Trivia: Sherman Hemsley is best remembered for playing George Jefferson, the lovably pompous, diminutive loud-mouth who made a fortune from his dry cleaning business and moved from Queens to a posh Manhattan high rise in The Jeffersons, a popular sitcom that ran for ten years on the CBS network. Before becoming an actor in the late '60s, Hemsley worked for the U.S. Post Office. He started out on the New York stage where his first break came from playing Gitlow in the Broadway musical Purlie (1970). Television producer Norman Lear was impressed by Hemsley's performance and so created George Jefferson for him. Originally designed as an African-American alter ego/foil to his blustery, bigoted Archie Bunker character on the smash hit All in the Family, Hemsley's George became so popular that he and his family were given their own series in 1975. Following the series' demise, Hemsley played an egotistical, loud-mouthed deacon/lawyer at the First Community Church of Philadelphia who tried to keep the new minister, Reverend Gregory, from taking over what he viewed as his personal domain, on Amen. The series broke ground by being the first hit sitcom centered on religion and ran from 1986 to 1991. In between his series work, Hemsley occasionally played supporting roles in feature films after making his debut playing Rev. Mike in the comedy Love at First Bite (1979). Most of his subsequent films were low-budget affairs such as Stewardess School and Club Fed; he also continued to appear frequently on television as a guest star and starred in such failed series as Townsend Television (1993) and Goode Behavior (1996-1997), but never quite recaptured the success he had during the '70s and '80s. His final small-screen appearance came in 2006 when he was a cast member on the sixth season of the reality TV show The Surreal Life. Hemsley died at age 74 in late July, 2012.

Trivia: Defying her mother's wishes, African-American actress Isabel Sanford secretly worked as a nightclub performer in her teens. Upon winning 3rd prize in an Apollo Theatre amateur contest, Sanford could keep her new career a secret no longer. Married to a house painter who worked only on a seasonal basis, she held down a full-time job as a keypunch operator at the New York City department of Welfare, spending her evenings acting with such groups as Harlem Y and the American Negro Theatre. Seeking out better opportunities, Sanford packed her family into a bus and headed to Hollywood in the early 1960s. Her breakthrough film role was in Stanley Kramer's Guess Who's Coming to Dinner; she played Tillie the cook, who heartily disapproved of the upcoming interracial marriage between Katharine Houghton and Sidney Poitier (the hardest part of this assignment was not mouthing the "controversial" dialogue but preparing dinner in a key scene; Sanford had never learned to cook!) On the strength of this film, Isabel Sanford was hired for several guest spots on The Carol Burnett Show, which led to her most famous characterization: Louise Jefferson, the acerbic but loving wife of "movin' on up" Sherman Hemsley, on the immensely popular sitcom The Jeffersons (1975-82).

Trivia: On television, supporting actress Roxie Roker may best be remembered for playing outspoken Helen Willis for ten years on the popular television sitcom The Jeffersons. She and TV husband Franklin Cover comprised the first interracial married couple on network television. But in addition to television, Roker had also found success on stage and in the occasional feature film. Miami-born and Brooklyn-raised, Roker graduated from Howard University with a drama degree and then flew to England to study at the Shakespeare Institute in Stratford-on-Avon. During the 1960s, Roker supported herself with a secretarial job at NBC's New York office while trying to find acting jobs. Roker launched her drama career off-Broadway in productions such as Jean Genet's The Blacks. Between 1967 and '68, Roker hosted a local community television show, but that wasn't close enough to acting, so she quit to practice her craft full time. With the Negro Ensemble Company she appeared in Ododo and Rosalie Pritchet. In 1974, she earned an Obie and a Tony nomination for The River Niger. In 1975, shortly after moving to Los Angeles, Norman Lear cast Roker in The Jeffersons. In addition to this role, Roker occasionally guest-starred on other series and appeared in television movies. Her feature-film appearances were rare. Roker made her debut in Claudine (1974). In the '90s, Roker resumed her stage career, appearing in a theatrical version of The Jeffersons and then touring opposite Mary Martin and Carol Channing in Legends. Roker's son, Lenny Kravitz is a noted rock musician and record producer.

Trivia: Ben Frommer was the epitome of the successful character actor. Across a screen career totaling more than 40 years, he worked in over 100 film roles and possibly twice as many parts on television, ranging from just a few seconds of screen time in feature films to regular work on one of the more popular western series of the mid-1960s. And in virtually all of it, as with so many of the best people in his profession, he melted so well into the parts he played that audiences were seldom possessed to even ask his name. Ironically, it was in one of the cheapest -- and perhaps THE cheapest -- production on which he ever worked, in a part scarcely larger, or of longer duration than his typical background and supporting role, that Frommer earned his lingering name recognition. Born in Poland in 1913, Frommer arrived in Hollywood as an actor in the early 1940s, making his screen bow with an uncredited appearance in the 1943 Olsen & Johnson vehicle Crazy House. He next showed up in a bit part in the Laurence Tierney-starring film noir Born To Kill (1947). Frommer's short stature and fireplug-like physique, coupled with his rough-hewn features, made him ideal for playing working-class background parts such as deliverymen and taxi drivers. Most of his work was in lower-budgeted films, including exploitation fare such as Sid Melton's Bad Girls Do Cry (shot in the mid-1950s but not issued till much later). And it was in low-budget films -- some of the lowest budgeted ever made, in fact -- that Frommer would achieve a form of immortality as an actor.It was writer/producer/director Edward D. Wood, Jr. who gave Frommer the opportunity to play a slightly wider range of parts. In Bride Of the Monster, Frommer was cast as a surly drunk, while in Wood's magnum opus, Plan 9 From Outer Space, he is the mourner who is charged by the script with providing the explanation as to why the old man (played by Bela Lugosi in footage shot for a movie that was never made) is buried in a crypt, while his wife (Maila "Vampira" Nurmi) is buried in the ground. The dialogue is as awkward as anything else in the notoriously poorly made (but thoroughly entertaining) movie, but Frommer does his best to deliver it convincingly, in what was almost certainly one very rushed take. Around this time, Frommer also showed up in the horror film Cult of the Cobra and the outsized production of Around The World In 80 Days, and a lot more television as well -- he also began providing voices for animated productions, a professional activity that would occupy ever more of his time later in his career. He worked in pictures by John Ford (The Man Who Shot Liberty Valance), Alfred Hitchcock (Torn Curtain), and Mervyn LeRoy (Gypsy), but it was during this same period, from 1965 through 1967, that Frommer achieved his widest weekly exposure on television, when he was cast in the comedic western series F-Troop in the role of Smokey Bear, the squat, chunky (and uncredited) member of the Hekawi Indian tribe. He usually did little more than hold the reigns of the horses ridden by Forrest Tucker and Larry Storch's characters, but he was impossible to miss in a shot.Frommer remained a very busy character actor and voice-actor over the next two decades, and only slowed down during his final years in the profession. During that time, he took on the new profession of publicist for his fellow actors. He died in 1992 at the age of 78.

Trivia: Made TV debut in 1974 on the ABC crime-drama The Streets of San Francisco. Landed first regular TV series role in 1975 on the CBS comedy The Jeffersons, playing Jenny Willis Jefferson. Starred in Maya Angelou's play On A Southern Journey in 1983.

Trivia: Was employed by a major airline when she was cast on The Jeffersons; continued working for the airline during her first few seasons on the show. Is also a singer; released an album, It's Never Too Late, in 2006. Reunited with actress Regina King, who played her daughter on the 1980s sitcom 227, in a 2012 episode of Southland.