Trivia: As a child, lived for seven years in Nigeria, where his parents were born and his family descended from royalty. Was a member of London's National Youth Music Theatre, which is where he met his wife. Played King Henry VI in a 2001 Royal Shakespeare Company trilogy of the Bard's plays, and was the first black actor to portray an English king in an RSC production. For his role in the British spy drama Spooks, he met with British-intelligence officers. Co-wrote a 2006 romantic comedy-drama for the BBC called Graham and Alice, about two London loners who decide to rob a betting shop. Fulfilled a bucket-list wish by working with Steven Spielberg on 2012's Lincoln. As part of the training for his role as a WWII Tuskegee Airman in 2012's Red Tails, he got to fly in vintage P-51 Mustangs. Appointed an OBE (Officer of the Order of the British Empire) in the 2016 New Year Honours.

Trivia: The daughter of a Nigerian businessman and a Scotch tour guide, exotically beautiful British actress Carmen Ejogo grew up in London and won her first part at age 11, but only broke through to international acclaim in 1997, as Eddie Murphy's onscreen paramour in the comic actioner Metro. Later, Ejogo disclosed the full extent of her dramatic range with a skilled portrayal of Sally Hemings -- Thomas Jefferson's mistress -- (a part she inherited from Thandie Newton and others) in the acclaimed television miniseries Sally Hemings: An American Scandal (2000). The crime comedy What's the Worst That Could Happen? (2001), with Danny DeVito and Martin Lawrence, represented a low point, but Ejogo saved face via exemplary supporting work in such pictures as Lackawanna Blues (2005) and The Brave One (2007). In the coming years, Ejogo would find additional success on the small screen, on series like Kidnapped and Chaos.

Trivia: A popular British character actor, Tom Wilkinson specializes in playing men suffering from some sort of emotional repression and/or pretensions of societal grandeur. Active in film and television since the mid-'70s, Wilkinson became familiar to an international audience in 1997 with his role as of one of six unemployed workers who strip for cash in Peter Cattaneo's enormously successful comedy The Full Monty. That same year, he was featured in Gillian Armstrong's Oscar and Lucinda, and as the rabidly unpleasant father of Lord Alfred Douglas, Oscar Wilde's young lover in Wilde. Wilkinson was also shown to memorable effect as a theater financier with acting aspirations in Shakespeare in Love (1998); also in 1998, he acted in one of his few leading roles in The Governess, portraying a 19th century photographer with an eye for the film's title character (Minnie Driver). Though he would appear in such popular mainstream films as Rush Hour (1998) and The Patriot (2000) over the next few years, it was his role in director Todd Field's emotionally intense In the Bedroom that earned Wilkinson (as well as co-star Marisa Tomei) an Oscar nod. After that success, his career began to really take off, and in just the next few years, he would appear in over a dozen films in roles of varying size. In 2003, he starred in HBO movie Normal as a married, middle-aged man who decides to start living his life as a woman and eventually have a sex-change operation. Acting alongside Jessica Lange, Wilkinson earned both Emmy and Golden Globe nominations for his brave and moving performance. In addition, he would also play a menacing, licentious patron of the arts in Girl With a Pearl Earring (2003) and an experimental doctor erasing his patient's memories in Eternal Sunshine of the Spotless Mind (2004), written by Charlie Kaufman and starring Jim Carrey.Now an established star thanks to his impressive body of work, Wilkinson was called upon to appear in a number of high profile Hollywood hits, and could always be counted on to deliver in spades. Still, Wilkinson had the talent and foresight to always offset each blockbuster with at least one low-key, character-driven drama, and for every scenery-chewing Batman Begins villain, a serious-minded Separate Lies lawyer or Ripley Under Ground Scotland Yard detective would be quick to follow. After doing battle with Beelzebub in 2005's frightening, fact-based horror film The Exorcism of Emily Rose, Wilkinson would once again shift gears with impressive grace to portray the patriarch of a Texas family whose attempts to maintain order over his wildly dysfunctional family lead to a wild night on the town that ultimately helps him to restore his perspective in Night of the White Pants. Later that same year Wilkinson would pull back a bit for a supporting role in The Last Kiss - a romantic comedy drama starring Scrubs' Zach Braff and directed by Tony Goldwyn. 2007 brough WIlkinson yet another role that earned him uniformly strong reviews. His mentally unhinged lawyer in Michael Clayton garnered him a slew of year end accolades including Golden Globe, Screen Actors Guild, and Oscar nominations for Best Supporting Actor. That same year he became part of the Woddy Allen family with a starring role in Cassandra's Dream. In 2008 he appeared as Ben Franklin in the award-winning HBO miniseries John Adams, as well as Valkyrie and RocknRolla. He reteamed with Michael Clayton mastermind Tony Gilroy for 2009's Duplicity, playing the CEO of a multinational corporation, and appeared in The Ghost Writer for director Roman Polanski the next year. In 2012 he was part for the all-star British ensemble put together for The Best Exotic Marigold Hotel.

