Trivia: The son of Dame Maggie Smith and the late Sir Robert Stephens, Toby Stephens was to the theatrical manor born. An accomplished actor in his own right, Stephens, who bears a distinct resemblance to his mother, was born in April of 1969. After his parents' divorce when he was four years old, Stephens and his brother (actor Chris Larkin) grew up traveling back and forth across the Atlantic with their mother for her numerous acting engagements. After training at the London Academy of Music and Dramatic Art, Stephens began his professional career as a stagehand at the Chichester Theatre Festival. He had his film debut with a bit part in Sally Potter's 1992 adaptation of Orlando, but it was on the stage that he first made a name for himself. At the age of 25, Stephens won a Sir John Gielgud Best Actor Award and an Ian Charleson Award for his title role in the Royal Shakespeare Company's 1994 production of Coriolanus. He went on to perform in a number of plays with the RSC, including Measure for Measure, A Midsummer Night's Dream, and Antony and Cleopatra. In 1996, Stephens attracted the attention of an international film audience with his role as the melancholy Duke Orsino in Trevor Nunn's lush adaptation of Twelfth Night. That same year, he starred alongside Rupert Graves and Tara Fitzgerald in the acclaimed television adaptation of Anne Bronte's The Tenant of Wildfell Hall, further earning a reputation as a man who could actually make frock coats look sexy. More period attire -- this time early 1900s -- followed in 1997, when Stephens starred as a jaded, grieving photographer who captures a supernatural phenomenon with his camera in Photographing Fairies. That same year, he could again be seen doffing a frock coat for his role in Cousin Bette. The film featured him as Jessica Lange's nephew; coincidentally, he had played Stanley Kowalski to her Blanche DuBois a year earlier in Peter Hall's London production of A Streetcar Named Desire.In 1999, Stephens again stepped back a few eras -- this time to the opulent St. Petersburg of the Empire Period -- to play Vladimir Lensky, hot-blooded best friend of Ralph Fiennes' Evgeny Onegin in Martha Fiennes' adaptation of Onegin. In addition to his screen work, he continued to perform on the stage, winning particular acclaim for his work opposite Diana Rigg in both Phedre and Britannicus in London and New York.

Trivia: Canadian actress Molly Parker has developed a reputation as a gifted and versatile performer, thanks in part to her willingness to take on challenging, offbeat, and sometimes controversial roles. Born in 1972 in Maple Ridge, British Columbia (a town just outside Vancouver), Parker studied dance before developing an interest in acting. She was in her late teens when she began her screen career, appearing in small roles in television projects and low-budget theatrical films being shown in Vancouver, including three episodes of the TV series Neon Rider, the made-for-TV movie My Son, Johnny, and the lowbrow teen comedy Just One of the Girls. While Parker soon began winning bigger and better roles (most notably playing Glenn Close's daughter in the acclaimed TV movie Serving in Silence: The Margarethe Cammermeyer Story), her breakthrough came in 1996, with the independent feature Kissed, in which she plays a young woman fascinated with death whose job at a funeral home leads her to explore her emotional and erotic attraction to the dead. While the film's controversial theme prevented it from gaining a wide release in the United States, it received enthusiastic reviews around the world, and in Canada, Parker's performance earned her a 1997 Genie Award (the Canadian Academy Award) as Best Actress. The acclaim for Kissed certainly improved Parker's standing in the world of independent film, and while she still appeared in the occasional television project (including the TV movie Titanic and the miniseries Intensity), she won showy roles in Bliss and Under Heaven. In 1999, Parker appeared in three highly acclaimed features: She played a pregnant housewife in the British kitchen-sink drama Wonderland, a despondent mother in The Five Senses, and the Catholic wife of a Hungarian Jew in Sunshine. 2000's Suspicious River reunited Parker with Kissed director Lynne Stopkewich, and in 2001, she once again found herself courting controversy with her role as an exotic dancer spending a weekend in Las Vegas with a computer millionaire (and being very well paid for it) in Wayne Wang's The Center of the World. That same year, Parker won a recurring role as a rabbi on the acclaimed HBO comedy drama series Six Feet Under, and also appeared in a Canadian comedy about that very Northern sport, curling, entitled Men With Brooms. In 2002, she was cast opposite John Cusack and Leelee Sobieski in Max, a bit of historical speculation about the relationship between an art teacher and one of his students -- Adolf Hitler. 2004 saw Parker returning to HBO for a couple of period productions. First, she co-stared with Anjelica Huston, Hilary Swank, Julia Ormond, and Frances O'Connor in the historical drama Iron Jawed Angels about the women's suffrage movement in America. Shortly thereafter, Parker appeared as a rich prospector's wife in in the HBO Western series Deadwood. Later that year, she starred opposite Christian Slater and Stephen Rea in the ecclesiastical thriller The Good Shepard. She appeared in the 2006 drama Hollywoodland as well as the remake of The Wicker Man. She starred in the short-lived TV series Swingtown, and went on to appear in a variety of projects including The Road, Oliver Sherman, Gone, and the made-for-cable movie Hemmingway & Gellhorn.

