Trivia: An actor whose name became synonymous with all-American entertainment, Tom Cruise spent the 1980s as one of Hollywood's brightest-shining golden boys. Born on July 3, 1962 in Syracuse, NY, Cruise was high-school wrestler until he was sidelined by a knee injury. Soon taking up acting, he found that the activity served a dual purpose: performing satiated his need for attention, while the memorization aspect of acting helped him come to grips with his dyslexia. Moving to New York in 1980, Cruise's first big hit was Risky Business in 1982, in which he entered movie-trivia infamy with the scene wherein he celebrates his parents' absence by dancing around the living room in his underwear. The Hollywood press corps began touting Cruise as one of the "Brat Pack," a group of twenty-something actors who seemed on the verge of taking over the movie industry in the early '80s. Top Gun 1985 established Cruise as an action star, but again he refused to be pigeonholed, and followed it up with a solid characterization of a fledgling pool shark in the Martin Scorsese film The Color of Money in 1986, for which co-star Paul Newman earned an Academy Award. In 1988, he played the brother of an autistic savant played by Dustin Hoffman in Rain Man, a dramatic turn for sure, though Cruise had not yet totally convinced critics he was more than a pretty face.His chance came in 1989, when he played a paraplegic Vietnam vet in Born on the Fourth of July. Though his bankability faltered a bit with the expensive disappointment Far and Away in 1990 (though it did give him a chance to co-star with his-then wife Nicole Kidman), 1992's A Few Good Men brought him back into the game. By 1994, the star was undercutting his own leading man image with the role of the slick, dastardly vampire Lestat in the long-delayed film adaptation of the Anne Rice novel Interview with the Vampire. Although the author was vehemently opposed to Cruise's casting, Rice famously reversed her decision upon seeing the actor's performance, and publicly praised Cruise's portrayal.In 1996, Cruise scored financial success with the big-budget action film Mission: Impossible, but it was with his multilayered, Oscar-nominated performance in Jerry Maguire that Cruise proved once again why he is considered a major Hollywood player. 1999 saw Cruise reunited onscreen with Kidman in a project of a very different sort, Stanley Kubrick's Eyes Wide Shut. The film, which was the director's last, had been the subject of controversy, rumor, and speculation since it began filming. It opened to curious critics and audiences alike across the nation, and was met with a violently mixed response. However, it allowed Cruise to once again take part in film history, further solidifying his position as one of Hollywood's most well-placed movers and shakers.Cruise's enviable position was again solidified later in 1999, when he earned a Best Supporting Actor nomination for his role as a loathsome "sexual prowess" guru in Paul Thomas Anderson's Magnolia. In 2000, he scored again when he reprised his role as international agent Ethan Hunt in John Woo's Mission: Impossible II, which proved to be one of the summer's first big moneymakers. He then reteamed with Jerry Maguire director Cameron Crowe for a remake of Spanish director Alejandro Amenábar's Abre los Ojos titled Vanilla Sky. Though Vanilla Sky's sometimes surreal trappings found the film receiving a mixed reception at the box office, the same could not be said for the following year's massively successful sci-fi chase film Minority Report, directed by Steven Spielberg , or of the historical epic The Last Samurai, directed by Edward Zwick.For his next film, Cruise picked a role unlike any he'd ever played; starring as a sociopathic hitman in the Michael Mann psychological thriller Collateral. He received major praise for his departure from the good-guy characters he'd built his career on, and for doing so convincingly. By 2005, he teamed up with Steven Spielberg again for the second time in three years with an epic adaptation of the H.G. Wells alien invasion story War of the Worlds.The summer blockbuster was in some ways overshadowed, however, by a cloud of negative publicity. It began in 2005, when Cruise became suddenly vocal about his beliefs in Scientology, the religion created by science fiction author L. Ron Hubbard. Cruise publicly denounced actress Brooke Shields for taking medication to combat her postpartum depression, calling going so far as to call the psychological science a "Nazi science" in an Entertainment Weekly interview. On June 24, 2005, he was interviewed by Matt Lauer for The Today Show during which time he appeared to be distractingly argumentative in his insistence that psychiatry is a "pseudoscience," and in a Der Spiegel interview, he was quoted as saying that Scientology has the only successful drug rehabilitation program in the world.This behavior caused a stirring of public opinion about Cruise, as did his relationship with 27-year-old actress Katie Holmes. The two announced their engagement in the spring of 2005, and Cruise's enthusiasm for his new romantic interest created more curiosity about his mental stability. He appeared on The Oprah Winfrey Show on May 23, where he jumped up and down on the couch, professing his love for the newly-Scientologist Holmes. The actor's newly outspoken attitude about Scientology linked to the buzz surrounding his new relationship, and the media was flooded with rumors that Holmes had been brainwashed.Some audiences found Cruise's ultra-enthusiastic behavior refreshing, but for the most part, the actor's new public image alienated many of his viewers. As he geared up for the spring 2006 release of Mission: Impossible III, his ability to sell a film based almost purely on his own likability was in question for the first time in 20 years.Despite this, the movie ended up performing essentially as expected, and Cruise moved on to making headlines on the business front, when -- in November 2006 -- he and corporate partner Paula Wagner (the twin forces behind the lucrative Cruise-Wagner Productions) officially "took over" the defunct United Artists studio. Originally founded by such giants as Douglas Fairbanks and Charles Chaplin in 1921, UA was all but completely defunct. The press announced that Cruise and Wagner would "revive" the studio, with Wagner serving as Chief Executive Officer and Cruise starring in and producing projects.One of the fist films to be produced by the new United Artists was the tense political thriller Lions for Lambs, which took an earnest and unflinching look at the politics behind the Iraq war. This was followed by the World War II thriller Valkyrie. Cruise would find a solid footing as the 2010s progressed, with films like Mission: Impossible - Ghost Protocol and Rock of Ages. Cruise and Holmes would announce they were divorcing in 2012.

