Trivia: Long the bad boy of Hollywood, Sean Penn is also among the most fiercely talented actors of his generation. He was born August 17, 1960, in Burbank, CA, the second son of actress Eileen Ryan and director Leo Penn. He grew up in Santa Monica, in a neighborhood populated by future celebrities Charlie Sheen and Emilio Estevez, the sons of actor Martin Sheen. Penn's older brother, Michael, is a singer/songwriter-turned- director, while younger sibling Chris is a noted character actor. The children spent much of their free time together, making a number of amateur films shot with Super-8 cameras. Still, Penn's original intention was to attend law school, although he ultimately skipped college to join the Los Angeles Repertory Theater. After making his professional debut on an episode of television's Barnaby Jones, he relocated to New York, where he soon appeared in the play Heartland. A TV-movie, The Killing of Randy Webster, followed in 1981 before he made his feature debut later that same year in Taps.Penn shot to stardom with 1982's Fast Times at Ridgemont High; as the stoned surfer dude Jeff Spicoli, he stole every scene in which he appeared, helping to elevate the picture into a classic of the teen comedy genre; however, the quirkiness which would define his career quickly surfaced as he turned down any number of Spicoli-like roles to star in the 1983 drama Bad Boys, followed a year later by the Louis Malle caper comedy Crackers and the period romance Racing With the Moon. While none of the pictures performed well at the box office, critics consistently praised Penn's depth as an actor. A turn as a drug addict turned government spy in John Schlesinger's 1985 political thriller The Falcon and the Snowman earned some of his best notices to date, but Penn's performance was quickly lost in the glare of the media attention surrounding his very public romance with pop singer Madonna, which culminated in the couple's 1985 media-circus wedding.While Madonna actively courted press attention, the private Penn made his loathing for the media quite clear; his run-ins with the paparazzi quickly became the stuff of legend, and the notoriety of his temper began to eclipse even his immense acting ability. His penchant for fisticuffs, combined with other civil infractions, ultimately resulted in a 30-day jail sentence; more seriously, his marriage to Madonna began to buckle under the weight of media scrutiny, and, as the couple's star collaboration in the 1987 movie Shanghai Surprise met with box-office disaster, their private relationship was also over. Soured by the Hollywood experience, Penn did not resurface prior to 1988's Colors, which proved to be his biggest hit in some time. He next appeared in Brian DePalma's Vietnam tale Casualties of War, followed by a turn opposite his idol, Robert De Niro, in the 1989 comedy We're No Angels.After starring in the gangster melodrama State of Grace, Penn wrote and directed 1991's The Indian Runner, a film inspired by a Bruce Springsteen song and shaped in the image of the films of John Cassavetes. After an almost unrecognizable turn as a troubled attorney in the 1993 DePalma thriller Carlito's Way, Penn announced his intention to retire from acting in order to focus his full attentions on directing; however, after helming 1995's The Crossing Guard with Jack Nicholson and Anjelica Huston, he was back onscreen, winning an Academy Award nomination for his gut-wrenching portrayal of a death-row inmate in Tim Robbins' Dead Man Walking. By 1997, Penn's wishes for retirement were but a memory as he enjoyed his busiest year yet: In addition to starring opposite second wife Robin Wright in Nick Cassavetes' She's So Lovely -- roles which won both spouses acting honors at the Cannes Film Festival -- he also appeared in the David Fincher thriller The Game and in Oliver Stone's U-Turn. He found further acclaim the