Trivia: Since 1994, audiences have watched as Claire Danes has matured from awkward teen to one of the most popular actresses of her generation. Whether portraying the angst-ridden Angela Chase on My So-Called Life or trailer park trash in Oliver Stone's U-Turn, Danes has consistently displayed an uncommon maturity and insight in her performances that belies her relative inexperience. Her ability has won over countless critics and fans and has allowed her the opportunity to work with luminaries ranging from Jeanne Moreau to Jodie Foster and Francis Ford Coppola. Claire Catherine Danes was born April 12, 1979 in New York City and began acting shortly thereafter. With the support of her artistically-inclined parents (a painter mother and photographer father), Danes enrolled in an acting class at the Lee Strasberg Studio when she was nine years old. After attending the Professional Performing Arts School for the sixth and seventh grade, she went to Los Angeles in the hopes of being cast in Steven Spielberg's Schindler's List (Danes had previously appeared in an episode of Law and Order and in Dreams of Love, an obscure film produced by Milos Forman). While she was waiting for Spielberg's decision, serendipity struck in the form of the makers of a new TV show called My So-Called Life, who wanted Danes to star in their production. Danes agreed to do the show after turning down the role that Spielberg had decided to give her. Always someone interested in learning, Danes rejected Spielberg's offer because she wouldn't be able to receive schooling in Poland, where the movie was to be filmed.Premiering in 1994, My So-Called Life lasted only a couple of seasons, but garnered critical praise and a cult following during its brief lifetime. Moreover, it made Danes, if not a star, then a star in the making. Hollywood opened its bleary eyes and took notice, and soon Danes was being touted as the Next Big Thing. During the run of My So-Called Life, Danes starred as the saintly, sickly Beth in Gillian Armstrong's adaptation of Louisa May Alcott's classic Little Women (1994). The film was a success, and allowed Danes to perform in the company of such well-respected actors as Susan Sarandon, Winona Ryder, and Gabriel Byrne (who would later play her father in Polish Wedding). Danes followed up Little Women with How to Make an American Quilt (1995), which, despite a stellar cast including Anne Bancroft, Alfre Woodard, and the great Jean Simmons, failed to make much of a critical or popular impression. Danes' next project, Jodie Foster's Home for the Holidays, met with a similar fate, but afforded Danes the chance to work with Foster, who became a sort of mentor to the young actress.After making two more films, which continued Danes' pattern of starring in movies that behaved badly at the box office despite having bankable actors (Jeanne Moreau in the straight-to-video I Love You, I Love You Not (1996) and Michelle Pfeiffer in To Gillian on Her 37th Birthday (1996)), Danes hit it big with Baz Luhrmann's wildly popular William Shakespeare's Romeo + Juliet (1996). Her portrayal of Juliet broke the hearts and opened the tear ducts of many, while her pairing with Hot Young Thing Leonardo DiCaprio undoubtedly caused mass swooning incidents in theatres the world over. The critical and commercial success of the film meant that Danes was soon in great demand, as evidenced by the people she was able to work with over the next couple of years. After Romeo + Juliet, Danes worked with Oliver Stone on the lunatics-in-a-small-desert-town picture U-Turn (1997), a film that caused consternation among critics and at the box office. Danes' turn as Joaquin Phoenix's trashy girlfriend represented a departure from her previous, more innocent roles, something that she embellished upon in both Francis Ford Coppola's The Rainmaker, where she played Andrew Shue's abused wife, and A Polish Wedding (1998), in which she portrayed the rebellious Hala. Neither movie was particularly successful, an unfortunate bit of luck that continued with Danes' next two efforts, Les Miserables (1998) and The Mod Squad (1998), the latter of which, despite the high anticipation surrounding its release, was panned by critics who complained it looked more like a Diesel ad than a movie, and largely ignored by the public.Through it all, Danes has remained in the media spotlight, appearing on countless magazine covers and as the object of speculation for many. Aside from the bad publicity surrounding remarks she made about the Phillipines during the making of Brokedown Palace (1999), and her subsequent banning from that country, she has continued to attract positive attention for everything from her enrollment at Yale University in 1998 to her boyfriends, who include the Australian rocker Ben Lee.Despite a series of misses during the late 90's, Danes came back with several small but critically acclaimed roles. In Igby Goes Down (2002), she played the confused love interest of the title character, starred alongside Sean Penn in director Thomas Vinterburg's It's All About Love (2002), and took part in the Academy-Award winning The Hours (2002). While her performance in The Rage at Placid Lake (a 2003 Australian production featuring her boyfriend Ben Lee) went largely