Trivia: The son of a trucking company manager, Brad Pitt was born December 18, 1963, in Shawnee, OK. Raised in Missouri as the oldest of three children, and brought up in a strict Baptist household, Pitt enrolled at the University of Missouri, following high school graduation, studying journalism and advertising. However, after discovering his love of acting, he dropped out of college two credit hours before he could graduate and moved to Hollywood. Once in California, Pitt took acting classes and supported himself with a variety of odd jobs that included chauffeuring strippers to private parties, waiting tables, and wearing a giant chicken suit for a local restaurant chain. His first break came when he landed a small recurring role on Dallas, and a part in a teenage-slasher movie, Cutting Class (1989) (opposite Roddy McDowall), marked his inauspicious entrance into the world of feature films. The previous year, Pitt's acting experience had been limited to the TV movie A Stoning in Fulgham County (1988). 1991 marked the end of Pitt's obscurity, as it was the year he made his appearance in Thelma & Louise (1991) as the wickedly charming drifter who seduces Geena Davis and then robs her blind. After becoming famous practically overnight, Pitt unfortunately chose to channel his newfound celebrity into Ralph Bakshi's disastrous animation/live action combo Cool World (1992). Following this misstep, Pitt took a starring role in director Tom Di Cillo's independent film Johnny Suede. The film failed to score with critics or at the box office and Pitt's documented clashes with the director allegedly inspired Di Cillo to pattern the character of the vain and egotistical Chad Palomino, in his 1995 Living in Oblivion, after the actor. Pitt's next venture, Robert Redford's lyrical fly-fishing drama A River Runs Through It (2002), gave the actor a much-needed chance to prove that he had talent in addition to physical appeal.Following his performance in Redford's film, Pitt appeared in Kalifornia and True Romance (both 1993), two road movies featuring fallen women and violent sociopaths. Pitt's next major role did not arrive until early 1994, when he was cast as the lead of the gorgeously photographed Legends of the Fall. As he did in A River Runs Through It, Pitt portrayed a free-spirited, strong-willed brother, but this time had greater opportunity to further develop his enigmatic character. Later that same year, fans watched in anticipation as Pitt exchanged his outdoorsy persona for the brooding, gothic posturing of Anne Rice's tortured vampire Louis in the film adaptation of Interview With the Vampire. Pitt next starred in the forgettable romantic comedy The Favor (1994) before going on to play a rookie detective investigating a series of gruesome crimes opposite Morgan Freeman in Seven (1995). In 1997, Pitt received a Golden Globe award and an Oscar nomination for his portrayal of a visionary mental patient in Terry Gilliam's 12 Monkeys; the same year, Pitt attempted an Austrian accent and put on a backpack to play mountaineer Heinrich Harrar in Seven Years in Tibet. The film met with mixed reviews and generated a fair amount of controversy, thanks in part to the revelation that the real-life Harrar had in fact been a Nazi. Following Tibet, Pitt traveled in a less inflammatory direction with Alan J. Pakula's The Devil's Own, in which he starred with fellow screen icon Harrison Ford. Despite this seemingly faultless pairing, the film was a relative critical and box-office failure. In 1998, Pitt tried his hand at romantic drama, portraying Death in Meet Joe Black, the most expensive non-special effects film ever made. Pitt's penchant for quirk was prevalent with his cameo in the surreal comic fantasy Being John Malkovich (1999) and carried over into his role as Tyler Durden, the mysterious and anti-materialistic soap salesman in David Fincher's controversial Fight Club the same year. The odd characterizations didn't let up with his appearance as the audibly indecipherable pugilist in Guy Ritchie's eagerly anticipated follow-up to Lock, Stock and Two Smoking Barrels, Snatch (2000).In July of 2000, the man voted "Most Sexy Actor Alive" by virtually every entertainment publication currently in circulation crushed the hearts of millions of adoring female fans when he wed popular film and television actress Jennifer Aniston in a relatively modest (at least by Hollywood standards) and intimate service.Pitt's next turn on the big screen found him re-teamed with Robert Redford, this time sharing the screen with the A River Runs Through It director in the espionage thriller Spy Game (2001). A fairly retro-straight-laced role for an actor who had become identified with his increasingly eccentric roles, he was soon cast in Steven Soderbergh's remake of the Rat Pack classic Ocean's 11 (2001), the tale of a group of criminals who plot to rob a string of casinos. Following a decidedly busy 2001 that also included a lead role opposite Julia Roberts in the romantic crime-comedy The Mexican, Pitt was virtually absent from the big-screen over the next three years. After walking away from the ambitious and troubled Darren Aronofsky production The Fountain, he popped up for a very brief cameo in pal George Clooney's 2002 directorial debut Confessions of a Dangerous Mind and lent his voice to the animated adventure Sinbad: Legend of the Seven Seas, but spent the majority of his time working on the historical epic Troy (2004). Directed by Wolfgang Peterson, the film employed a huge cast, crew and budget.The media engulfed Pitt's next screen role with tabloid fervor, as it cast him opposite bombshell Angelina Jolie. While the comedic actioner Mr. and Mrs. Smith grossed dollar one at the box office, the stars' off-camera relationship that made some of 2005's biggest headlines. Before long, Pitt had split from his wife Jennifer Aniston and adopted Jolie's two children. The family expanded to three in 2006 with the birth of the couple's first child, to four in 2007 with the adoption of a Vietnamese