following year for his roles in the adaptation of David Rabe's Hurlyburly and Terrence Malick's The Thin Red Line. In 1999, he had a cameo appearance in Spike Jonze's Being John Malkovich and earned his second Oscar nomination as a callous '30s jazz guitarist in Woody Allen's Sweet and Lowdown, while 2000s adaptation of Anita Shreve's novel, The Weight of Water, starred Penn as a poet embroiled in a small town murder mystery. In 2001, Penn would play a fame-craving impressionist in The Beaver Trilogy, serve as narrator in director Stacy Peralta's skateboarding documentary Dogtown and Z-Boys, and direct the psychological drama The Pledge, which marked Penn's second collaboration with Jack Nicholson. In 2002, Penn would once again win critical praise with his Oscar-nominated portrayal of a developmentally disabled man struggling to retain custody of his daughter in I Am Sam.After the 2001 terrorist attacks on the World Trade Center and Pentagon, the left-leaning actor's outspoken political views garnered a great deal of attention from right-wing pundits, including the much aggrieved Bill O'Reilly, who found himself on the receiving end of Penn's animosity in a controversial interview with Talk magazine. Though O'Reilly demanded his viewers boycott any of Penn's future films, it appears his career has remained relatively unscathed. In 2002, Penn directed a segment for the French-produced 9'11"01, which was met with mixed reviews, while his participation in Burkowski: Born Into This (2002) helped the film win a nomination for the Grand Jury Prize at the 2003 Sundance Film Festival. The year 2003 was, in fact, an eventful year for Penn; he participated in two small but nonetheless critically acclaimed films -- Michael Almereyda's documentary This So-Called Disaster and Alejandro González Iñárritu's low-key urban drama 21 Grams -- while managing to claim yet another Hollywood success in actor/director Clint Eastwood's highly lauded Mystic River. In 2004, it was this third film that garnered Penn his fourth Academy Award nomination and, ultimately, his first win. The Oscar, coupled with a standing ovation by the audience, showed once and for all that Penn's unorthodox approach to his acting career hadn't had an adverse effect on his popularity.The following year Penn would return to the screen to document one man's chilling descent into madness in the fact-based psychological drama The Assassination of Richard Nixon, but despite generally favorable reaction from critics the grim feature failed to make much of an impression at the box office. Subsequently sticking to politics with Sydney Pollock's 2005 thriller The Interpreter, Penn would this time find his character attempting to prevent the assassination of a high profile political leader rather than personally carry one out. By the time Penn essayed the role of a populist Southern politician modeled loosely on Depression-era Louisiana governor Huey Long, it seemed as if the serious-minded actor's career had finally become as political as the boat-rocking rhetoric that often found him sailing into the headlines. The third screen adaptation of Robert Penn Warren's influential novel, All the King's Men featured an impressive list of top-name Hollywood talent including Jude Law, Kate Winslet, Anthony Hopkins, Patricia Clarkson, James Gandolfini, and Mark Ruffalo. In 2008, Penn received the Academy Award for Best Actor for his performance in Milk, a biopic starring Penn in the role of politician and civil rights activist Harvey Milk. Shortly afterwards, Penn starred in Fair Game, an adaptation of author Valerie Plame's novel of the same name, and co-starred with Brad Pitt and Jessica Chastain in director Terrence Malick's critically acclaimed drama The Tree of Life in 2011. In 2013, he had a small role as gangster Mickey Cohen in Gangster Squad and a supporting role in The Secret Life of Walter Mitty.