unnoticed, mainstream audiences got their chance to see Danes butting heads on screen with Arnold Schwarzenegger and newcomer Nick Stahl in Terminator 3: Rise of the Machines. In 2005, Danes joined Steve Martin in the adaptation of Martin's bestselling novella, Shopgirl. That same year, she could be seen as Sarah Jessica Parker's sister in the dysfunctional-family comedy The Family Stone. Dane's career continued to build momentum in 2007, when she appeared in an eclectic trio of projects: the romantic drama Evening, the adventure fantasy Stardust, and the taut thriller The Flock, which cast her as the law-enforcement protege of a veteran played by Richard Gere.In 2009 she played a young woman looking to make it in showbiz by working for the greatest talent of his generation in Richard Linklater's Me & Orson Welles. She followed that up playing the lead in the made-for-cable biopic Temple Grandin, a project that earned her a Golden Globe and an Emmy. She took the most prominent role in the new Showtime series Homeland, playing a law-enforcement officer with personal problems, and again won a Golden Globe for her work in that show's initial season.

Trivia: After rising to fame in a series of hit Woody Allen comedies, Diane Keaton went on to enjoy a successful film career both as an actress and as a director. Born Diane Hall on January 5, 1946, in Los Angeles, she studied acting at Manhattan's Neighborhood Playhouse School of the Theater and in 1968 understudied in Hair. On Broadway she met actor/director Allen and appeared in his 1969 stage hit Play It Again, Sam. In 1970, Keaton made her film debut in the comedy Lovers and Other Strangers and rose to fame as the paramour of Al Pacino's Michael Corleone in the 1972 blockbuster The Godfather. That same year, she and Allen -- with whom Keaton had become romantically involved offscreen -- reprised Play It Again, Sam for the cameras, and in 1973 he directed her in Sleeper. The Godfather Part II followed, as did Allen's Love and Death. All of these films enjoyed great success, and Keaton stood on the verge of becoming a major star; however, when her next two pictures -- 1976's I Will, I Will for Now and Harry and Walter Go to New York -- both flopped, she returned to the stage to star in The Primary English Class.In 1977, Allen released his fourth film with Keaton, Annie Hall. A clearly autobiographical portrait of the couple's real-life romance, it was a landmark, bittersweet, soul-searching tale which brought a new level of sophistication to comedy in films. Not only did the film itself win an Academy Award for Best Picture, but Keaton garnered Best Actress honors. That same year, she also headlined the controversial drama Looking for Mr. Goodbar. Two more films with Allen, 1978's Bergmanesque Interiors and the 1979 masterpiece Manhattan followed; however, when the couple separated, Keaton began a romance with Warren Beatty, with whom she co-starred in the 1981 epic Reds; she earned a Best Actress nomination for her work in Beatty's film. Continuing to pursue more dramatic projects, she next co-starred in 1982's Shoot the Moon, followed by a pair of box-office disappointments, The Little Drummer Girl and Mrs. Soffel. The 1986 Crimes of the Heart was a minor success, and a year later she made her directorial debut with the documentary Heaven. Keaton's next starring role in the domestic comedy Baby Boom (1987) was a smash, and after close to a decade apart, she and Allen reunited for Radio Days, in which she briefly appeared as a singer. Upon starring in 1988's disappointing The Good Mother, she began splitting her time between acting and directing. In between appearing in films including 1990's The Godfather Part III, 1991's hit Father of the Bride, and 1992's telefilm Running Mates, she helmed music videos, afterschool specials (1990's The Girl with the Crazy Brother), and TV features (1991's Wildflower). She even directed an episode of the David Lynch cult favorite Twin Peaks. After stepping in for Mia Farrow in Allen's 1993 picture Manhattan Murder Mystery, Keaton essayed the title role in the 1994 TV biopic Amelia Earhart: the Final Flight and in 1995 made her feature-length directorial debut with the quirky drama Unstrung Heroes. After co-starring with Bette Midler and Goldie Hawn in the 1996 comedy smash The First Wives Club, she earned another Oscar nomination for her work in Marvin's Room. In 1998, Keaton starred in The Only Thrill and followed that in 1999 with The Other Sister. She subsequently stepped into another familial role in 2000's Hanging Up with Meg Ryan and Lisa Kudrow. Despite participating amongst a star-studded cast including veterans Goldie Hawn, Garry Shandling, Charlton Heston, and Warren Beatty, 2001's Town & Country was not particularly well-received among audiences or critics. In 2003, Keaton played Jack Nicholson's love interest in director Nancy Meyers's Something's Gotta Give (for which she received a Best Actress Oscar nomination) and executive produced director Gus Van Sant's avant-garde Elephant), which won Best Director and Golden Palm awards at the 2003 Cannes Film Festival. Keaton would spend the ensuing years appearing frequently on screen in films like Because I Said So, Mad Money, and Darling Companion.