Trivia: Moved to Mexico City with his family when he was 11 and lived there for a little over 7 years.Moved to New York City with his family after high school.After his sophomore year in college, his family moved to Los Angeles, and he transferred from Syracuse University to Loyola Marymount University.Was cast on General Hospital at the beginning of his senior year in college.El Recluso is his first work in his native language (Spanish).Volunteers at Childrens Hospital Los Angeles.

Trivia: First generation American, daughter of a Swedish father and an Italian mother.Grew up in New York, but also lived in Spain and France.Her first acting job was at eight months old playing a kidnapped child.Speaks English, Spanish and French.Plays piano and guitar.

Trivia: Displaying an off-kilter beauty and an ability to embrace the comically bizarre, Parker Posey has been repeatedly referred to as "The Queen of the Indies." Following her indie debut in Richard Linklater's 1993 Dazed and Confused, Posey went on to star in no less than 15 independent features over the next five years, proving time and again how worthy she was of her royal title.Born in Baltimore on November 8, 1968, Posey was named after '50s model and sometimes-actress Suzy Parker. At the age of 12, she moved with her parents and twin brother to Laurel, MS, where her father owned a Chevrolet dealership. After attending the North Carolina School of the Arts, Posey enrolled at S.U.N.Y. Purchase, where she studied acting and roomed with future ER doctor Sherry Stringfield. She dropped out just three weeks before graduation when opportunity came knocking in the form of a role on As the World Turns. As bad girl Tess Shelby, Posey stayed with the show from 1991 until 1992. The following year, Posey crossed over to celluloid with roles in three movies. Two of these, The Coneheads and Joey Breaker, featured the actress as little more than a glorified extra, but the third, Linklater's Dazed and Confused, allowed Posey to make a distinct impression. As cheerleader Darla, she used her relatively brief screen time to display the nastier side of teen popularity. She played a similar character the same year on the small screen, taking a memorable turn as ex-pep queen turned good-time girl Connie Bradshaw in PBS' Tales of the City (she would later reprise the role for More Tales of the City in 1998).Following secondary to miniscule parts in films like Sleep With Me, Amateur, and Mixed Nuts (all 1994), Posey had her breakthrough role as the titular heroine of Daisy von Scherler Mayer's Party Girl in 1995. She caused an art-house sensation with her portrayal of Mary, a downtown diva forced to take a day job as a librarian and began to ascend the ranks of indie royalty. Appearances in Hal Hartley's Flirt, Gregg Araki's The Doom Generation, and Noah Baumbach's Kicking and Screaming the same year further enhanced her reputation. Posey's work over the next two years reads like a Sundance Film Festival program: in 1996, she could be seen as a Dairy Queen waitress in the ensemble-driven Waiting for Guffman, famed gallery owner Mary Boone in Basquiat, and Hope Davis' sister in The Daytrippers. In 1997, Posey starred in no less than five independent films, including Henry Fool, her third Hartley outing; the temps-in-hell comedy drama Clockwatchers; Linklater's adaptation of Eric Bogosian's SubUrbia; and The House of Yes. For this last film, Posey garnered particular acclaim as the film's fabulously demented focal point. She shined as a young woman obsessed with both Jackie Onassis and her own twin brother (Josh Hamilton). Her performance, which perfectly displayed the hyperkinetic comic energy and sardonic wit that came to characterize many of the actress' portrayals, won her a "special recognition for acting" at Sundance that year.The year 1998 brought more independent work in the form of The Misadventures of Margaret, a romantic comedy in