boy, and finally to six in 2008, with the birth of fraternal twins.In addition to increasing his family in 2006, Pitt also padded his filmography as a producer on a number of projects, including Martin Scorsese's The Departed, the Best Picture Winner for 2006. He also acted opposite Cate Blanchett in Alejandro Gonzalez Inarritu's drama Babel. Interestingly, that film hit theaters the same year as The Fountain, a film that was originally set to star the duo. Pitt also stayed busy as an actor, reteaming with many familiar on-screen pals for Ocean's Thirteen. At about the same time, Pitt teamed up with Ridley Scott to co-produce a period western, The Assassination of Jesse James by the Coward Robert Ford; Pitt also stars in the film, as James. The year 2007 found Pitt involved, simultaneously, in a number of increasingly intelligent and distinguished projects. He signed on to reteam with David Fincher for the first occasion since Fight Club, with The Curious Case of Benjamin Button - a bittersweet fantasy, adapted by Forrest Gump scribe Eric Roth from an F. Scott Fitzgerald story, about a man who falls in love while he is aging in reverse. When the special effects heavy film hit theaters in time for awards season in 2008, Pitt garnered a Best Actor nomination from both the Academy and the Screen Actors Guild. Also in 2007, Pitt produced an adaptation of Marianne Pearl's memoir A Mighty Heart that starred Angelina Jolie. In the years that followed, Pitt remained supremely busy. He delivered a funny lead performance as Lt. Aldo Raine in Quentin Tarantino's blistering World War II saga Inglourious Basterds (2009), then did some of the most highly-praised work of his career as a disciplinarian father in Terence Malick's The Tree of Life (2011) - a sprawling, cerebral phantasmorgia on the meaning of life and death that became one of the critical sensations of the year. He also won a great deal of praise for his turn as Billy Beane in Bennett Miller's adaptation of the non-fiction book Moneyball, a role that not only earned him critical raves but Best Actor nominations from the Academy, BAFTA, the Broadcast Film Association, the Golden Globes, and won him the New York Film Critics Circle award (though the institution also recognized his work in Tree of Life as figuring into their decision).In 2013, Pitt's Plan B production company produced 12 Years a Slave (he also appeared in the film, in a small supporting role), which earned Pitt an Academy Award when the film won Best Picture. The next year, Pitt won an Emmy as part of the producing team of the HBO tv movie The Normal Heart.

Trivia: Born into a show business family -- father Michael Hawkins is a stage actor and mother Mary Jo Slater is a casting director -- Christian Slater made his acting debut at age eight after his mother cast him in the television soap opera One Life to Live on a lark. The following year Slater was on Broadway starring opposite Dick Van Dyke in The Music Man. Slater would remain on Broadway for at least two more productions. As a youth, Slater attended Manhattan's Professional Children's School. He made his television debut in the movie Living Proof: The Hank Williams Junior Story (1983) and his film debut two years later when he was only 16 in The Legend of Billy Jean. Slater earned some of his first favorable notice starring opposite Sean Connery in The Name of the Rose (1986). He next appeared in Tucker, a Man and His Dream (1988), and more films followed after that, but Slater did not become a star until he co-starred opposite Winona Ryder in the darkly satirical Heathers in which he played an anarchic sociopath. His maniacal over-the-top performance led to comparisons with Jack Nicholson. After Heathers, it looked as if Slater was destined to be typecast into playing lunatic villains or seriously troubled youths. In the latter regard, life seemed to mirror his art.In 1989, he was arrested in West Hollywood for leading the police on a drunken car chase that ended when Slater crashed his car into a telephone pole. While trying to escape the car, he kicked a cop with his cowboy boot and then attempted to flee over a fence. In 1994, he was arrested for taking a gun aboard a plane. In 1997, Slater was arrested for attacking his lover and biting a police officer in the belly while drinking heavily; he was sentenced to spend 90 days in a suburban jail in early 1998, all this just one day after his newest film, Hard Rain, premiered. Shortly after sentencing, Slater admitted that he had also been taking cocaine and heroin at the time. As part of his sentence, he had to serve post-jail time in a drug/alcohol rehab program and attend a year-long program on preventing domestic violence. Despite his personal struggles, Slater has maintained a film career starring as a high school geek with a cool secret life in Pump Up the Volume (1990) to the romantic Bed of Roses (1996) to high-voltage actioners like Broken Arrow (1996). In his 1997 production Julian Po, he gained weight, grew a mustache, and appeared as a suicidal bookkeeper who embezzles money from his company so he can fulfill one final wish. Though subsequent roles in such critically-panned films as 3000 Miles to Graceland, Windtalkers, and Alone in the Dark did little to advance Slater's career, recurring roles in such popular television series' as Aaron Sorkin's The West Wing and J.J. Abrams' Alias offered not only more exposure, but a chance to reestablish himself on the small screen as well. Meanwhile, a promising debut as a secret agent with a duel personality on NBC's My Own Worst Enemy proved a bit of a false start when the network never offered the show a chance to find its legs. Ever resiliant, Slater quicky bounced back with ABC's The Forgotten in 2009 and Fox's Breaking In in 2011, though neither series failed to catch on, leaving the veteran actor to take up arms as a vengeful gunslinger in the 2012 western Dawn Rider, and get caught up in one of history's most notorious blood feud's in Fred Olen Ray's Bad Blood: The Hatfiends and McCoys.