Trivia: A child performer who went on to become an adult actor in one of the more radical transformations in the history of the American entertainment industry, Sarah Jessica Parker has captained both a career and a public image that could be accurately classified under the heading Revenge of the Nerd. As a pubescent actor most famous for her roles in the acclaimed high school-set TV series Square Pegs and in the big screen's Footloose and Girls Just Want to Have Fun, Parker played the skinny girl with frizzy hair who was either the sidekick or underdog; when she wasn't cleaning up after Lori Singer in Footloose, she was battling snotty rich girls for the right to dance on local television in Girls Just Want to Have Fun. However, thanks to perseverance, talent, a fabulous stylist, and an HBO series called Sex and the City, Parker had emerged, by the end of the 1990s, as one of the most glamorous and employable actors around, known as much for the designer frocks she wore to awards ceremonies as for her work on the screen.Born in Nelsonville, OH, on March 25, 1965, as the fourth of eight siblings, Parker grew up in relative poverty following the divorce of her mother, an elementary school teacher, and her father, an aspiring writer. Raised by her mother and often out-of-work stepfather, she trained as a dancer and singer, bringing home paychecks from a young age. As a fledgling actor, Parker landed her first TV show at the age of eight; in 1976, after winning her first Broadway role in The Innocents, her family moved to New Jersey to encourage her career. Parker worked on the stage for the next few years, touring -- with four of her siblings -- in the national company of The Sound of Music and getting her first major break when she was chosen to take over the title role of Annie on Broadway, from 1979 to 1980.Continuing her training at the American Ballet Theater and the New York Professional Children's School, Parker made her film debut in the 1979 Rich Kids, which co-starred John Lithgow, Trini Alvarado, and Olympia Dukakis. In 1982, she won her first starring role in the aforementioned Square Pegs, and then received additional attention thanks to her role as Lori Singer's best friend and Chris Penn's girlfriend in the 1984 hit Footloose. The following year, Parker kept on dancing -- this time alongside a very young Helen Hunt -- in the similarly winning Girls Just Want to Have Fun. The actor's success in both films paved the way for steady work through the rest of the decade; in addition to her work on the big screen, Parker also starred in a number of TV shows, including the 1986 miniseries A Year in the Life and the drama series Equal Justice.The early '90s saw Parker segue into more adult roles, playing the Southern Californian creation SanDeE* alongside Steve Martin in L.A. Story (1991), then earning both critical and cult credibility as Nicholas Cage's fiancée in Honeymoon in Vegas (1992) and as the wife of consummate schlockmeister Ed Wood in Tim Burton's celebrated 1994 film about Wood's life and times. Offscreen, as well, she was garnering notice for her attachment to actor Matthew Broderick; Parker -- who had been in high-profile relationships with Robert Downey Jr. and John F. Kennedy Jr. -- married Broderick in 1997.Following a turn as Mia Farrow's daughter in the widely panned Miami Rhapsody (1995), supporting work in The First Wives Club and Burton's Mars Attacks! (both 1996), and a number of New York productions (including Sylvia, for which she earned a Drama Desk Award nomination), Parker landed the starring role of New York sex columnist Carrie Bradshaw on the new HBO series Sex and the City. Touted by some observers as the luckiest break in the actor's career to date, the show, which focused on the sex lives of four close friends (played by Parker, Kim Cattrall, Cynthia Nixon, and Kristin Davis) became a huge hit among both critics and viewers, ensuring Parker -- who won the Golden Globe for her work in 2000, 2001and 2002 -- both steady employment and an unimpeachably chic image that was eons removed from the bony elbows and frizzy bangs of her days as a square peg.Parker continued to appear in film roles during and after the Carrie Bradshaw years; among them include a starring role in The Family Stone (2005), and a supporting role in the 2008 comedy drama Smart People. In 2010 she starred in Sex and the City 2, and played a devoted mother attempting to balance her family with her career in 2011's comedy drama I Don't Know How She Does It.

