Trivia: While Anthony Anderson got his start in stand-up, his wide range of genre-spanning credits as a producer and actor in light comedy, pointed satires, food-based reality shows and gritty episodic dramas display his versatility and cross-audience appeal. But even though it's not immediately apparent how the points on his resume connect in one straight line, all of his work harkens back to core values of family, togetherness, responsibility, fairness, justice, and doing right in a sometimes complicated world.Born August 15, 1970, Anderson was one of four kids raised by his mother and stepfather (the man he considered his "only father I knew or cared about") in Compton, Los Angeles, California. While their neighborhood could be rough, his no-nonsense stepfather, who owned three clothing stores, instilled a respect for paternal responsibility and entrepreneurship in Anderson. While Anderson remembers seeing a teenage Dr. Dre perform at Compton's most important hip-hop venue Skateland, U.S.A., his most formative memory of a performer was watching his mother rehearse for an amateur production of A Raisin in the Sun at Compton Community College. Even though both he and his mother agree that she was a terrible actress, the impression of her becoming someone else on stage solidified his ambitions.His ambitions stoked, young Anderson seized every opportunity to perform, whether it was singing at church, competing in spelling bees, or appearing in a commercial at the age of five. After successfully auditioning for Los Angeles County High School for the Arts, he won the top prize in the NAACP's Act-So awards and gained entrance to Howard University's drama program with an audition tape that included monologues from Shakespeare and "The Great White Hope". (Anderson's stepfather, always the pragmatist, took extraordinary measures to push Anderson out of the nest after college by not only insisting he pay rent if he wanted to live at home, but also by padlocking the TV cabinet and freezer, installing a pay phone in the house, and razzing Anderson with Lassie reruns: "That dog's an actor. Where are you acting?")Too-strange-to-be-fiction family lore like that formed the basis of Anderson's stand-up comedy routines that he performed briefly under the name "Tasty Tony" while picking up small roles in TV and movies until 1999, when he landed roles both in the Martin Lawrence and Eddie Murphy comedy Life, and Barry Levinson's cinematic memoir Liberty Heights. A slew of roles in a wide range of genres followed for the next few years, culminating in recurring roles on Treme as actor-waiter Derek Watson, on The Shield as Antwon Mitchell, the drug boss turned community leader who still keeps one foot in the thug life, and on Law & Order as conservative lawman Detective Kevin Bernard, a role for which he earned four consecutive NAACP Image Award nominations for Outstanding Actor in a Drama Series. Anderson's other great passion, for food and cooking, has led to many hosting gigs on shows like Carnival Cravings with Anthony Anderson, Eating America with Anthony Anderson, the web series Anthony Eats America, and his recurring seat at the judge's table on Iron Chef America. While his everyday diet is "vegan-ish" as a way of regulating his type 2 diabetes, he's so devoted to the kitchen arts that he takes weekend classes at famed culinary academy Le Cordon Bleu's Los Angeles outpost. While his first forays into producing the sitcoms All About the Andersons and Matumbo Goldberg (both about domestic life from an African-American perspective) ended after one season, conversations with his screenwriter friend Kenya Barris about their experiences raising their children in affluent, majority-white communities that are so unlike the neighborhoods they grew up in inspired the duo to create and produce black-ish. Taking a page from unflinching sitcoms of the '70s like All In The Family and Good Times that mixed light humor with frank confrontation of social ills, Barris and Anderson folded incidents from their own lives into the show's scripts - such as the time Anderson's teenage son wanted a bar mitzvah party like all his Jewish friends, prompting Anderson to instead offer his son a hip-hop themed "bro mitzvah." Anderson received an Emmy nomination for his role as beleaguered patriarch Andre Johnson in 2015.

Trivia: As the dignified and relentlessly photogenic object of Angela Bassett's affections in How Stella Got Her Groove Back, Taye Diggs made an immediate and unforgettable impression on legions of filmgoers. Diggs came to film by way of the theater. Born in 1971 in New Jersey, he was raised as the oldest of five children in Rochester, NY. After earning a B.F.A. in musical theater from Syracuse University, he made his way to Broadway, debuting in the Tony-winning production of Carousel. In 1996, Diggs got his big break, originating the role of the nasty landlord, Benny, in Jonathan Larson's Tony Award- and Pulitzer Prize-winning Rent. He then moved from stage to television, with a role on Guiding Light, and in 1998 he made his film debut in How Stella Got Her Groove Back. The excitement surrounding Diggs' performance netted him both media exposure and more work, and the following year he could be seen in no less than four films. First up was his turn as a tantric sex god in Doug Liman's Go; audiences could next see him as an AWOL groom in the coming-of-age drama The Wood; Malcolm D. Lee's The Best Man featured Diggs as another member of the wedding, this time as the titular best man suffering from his own pre-wedding jitters; finally, he starred as a guest at Geoffrey Rush's allegedly haunted mansion in the remake of William Castle's The House on Haunted Hill.In 2001, Diggs returned to the small-screen with a recurring role on Fox's Ally McBeal. And when subsequent film roles in such unsuccessful projects as Equilibrium, Basic, and Malibu's Most Wanted did his career no good, he decided to try on a full-time television gig with Kevin Hill. Premiering in 2004 on UPN, the primetime drama starred Diggs in the title role, a fast-living bachelor who finds his life turned upside down with the unexpected introduction of an infant. In 2006, after a stint as the title character's gay boyfriend on the final season of Will & Grace, Diggs gave TV stardom another shot as a cop trapped in a time loop in the high-concept, 24-esque Day Break, but the show was yanked after a handful of episodes. His TV career was finally resuscitated by the Grey's Anatomy spin-off Private Practice, in which he was cast in the role of Sam Bennett, an internist trying to survive the medical and romantic entanglements at the Oceanside Wellness Center. Later, the actor would play the role of Vargas in the live adaptation of the comic Dylan Dog: Dead of Night, and narrate The Fab Five, a documentary following five famous basketball players from the University of Michigan. In 2013, he reprised his role of Harper Stewart in The Best Man sequel, The Best Man Holiday. Diggs returned to television the next year, starring in Steven Bochco's Murder in the First, and booking a recurring role on The Good Wife.