Trivia: A professional actor since the age of nine, Jennifer Jason Leigh earned her Screen Actors Guild card at 16 and dropped out of high school to study at the Lee Strasberg Institute and star in seedy made-for-TV movies. Born to actor Vic Morrow and writer/actress Barbara Turner in Hollywood, CA, Jennifer picked up the middle name Jason from family friend Jason Robards Jr. Throughout her career, she has made a name for herself portraying helpless, damaged, or mentally unsound characters, often performing at a higher level than the material. Also known for extensively researching her roles, Leigh dropped down to less than 90 pounds for one of her first features as an anorexic teenager in the TV-movie The Best Little Girl in the World. Never one to shy away from touchy subject matter, her breakthrough role came in 1982 as the naïve high school girl who gets an abortion in Fast Times at Ridgemont High. After a decade of developing a repertoire of various troubled characters, she was nominated for two Critics Circle awards in 1990 for playing prostitutes in both Miami Blues and Last Exit to Brooklyn. She would continue to play vulnerable characters in dangerous situations as the rookie narcotics officer-turned-drug addict in Rush. This was followed by her notorious role as the psycho roommate Hedra who tries to steal the identity of her roommate (Bridget Fonda) in Single White Female. She played a phone sex worker in the ensemble film Short Cuts, her first of three projects involving director Robert Altman. Leigh occasionally stepped out of her down-and-out roles, and in 1994 she shined as Amy Archer in The Hudsucker Proxy. Her comic turn as a plucky undercover journalist was said to recall the work of legendary actresses like Katharine Hepburn and Barbara Stanwyck. She delivered critically acclaimed performances in her next two films, with a Golden Globe nomination for Mrs. Parker and the Vicious Circle and an Independent Spirit nomination for Georgia. After playing an angry daughter in Dolores Claiborne, a spitfire kidnapper in Kansas City, and a domestic violence survivor in Bastard out of Carolina, she took another dramatic turn toward a period film. In Agnieszka Holland's Washington Square, Leigh proved her range by portraying a shy, clumsy girl as she evolves into adulthood. She returned to more showy roles for two films dealing with Shakespeare's King Lear: A Thousand Acres with Jason Robards Jr. and the fourth Dogme 95 film, The King Is Alive. Not limiting herself to dramas, Leigh appeared as an isolated computer programmer in David Cronenberg's thriller eXistenZ and as an over-the-top mom in the comedy Skipped Parts. Around that time, she also appeared on-stage in Broadway and off-Broadway plays, most notably as dancer Sally Bowles in Cabaret. Testing out new ground in 2001, she and fellow Cabaret star Alan Cumming wrote, directed, and starred in the ensemble comedy The Anniversary Party, a digital video project inspired by Dogme 95. Continuing to evolve as a respected actress, she went on to work in the crime genre, first as a hitman's wife in Road to Perdition, and then in Jane Campion's thriller In the Cut. In the several years to come, Leigh would remain an active force on screen, appearing most memorably in films like Margot at the Wedding, Synecdoche, New York, and on the series Weeds. After several years of quiet films, she made a splash in 2015 with two very different movies - the stop-motion film Anomalisa (directed by Charlie Kaufman and Duke Johnson) and The Hateful Eight, a western homage by Quentin Tarantino. Leigh nabbed an Oscar nomination for her work The Hateful Eight, the first in her career.