Trivia: Possessing the sort of stylish, model-esque good looks that wouldn't be out of place in the glossy pages of Vogue, actress Rachel McAdams got her start on Canadian television before graduating to Hollywood features. Though McAdams' early screen roles found her specializing in the bitchy teen princess to maximum effect, closer inspection reveals a skilled dramatic actress who no doubt has the talent to move beyond the high-school trappings of such comedies as The Hot Chick and Mean Girls.Born to a truck driver and a nurse in London, Ontario, Canada, McAdams warmed to the spotlight early on by taking up competitive skating at just four years old. Though she would remain on the ice well into her teens, the toll of constant competition eventually frazzled her nerves, and she soon began gravitating toward the stage. Beginning in summer theater camp at the age of 13, the burgeoning actress' smooth handling of Shakespeare eventually led her to enroll in theater studies at York University. In the years that followed, McAdams' comfort on the stage translated exceptionally well to the screen, and a role as a bulimic teen in the popular Disney series The Famous Jett Jackson found the rising starlet making an impressive small-screen debut. Supporting roles in such television series as Shotgun Love Dolls and made-for-TV features such as Guilt by Association were quick to follow. After climbing the credits to make her feature debut in My Name is Tanino, McAdams was nominated for a Genie award (the Canadian equivalent of an Oscar) for her performance in 2002's Perfect Pie. The film, which cast her as a small-town girl whose best friend makes the big time by becoming a celebrated opera singer, provided McAdams with her breakout role, and she soon set her sights on Hollywood. Her bags packed for the trip west and stars shining in her eyes, the talented McAdams soon caught the eyes of studio heavies and was cast as a popular but excruciatingly cruel high-school teen who learns a hard lesson in The Hot Chick. McAdams made a move to weekly television in 2003 with a supporting role in Slings and Arrows before once again returning to torment the unpopular crowd in 2004's Mean Girls. A big-screen adaptation of Rosalind Wiseman's popular book Queen Bees and Wannabes, the film was also notable as the screenwriting debut of Saturday Night Live writer/cast member Tina Fey. Moving away from the cruel halls of high school, McAdams next appeared opposite Ryan Gosling in The Notebook, the feature adaptation of author Nicholas Sparks' top-selling novel. A romantic drama concerning a young couple separated by war, The Notebook found McAdams in a notably more sympathetic role.In 2005, she pulled off an impressive triple-feat with roles in three very different movies. First, she played the female lead in Wedding Crashers, a surprise, raunchy comedic hit. Her next film was in the thriller Red Eye, where she squared off against Cillian Murphy. Her third film of the year was the family dramedy The Family Stone, with McAdams playing the sardonic younger sister of the family. After this busy year, McAdams opted to take a nearly two-year break.She returned quietly, doing some smaller films, before returning in 2009 to main-stream fare with State of Play and The Time Traveler's Wife, and finally, playing Irene Adler in Guy Ritchie's Sherlock Holmes. In 2011, she was nominated for a SAG Ensemble Award for Midnight in Paris, once again paired up with Owen Wilson (her co-star from Wedding Crashers), in a film that won Woody Allen an Oscar for Best Original Screenplay. She also reprised her role in the Sherlock Holmes sequel, A Game of Shadows. In 2012, McAdams returned to her romantic-drama roots and starred in The Vow, opposite Channing Tatum.McAdams continued to alternate between romcoms and other genres, like Richard Curtis' About Time and Brian De Palma's thriller Passion. In 2015, she took on a supporting role in Spotlight, earning McAdams her first Oscar nomination, for Best Supporting Actress.