Trivia: One of the leading actors of her generation, Kirsten Dunst made her name in teen films without succumbing to entrapment in the teen film ghetto. Skinny, blonde, and possessing a charmingly crooked Pepsodent smile, she has repeatedly demonstrated her talent and charisma in projects ranging from kiddie comedies to high school romances to towering summer blockbusters.Born in Point Pleasant, NJ, on April 30, 1982, Dunst first appeared in front of a camera at the age of three, when she became a Ford model and commercial actor. She continued to model and do commercials until 1989, when she made her film debut in Woody Allen's New York Stories. Her uncredited role led to a part as Tom Hanks' daughter in the infamously troubled 1990 adaptation of Tom Wolfe's The Bonfire of the Vanities.Three years later, Dunst got her first big break when director Neil Jordan chose her over 5,000 hopefuls for the role of Claudia, the child vampire in his 1994 adaptation of Anne Rice's Interview with the Vampire. Dunst made a big impact on audiences and critics alike with her portrayal of a woman trapped eternally in the body of an 11-year-old, kissing co-star Brad Pitt, and gorging herself on human and animal blood. That same year, Dunst also appeared alongside Winona Ryder and Susan Sarandon in Gillian Armstrong's adaptation of Little Women; the combined success of these two movies propelled Dunst to the top of the child-actor hierarchy, in terms of both bankability and exposure.Dunst followed up with a lead role in the Robin Williams action-fantasy Jumanji (1995), and lent her voice to a few animated features, including Disney's Anastasia (1997). She also had a brief but memorable turn as a refugee from a war-torn country in Barry Levinson's highly praised satire Wag the Dog (1997).1999 marked a turning point in Dunst's career, as she began appearing in films that cast her as a young woman instead of a precocious child. She starred as a small-town beauty queen contestant in the satirical comedy Drop Dead Gorgeous and as one of two teenage girls (the other played by Michelle Williams) who unwittingly uncover the Watergate scandal in Dick, another satirical comedy. Dunst further lived up to her title as one of Teen People's 21 Hottest Stars Under 21 with her leading role as the sexually rebellious Lux in Sofia Coppola's acclaimed adaptation of Jeffrey Eugenides' novel The Virgin Suicides (1999). Her work in the film proved to be a critical breakthrough for Dunst, whom critics praised for her portrayal of the conflicted, headstrong character.Dunst subsequently did her bit for the high school comedy-romance genre, starring as a cheerleader in Bring It On (2000), and as another teen queen in Get Over It (2001); she also forsake makeup and a hairdresser for her role as the archetypal poor little rich girl in crazy/beautiful (2001), a teen romantic drama.Subsequently cast as the actress Marion Davies in Peter Bogdanovich's The Cat's Meow, Dunst got her first shot at playing a grown woman. She garnered praise for her work in the period drama, but any notice she received was quickly eclipsed by the maelstrom of publicity surrounding her starring role as Mary Jane Watson, true love of Peter Parker in Sam Raimi's big-budget adaptation of Spider-Man. Playing opposite Tobey Maguire as the web-spinning superhero, Dunst spent a lot of the movie running around as a damsel in distress, but there was nothing distressing about the 110-million dollars the film grossed in its opening weekend, breaking new box-office records and catapulting both Dunst and Maguire into the rarefied realm of full-fledged movie stars. She would stick with the franchise as it became a trilogy, and she became a bigger star than ever before.Even though Spider-Man gave her a great deal of box-office clout, Dunst would continue to appear in more independent minded films as the years wore on as well. While appearing in films like Mona Lisa Smile and Elizabethtown, Dunst would also earn accolades for appearances in films like Eternal Sunshine of the Spotless Mind, Marie Antoinette, and Melancholia. After spending a couple of years making small appearances in even smaller movies, Dunst resurged in a big way, playing the lead in season 2 of Fargo on FX. Dunst earned raved reviews for her work on the series and spent the next seasons on the awards circuit.