Trivia: Distinguished and versatile actor Cuba Gooding Jr. spent many years in bit roles before finally becoming a star. The son of Cuba Gooding, lead singer for the '70s pop group the Main Ingredient, he was born in the Bronx on January 2, 1968, but moved to Los Angeles after his father's group had a hit single with "Everybody Plays the Fool" in 1972. Unfortunately, the elder Gooding abandoned his family two years later. The subsequently tumultuous nature of Gooding Jr.'s upbringing did not deter him from achievement: During his teens, he attended four different high schools but managed to become class president of three of them. Gooding Jr. made his professional debut in 1984 as a breakdancer for Lionel Richie's show at the Olympics. As an actor he was discovered by an agent while performing in a high school play, and began working steadily in television commercials, which led to a bit part on an episode of Hill Street Blues. The experience inspired him to take acting lessons and after attending workshops and classes, he began to get a few more parts in television and films. He made his first feature-film appearance in Coming to America (1988) in which he was credited as "Boy Getting Haircut." Gooding Jr.'s first real break came when he was cast as Tre Styles in Boyz 'N the Hood (1990). The film earned him considerable acclaim and seemed to offer the promise of a great career. Sure enough, Gooding began landing fairly substantial parts in feature films. Unfortunately, save for a few exceptions like A Few Good Men (1992), most of the films were not well regarded, and the actor continued to work in relative obscurity. The comic talents he demonstrated as Paul Hogan's sidekick in 1994's Lightning Jack were overshadowed by further mediocre films, and it was not until 1997 that he truly came into the spotlight. That year, he starred as a loyal football player in Cameron Crowe's Jerry Maguire and won a Best Supporting Actor Oscar for his efforts. Following this triumph, Gooding Jr. next appeared in the acclaimed As Good as It Gets alongside Jack Nicholson, Helen Hunt, and Greg Kinnear. Two relatively obscure films, the suspense drama A Murder of Crows and the mockumentary Welcome to Hollywood, followed before Gooding Jr. took part in another high-profile picture, What Dreams May Come. Starring opposite Robin Williams, Gooding Jr. played the deceased Williams' tour guide to heaven. Unfortunately, the film was critically savaged and failed to do much business at the box office. In 1999, Gooding Jr. kept busy with both television and film. In addition to starring in a series of Pepsi commercials, the actor appeared opposite Anthony Hopkins in Instinct and had a lead role in Chill Factor, an action extravaganza which featured him as an ice cream man trying to keep a top-secret military chemical safe with the help of a short-order cook (Skeet Ulrich). Gooding Jr. would star opposite screen legend Robert De Niro in 2000's military drama Men of Honor, in which he portrayed the real life experience of Carl Brashear, the first African-American to serve as a diver in the United States Navy. Just one year later, he stepped into the role of an ill-fated serviceman in Pearl Harbor, though he took a break from heady, big-budget war dramas in favor of comedies Rat Race (2001) and Snow Dogs (2002). The year 2003 would prove another busy year for the actor, who starred in three wildly different movies including Boat Trip, a comedy of errors in which he played an unwitting straight man aboard an entirely gay cruise; Radio, which featured Gooding Jr. as the film's mentally challenged protagonist; and The Fighting Temptations, a musical comedy starring Beyoncé Knowles. In 2004, the young actor lent his vocal chords to voice the role of Jake the Horse in Disney's Home on the Range. He next appeared in Lee Daniels' directorial debut, Shadowboxer, playing a contract killer opposite Helen Mirren. In 2007, he appeared in the critically reviled Norbit, playing a supporting role to Eddie Murphy, and also starred in Daddy Day Camp, the sequel to Daddy Day Care, replacing Murphy in the lead role. Gooding again played a Tuskegee pilot in 2012's Red Tails (he had previously appeared in the 1995 HBO made-for-TV movie The Tuskegee Airmen). In 2013, he re-teamed with director Daniels on The Butler and had a small role in Robert Rodriguez's Machete Kills.

Trivia: Often mistaken for British, Alessandro Nivola has established himself as one of the American actors most likely to assume a flawless English accent in his films. Nivola, whose combination of charismatic good looks, vowel-laden name, and work in a number of British films have both confused and delighted critics and viewers, is actually a product of the East Coast. The son of an Italian-born academic father and a Boston blue-blood mother, Nivola was born and raised in Boston. Taking an early interest in acting, he grew up attending drama camp in the summer and got an internship at the Eugene O'Neill Theatre in Waterford, Connecticut, where he began acting on the stage. His love of acting continued while he was a student at the Tony Philips Exeter Academy and Yale University; by the time he was a sophomore at Yale, he had landed an agent and was making regular trips to New York City for auditions.Nivola got his first professional jobs with the Yale Repertory Theatre and a Seattle-based company. He broke into films in 1997 with a small role in Inventing the Abbotts and the more substantial part of Nicolas Cage's psychotic genius brother in John Woo's Face/Off. He then crossed the ocean, and the accent barrier, to star in the British noir drama I Want You (1998), which cast him as an enigmatic man with a dark past, and in Patricia Rozema's saucy adaptation of Mansfield Park (1998). It was the latter film that gave Nivola his first significant dose of recognition and respect, with critics and viewers alike marveling at his portrayal of the dashing and morally dubious Henry Crawford, not to mention his seamless English accent. Nivola again worked with a largely British cast and crew the following year to make Kenneth Branagh's musical version of Love's Labour's Lost (2000), in which he played a king whose vow to forsake love for intellectual enlightenment becomes severely jeopardized by the arrival of a comely French princess (Alicia Silverstone) and her ladies in waiting. That same year, he returned to the other side of the Atlantic to portray a Backstreet Boys-type singer in Mike Figgis' Time Code 2000, an experimental feature filmed entirely in one take. In the years to come, Nivola would remain a consistent presence on screen, appearing in movies like Junebug, Grace is Gone, and The Eye, as well as on the TV series The Company.