Trivia: American actor Dermot Mulroney is decidedly in tune with the 1990s: his film characters are often eccentric, unpredictable, and total strangers to personal hygiene. Curiously, when called upon to appear as a scruffy street kid in Where the Day Takes You (1992), Mulroney seemed a bit too squeaky-clean. An alumnus of Northwestern University, he first made moviegoers' acquaintance in 1988 with Sunset and as part of the Brat Pack western Young Guns. In the acclaimed Longtime Companion (1990), Mulroney played a collar-and-tie type who was still essentially an outsider due to the character's homosexuality and vulnerability to AIDS. Much of Mulroney's subsequent work has gone largely unseen, including the dismal Bad Girls (1994).

Trivia: Solidly built American actor Craig T. Nelson started out as a comedy writer and performer, doing radio and nightspot gigs in the Los Angeles area. Success was not immediately forthcoming, and Nelson took a four-year sabbatical from show business, moving with his family to a remote cabin in Northern California. In 1979, he made his first film, ...And Justice For All, written by his onetime partner Barry Levinson. While subsequent roles in Poltergeist and Silkwood followed, Nelson would find true stardom on television. For eight seasons beginning in 1989, he starred as college athletics instuctor Hayden Fox on the top-ranked ABC sitcom Coach. Appearing alongside supporting players Jerry Van Dyke and Shelly Fabares, Nelson received an Emmy for his work on the show in 1992.After Coach, Nelson showed up in a few small roles in feature films and television mini-series before returning to series work in 2000, leading the cast of CBS's D.C.-based cop-drama The District. While enjoying the success of that show, Nelson found time for his first high-profile feature film role in over a decade, providing the voice of the head of a family of superheroes in the 2004 Disney/Pixar animated film The Incredibles. In 2005 he played the patriarch of the dysfunctional clan in The Family Stone, and followed that up two years later as skating coach in the comedy Blades of Glory. He was Ryan Reynolds disapproving dad in the hit comedy The Proposal in 2009. He was cast as the head of the Braverman clan in NBC's relaunch of Parenthood in 2010, and appeared in the inspirational Soul Surfer in 2011.

Trivia: Although he made his film debut in the acclaimed independent film Bottle Rocket, actor Luke Wilson, born on September 21st, 1971, initially got more recognition for his real-life role as Drew Barrymore's boyfriend than for his acting. Fortunately for Wilson, his onscreen talents outlasted his relationship with Barrymore, and he has enjoyed steady employment and increasing visibility through substantial roles in a number of films.A native Texan, Wilson was born in Dallas in 1971. The son of an advertising executive and a photographer, he was raised with two brothers, Owen and Andrew. The three would all go on to make their careers in film, with Wilson discovering his love of acting while a student at Occidental College. In 1993, the brothers Wilson collaborated with Wes Anderson to make Bottle Rocket, which was initially a 15-minute short. The gleefully optimistic story of three Texans who aspire to become successful thieves, Bottle Rocket premiered at the 1993 Sundance Festival, where it attracted the attention of director James L. Brooks. With Brooks' help, the short became a full-length feature film released in 1996. That same year, Wilson also appeared in the coming-of-age drama Telling Lies in America.After large roles in three 1998 comedies, Bongwater, Home Fries, and Best Men (the latter two co-starring Barrymore), Wilson went on to star in another three comedies the following year. The first, Dog Park, was a Canadian film directed by Kids in the Hall alum Bruce McCulloch and featured Wilson as one of a group of twenty-somethings undergoing the trials and tribulations of love. Blue Streak starred the actor as the sidekick of robber-turned-policeman Martin Lawrence, while Kill the Man (which premiered at the 1999 Sundance Festival) cast him as the owner of a small copy center competing with a large chain store across the street.Though he would stick closely to comedy through 2001 with roles in Charlie's Angels (2000) and Legally Blonde (2001), Wilson took a turn for the sinister in the thrillers Preston Tylk and Soul Survivors (both 2001), before reteaming with his brother Owen and Wes Anderson to give one of his most memorable performances as Richie, the suicidal tennis pro in The Royal Tenenbaums.In 2003, Wilson reprised two past roles, appearing in both Charlies Angels: Full Throttle and Legally Blonde 2: Red, White and Blonde. That same year, he also scored a hit as one of the stars of Todd Phillips' Old School. 