Trivia: Exhibiting perpetual intensity and the dark, hangdog looks of someone who has been run over by life one too many times, Stephen Rea is one of Ireland's most popular and well-respected actors. Although he has acted in films in diverse genres, Rea is most closely associated with his collaborations with director Neil Jordan, particularly The Crying Game, for which he earned Oscar and BAFTA nominations.Born in Belfast, Northern Ireland, in 1943, Rea was brought up in a working-class Protestant family. After training at the Abbey Theatre School, he began acting on the stage, screen, and television, making his film debut in the 1970 thriller Cry of the Banshee. He first collaborated with Jordan in 1982 on Angel, a crime drama in which he played a saxophonist who witnesses a number of brutal murders. The two again collaborated in 1984 on The Company of Wolves, a modern retelling of the Little Red Riding Hood fairy tale. That same year, Rea worked with Mike Leigh on Four Days in July; he would later work with him on Leigh's celebrated Life is Sweet (1991). In addition to his work on the screen, Rea formed the Field Day Theatre Company with playwrights Brian Friel and Seamus Heaney, bringing theatre to rural communities across Ireland.In 1992, Rea was introduced to international audiences with his role as an IRA "volunteer" in The Crying Game. Thanks to the film's great success and the praise surrounding his performance, Rea went on to appear in a number of high profile films, including Jordan's adaptation of Interview with the Vampire and Robert Altman's Ready to Wear, in which he gave a delightful portrayal of an egotistical fashion photographer. In addition to further collaborations with Jordan (1996's Michael Collins, 1997's The Butcher Boy), Rea continued to do solid work in films ranging from dramas (This is My Father, 1998) to comedy spoofs (Still Crazy, also 1998). In 1999 alone, Rea could be seen in no less than four divergent films. Following a turn as a psychiatrist in the big-budget thriller In Dreams, he starred as a bohemian photographer with a predilection for young, deeply insecure women in Audrey Wells' celebrated Guinevere. Later that year, he returned to Ireland for I Could Read the Sky and then starred alongside Julianne Moore and Ralph Fiennes in the adaptation of Graham Greene's The End of the Affair. Over the next several years, Rea would prove to be a consistent presence on screen, appearing in movies like The Good Shepherd, Control, V for Vendetta, and Underworld: Awakening.

Trivia: Internationally known for his charisma and smoldering good looks, Antonio Banderas is the ultimate manifestation of the Latin heartthrob. Born in Málaga, Spain on August 10, 1960, Banderas wanted to become a professional soccer player until a broken foot sidelined his dreams at the age of fourteen. He went on to enroll in some drama classes, eventually joining a theatre troupe that toured all over Spain. His work in the theatre, and his performances on the streets, eventually landed him a spot with the National Theatre of Spain. While performing with the theatre, Banderas caught the attention of director Pedro Almodóvar, who cast the young actor in his film debut, Laberinto de Pasione (Labyrinth of Passion) (1982). He went on to appear in the director's La Ley del Deseo (Law of Desire) (1984), making headlines with his performance as a gay man, which required him to engage in his first male-to-male onscreen kiss. After Banderas appeared in Almodóvar's Matador (1986), the director cast him in his internationally acclaimed Mujeres al Borde de un Ataque de Nervios (Women on the Verge of a Nervous Breakdown) (1988). The recognition Banderas gained for his role increased two years later when he starred in Almodóvar's controversial Atame! (Tie Me Up! Tie Me Down!) as a mental patient who kidnaps a porn star (Victoria Abril) and keeps her tied up until she returns his love.Banderas made his first stateside appearance as an unwitting object of Madonna's affections in Truth or Dare (1991). The following year, still speaking next to no English, he starred in his first American film, The Mambo Kings. It was a testament to his acting abilities that, despite having to learn all of his lines phonetically, Banderas still managed to turn in a critically praised performance as a struggling musician. He broke through to mainstream American audiences as the gay lover of AIDS-afflicted lawyer Andrew Beckett (Tom Hanks) in Philadelphia (1993). The film's success earned Banderas wide recognition, and the following year he was given a substantial role in Neil Jordan's high-profile adaptation of Anne Rice's Interview with the Vampire, which allowed him to share the screen with the likes of Tom Cruise and Brad Pitt. Banderas subsequently appeared in a number of films of widely varying quality, doing particularly strong work in Desperado (1995), Evita (1998), and The Mask of Zorro (1998). In 1999, he made his first foray into directing with Crazy in Alabama, a black comedy starring Melanie Griffith, to whom he had been married since 1996. The following year he starred as an aspiring boxer opposite Woody Harrelson in Play It to the Bone, portrayed a Cuban tycoon with a bad seed bride (Angelina Jolie) in Original Sin, and starred alongside Bob Hoskins and Wes Bentley in The White River Kid. Well established as a hearthrob and a talented dramatic actor by the end of the 1990s, the fact that Desperato director Robert Rodriguez was the only director to have expolored Banderas' comic potential (Banderas provided one of the few memorable performances in Rodriguez's segment of the otherwise abysmal Four Rooms (1995)) hinted at a heretofore unexplored but potentially lucrative territory for the actor. Later approached by Rodriguez to portray the super-spy patriarch in the family oriented adventure comedy Spy Kids (2001), Banderas charmed children and adults alike with his role as a kidnapped agent whose children must discover their inner stregnth in order to rescue their mother and father. After reprising his role in the following year's Spy Kids 2: Island of Lost Dreams, Banderas would next return to more adult oriented roles in both Brian DePalma's Femme Fatale and the ill-fated Ballistic: Ecks vs. Sever (both 2002). After essaying a more historic role in the dramatic biopic Frida (also 2002), the remarkably diverse actor would one again team with Rodriguez for the sprawling Once Upon a Time in Mexico (2003). In 2004 he joined the highly successful Shrek franchise voicing Puss In Boots, and the character became so popular that he appeared in each of the following sequels, and was the subject of his own feature in 2011. In 2005 he played Zorro again, and he had a major part in the dance film Take the Lead. In 2011 he reteamed for the first time in two decades with Pedro Almodovar in the Hitchcock-inspired The Skin I Live In, and the next year he appeared as a mysterious international espionage figure in the action film Haywire. He appeared in a small role in Rodriguez's Machete Kills (2013) and later appeared in The Expendables 3 (2014).