Trivia: Born December 17, 1974, in Los Angeles, Giovanni Ribisi began his career in network television, with recurring and guest roles on a number of shows, including The Wonder Years. As a teenager, he was typecast for several years as a dimwitted slacker in films and on television, with a memorable guest spot in an episode of The X-Files and a recurring role as Lisa Kudrow's brother on Friends. Ribisi was eventually able to break the grunge mold, first with a secondary role in Tom Hanks' That Thing You Do! (1996) and then in Richard Linklater's SubUrbia (1997). It was his role in Steven Spielberg's Saving Private Ryan (1998) that caused many critics to dub him one of the leading actors of his generation, a status confirmed by his appearance on the cover of Vanity Fair with a number of fellow up-and-comers. Ribisi was given further opportunities to showcase his sleepy-eyed versatility in such films as 1999's The Mod Squad and The Other Sister. If Ribisi's best roles had been unfairly weighed down by an overabundance of commendable but little seen roles in the previous years, all this would change as the young actor began to focus increasingly on roles that were not only high quality, but high profile as well. His role in the high stakes 2000 drama The Boiler Room may have went largely unseen in theaters, but healthy word of mouth combined with an impressive cast of up and comers found the film an enduring shelf life on cable and DVD. After burning rubber in the fast and furious Nicolas Cage action thriller Gone in Sixty Seconds, Ribisi's memorable performance in director Sam Raimi's southern gothic flavored chiller The Gift preceded a touching turn in the affecting made-for-television drama Shot in the Heart. Ribisi's subsequent role as a conflicted police officer in the 2002 drama Heaven may have been a well-intended commentary on the state of crime and terrorism, but audiences largel dismissed the effort as pretentious tripe and the actor took a brief turn into blockbuster territory with Basic before a turn as an aloof, celebrity obsessed photogapher in director Sophia Coppola's art-house hit Lost in Translation. If his turn as a celebrity who turns convention in its head by stalking a fan in I Love Your Work didn't strike home with viewers, an appearance in the same year's Cold Mountain offered him the chance to flex his dramatic skills alongside an impressive cast that included Jude Law and Nicole Kidman. Of course Ribisi never was one to be predictable with his choice of roles, and following the romantic comedy Love's Brother he essayed a supporting role in the 2004 sci-fi thriller Sky Captain and The World of Tomorrow. A handful of largely forgettable roles followed, and on the heels of recurring television roles in My Name is Earn and Entourage, Ribisi dove back into sci-fi with a role as villainous Chief Administrator Parker Selfridge in James Cameron's phenominally successful Avatar. And if Ribisi's performace in that film failed to make your skin crawl, his turn as a psychotic, heavily-tattooed drug dealer in the fast paced 2012 action thriller Contraband was sure to do the trick. He continued his villainous run as a stalker in the surprise hit film Ted (2012). Ribisi later re-teamed with his Ted director, Seth MacFarlane, in 2014's A Million Ways to Die in the West. He also appeared in the Oscar-nominated film Selma that same year.

Trivia: Best known for his individualistic promulgation of jazz-rap during the 1990s -- a decade when gangsta rap threatened to take over much of the urban music scene -- underground rapper Common attained recognition for the sophisticated lyrics and ever-present political subtexts in his raps. Something of a critics' favorite, Common also achieved commercial success with such albums as Can I Borrow a Dollar? (1992, his debut), Like Water for Chocolate (2000), Electric Circus (2002), and Be (2005). During the first 15 years or so of his career, the Chicago native's filmed activity remained generally confined to music videos, performance films, and also urban and rap-themed documentaries such as the 2003 Soundz of Spirit, the 2004 Letter to the President, and 2005's jubilant Dave Chappelle's Block Party. By 2007, Common began branching out into dramatic roles. That year, the rapper landed supporting parts in such films as Joe Carnahan's darkly comic action thriller Smokin' Aces and Ridley Scott's period crime drama American Gangster.In 2008 he appeared in Wanted, and the next year he landed a role in the high-profile sequel Terminator Salvation. He played the part of an scary bad guy in the comedy Date Night in 2010, the same year he played the lead opposite Queen Latifah in the romantic comedy Just Wright. He was one of the many members of the ensemble cast in 2011's New Year's Eve, and lent his vocal talents to Happy Feet Two that same year. In 2012 he appeared in the family fantasy film The Odd Life of Timothy Green.