2004 saw Wilson embark on The Wendell Baker Story, a film he stars in, co-directs with brother Andrew Wilson, and co-writes with brother Owen Wilson. Laced with supporting roles and cameos from such iconic friends as Harry Dean Stanton, Kris Kristofferson, and Eddie Griffin, this quirky low-budgeter made the festival rounds in 2005-6 and the responses were encouragingly supportive; Variety's Joe Leydon observed, "The co-directing Wilson siblings smartly refrain from pushing anything too hard or too often, making the unpredictable eruptions of straight-faced absurdity all the more effective. Luke Wilson is extremely engaging in lead role." Many praised the Wilson brothers' directorial and scriptwriting intuition and their willingness to take risky-yet-triumphant gambles onscreen.Wilson joined the cast of early 2006's box-office sleeper hit The Family Stone, a family drama with an ensemble that includes Diane Keaton, Craig T. Nelson and Sarah Jessica Parker; the remainder of the year sees Wilson appearing in a string of supporting roles in light and dark comedies. In a minor performance in May 2006's Hoot, Wilson plays Officer David Delinsky, who attempts to sabotage a plot by local children to blow up a pancake house. His appearance in July 2006's My Super Ex-Girlfriend marks director Ivan Reitman's return to the big screen since 2001's box-office disappointment Evolution; it stars Uma Thurman as a superhero who gets even with her ex-beau (Wilson) after he casts her aside. He also highlights summer 2006's Mini's First Time, a black comedy about an incestuous daughter and stepfather who have the mother committed to a mental hosiptal; co-stars include Jeff Goldblum and Carrie-Anne Moss. Idiocracy, directed by cult fave (and Beavis and Butthead creator) Mike Judge, has Wilson as a moron hurled a thousand years into the future by the U.S. Government, only to discover he is the most intelligent person on the planet.In the tradition of 8mm, 2007's jet-black paranoid thriller Vacancy will co-star Wilson and Sex and the City's Sarah Jessica Parker as husband-and-wife who check into a hotel and unwittingly become the targets of a snuff film, while, in that same year's semi-spoof Dallas (2007) (adapted from the early-eighties TV sensation and directed by Gurinder Chadha) Wilson will tentatively co-star as Bobby Ewing, alongside Jennifer Lopez as Sue Ellen, Shirley MacLaine as Miss Ellie, and John Travolta as the infamous J.R.. Wilson's additional film roles throughout 2007 include Barry Munday (an indie pic helmed by Chris d'Arienzo and adapted from Frank Hollon's novel Life is A Strange Place, about a chauvinist who wakes up and discovers his own emasculation); and Last Seduction helmer John Dahl's mafioso comedy You Kill Me. In 2010, Wilson appeared in the films Death at a Funeral and Middle Men.

Trivia: Actor Brian J. White eked out an unusual path to showbusiness. A Massachusetts native and the son of Boston Celtics player JoJo White, Brian attended the Ivy League Dartmouth College, majoring in poly sci, theater arts, and psychology, but his athletic prowess yielded two offers to go professional: one with the NFL and another with the National Lacrosse League. White opted for the NFL, and signed with the New England Patriots, but a sporting injury derailed his career and found him forking off into professional modeling, and then acting. Within the latter arena, White began to specialize in onscreen portrayals of intelligent, polished, and urbane men. The actor took his earliest screen bow with a lead role: that of Tracy Wainwright, a young executive who strikes up an ill-advised affair with his boss, only to find his career jeopardized when he falls in love with another woman, in the 2001 workplace drama Me & Mrs. Jones. Unfortunately for White and his co-stars, that film failed to achieve wide theatrical release in the United States (despite touring the festival circuit), but the actor achieved greater recognition with a multi-episode role on the small-screen police drama The Shield (as Detective Tavon Garris) and supporting turns in the features Mr. 3000 (2004), The Family Stone (2005), and Stomp the Yard (2007). He returned to the small screen in fall 2007, playing Lieutenant Carl Davis in a recurring role on the vampire detective series Moonlight.