Trivia: From 1923 until his retirement in 1949, American character actor Monte Montague was an adventure-film "regular." In both his silent and sound appearances, Montague was usually seen in comic-sidekick roles. He was busiest at Universal in the 1930s, where he appeared in such serials as Tailspin Tommy (1934), The Adventures of Frank Merriwell(1934) and Radio Patrol (1938). He also showed up in bit parts in the Universal "A" product; he was, for example, Dr. Praetorius' miniaturized King in Bride of Frankenstein (1935). Monte Montague wound up his career at Republic, playing utility roles in that studio's serial and western efforts.

Trivia: British actor Roger Lloyd-Pack is adventuresome. One day, he might be acting in a Shakespeare production (A Midsummer Night's Dream, for example) and the next day in a Tony Dow (of Leave It to Beaver fame) production (U.F.O., for example). In between, Lloyd-Pack might do a little Dickens (Oliver Twist), Fielding (Tom Jones), and Kafka (The Trial), with enough time left over for a quick trip to Transylvania (Interview With the Vampire). Although trained in the classical tradition at the Royal Academy of Dramatic Art and the Royal Shakespeare Company, Lloyd-Pack is as likely to perform works from the new guard as well as the old guard. On occasion, he even acts in experimental adaptations of traditional works. For example, he starred as Prospero in a Shakespeare production of The Tempest -- renamed The Caribbean Tempest -- featuring bongo drums, acrobats, stilt-walkers, and fire-eaters. Lloyd-Pack, who was born in London on February 8, 1944, also performs under two unhyphenated versions of his name: Roger Lloyd Pack and Owen Lloyd Pack. He has been acting in film and television roles since the 1960s, including such well-known productions as Hamlet, Fiddler on the Roof, Nineteen Eighty-Four, Longitude, and the award-winning Yasmina Reza play Art. He is probably best known to British audiences for his role as Trigger in the TV series Only Fools and Horses. His daughter, Emily Lloyd, also acts professionally. His wife is the poet and dramatist Jehane Markham.

Trivia: Romanian actor Marcel Iures took his cinematic bow in the early '70s and spent the next several decades specializing in character portrayals. He often appeared as distinguished and educated men (Pope Pius XII in the 2002 Amen; a doctor in The Cave [2005]; a professor in Youth Without Youth [2007]) or Eastern European ethnic types. Iures' role in the 1994 Interview With the Vampire for director Neil Jordan -- that of a Parisian vampire -- not only took full advantage of the actor's near-Transylvanian origins but channeled his ruddy looks into something far more sinister than his usual evocations.

Trivia: Irish actress Susan Lynch first caught the attention of international audiences as a mythical half-seal, half-human Selkie in John Sayles' widely acclaimed The Secret of Roan Inish. The daughter of an Irish father and Italian mother, Lynch (her brother John is also an actor) got her start performing plays in Gaelic and received her theatrical training at London's Central School of Speech and Drama, where she won Kenneth Branagh's Renaissance Award for Most Promising Student. Lynch broke into television in 1993, when she appeared in an episode of the popular BBC series Cracker and went on to act in a number of miniseries and made-for-TV movies, including Kings in Grass Castles (1998) and the well-received BBC dramatization of Ivanhoe (1997), which cast her as Rebecca. While acting on screens big and small, she continued to appear on the stage, doing particularly notable work in a number of London West End productions, including August Strindberg's Miss Julie, in which she starred in the title role opposite John Hannah. Although Lynch made her film debut in the 1978 drama Northern Lights, it was not until 1994, when she appeared in The Secret of Roan Inish that she began to have a relatively steady cinematic career. That same year, she had a small part as a vampire in Interview With the Vampire, and subsequently starred as a troubled single mother in the romantic thriller Down Time. In 1998, Lynch starred in her most successful film to date, the Irish comedy Waking Ned Devine. The film, which cast the actress as a small-town woman in love with a pig farmer (James Nesbitt), was an international sleeper hit, and helped to give Lynch exposure outside of the UK. The following year, she won the role of Nora Barnacle opposite Ewan McGregor's James Joyce in Nora, the story of the author's real-life relationship with the woman who would both inspire and challenge him throughout his life.