which Posey had the title role and a foray into mainstream features with a turn as Tom Hanks' book-editor girlfriend in Nora Ephron's You've Got Mail. The following year, she took another stab, so to speak, at mainstream fare with a part in Wes Craven's third installment of his Scream series, the aptly titled Scream 3. Though she wasn't necessarily known as a "method" actress to this point, Posey actually had real braces installed for her subsequent role in Waiting for Guffman and director Christopher Guest's popular dog show comedy Best in Show. Cast as the better half of a neurotic, hypertensive couple who will stop at nothing to see their pet win the number-one spot in the Mayflower Kennel Club Dog Show, Posey nearly stole the show with her hysterical, shrieking performance. Best in Show was immediately embraced by critics and audiences and went on to live a long and prosperous life on cable and DVD. By this point, Posey had gained quite a reputation for her effortless transitions between indies and blockbusters, and a role as a malicious recording industry boss in Josie and the Pussycats (2001) added much flavor to the energetic, pop-flavored comedy. If Posey was somewhat lost in the cast of the 2001 miniseries Further Tales of the City, she would certainly go on to impress in the popular indies The Anniversary Party (2001) and Personal Velocity: Three Portraits (2002). Her role as a philandering housewife in Personal Velocity in particular gave Posey an opportunity to truly shine.Her profile would fade a bit in the following few years despite a role in the widely released (but ill fated) comedy The Sweetest Thing (2002), and after performing at her bitchy best in the made-for-television Hell on Heels: The Battle of Mary Kay (2003) she was included in Reuters 2003 "What Ever Happened to" list. Ironically, it was that same year that Posey essayed her first lead role in quite some time with the independent drama The Event. Cast as a district attorney who is investigating a mysterious suicide, Posey was backed by a stellar cast that included Sarah Polley and Olympia Dukakis. Though she would once again join Guest for the 2003 mockumentary A Mighty Wind, she was pretty much lost in the shuffle in the divisive effort. With the approach of 2004, audiences were no doubt set to find out "What Ever Happened to" Posey with her roles in the high-profile efforts The Laws of Attraction and Blade: Trinity. Posey continued her work in independent films with large parts in The Oh in Ohio, The Sisters of Mercy, and Adam & Steve, but once again appeared in a Hollywood blockbuster as Lex Luthor's significant other in Bryan Singer's Superman Returns. At the end of 2006 she once again collaborated with Christopher Guest on his Hollywood satire For Your Consideration.Posey continued to build on her affinity for independent films by reteaming with Hal Hartley for 2006's Fay Grim, in which she reprised the self titled role from 1997's Henry Fool. Critical response to the film was mixed, but Posey was balancing her career with other projects, some of which had a broader audience, like the recurring role of Marlene Stanger on the hit show Boston Legal. She balanced her indie side with her Hollywood side once again the next year, appearing both in the Jessica Alba thriller The Eye, and in the indie dramedy Broken English. Posey spent much of 2011 working in television, appearing on the popular NBC series Parks and Recreation, Showtime's The Big C, and CBS' The Good Wife.

Trivia: Licensed as a pilot, frequently flying out of Van Nuys, CA; originally planned to join the Royal Air Force. Attended prep school with eventual Spooks costar Rupert Penry-Jones. Emerged on the London stage when cast as Sky in Mamma Mia! and in the leading role of Andrew Lloyd Webber's production of Bombay Dreams. Created and coproduced RED, a dance show celebrating various movements and their influences on and from India.