Trivia: Actor Wendell Pierce spent the first 20 years or so of his career predominantly essaying character roles as authority figures, with many bit parts as cops, attorneys, government agents, and ministers to his credit. Pierce devoted the majority of his first decade to big-screen work (including such projects as The Money Pit, Family Business, and Get on the Bus); by 1995, he began to accept occasional bit parts on television, and indeed, this venue ultimately brought Pierce higher billing, when he was tapped to play two roles: Conrad "Candyman" Jones on Third Watch and Detective William "Bunk" Moreland on HBO's police drama The Wire. Pierce remained most active on-stage, however, where his powerhouse presence illuminated an impressive array of classical dramas, among them Cymbeline (1989), Antigone (1993), and Tartuffe (1999). Over the coming years, Pierce would find additional success on a series about his hometown, Treme.

Trivia: Born in Trinidad and raised in Brooklyn, New York. Began acting at 11 years old. Landed her first paying job the same day she graduated college with Shakespeare & Company. Played Titania in a 1987 off-Broadway production of A Midsummer Night's Dream, opposite F. Murray Abraham, Fisher Stevens and Elizabeth McGovern. Nominated for five NCAAP Image Awards for her work on Any Day Now.

Trivia: With lean hangdog looks that make him a natural for the criminals and fringe dwellers he usually plays, Tim Roth has the uncanny and incredibly effective ability to make sleaze look sexy, or at least raggedly photogenic. Since his debut in the made-for-TV Made in Britain at the age of 18, Roth has joined fellow Briton Gary Oldman as one of the leading interpreters of society's underbelly. His ability has been particularly appreciated by director Quentin Tarantino, who helped to propel Roth to international recognition with prominent roles in Resevoir Dogs and Pulp Fiction in the early '90s. Since then, Roth has continued to portray a variety of gritty characters, occasionally making room for the odd sympathetic or lighthearted role.Born in London on May 14, 1961, to a journalist father and landscape painter mother, Roth initially wanted to become a sculptor. After an education at London's Camberwell School of Art, he decided to try his hand at acting, first appearing in a production of Jean Genet's The Screens. Roth's television debut in the 1981 film Made in Britain garnered critical raves for the actor, who portrayed a poverty-stricken juvenile delinquent with profanity-spewing gusto. The same year, he appeared with Gary Oldman in Mike Leigh's Meantime, a made-for-TV movie that was eventually released theatrically, but Roth's bona fide screen debut didn't come until 1984, when he played an apprentice hitman in Stephen Frears' The Hit. Co-starring Terence Stamp and John Hurt, the film did moderately well and earned Roth an Evening Standard Award for Most Promising Newcomer. Thanks to such positive notices, the young actor continued to find work throughout the rest of the decade, making appearances in a variety of films, including former Kinks frontman Ray Davies' 1985 musical Return to Waterloo. In 1990, Roth began to enjoy a limited amount of international attention, thanks to two starring roles, his acclaimed portrayal of Vincent Van Gogh in Robert Altman's Vincent and Theo and a title role in the critically lauded film adaptation of Tom Stoppard's Rosencrantz and Guildenstern Are Dead. Starring opposite Gary Oldman, Roth made an impression on many a filmgoer, including Quentin Tarantino. Tarantino cast Roth as undercover policeman Mr. Orange in his 1992 ensemble piece Resevoir Dogs, a film that allowed the actor to prove he could do an American accent and bleed to death convincingly. The success of Resevoir Dogs paved the way for more Hollywood work for Roth. In a drastic departure from his previous work, he next starred in the 1993 comedy Bodies, Rest & Motion alongside Bridget Fonda, Phoebe Cates, and Eric Stoltz. The following year, Roth returned to more familiar territory, as a hit man in Little Odessa and as one of the robbers who catalyzes the action of Tarantino's Pulp Fiction. After the enormous success of the latter film, the actor appeared the same year in the psychologically terrifying TV adaptation of Joseph Conrad's Heart of Darkness alongside John Malkovich, who played the unhinged Kurtz. After a disastrous third collaboration with Tarantino, the critically and commercially disemboweled Four Rooms (1995), Roth had significantly greater success portraying an ominously prissy English nobleman in Rob Roy, winning a Best Supporting Actor Oscar nomination for his work, along with a Golden Globe nomination and a British Academy Award. Staying true to his habit of jumping from genre to genre, Roth next appeared as a convict with a jones for Drew Barrymore in Woody Allen's musical comedy Everyone Says I Love You (1996) before playing a mobster in 1930s Harlem in Hoodlum (1997). Roth remained in a down and dirty milieu for his next film, Vondie Curtis-Hall's Gridlock'd, which featured the actor, as well as Thandie Newton and Tupac Shakur, as modern-day heroin addicts. Although the film received critical praise, it failed to make a significant impression at the box office. Roth's subsequent films unfortunately suffered from similarly lackluster performances: 1998's Liar went straight to video and the actor's film with Cinema Paradiso director Giuseppe Tornatore, La Leggenda del Pianista Sull'Oceano, remained mired in obscurity. However, Roth continued to keep busy with other projects, appearing in the 1998 Sundance entry Animals (And the Tollkeeper) and making his directing debut the same year with The War Zone. Though it gained positive critical notice for its' downbeat story of a disfunctional family skidding towards oblivion, the subject matter found the film getting little exposure even though it won multiple film festival awards. Roth's next turn as the menacing General Thade in Tim Burton's Planet of the Apes (2001) would be arguably his most mainstream, prolific and scenery-chewing role to date. As the sinister simian on an obsessive quest to kill Mark Wahlberg's Capt. Leo Davis at any cost, Roth provided more than enough gusto to adequately fill the film's evil villian quota. While the film was a box-office hit, Roth opted to follow it up by returning to more obscure films. However, his visibility was raised considerably in 2004 by a pair of projects. First, he acted alongside the likes of Oscar-winners Chris Cooper and Richard Dreyfuss in director John Sayles' highly-anticipated political film Silver City and then showed up opposite Jennifer Connelly and John C. Reilly in Dark Water.He starred in the 2007 Francis Coppola film Youth Without Youth as well as the English-language remake of Funny Games. He was one of the main players in 2008's The Incredible Hulk, then enjoyed a well-regarded run on the FOX procedural show Lie To Me. In 2010 he played the title character in Pete Smalls Is Dead, and two years later he acted opposite Richard Gere in the drama Arbitrage.