Trivia: Attended his first audition with his father when he was 6. Parents run an internet community for child actors and their families. Learned to speak the Lakota language for a role in the 2005 mini-series Into the West. Sings and plays bass guitar in the band Lost in Kostko.

Trivia: Choreographer Bruno Tonioli knew he wanted to be a dancer from the time he was a small child, when he would entertain family by dancing to whatever was on the radio. He built up a steadily more impressive resumé dancing on-stage and in music videos, eventually stepping behind the scenes to choreograph dance routines for major films like Ella Enchanted. He's best known as the more flamboyant judge on the ABC reality show Dancing With the Stars.

Trivia: Tall, blonde, and possessing a choir of perfect teeth that would make any dentist jealous, James Van Der Beek emerged as one of the ultimate teen pin-ups of the late 1990s. First attaining prominence with the title role of Dawson Leary in the WB Network's Dawson's Creek, Van Der Beek proceeded to branch out with film and stage work, and in the process managed to be anointed in 1998 as one of People Magazine's "50 Most Beautiful."Born March 8, 1977 to a cell phone salesman father and a mother who ran a gymnastics studio, Van Der Beek was raised in his hometown of Cheshire, Connecticut. The oldest of three children, he was an honors student and excelled at football until an injury sidelined his budding career. In its own way the injury proved to be serendipitous, as it led Van Der Beek to take up acting. Following a casting trip to New York with his mother, Van Der Beek made his professional debut at the age of 16 in the Off-Broadway production of Finding the Sun, which was written and directed by Edward Albee. More stage work ensued, as did some television work (most notably in the form of a 1995 stint on As the World Turns). Van Der Beek made his film debut in the 1995 comedy Angus, aptly cast as a golden-boy football quarterback. Another movie, the little-seen Claire Danes/Jude Law vehicle I Love You, I Love You Not, followed in 1997, but it was his starring role in Dawson's Creek, premiering in January of 1998, that gave Van Der Beek his big break. The show's success with critics and audiences alike propelled Van Der Beek and his fellow cast members into the limelight, and soon Van Der Beek secured his first major film roles, first in the little-seen Harvest (1998), and then in the football comedy-drama Varsity Blues (1998). The film's modest reviews were overshadowed by its financial success, geared as it was toward a new generation of teenagers eager to see their favorite actors in glorious celluloid. The film's enthusiastic commercial response, coupled with Dawson's continuing success, virtually guaranteed the young actor that no matter what the future held for him, his career had certainly gotten off to a very positive start.Though to this point Van Der Beek's success had been built on the image of the squeaky clean, all-American small town boy, a pair of efforts following the millennial turnover signaled that the actor who had become the very personification of white-bred wholesomeness was determined to create a new, decidedly more edgy image for himself. Though his initial effort ended in mystery as the segment featuring Van Der Beek as a closeted high school homosexual was cut from director Todd Solandz's Storytelling (2002) shortly before the film's release, his efforts would be cemented later that same year with the subsequent release of The Rules of Attraction. Directed by Pulp Fiction collaborator Roger Avery (Killing Zoe) and based on a novel by American Psycho author Brett Easton Ellis, The Rules of Attraction found the former innocent plunged into a strange world of drugs and sexual deviance that left many Dawson's Creek fans up in arms. As college student/drug dealer Sean Bateman (who also happens to be the brother of American Psycho maniac Patrick Bateman) Van Der Beek essayed what was without question his seediest role to date. With his Dawson's Creek and Rules of Attraction characters existing on the most extreme polar opposite ends of the spectrum imaginable, Van Der Beek made it no secret that his acting coach recieved a hearty workout as the actor attempted to balance hiumself between the two projects. When Dawson's Creek finally came to an end, Van Der Beek appeared in Clive Barker's The Plague, Eye of the Beast, Formosa Betrayed, and Stolen. He spoofed his own image as a squeaky-clean guy by playing an obnoxious version of himself in the sitcom Don't Trust the B - in Apartment 23 and joined the cast of CSI: Cyber in 2015.