country's most celebrated eccentrics. Well into old age, he continued to enthrall audiences with his extraordinary acting skills -- and to irritate neighbors with his noisy motorbike outings, sometimes with a parrot on his shoulder. He collected paintings, antiquities, and white mice; acted Shakespeare, Ibsen, and Sophocles; and instructed theatergoers on the finer points of role-playing: "Acting," he said in a Time article, "is merely the art of keeping a large group of people from coughing." Like the Dickens characters he sometimes portrayed, Richardson had a distinctly memorable attribute: a bulbous nose that sabotaged his otherwise noble countenance and made him entirely right for performances in tragedies, comedies, and tragicomedies. In testament to his knowledge of poetry and rhyme, he married a woman named Meriel after his first wife, Muriel, died. Fittingly, Ralph David Richardson was born in Shakespeare country -- the county of Gloucestershire -- in the borough of Cheltenham on December 19, 1902. There, his father taught art at Cheltenham Ladies' College. When he was a teenager, Ralph enrolled at Brighton School to take up the easel and follow in his father's brushstrokes. However, after receiving an inheritance of 500 pounds, he abandoned art school to pursue his real love: creating verbal portraits as an actor. After joining a roving troupe of thespians, the St. Nicholas Players, he learned Shakespeare and debuted as Lorenzo in The Merchant of Venice in 1921. By 1926, he had graduated to the Birmingham Repertory Theatre and, four years later, appeared on the stage of England's grandest of playhouses, London's Old Vic. Ralph had arrived -- on the stage, at least. But another four years passed before he made his first film, The Ghoul, about a dead professor (Boris Karloff) who returns to life to find an Egyptian jewel stolen from his grave. Richardson, portraying cleric Nigel Hartley, is there on the night Karloff returns to unleash mayhem and mischief. From that less-than-auspicious beginning, Richardson went on to roles in more than 70 other films, many of them classics. One of them was director Carol Reed's 1948 film, The Fallen Idol, in which Richardson won the Best Actor Award from the U.S. National Board of Review for his portrayal of a butler suspected of murder. Three years later, he won a British Academy Award for his role in director David Lean's Breaking the Sound Barrier, about the early days of jet flight. In 1962, Richardson won the Cannes Film Festival's Best Actor Award for his depiction of James Tyrone Sr., the head of a dysfunctional family in playwright Eugene O'Neill's Long Day's Journey Into Night. Because of Richardson's versatility, major studios often recruited him for demanding supporting roles in lavish productions, such as director Laurence Olivier's Richard III (1954), Otto Preminger's Exodus (1960), David Lean's Dr. Zhivago (1965), and Basil Dearden's Khartoum (1966). While making these films, Richardson continued to perform on the stage -- often varooming to and from the theater on one of his motorbikes -- in such plays as Shakespeare's Henry IV (Part I and II), Chekhov's Uncle Vanya, Sophocles' Oedipus Rex, and Sheridan's School for Scandal. He also undertook a smorgasbord of movie and TV roles that demonstrated his wide-ranging versatility. For example, he played God in Time Bandits (1981), the Chief Rabbit in Watership Down (1978), the crypt keeper in Tales From the Crypt (1972), the caterpillar in Alice's Adventures in Wonderland (1972), Wilkins Micawber in TV's David Copperfield (1970), Simeon in TV's Jesus of Nazareth (1977), and Tarzan's grandfather in Greystoke: the Legend of Tarzan, Lord of the Apes (1984). In his spare time, he portrayed Dr. Watson on the radio. Sir Ralph Richardson died in 1983 of a stroke in Marylbone, London, England, leaving behind a rich film legacy and a theater presence that will continue to linger in the memories of his audiences.

Trivia: Launching her career on radio at age 11, British actress Billie Whitelaw spent several seasons as an assistant stage manager before making her theatrical acting debut in 1950. The blonde, hypertense Whitelaw started out in films as a standard leading lady, but quickly distinguished herself in neurotic, single-purposed roles. She won a BFA award for her portrayal of Albert Finney's disgruntled ex-wife in Charlie Bubbles (1968). Billie Whitelaw's next screen assignment of note was as the smothering "monster mommy" of two of Britain's most vicious mob leaders in The Krays (1990). She played nurse Grace Poole in the 1996 version of Jane Eyre and appeared in the 1998 TV miniseries Merlin, playing Ambrosia. Whitelaw's final film appearance was Hot Fuzz (2007). She is also noted for having a close professional relationship with playwright Samuel Beckett, often being called his muse, and appeared in a number of his stage productions. Whitelaw died in 2014, at age 82.