Trivia: Oprah Winfrey rose from poverty and a troubled youth to become the most powerful and influential woman in television and, according to Forbes Magazine, the world's most highly paid entertainer. Though primarily recognized as a talk show hostess, Winfrey also produces and occasionally acts in television movies and feature films. Winfrey's parents, who never married, were teens when she was born in rural Mississippi. She was originally named Orpah after a woman from the Book of Ruth but a spelling mistake on the birth certificate changed it to Oprah. She spent her childhood growing up in abject poverty on her deeply religious grandmother's farm. When she was older, Winfrey moved in with her mother in Milwaukee, WI. This proved a difficult time as Winfrey alleges she was repeatedly sexually molested by male relatives. Winfrey became a bit of a wild child during her early teens, experimenting with sex and drugs until the age of 14 when she gave birth to a premature baby. It died shortly after, and upon recovering, Winfrey chose to live with her father in Nashville. It was under his stern guidance that Winfrey found discipline, stability, and the inspiration to excel in school and change her life. When she was 19, Winfrey became a part-time radio reporter for station WVOL, Nashville, and also began studying speech and performing arts at Tennessee State University. She dropped out in 1972 during her sophomore year to become an anchor at Nashville's WTVF-TV. She was the first black woman to hold that position. In 1976, she moved to WJZ-TV and after a stint as a reporter was promoted to co-anchor. Two years after her arrival, Winfrey was slotted (with some trepidation by producers who weren't sure how audiences would respond to a host who was neither white nor thin) to host their talk show People Are Talking. Their worries were unfounded for the charming, empathetic Winfrey's show was a hit and remained so for eight years. In 1984, Winfrey took a major risk and accepted a job hosting a Chicago morning talk show, one that aired at the same time as the nationally top-rated, Chicago-based Phil Donahue talk show. This time it was her fears that had no basis for she soon found herself neck and neck in the ratings with Donahue. Her show also went nationwide through King World Syndicate and as she expanded the operation, the money began rolling in. With the purchase of a large downtown production facility, Winfrey was able to become the third woman in the American entertainment industry -- after Mary Pickford and Lucille Ball -- to own her own studio. She named it Harpo, which is, of course, "Oprah" spelled backwards. Using her considerable business acumen, Winfrey translated her show into a multi-million-dollar business, making her the wealthiest black woman in the U.S. Her show was groundbreaking for several reasons, but most of all because Oprah was unafraid to bare her soul and her own past experiences in front of audiences whereas most talk show hosts remained reserved in regard to their personal lives. Though it was difficult, she made public her past abuse, her drug problem during her twenties, and her struggle with obesity. In this latter area, Oprah, took a lot of heat from unkind critics who were unable to cope with the notion that a round woman could possibly be considered attractive, intelligent, and vital. She endured cruel jokes and jibes until she finally decided to lose weight, first with a radical liquid diet -- which only temporarily took off her weight -- and then with a rigorous fat-free diet and exercise regimen that kept her weight off. Like Donahue and the other talk show hosts of the day, Winfrey's program tended toward sensationalism designed to appeal to our most morbid curiosities. Subject-wise, she had begun hitting all-time lows by 1994. That year, she was to turn 40 and was thinking heavily about which direction her life might turn, both professionally and personally. There was a question whether or not she would even continue taping the show. She ultimately decided to stay on the air, but only after publicly promising to move her show to a higher, more uplifting level.In addition to her reign as "queen of the daytime talk shows," Winfrey has also proven herself a gifted actress. In 1985, she received an Oscar nomination for Best Supporting Actress with her film debut as Sofia in Steven Spielberg's The Color Purple. Later, she began working behind the scenes, executive producing and starring in Donna Deitch's acclaimed 1989 television movie The Women of Brewster Place, which later became a short-lived series.After the success of her book club, Winfrey began producing popular films based on some of her favorite contemporary written works. Along with executive-producing made-for-television adaptations such as David and Lisa, Tuesdays with Morrie, and Oprah Winfrey Presents: The Wedding, she served as producer on the 1998 big-screen adaptation of Toni Morrison's Beloved, a film she also costarred in.Winfrey continued to be a powerful force in the world of day-time television in 2003, when she spun off a regular segment from her show featuring psychologist Dr. Phil McGraw into McGraw's own daily program, Dr. Phil. Oprah founded a television channel (OWN -- Oprah Winfrey Network) after the final episode of the Oprah Winfrey show aired on May 5th, 2011.