Trivia: Hailed by Interview Magazine as one of the "14 to Be" emerging creative women back in October 2004, Independent Spirit Award nominee Elizabeth Reaser has proven to be one of the most promising onscreen talents of her generation thanks to memorable roles in the independent drama Sweet Land and the hit medical drama Grey's Anatomy. The Bloomfield, MI, native worked a series of odd jobs before graduating from high school and enrolling in Oakland University -- eventually realizing that her only hope for escaping the Midwest and accomplishing her goal of becoming an actress was convincing her parents to let her study drama at Juilliard. Much to her surprise, Reaser's parents were entirely supportive of her decision, and the aspiring actress was soon enrolled in one of the most prestigious drama programs in the country. In May 1999, Reaser graduated from Juilliard with her M.F.A. and went about the formidable task of procuring an agent. A supporting role in the long-running daytime drama Guiding Light proved just the break Reaser needed to get her foot in the door, with stage roles in a La Jolla Playhouse revival of Tennessee Williams' Sweet Bird of Youth and a New York Classic Stage Company production of Shakespeare's The Winter's Tale (in which she appeared opposite David Strathairn and Barbara Garrick) following in quick succession. Shortly thereafter, the rising star madeher London debut as the kept girlfriend of a Lower East Side addict in a critically acclaimed production of Adam Rapp's intense play Blackbird. Despite Reaser's notable stage presence, however, it was her roles in film and television that truly served to solidify her career as an actress. One the heels of supporting roles in such high-profile releases as Thirteen Conversations About One Thing and Stay, Reaser scaled back to surprising effect with her Independent Spirit Award-nominated performance as a lovelorn immigrant in director Ali Selim's 2005 period drama Sweet Land. Later that same year, Reaser shared the screen with Diane Keaton and Sarah Jessica Parker in The Family Stone. Back on the small screen, a recurring role as a pregnant mother suffering from amnesia following an intense ferry accident in Grey's Anatomy found Reaser anchoring one of the show's most memorable storylines.

Trivia: Since his debut performance in director David Gordon Green's bleak rural drama George Washington (2000), actor Paul Schneider has appeared alongside Sarah Jessica Parker and Diane Keaton in The Family Stone (2005) and co-starred in the comedy drama Elizabethtown. Schneider also co-stars in Mr. Woodcock director Craig Gillepsie's romantic comedy Lars and the Real Girl. He had a memorable supporting turn in the Jane Campion period drama Bright Star, and was a haunted single dad in Away We Go. In 2009 he was cast in the NBC sitcom Parks and Recreation, and was one of the main players in the 2011 adaptation of Water for Elephants. He starred in the 2012 comedy The Babymakers.

Trivia: Is the youngest of six children. Was inspired to explore show business after a childhood trip to Universal Studios. Attended Boston University on a NROTC scholarship, and was commissioned as a Naval officer after graduation. Member of the acclaimed L.A. sketch-comedy troupe ACME Comedy Theater.