Trivia: An actor whose solid everyman quality has endeared him to audiences and critics alike, Jon Favreau first made his name with 1996's Swingers. The story of a group of rat pack-obsessed, out-of-work actors slumming amiably through life in L.A., the indie-comedy was one of the year's biggest sleeper hits and made a star out of Favreau, who also wrote the script.A native of Queens, NY, where he was born on October 19, 1966, Favreau was raised as the only child of two educators. After attending the Bronx High School of Science, he did an abbreviated stint at Queens College before heading to Chicago to pursue a comedy career. In Chicago, he studied improvisational comedy with Del Close and was a member of the ImrovOlympic troupe. Favreau's time in Chicago ended when he decided to head to L.A. to try and break into film; his experiences as a lovelorn, out-of-work actor would later provide the inspiration for Swingers.After years of false hopes and false starts that took the form of supporting roles in such disappointing films as Rudy and P.C.U., Favreau began channeling his experiences and those of his friends (who included fellow Swingers star Vince Vaughn) into a rudimentary script for Swingers. Encouraged to make his script into a film, the actor despaired of securing enough funding for the project until he met fledgling director Doug Liman, who convinced him that the film could be made for 250,000 dollars. Costs were cut by filming largely without permits and making use of inexpensive shooting locations such as Favreau's own apartment. The film's low-budget charm was sufficient enough to sway the powers-that-be at Miramax who picked it up for distribution. When Swingers was eventually released in 1996, it was hailed by critics as a funny and painfully accurate account of the L.A. scene and its various faux-hipster denizens, as well as the dynamics at work amongst a group of guys (Favreau, Vaughn, and company) and the women they try so desperately to impress. In the wake of the film's success, Favreau, who was being hailed as the latest in the long line of Hollywood "Next Big Things," chose to star in Very Bad Things (1998), a black comedy directed by actor-turned-director Peter Berg. The film, in which Favreau played a soon-to-be married man whose Las Vegas bachelor party goes disastrously wrong, received very mixed reviews, although most critics praised the actor's performance as a "suburban Joe" caught up in circumstances that rapidly spiral beyond his control. After playing the eponymous boxing legend in the made-for-TV Rocky Marciano in 1999, Favreau returned to the screen in 2000 to star as a football player in The Replacements, a sports comedy directed by Howard Deutch. That same year, he returned to the indie scene with Love & Sex, a take on urban romance. In 2001, Favreau re-teamed with Vaughn for Made, a crime comedy that cast the two actors as aspiring mobsters and marked Favreau's feature directorial debut. Also in 2001, Favreau made the jump to the small screen, producing and hosting IFC's Dinner for Five, a candid roundtable program featuring fellow actors and filmmakers. In 2003, not only did Favreau show up in supporting roles in the hits Daredevil and Something's Gotta Give, his sophomore directorial effort, the Will Ferrell holiday comedy Elf proved to be one of the season's biggest crowd-pleasers, grossing over 100 million dollars at the box office. He followed up that success by bringing Chris Van Allsburg's Zathura to the big screen, although it did not match Elf's box office success. After making a few cameos on TV shows like My Name Is Earl and Monk, Favreau re-teamed with Vince Vaughn once again for a supporting role in the 2006 comedy The Break-Up. He also lent his vocal talents to the animated film Open Season. That same year he announced he would be taking on directorial duties for the big screen adaptation of the comic book Iron Man. Though it wouldn't be released until 2008, Iron Man was a huge success, and helped further Favreau's already solid reputation as a director. Favreau went on to direct Iron Man 2 (2010), which enjoyed similar success.Favreau returned to the screen to play a role in the 2009 comedy Couples Retreat (which he also wrote), which follows a group of married adults who realize their inclusion in a tropical vacation depends on taking part in intense, mandatory therapy sessions. The same year, Favreau appeared in the buddy comedy I Love You, Man, and lent his voice to the cast of the animated children's adventure G-Force. In 2011, Favreau directed and produced the popular sci-fi Western Cowboys & Aliens, and worked as an Executive Producer for 2012's blockbuster hit Marvel's The Avengers.

Trivia: A prolific English actress with a marked flair for period drama, Helen McCrory accepted one of her first roles as a New Orleans prostitute in Neil Jordan's gothic horror opus Interview with the Vampire (1994); though this merely constituted a bit part, McCrory gradually ascended to higher billing in outings such as Witness Against Hitler (1995), The James Gang (1997), and Split Second (1999), before tackling the lead role of Anna Karenina in director David Blair's 2001 miniseries adaptation of Leo Tolstoy's seminal novel, and signed for another lead in the humorous made-for-television crime thriller Dead Gorgeous (2002), adapted from the novel On the Edge by Peter Lovesey. McCrory maintained a higher profile and netted more widespread global recognition as the title character's mother in Lasse Hallström's Casanova (2005) and as Cherie Blair, the wife of British prime minister Tony Blair, in the 2006 docudrama The Queen. McCrory then signed for a plum role as Narcissa Malfoy in the fantasy Harry Potter and the Half-Blood Prince (2008).