Trivia: First appeared on stage at age 11 in a production of Oliver! Following high school, studied acting in Paris with legendary French director Ariane Mnouchkine at her Theatre du Soleil. Honed his craft in 2004 by appearing in various Shakespeare in the Park productions in New York City. Broadway debut was in the 2009 revival of Joe Turner's Come and Gone, which was famously attended by President Obama and the First Lady. Landed a lead role on the NBC sitcom Friends With Benefits in 2011. Cast as the White House press secretary on the 2013 NBC comedy 1600 Penn.

Trivia: First acting experience was a school play she appeared in with classmate Amber Tamblyn. Auditioned for on-camera roles as a child, but subsequently stuck to theater until she was cast on Veronica Mars in 2005. Has performed in plays like The Tempest and Romeo and Juliet with the Colony Theater in Burbank, CA. Sings in the R&B ensemble Caught a Ghost.

Trivia: In 2005, wrote and starred in an autobiographical one-man show based on his family and life in Philadelphia entitled A Boy and His Soul, for which he won a GLAAD Media Award and Lucille Lortel Award. Performed in the world premiere of the stage production Passing Strange in 2008 at Berkeley Repertory Theatre and later reprised his role in Spike Lee's film adaptation of the play. Played the role of Billy Flynn in the long-running Broadway revival of Chicago. Gave a performance lecture at University of Texas at Austin called The Intersection of Soul Music, Black Cultural Expression and Surrealism and has also spoken to students at several other academic institutions, including University of North Carolina, University of Minnesota, Temple University and University of Wisconsin. Directed the off-Broadway productions Exit Cuckoo and Single Black Female. Is an accomplished playwright, having written Up Jumped Springtime, Mission of a Saint and Redemption of a Sinner. Is on the Board of Directors of the Vineyard Theatre in New York. Is a faculty member of the National Theater Institute at the Eugene O'Neill Theater Center.

Trivia: Martin Sheen has appeared in a wide variety of films ranging from the embarrassing to the sublime. In addition to appearing in numerous productions on stage, screen, and television, Sheen is the father of a modern dynasty of actors and a tireless activist for social and environmental causes, particularly homelessness. Born Ramon Estevez on August 3, 1940, he was the seventh of ten children of a Spanish immigrant father and an Irish mother. Growing up in Dayton, OH, Sheen wanted to be an actor so badly that he purposely flunked an entrance exam to the University of Dayton so he could start his career instead. With his father's disapproval, he borrowed cash from a local priest and moved to New York in 1959. While continually auditioning for shows, Sheen worked at various odd jobs and changed his name to avoid being typecast in ethnic roles. "Martin" was the name of an agent/friend, while he chose "Sheen" to honor Bishop Fulton J. Sheen; until his early twenties, the actor had been a devoted Catholic. He joined the Actor's Co-op, shared a loft, and with his roommates prepared showcase productions in hopes of attracting agents. For a while he worked backstage at the Living Theater alongside aspiring actor Al Pacino, and it was there that he got his first acting jobs. Around that time, Sheen married, and in 1963 broke into television on East Side West Side; more television would follow in the form of As the World Turns, on which he played the character Roy Sanders for a few years. In 1964, Sheen debuted on Broadway in Never Live Over a Pretzel Factory, and that same year won considerable acclaim for his role in The Subject Was Roses, which in 1968 became a film in which he also starred. After making his feature film debut as a subway punk in The Incident (1967), Sheen moved to Southern California in 1970 with his wife and three children. During the beginning of that decade, he worked most frequently in television, but occasionally appeared in films as a supporting actor or co-lead. His movie career aroused little notice, though, until he played an amoral young killer (based on real life murderer Charles Starkweather) in Terrence Malick's highly regarded directorial debut, Badlands (1973). Further notice came in the mid-'70s, when the actor was cast by Francis Ford Coppola to star in a Vietnam War drama filmed in the Philippines. Two years and innumerable disasters later -- including a near-fatal heart attack for Sheen -- the actor's most famous film, Apocalypse Now (1979), was complete, and it looked as if he would finally become a major star. Although the film won a number of honors, including a Golden Palm at the Cannes Film Festival, and Sheen duly gained Hollywood's respect, he never reached the heights of some of his colleagues. This was possibly due to the fact that during the 1970s and 1980s, he appeared in so many mediocre films. However, Sheen turned in memorable performances in such films as Ghandi (1982) -- from which the actor donated his wages to charity -- and Da (1988), in which he took production and starring credits. He also did notable work in a number of other films, including Wall Street (1987), The American President (1995), and Monument Ave. (1998). In 1999, he could be seen in a number of projects, including Ninth Street and Texas Funeral, which premiered at the Venice Film Festival that year; O, a modern-day adaptation of Othello; and The West Wing, a television series that cast him as the President of the United States (a role for which he would win the Best TV Series Actor in a Drama Award at the 2000 Golden Globe Awards).Sheen took a supporting role in legendary director Martin Scorsese's crime drama The Departed, and joined the cast of Talk to Me, a 2007 comedy drama directed by Don Cheadle. In 2009, Sheen starred in The Kid: Chamaco, a boxing drama following a father (Sheen) and son's attempt to reconcile their differences to turn a fierce streetfighter into a boxing champion. The following year he would join son Emilio for The Way, an adventure drama featuring Sheen as a grieving father determined to make the pilgrimage to the Pyrenees in honor of his late son. The actor took on yet another lead role in Stella Days (2011), a drama that takes place in the 1950s and stars Sheen as a progressive Irish priest who causes a stir by opening a local movie theater.In 1986, Sheen made his directorial debut with the Emmy-winning made-for-TV movie Babies Having Babies. All three of his sons, Emilio Estevez, Ramon Estevez, and Charlie Sheen (whom he directed in 1991's Cadence), as well as his daughter, Renee Estevez, are movie and television actors. His brother, Joe Estevez, also dabbles in acting.