Trivia: Entertainer Judy Garland was both one of the greatest and one of the most tragic figures in American show business. The daughter of a pushy stage mother, Garland and her sisters were forced into a vaudeville act called the Gumm Sisters (her real name), which appeared in movie shorts and at the 1933 Chicago World's Fair. It was clear from the outset that Judy was the star of the act, and, as such, was signed by MGM as a solo performer in 1936. The studio adored Garland's adult-sounding singing but was concerned about her puffy facial features and her curvature of the spine. MGM decided to test both Garland and another teenage contractee, Deanna Durbin, in a musical "swing vs. the classics" short subject entitled Every Sunday (1936). The studio had planned to keep Durbin and drop Garland, but, through a corporate error, the opposite took place. Nevertheless, MGM decided to allow Garland her feature film debut in another studio's production, just in case the positive audience response to Every Sunday was a fluke. Loaned to 20th Century Fox, Garland was ninth-billed in Pigskin Parade (1936), but stole the show with her robust renditions of "Balboa" and "Texas Tornado." Garland returned to MGM in triumph and was given better opportunities to show her stuff: the "Dear Mr. Gable" number in Broadway Melody of 1938, "Zing Went the Strings of My Heart" in Listen, Darling (1938), and so on. When MGM planned to star 20th Century Fox's Shirley Temple in The Wizard of Oz, Garland almost didn't get her most celebrated role, but the deal fell through and she was cast as Dorothy. But even after this, the actress nearly lost her definitive screen moment when the studio decided to cut the song "Over the Rainbow," although finally kept the number after it tested well in previews. The Wizard of Oz made Garland a star, but MGM couldn't see beyond the little-girl image and insisted upon casting her in "Hey, kids, let's put on a show" roles opposite Mickey Rooney (a life-long friend). Garland proved to the world that she was a grown-up by marrying composer David Rose in 1941, after which MGM began giving her adult roles in such films as For Me and My Gal (1942) -- although still her most successful film of the early '40s was in another blushing-teen part in Meet Me in St. Louis (1944). Once very popular on the set due to her infectious high spirits, in the mid-'40s Garland became moody and irritable, as well as undependable insofar as showing up on time and being prepared. The problem was an increasing dependency upon barbiturates, an addiction allegedly inaugurated in the 1930s when the studio had Garland "pepped up" with prescription pills so that she could work longer hours. Garland also began drinking heavily, and her marriage was deteriorating. In 1945, she married director Vincente Minnelli, with whom she had a daughter, Liza, in 1946. By 1948, Garland's mood swings and suicidal tendencies were getting the better of her, and, in 1950, she had to quit the musical Annie Get Your Gun. That same year, she barely got through Summer Stock, her health problems painfully evident upon viewing the film. Before 1950 was half over, Garland attempted suicide, and, after recovering, was fired by MGM. Garland and Vincente Minnelli divorced in 1951, whereupon she married producer Sid Luft, who took over management of his wife's career and choreographed Garland's triumphant comeback at the London Palladium, a success surpassed by her 1951 appearance at New York's Palace Theatre. Luft strong-armed Warner Bros. to bankroll A Star Is Born (1954), providing Garland with her first film role in four years. It was Garland's best film to date, earned her an Oscar nomination for Best Actress, and allowed her a wealth of songs to sing and a full range of emotions to play.Riding high once more, Garland was later reduced to the depths of depression when she lost the Oscar to Grace Kelly. Her subsequent live appearances were wildly inconsistent, and her film performances ranged from excellent (Judgment at Nuremberg [1961]) to appallingly undisciplined (A Child Is Waiting [1963]). Her third marriage on the rocks, Garland nonetheless pulled herself together for an unforgettable 1961 appearance at Carnegie Hall, which led indirectly to her 1963 weekly CBS series, The Judy Garland Show. As with most of the significant moments in Garland's life, much contradictory information has emerged regarding the program and her behavior therein; the end result, however, was its cancellation after one year, due less to the inconsistent quality of the series (it began poorly, but finished big with several "concert" episodes) as to the competition of NBC's Bonanza. Garland's marriage to Sid Luft, which produced her daughter Lorna, ended in divorce in 1965, and, from there on, Garland's life and career made a rapid downslide. She made a comeback attempt in London in 1968, but audiences ranged from enthusiastic to indifferent -- as did her performances. A 1969 marriage to discotheque manager Mickey Deems did neither party any good, nor did a three-week engagement at a London nightclub, during which Garland was booed off the stage. On June 22, 1969, Judy Garland was found dead in her London apartment, the victim of an ostensibly accidental overdose of barbiturates. Despite (or perhaps because of) the deprivations of her private life, Garland has remained a show business legend. As to her untimely demise, Ray Bolger summed it up best in his oft-quoted epitaph: "Judy didn't die. She just wore out."