Trivia: John Saxon never intentionally set out to be a Brando clone, but his resemblance to Marlon Brando was something he was born with, so what was there to do? A student of Stella Adler at the Actor's Studio, Saxon's first film was Running Wild (1955). Thanks to "hunk" assignments in films like The Restless Years (1957), The Reluctant Debutante (1958), and Summer Youth (1958), Saxon was briefly the object of many a teenage crush. He shed himself of his heartthrob image in the early '60s with a string of unsympathetic roles, making a leading man comeback of sorts as Bruce Lee's co-star in the immensely popular Enter the Dragon (1973). Fans could watch Saxon's expertise as an actor increase (and his hairline recede) during his three-year (1969-1972) stint as Dr. Ted Stuart on the NBC television series The Bold Ones. He later appeared as a semiregular on the prime-time TV soaper Dallas. In 1988, John Saxon made his directorial debut with the low-budget feature Death House.

Trivia: Having made her feature film debut in Sex and the College Girl (1964), blonde actress Julie Sommars went on to appear in television movies of the '70s and in the occasional feature film through the mid-'80s. Fans of the television drama Matlock (1986-1995) will recognize her for playing Julie March.

Trivia: American actor James Arness had an unremarkable Minneapolis childhood, but his wartime experiences shattered that normality - literally. During the battle of Anzio, Arness' right leg was peppered with machine gun bullets, and when the bones were set they didn't mend properly, leaving him with a slight but permanent limp. The trauma of the experience mellowed into aimlessness after the war. Arness became a "beach bum," lived out of his car, and worked intermittently as a salesman and carpenter. Acting was treated equally lackadaisically, but by 1947 Arness had managed to break into Hollywood on the basis of his rugged good looks and his 6'6" frame. Few of his screen roles were memorable, though one has become an object of cult worship: Arness was cast as the menacingly glowing space alien, described by one character as "an intellectual carrot," in The Thing (1951). For a time it looked as though Arness would continue to flounder in supporting roles, while his younger brother, actor Peter Graves, seemed destined for stardom. John Wayne took a liking to Arness when the latter was cast in Wayne's Big Jim McLain (1953). Wayne took it upon himself to line up work for Arness, becoming one of the withdrawn young actor's few friends. In 1955, Wayne was offered the role of Matt Dillon in the TV version of the popular radio series Gunsmoke. Wayne turned it down but recommended that Arness be cast and even went so far as to introduce him to the nation's viewers in a specially filmed prologue to the first Gunsmoke episode. Truth be told, Arness wasn't any keener than Wayne to be tied down to a weekly series, and as each season ended he'd make noises indicating he planned to leave. This game went on for each of the 20 seasons that Gunsmoke was on the air, the annual result being a bigger salary for Arness, more creative control over the program (it was being produced by his own company within a few years) and a sizeable chunk of the profits and residuals. When Gunsmoke finally left the air in 1975, Arness was the only one of the original four principals (including Amanda Blake, Milburn Stone and Dennis Weaver) still appearing on the series. Arness made plans to take it easy after his two-decade Gunsmoke hitch, but was lured back to the tube for a one-shot TV movie, The Macahans (1976). This evolved into the six-hour miniseries How the West Was Won (1977) which in turn led to a single-season weekly series in 1978. All these incarnations starred Arness, back in the saddle as Zeb Macahan. The actor tried to alter his sagebrush image in a 1981 modern-day cop series, McClain's Law -- which being set in the southwest permitted Arness to ride a horse or two. It appeared, however that James Arness would always be Matt Dillon in the hearts and minds of fans, thus Arness obliged his still-faithful public with three Gunsmoke TV movies, the last one (Gunsmoke: The Last Apache) released in 1992. In between these assignments, James Arness starred in a 1988 TV-movie remake of the 1948 western film classic Red River, in which he filled the role previously played by his friend and mentor John Wayne.

Trivia: Following her training in regional theatre and radio, red-headed actress Amanda Blake was signed by MGM in 1949, where she was briefly groomed for stardom. Among her MGM assignments was 1950's Stars in My Crown, in which she was cast for the first time opposite James Arness. Film fame eluded Amanda, especially after her sizeable role in the 1954 version of A Star is Born was almost completely excised from the release print. By 1955, she had to make do with appearances in such epics as the Bowery Boys' High Society. Amanda's fortunes took a turn for the better later in 1955, when she won the role of Miss Kitty, the euphemistically yclept "hostess" of the Long Branch Saloon on the TV western Gunsmoke, which starred James Arness as Marshal Matt Dillon. She remained with Gunsmoke until its next-to-last season in 1974. After Gunsmoke, Amanda went into semi-retirement save for a handful of film projects like the made-for-TV Betrayal (1974), the theatrical releases The Boost (1988) and B.O.R.N (1989), and the 1987 reunion project Gunsmoke: Return to Dodge. Amanda Blake died in 1989 at the age of sixty.