Trivia: Born to a pair of lawyers in Syracuse, NY, and raised in nearby Lynchburg, Dylan Baker attended Georgetown Prep and William and Mary College before earning his B.F.A. at Southern Methodist University, where his passion for acting was ignited with numerous stage roles. Later refining his talents at Yale's School of Drama, Baker would turn professional with big screen roles in movies like Planes, Trains and Automobiles, Delirious (1991), and Love Potion No. 9 (1992). The mid-'90s found the increasingly busy actor dividing his time between stage, screen, and television, and Baker would soon wed actress Becky Ann Baker (the couple later appeared together in Woody Allen's Celebrity [1998]). A successful stage performance of La Bete found Baker nominated for Tony and Drama Desk Awards, and Baker and his wife continued to develop a close association with New York's Drama Department theater troupe. Following his remarkable performance in Happiness, Baker would appear in films such as Random Hearts, The Cell, and Thirteen Days (all 2000). As the 2000's unfolded, Baker would remain an active force on screen, appearing in movies like The Tailor of Panama, and Along Came a Spider, and on TV shows like 24, Damages, and Hawaii Five-O.

Trivia: A Renaissance performer who is perfectly at home (and who has proven herself adept) in a broad array of genres and formats, Niecy Nash dreamed of an acting career from early girlhood. She trained as a theater major at California State University, Dominguez Hills, then obtained her first paid acting assignment by virtue of an L.A.-area casting director who enlisted her in Herbert Ross' 1995 comedy drama Boys on the Side. That assignment resulted in a memorable scene opposite Whoopi Goldberg, and Nash followed it up four years later with a small role in Robert Altman's comedy Cookie's Fortune (1999). The actress made her most enduring impact on television, however, with guest spots on NYPD Blue and CSI: Crime Scene Investigation, vocal work as Tollie Mae on the offbeat animated sitcom Kid Notorious, and -- perhaps most endearingly -- a regular assignment as Deputy Raineesha Williams on the raunchy, rollicking police-themed sitcom Reno 911! In 2007, Nash starred as the character of Jacuzzi opposite Cedric the Entertainer and Lucy Liu in the comic thriller Code Name: The Cleaner. Nash also hosted the Style Network's home-makeover series Clean House, and emceed both Emmy and Oscar pre-shows.

Trivia: Was a performer, as a child, long before starting his professional career, doing accents and putting on puppet shows for his aunt.Decided to become an actor at age 14 shortly after his family moved to Victorville, California.Attended the John Casablancas Modeling & Career Center in Los Angeles.First role was in the 2009 college thesis short film Short Term 12 and then debuted as a professional actor in the 2013 feature film version alongside Brie Larson and Rami Malek.Is in the rap duo MOORS, with Los Angeles-based producer HH, a.k.a. Hrishikesh Hirway.

Trivia: Grew up in the Scarborough section of Toronto. Sent in an audition tape for Selma, and a mere 20 minutes later he was contacted and asked to chat via Skype with director Ava DuVernay and producer Oprah Winfrey. Received a surprise visit from the real John Lewis, whom James portrayed in Selma, when Lewis showed up on the set one day. Replaced John Boyega as Jesse Owens in Race after Boyega had to drop out in order to film Star Wars: The Force Awakens. Spent his downtime during Selma training with a college track and field coach to prepare for his role as Jesse Owens. Was part of the Toronto International Film Festival's Rising Stars program in 2015. Named one of Toronto Life magazine's Most Influential Up-and-Comers of 2015.

Trivia: Made his debut as an actor at the age of 17.Played as a pitcher for the Schaumburg Flyers baseball team in minor league.Decided to leave aside his career in baseball to focus on his acting career.Took acting classes in UCLA.Made his debut on a film in 2004.