Trivia: Had breakthrough role as Koop in Justin Kerrigan's cult hit Human Traffic (1999). His work with playwright-screenwriter Joe Penhall, who adapted Cormac McCarthy's The Road (2009), includes a 2001 stage version and 2005 TV adaptation of Blue/Orange, and the 2009 BBC drama Moses Jones. Badly injured his Achilles tendons in both legs while playing soccer, once while auditioning for Mean Machine (2001), starring Vinnie Jones. Stopped lifting weights because "muscle-bound isn't a good look for spouting Shakespeare."

Trivia: Her older sister, who is also an actress, inspired her to pursue acting.Since her father is a doctor, she felt the pressure to get into the medical field and did all the prerequisites to become a physical therapist.In 2005, moved to the U.S. to pursue her education.Studied Spanish and French in college.Was the second princess at the 2007 Miss Zim-USA pageant.

Trivia: Charismatic, muscular, handsome, and often exuding a dangerous sexuality, Cary-Hiroyuki Tagawa specializes in playing the evilest of vile villains, most of whom despite their exceptional martial arts skills, are skilled in spectacular manners. Tagawa's willingness to accept villainous roles such as that of the wicked sorcerer Shang Tsung in Mortal Combat (1995) has drawn criticism from certain Asian American groups, who fear that he is perpetuating negative stereotypes, but Tagawa offers an interesting perspective, citing the fact that the action film is the most popular genre worldwide. When Tagawa plays a bad guy, he plays it to the hilt, trying to imbue his villains with depth to demonstrate that in order to be so successful at being bad, they must possess a certain amount of positive qualities, including discipline, intelligence, and commitment. In his personal life, Tagawa is the antithesis of the characters he plays. He is known for his unusual courtesy, non-violent demeanor, his wisdom, and for his unflagging devotion to helping young people. A deeply spiritual man, Tagawa has developed a unique philosophical approach to martial arts, Chun Shin, which primarily centers on developing the inner state and spirituality of the practitioner rather than on the physical movements of fighting. The purpose of the exercises of Chun Shin is to release the energy centers within, creating a harmony between mind and body. Tagawa was born in Tokyo, Japan, the son of a Japanese American father and a Tokyo actress. His father, a native of Hawaii, worked for the U.S. military and when Tagawa was five, his family moved to Texas. This was during the 1950s, when racism was rampant throughout the South. For Tagawa, the change from a supportive environment to a hostile one was a great shock. As a young adult, Tagawa briefly attended the University of Southern California where he studied martial arts. The following year, he returned to Japan to further his studies at a prestigious school under the tutelage of master Nakayama, one of the most highly regarded fighters in Japan. But for Tagawa, there was a spiritual component missing from training -- that, and perhaps the feeling that he was not accepted into Japanese society, led him to return to the U.S.Although he had been interested in acting for many years, Tagawa did not become an actor until he was 36 years old. He made his feature film debut in The Last Emperor (1984) and went on to work steadily in feature films and on television. Many of his film appearances have been in the direct-to-video category. Still, Tagawa has managed to develop a devoted following and has at least one web site devoted to him on the Internet. As mentioned, Tagawa specializes in villains, but occasionally he plays different roles as he did in the much-honored independent drama Picture Bride (1994) in which he plays a sugar cane farmer who orders a Japanese mail-order bride 25 years younger than himself. The latter 1990s also found Tagawa's Hollywood work coming more frequently and in larger profile releases. After small roles in such films as Vampires (1998) and Snow Falling on Cedars (1999), Tagawa could be seen in such eagerly anticipated large-scale productions as Pearl Harbor and Planet of the Apes (both 2001).

Trivia: Appeared in numerous stage productions helmed by legendary English playwright Harold Pinter, and was a close friend of the director until his death in 2008. Released his first folk music album, Cowley Road Songs, in 2005 under the name Doug Hodge. Made his Broadway directorial debut with 2015's Old Times, which starred Clive Owen. Has voiced commercials for Red Bull, British Airways, and British Gas.