Trivia: Following his training at the North Carolina School of the Arts, actor Judge Reinhold worked in regional repertory, dinner theaters, and "outdoor" dramas. He gained prominence in TV roles as gawky teenagers, notably the lead in the syndicated Capital Cities Special A Step Too Slow. In films from 1979, Reinhold's first major role was high schooler Brad in Fast Times at Ridgemont High. He hit his stride in 1984, playing the nice-guy detective sent to trail Eddie Murphy in Beverly Hills Cop (1984). Though he has proven a convincing villain when the need has arisen, Judge Reinhold has thrived in parts calling for decency and dependency. Reinhold's career slowed down a bit during the '90s and in the early part of the decade he seemed destined to be relegated to B-movies and television films such as Four Eyes and Six Guns (1993), but in 1994, he appeared in two major features, Beverly Hills Cop III and The Santa Clause.

Trivia: After winning a Tony Award in 1981 for his performance in Woody Allen's The Floating Light Bulb, Brooklyn-born Brian Backer landed the part of Mark "Rat" Ratner in the classic 1982 comedy Fast Times at Ridgemont High. In the years that followed, he appeared in several television guest spots and small roles in films like Police Academy 4: Citizens on Patrol and The Money Pit.

Trivia: After shooting to stardom during the '80s in a string of youth-orientated movies, former model Phoebe Cates hit her stride in the '90s as a featured player in ensemble films. Born Phoebe Belle Katz on July 16, 1963 in New York City, Cates is the daughter of television producer Joseph Cates (The $64,000 Question) and the niece of film director Gilbert Cates (1970's I Never Sang for My Father). Joan Crawford was her godmother. While growing up in Manhattan, Cates attended New York's prestigious Professional Children's School. An exceptional dancer, she studied with the School of American Ballet until a knee injury forced her to quit in 1977. At the suggestion of the family for which she babysat, she began modeling in teen magazines and commercials. A few years later, director Stuart Gillard saw Cates dancing with friends at New York's Studio 54 and offered her the lead role in his Blue Lagoon (1980) knock-off, Paradise (1982). She then gave a standout performance as Jennifer Jason Leigh's sexually mature best friend in Amy Heckerling's Fast Times at Ridgemont High (1982), before starring in Private School (1983). Besides appearing in the film's infamous "mooning" scene (during which the cast flashes the audience), Cates recorded two songs for Private School's soundtrack, "Just One Touch" and "How Do I Let You Know."In 1984, with her star on the rise, Cates portrayed a young actress bent on destroying her deadbeat mother in the notoriously tasteless television film Lace (1984). That same year, she signed on to play the love interest in Joe Dante's horror-comedy Gremlins. Written by Chris Columbus and produced by Steven Spielberg's Amblin Entertainment, the bizarre, special effects-laden film about a group of strange and violent creatures was a colossal success -- despite premiering only two weeks after Indiana Jones and the Temple of Doom (1984) and on the same day as Ghostbusters (1984). After returning for Lace 2 (1985), Cates appeared as Michael J. Fox's model wife in Bright Lights, Big City (1988) and as a young bride-to-be in the coming-of-age film Shag (1989).Cates began the '90s at a personal low, starring in the sequel to Gremlins, Gremlins 2: The New Batch (1991), and in Ate de Jong's disastrous Drop Dead Fred (1991). She quickly revived her career opposite Bridget Fonda, Eric Stoltz, and Tim Roth in the Generation X comedy Bodies, Rest & Motion (1993), before earning rave reviews for her performance as the mysterious title character in Princess Caraboo (1994). The film also starred Cates' husband, actor Kevin Kline. The actress appeared as herself in Scratch the Surface (1997), a documentary about teen fashion models in the '80s, and then opted to take a short break from show business in order to care for her children. After a four-year hiatus, Cates returned to the screen in The Anniversary Party (2001), an ensemble film co-written and co-directed by her friend and Fast Times at Ridgemont High co-star Jennifer Jason Leigh and actor Alan Cumming. Acting opposite Kline (who portrayed her fictional husband in the film), Cates played none other than an actress who has left show business to raise a family.In addition to her screen work, Cates has also appeared frequently on the stage. Her numerous theater credits include The Tenth Man at Lincoln Center, Much Ado About Nothing at the New York Shakespeare Festival, The Seagull and The Three Sisters at the La Jolla Playhouse, and Romeo and Juliet at the Goodman Theater.