Trivia: Was chosen as a Leonore Annenberg Fellow by Lincoln Center Theater.Trained at Chicago's Steppenwolf Theatre Company.Debuted on Broadway in a 2008 Roundabout Theater Company production of A Man for All Seasons.Nominated for 2 Lucille Lortel Awards for Outstanding Lead Actor for his performances in Off-Broadway productions of The Coward in 2008, and David Ives' New Jerusalem in 2011.Has appeared in multiple films inspired by true events, such as Lincoln, Parkland, Zero Dark Thirty, Selma and The Big Short.

Trivia: Legally emancipated from his mother at 16, and subsequently began his acting career in his hometown of Richmond, VA. Never studied singing, dancing or acting outside of public school. Worked as a cruise ship entertainer after high school. Broadway debut in Hairspray earned him nominations for an Outer Circle Critics Award, a Drama Desk Award and a Tony. Made his big-screen debut in Steven Spielberg's The Terminal (2004) after the director saw his performance in Hairspray. First series-regular role came with the part of Sgt. David Gabriel on TNT drama The Closer. Works on scripts in his spare time and has written a comedy-series pitch and a movie about an all-black paratrooper unit in World War II.

Trivia: Moved around a lot as a child, including spending some time in the Philippines, because of his father's military career. Performed as Prince Escalus in the University of Kansas stage production of Romeo & Juliet in 2004. Did a one-man show while at Yale Drama School called Good Words. Studied at the American Musical and Dramatic Academy.

Trivia: A theater star from a diverse background, Ruben Santiago-Hudson was born in Lackawanna, NY, in 1956. Growing up with a combination of Puerto Rican and African American descent yielded many life-shaping experiences for Santiago-Hudson, and after studying at Binghamton University, he went on to write, direct, and star in the acclaimed play Lackawanna Blues, in which he portrayed over 20 characters from his past. The thespian would continue to work on-stage, appearing in plays like Jelly's Last Jam and Seven Guitars -- for which he won a Tony -- and additionally transitioned to the screen, appearing in a large number of films like The Devil's Advocate and Honeydripper. In 2005, Santiago-Hudson adapted Lackawanna Blues into a miniseries produced by HBO, which met with critical acclaim and garnered several major awards for star S. Epatha Merkerson. In the following years, Santiago-Hudson would find success on the popular series Castle.

Trivia: Though best known for his work as radio station bigwig Jimmy James on the television series NewsRadio, Stephen Root is one of the busier character actors at work today, and a familiar face to television and movie audiences. Born in Sarasota, FL, on November 17, 1951, Root received a degree in acting and broadcasting from the University of Florida, and after graduating passed an audition to join the touring company of the National Shakespeare Company. After three years with the NSC, Root settled in New York City, where he began working in off-Broadway theater, making his debut in a revival of Journey's End. His first Broadway role, in So Long on Lonely Street, was a bust at the box office, but the 1987 revival of All My Sons was a big hit which generated plenty of enthusiastic press for Root. 1988 saw Root making his motion-picture debut in the George Romero horror opus Monkey Shines, and over the next several years Root worked steadily in feature films, episodic television, and made-for-TV movies, scoring recurring roles on L.A. Law, Star Trek: The Next Generation, and Blossom; guest spots on Northern Exposure, Murphy Brown, and Quantum Leap; supporting parts in Ghost, Dave, and Robocop 3; and an acclaimed turn in A Woman Scorned: The Betty Broderick Story, as well as its sequel, Her Final Fury: Betty Broderick, The Last Chapter. In 1993, Root was cast as R.O. on the television series Harts of the West; the show only lasted a season, but his next role on a series would last a bit longer; cast as Jimmy on the sitcom NewsRadio in 1995, Root would last with the show for five seasons, until the show was canceled after a disappointing final season following the death of co-star Phil Hartman. During hiatus from NewsRadio and after the series ended, Root continued his busy schedule, making memorable appearances in feature films (including Office Space and O Brother, Where Art Thou?) and guesting on other shows. Root also began doing voice work, speaking for Buck Strickland and Bill Dauterive on the animated series King of the Hill and the Sheriff on Buzz Lightyear of Star Command.Root's small-screen voice-work would soon lead to his involvement in two popular big-screen animated features. In 2002's Ice Age, audiences could hear him along with Cedric the Entertainer as a pair of Rhinos. And the next year, Root lent his pipes to the blockbuster underwater adventure Finding Nemo. While his voice became more familiar to moviegoers, Root continued to become more of a presence in live-action films as well. Turning in no less than four supporting performances in high-profile films, Root spent 2004 reteaming with the Coen brothers for The Ladykillers, showing up in a prominent role in Kevin Smith's Jersey Girl, and costarring in the broad comedies Dodgeball: A True Underdog Story, Anchorman: The Legend of Ron Burgundy, Mad Money, and Leatherheads.He remained one of the most respected and in-demand character actors of his generation appearing in a variety of projects including Mad Money, The Soloist, Everything Must Go, Red State, Cedar Rapids, and J. Edgar. He also provided numerous voices for the Oscar-winning animated feature Rango.