Trivia: Fine-boned and soft-spoken, Thandie Newton displays a deceptive fragility that is betrayed by the strong, resilient characters she often portrays. The actress was born in London in 1972 to a Zimbabwean mother and British father. It was while a student at a private school in North London that the actress met Australian director John Duigan, who was casting his coming-of-age tale Flirting (1991). Newton won a leading role as the smart, worldly girlfriend of the film's protagonist and starred alongside a then-relatively unknown Nicole Kidman. Her next film of any significance was 1994's Interview With the Vampire, in which she had a minor role alongside Kidman's then-husband, Tom Cruise.The same year, Newton acted as part of an ensemble cast in Loaded, a fairly obscure film directed by Anna Campion, sister of The Piano's Jane Campion. She was then reunited with Flirting director Duigan in 1995 for The Journey of August King, a little-seen feature in which she starred with Jason Patric. Greater recognition came in the form of the same year's Jefferson in Paris, a critically maligned but impressively cast film, in which Newton played Sally Hemings, slave and lover of Nick Nolte's Thomas Jefferson. Acting alongside individuals such as Nolte, James Earl Jones, and Gwyneth Paltrow certainly did little to hurt Newton's reputation and the next year she had yet another starring role, this time opposite Jon Bon Jovi in her third film with director Duigan, The Leading Man.Despite her leading status, Newton still hovered on the border of relative obscurity, something that finally began to change with three 1998 films in which she had major roles. The first was Vondie Curtis-Hall's Gridlock'd, a film that won Newton raves for her turn as a heroine-addicted jazz singer opposite Tim Roth and Tupac Shakur. Beloved, Newton's second film that year, won her further recognition, both for her mere presence in the highly anticipated adaptation of Toni Morrison's novel, and for her portrayal of the mysterious, ghostly girl who torments Oprah Winfrey's Sethe. Finally, it was with her third film of 1998, Besieged, that Newton graduated from relative obscurity to the rank of Hollywood Up and Comer. The film, which was directed by Bernardo Bertolucci and co-starred David Thewlis, received stellar reviews, many of which singled out Newton's performance for particular praise. This, along with a coveted spot on the April 1999 cover of Vanity Fair's annual Hollywood Issue, further cemented the actress' well-deserved status as one of the industry's latest Forces to Be Reckoned With.In 2000, Newton further ascended the ranks of recognition when she starred opposite former Interview With the Vampire co-star Tom Cruise in John Woo's Mission: Impossible II; although the film received mixed reviews, Newton earned almost unanimous approval from critics, who praised her strong, dynamic performance.Over the coming decade, Newton would remain a charismatic and beloved force on screen, appearing in films like Crash, The Pursuit of Happyness, W., and Retreat.

Trivia: Known for her vibrant, intelligent portrayals of women who run the gamut from cold-blooded killers to long-suffering wives, Miranda Richardson is one of the British cinema's foremost purveyors of elegant, energetic dysfunction. Born in Southport, Lancashire, on March 3, 1958, Richardson began acting in school plays and left school at the age of 17 to study drama at the Bristol Old Vic Theatres School. Following her graduation, she acted in repertory theatre, becoming affiliated with Manchester's Liberty Theatre in 1979. Obtaining her Equity card, Richardson performed in a number of regional productions before moving on to the London stage in 1981. While performing on the stage, she also began acting on television and then in film. Her first big break came when she was cast as the real-life Ruth Ellis, the last woman to be executed for murder in Britain, in Mike Newell's Dance with a Stranger (1985). Her astonishing performance as a woman destroyed by her dependence on her loutish lover (played by a sulky Rupert Everett) earned wide critical acclaim, but Richardson remained fairly unknown outside of Britain.In 1987, having turned down the opportunity to play the role that went to Glenn Close in Fatal Attraction, the actress appeared in her first American outing, Steven Spielberg's adaptation of J.G. Ballard's Empire of the Sun. Richardson's portrayal of a doctor's wife interned in a Japanese prison camp provided what little sensual heat there was to be found in the film, but it was not until five years later that American audiences finally took notice of her.In 1992, Richardson had substantial roles in both Damage and The Crying Game. Playing the long-suffering wife of a philandering MP (Jeremy Irons) in the former and a murderous IRA operative in the latter, she impressed both critics and audiences with the spellbinding range and depth of her performances. Her work in both films received a number of honors, including a Best Supporting Actress Oscar nomination for her work in Damage and a BAFTA award in the same category for her portrayal of The Crying Game's Jude. In addition, Richardson won a Golden Globe for her work in another film that year, Mike Newell's Enchanted April, in which she played one of a group of British women who find liberation in the hills of Tuscany.Richardson received her second Oscar nomination and third BAFTA nomination two years later, for her vivid, full-blooded performance in Tom and Viv, in which she played the aristocratic, unstable wife of T.S. Eliot. She subsequently did starring work in films of widely varying quality, turning in particularly memorable performances in Robert Altman's Kansas City (1996) and Robert Duvall's The Apostle (1997). In the first, she demonstrated great wit as a politician's drug-addicted wife, while in the second, she made her small role as a radio station secretary one of the film's most memorable features.Following a turn in David Hare's The Designated Mourner (which was filmed in 1997 as the actors were also performing in its original production on the London stage) and a delightfully nasty stint as the evil queen in Merlin (1998), Richardson could be seen in a number of projects in 1999. Two of these were particularly high-profile, the first being Tim Burton's Sleepy Hollow, in which Richardson did time in a bodice and fright wig to portray a mysterious woman of questionable intention. The second, George Hickenlooper's The Big Brass Ring, was a political drama that featured the actress as the wife of a gubernatorial candidate (William Hurt) whose campaign is severely threatened by his past indiscretions.Richardson ushered in the new millenium with a role in the remake of the classic British crime-thriller Get Carter and by lending her voice to the claymation family film Chicken Run. In 2002, she wowed critics both with her performance in The Hours as well as in David Cronenberg's Spider, a film that had Richardson playing three different characters opposite Ralph Fiennes. After a handful of small films in 2003, the actress returned to the megaplexes as the Queen of Denmark in 2004's The Prince & Me.