Trivia: Raised in New Orleans' French Quarter, Ray Walston relocated to Houston, where he first set foot on stage in a community production of High Tor. Walston went on to spend six years at the Houston Civic Theater then three more at the Cleveland Playhouse. Moving to New York, he worked as linotype operator at the New York Times before landing small parts in theatrical productions ranging from Maurice Evans' G.I. Hamlet to The Insect Comedy. He won Theater World's "Most Promising Newcomer" award for his portrayal of Mr. Kramer in the original 1948 production of Summer and Smoke. In 1950, he was cast as "big dealer" Luther Billis in the touring and London companies of South Pacific, and it was this that led to a major role in Rodgers & Hammerstein's 1953 Broadway musical Me and Juliet. Two years later, he was cast in his breakthrough role: the puckish Mr. Applegate, aka The Devil, in the Adler-Ross musical smash Damn Yankees. He won a Tony Award for his performance, as well as the opportunity to repeat the role of Applegate in the 1958 film version of Yankees; prior to this triumph, he'd made his film debut in Kiss Them for Me (1957) and recreated Luther Billis in the 1958 filmization of South Pacific. A favorite of director Billy Wilder, Walston was cast as philandering executive Dobisch in The Apartment (1960) and replaced an ailing Peter Sellers as would-be songwriter Orville J. Spooner in Kiss Me, Stupid (1960). Having first appeared on television in 1950, Walston resisted all entreaties to star in a weekly series until he was offered the title role in My Favorite Martian (1963-1966). While he was gratified at the adulation he received for his work on this series (he was particularly pleased by the response from his kiddie fans), Walston later insisted that Martian had "ruined" him in Hollywood, forever typecasting him as an erudite eccentric. By the 1970s, however, Walston was popping up in a wide variety of roles in films like The Sting (1974) and Silver Streak (1977). For the past two decades or so, he has been one of moviedom's favorite curmudgeons, playing such roles as Poopdeck Pappy in Popeye (1980) and officious high school teacher Mr. Hand, who reacts with smoldering rage as his class is interrupted by a pizza delivery in Fast Times at Ridgemont High (1982). He would re-create this last-named role in the weekly sitcom Fast Times (1985), one of several TV assignments of the 1970s and 1980s. In 1995, Ray Walston reacted with schoolboy enthusiasm upon winning an Emmy award for his portrayal of irascible Wisconsin judge Henry Bone on the cult-fave TVer Picket Fences.

Trivia: Had he been in Hollywood in the 1930s or 1940s, Vincent Schiavelli's Halloween-mask countenance, shock of unkempt hair and baleful voice might have permanently consigned him to minor roles in horror or gangster pictures. As it happened, Schiavelli became an actor during the 1960s, a period when, thanks to unpretty stars like Elliott Gould and Dustin Hoffman, homeliness opened more career doors than it closed. After several seasons' worth of stage experience, Schiavelli made his first film appearance in Milos Forman's Taking Off (1971) playing a pot-smoking support group leader by the name of...Schiavelli. He would work with Forman again on several occasions, most memorably as Salieri's(F. Murray Abraham) phlegmatic valet in the opening scenes of Amadeus (1984). In 1972, Schiavelli played his first regular TV-series role, gay set designer Peter Panama in The Corner Bar. Fourteen years later, he could be seen as oddball science teacher Hector Vargas in the weekly sitcom Fast Times, repeating his role from the 1982 theatrical feature Fast Times at Ridgemont High. One of his best-known screen roles was the ill-tempered Subway Ghost, who teaches newly dead Patrick Swayze how to move solid objects with sheer "hate power" in the 1990 blockbuster Ghost. Tim Conway fans are most familiar with Schiavelli through his appearances as Conway's dull-witted assistant in the popular Dorf videocassettes. Previously married to actress Allyce Beasley, the couple would part ways in 1988 and Schiavelli would subsequently wed Carol Mukhalian.

Trivia: American actress Amanda Wyss has been active since the early '80s. Wyss started out with teenaged supporting roles in such efforts as Fast Times at Ridgemont High (1981) and A Nightmare on Elm Street (1984). On a more adult level, she made an excellent impression as an imperiled homesteader in the 1985 "retro" Western Silverado. TV fans know Amanda Wyss best as reporter Randi McFarland on the first season (1992-1993) episodes of the syndicated favorite Highlander.

Trivia: Forest Whitaker attended college on a football scholarship, then, interested in Opera, transferred to U.S.C. on two more scholarships to study Music and Theater. He landed small roles on television and in two films, beginning with Fast Times at Ridgemont High (1982). He got his big break when he appeared in Oliver Stone's Platoon and Martin Scorsese's The Color of Money (both 1986). After a few more supporting roles, Whitaker got his first lead in Clint Eastwood's Bird (1988), in which he played the title role -- heroin-addicted jazz great Charlie Parker, a performance which won him the 1988 Cannes Film Festival Best Actor award. Although now better-known as an lead actor, he was unable to greatly capitalize on his success and remained primarily a supporting player in films. He is the older brother of actor Damon Whitaker.