Trivia: Milburn Stone got his start in vaudeville as one-half of the song 'n' snappy patter team of Stone and Strain. He worked with several touring theatrical troupes before settling down in Hollywood in 1935, where he played everything from bits to full leads in the B-picture product ground out by such studios as Mascot and Monogram. One of his few appearances in an A-picture was his uncredited but memorable turn as Stephen A. Douglas in John Ford's Young Mr. Lincoln. During this period, he was also a regular in the low-budget but popular Tailspin Tommy series. He spent the 1940s at Universal in a vast array of character parts, at one point being cast in a leading role only because he physically matched the actor in the film's stock-footage scenes! Full stardom would elude Stone until 1955, when he was cast as the irascible Doc Adams in Gunsmoke. Milburn Stone went on to win an Emmy for this colorful characterization, retiring from the series in 1972 due to ill health.

Trivia: Whitmore attended Yale, where he joined the Yale Drama School Players and co-founded the Yale radio station. After serving in World War II with the Marines, he did some work in stock and then debuted on Broadway in 1947's Command Decision. He entered films in 1949, going on to play key supporting roles; occasionally, he also played leads. For his work in Battleground (1949), his second film, he received a Best Supporting Actor Oscar nomination. He starred in the early '60s TV series "The Law and Mr. Jones." He won much acclaim for his work in the one-man stage show Give 'Em Hell, Harry!, in which he played Harry Truman; he reprised the role in the 1975 screen version, for which he received a Best Actor Oscar nomination. After 1980 his screen appearances were infrequent. He is the father of actor James Whitmore Jr.

Trivia: American actor Read Morgan chose his profession after two years at the University of Kentucky, where he starred on the basketball court. In 1950, Morgan went on a regular dietary and exercise regimen that earned him quite a few photo spreads in major American magazines like TV Guide. Thanks to his physique, Morgan was cast as an athletic mountaineer in the Broadway play Li'l Abner, which led to TV work in a similar vein: he played a wrestler on US Steel Hour, a ballplayer on Twilight Zone, a skindiver on Adventures in Paradise and a boxer on Steve Canyon. Thus it was that Morgan was more than prepared for the strenuous requirements of his role as cavalry sergeant Tasker on the Henry Fonda TV-western vehicle The Deputy (1960). Following the cancellation of this series, Read Morgan found himself on call for innumerable rugged character roles, usually as sheriffs, detectives or highway patrolmen. Among his many film credits were Fort Utah (1967), Easy Come, Easy Go (1968), Marlowe (1969), Dillinger (1971), The New Centurions (1972), Shanks (1967), and the made-for-TV movies Return of the Gunfighter (1967), Helter Skelter (1976), The Billion Dollar Threat (1979), Power (1980) and A Year in the Life (1986).

Trivia: What do actors Gig Young, Anne Shirley, and L.Q. Jones have in common? All of them lifted their show-biz names from characters they'd portrayed on screen. In 1955, University of Texas alumnus Justice McQueen made his film debut in Battle Cry, playing a laconic lieutenant named L.Q. Jones. McQueen liked his character so much that he remained L.Q. Jones offscreen ever after (though he never made it legal, still listing himself as Justice Ellis McQueen in the 1995 edition of Who's Who). A natural for westerns both vocally and physically, Jones played supporting roles in several big-screen oaters, and was seen on TV as Smitty on Cheyenne (1955-58) and as Belden on The Virginian (1964-67). Jones gained a measure of prominence in the films of Sam Peckinpah, notably Ride the High Country (1961) and The Wild Bunch (1969). Turning to the production side of the business in the early 1970s, L. Q. Jones produced and co-starred in the 1971 film Brotherhood of Satan; he also co-produced, directed, adapted and played a cameo (as a porn-movie actor!) in the fascinating 1975 cinemazation of Harlan Ellison's A Boy and His Dog, a tour de force that won Jones a Hugo Award from America's science fiction writers.