Trivia: Dynamic African-American actor Moses Gunn was one of the founders of the Negro Ensemble Company. Educated at Tennessee State and the University of Kansas, Gunn made his first New York appearance in a 1961 production of Measure for Measure; he remained active on the off-Broadway scene throughout his career, winning several Obie awards. His 1962 Broadway debut came by way of Jean Genet's The Blacks, which served to introduce many of the powerful black acting talents of the era. In films dating from 1964's Nothing But a Man, Gunn is best-remembered for his portrayal of gangster Bumpy Jonas in the first two Shaft films, and for his brief but telling cameo as Booker T. Washington in Ragtime, a performance which won him an NAACP Image award. On series television, Gunn was top-billed as Jebediah Nightlinger in The Cowboys (1972), played boxing trainer George Beifus in The Contender (1980), was featured as miner Moses Gage in Father Murphy (1981-84) and chewed the scenery as the epigrammatical "Old Man" in A Man Called Hawk (1989). He also played Carl Dixon, the man who married Florida Evans (Esther Rolle) after a whirlwind courtship during the 1976-77 season of Good Times. In 1977, Moses Gunn received an Emmy nomination for his appearance as tribal chieftain Kintango in the groundbreaking miniseries Roots.

Trivia: British actor Lee Montague was most active on stage and television. He averaged about one film per year after his 1959 movie debut in The Savage Innocents. In the mid '70s, Montague began showing up on American-financed TV miniseries which required European location shooting. Lee Montague was seen in Franco Zeffirelli's expensive, all star TV production Jesus of Nazareth (1977) and in the harrowing multipart historical drama Holocaust (1978).

Trivia: British actress Georgina Hale often found herself in loud, abrasive roles perfectly attuned to the loud, abrasive 1960s and 1970s. She was frequently cast in the films of controversial director Ken Russell, contributing to the general cacophony of The Devils (1971), Mahler (1974), Lisztomania (1975), and Valentino (1975). In addition, she has done plenty of TV work, including the 1970 weekly series Budge. Though Ken Russell curtailed his later activities, Georgina Hale kept busy well into the late '90s.

Trivia: Awarded the Papal knighthood well into his struggle with cancer and days before his death, British actor Michael Williams responded to the honor with typical zeal and sincerity, "This has been one of the best days I have had. Could I have a match replay?" A respected and versatile actor of stage and screen as comfortable with Shakespeare as with sitcoms, Williams was well known to U.K. television audiences through his role in the popular sitcom A Fine Romance, though his tireless on-stage career is a testament to an actor with a great love for classical roles.Born in Manchester in 1935, and attending Liverpool's St. Edward's Christian Brothers school in his youth, Williams was a devout Roman Catholic who maintained a close relationship with the church throughout his life, serving as an enthusiastic and supportive member of the Catholic Stage Guild for a number of years. Gaining popularity through his powerful roles in such productions as The Taming of the Shrew and perhaps most notably in Troilus and Cressida (opposite Helen Mirren's Cressida), Williams married actress Judi Dench in 1971. Remaining close friends long before matrimony (not unlike their fictional counterparts on Romance), Dench and Williams remained together until Williams' death in 2001, often appearing together on stage (The Pack of Lies) and in film (Tea With Mussolini). In 1972 Williams and Dench had their only child, actress Finty Williams (The Secret Rapture) (1993). His other popular television parts included that of a brilliant Oxford scholar reduced to hamburger slinging in Double First, and a co-starring role opposite actress Gwen Taylor in the mid-life marital drama Conjugal Rites (1993). Taking a cue from his Shakespearean stage roles, Williams' film roles were often geared towards the more classically dramatic. After making an early appearance in Marat/Sade (1966), Williams appeared with other well-respected classically trained actors such as John Gielgud (Eagle in a Cage, 1971), and Kenneth Branagh (Henry V, 1989). Williams was widely praised for his dramatic abilities and the remarkable depth of character he brought to his portrayals.In the 1990s Williams teamed with wife Dench and fellow Shakespearean actor John Moffatt for a charitable series of comedy, song, drama, and poetry under the title Fond & Familiar, one program of which was broadcast live on Radio 4. Retaining much of the same remarkable charisma on the radio as in his film and stage appearances, Williams other radio roles included that of Watson on a late-'90s adaptation of The Hound of the Baskervilles and a monologue performance titled The Packer which was written for him by Peter Tinniswood.

Trivia: Aristocratic German character actor Ferdy Mayne was from his teen years onward a resident of England, where he studied at RADA and Old Vic. Mayne made his professional theatrical bow in 1936, and was first seen on a London stage in 1943. At first billed as "Ferdi Mayne" for his radio and film appearances, he alternated between "Ferdy" and "Ferdinand" in his later works. Of his many film roles, Mayne is best-known for his portrayal of class-conscious vampire Count Von Krolock in Roman Polanski's The Fearless Vampire Killers (in 1975, he went on tour in a theatrical revival of Dracula). He was also seen as Hungarian producer Alexander Korda in A Man Called Intrepid (1979) and as kidnapped scientist Dr. Laprone in Revenge of the Pink Panther.