Trivia: Eric Stoltz has appeared in a number of major and minor features and on television. While growing up, the pale, slender, and red-haired Stoltz spent time in American Samoa. His interest in acting began in high school where he not only acted in productions, but also occasionally accompanied them on piano. While attending U.S.C., Stoltz studied theater arts but left the program to study under Stella Adler, William Taylor, and Peggy Feury. Afterward, Stoltz spent a season in Edinburgh performing with an American repertory company. Upon his return stateside, Stoltz appeared in the television movie version of humorist Erma Bombeck's novel The Grass Is Always Greener Over the Septic Tank (1978). He would appear in three more television films before making his film debut in Amy Heckerling's Fast Times at Ridgemont High (1982) alongside such other would-be stars as Sean Penn, Anthony Edwards, and Jennifer Jason Leigh. From there, Stoltz appeared in a series of low-budget films such as Running Hot (1982) and Surf 2 (1984), and he might well have remained at that level had he not been cast as Rocky Dennis in Peter Bogdanovich's Mask (1986). Playing a young teen suffering from lionitis, a terminal disease that drastically deforms the skull, Stoltz had to wear pounds of makeup and prosthetics (the makeup won Oscars for designers Zoltan Elek and Michael Westmore) that left him with only his voice, his eyes, and his body with which to convey emotions. Starring opposite Cher, who played his drug-addicted biker-chick mother, Stoltz gave a moving performance that earned him critical and audience acclaim. But though it made Stoltz popular, full-fledged stardom eluded him and he continued appearing in moderately successful and low-budget films, including John Hughes' romantic drama Some Kind of Wonderful (1987). In addition to his film work, Stoltz has had a busy Broadway career that began in 1988 with a Tony-nominated starring role in a revival of Thornton Wilder's Our Town, and a sporadic television career making guest appearances on such series as Mad About You and in TV movies. Stoltz has occasionally produced films such as Mr. Jealousy (1997). In 2002 Stoltz reteamed with Killing Zoe director Rogery Avery for the pitch-black college comedy The Rules of Attraction, and the following decade found him increasingly active on the small screen with roles in Will & Grace, Close to Home, Grey's Anatomy, and the 2009 Battlestar Galactica spin-off Capricia. Meanwhile, back on the silver screen, Stoltz earned accolades for his leading role as a conflicted barber of German heritage forced to suppress his American patriotism after moving his family to a post-World War II military base which houses a German POW camp.

Trivia: Manhattan-born character actor James Russo has been showing up in hard-bitten film supporting roles since 1981. In the otherwise teen-oriented Fast Times at Ridgemont High (1982), Russo brought a welcome gust of reality as a nasty robber. His gangster characters have borne spell-it-out names like Bugsy (1982's Once Upon a Time in America) and Vince Hood (1984's Cotton Club). Even in such westerns as 1994's Bad Girls, James Russo could be counted upon to show up as a Bad Boy (in this instance, a worthy by the name of Kid Jarret).

Trivia: Actor Nicolas Cage has always strived to make a name for himself based on his work, rather than on his lineage. As the nephew of filmmaker Francis Ford Coppola, Cage altered his last name to avoid accusations of nepotism. (He chose "Cage" both out of admiration for avant-garde musician John Cage and en homage to comic book hero Luke Cage). Even if he had retained the family name, it isn't likely that anyone would consider Cage holding fast to his uncle's coattails. Time and again, Cage travels to great lengths to add verisimilitude to his roles.Born January 7, 1964, in Long Beach, CA, to a literature professor father and dancer/choreographer mother, Cage first caught the acting bug while a student at Beverly Hills High School. After graduation, he debuted on film with a small part in Amy Heckerling's 1982 classic Fast Times at Ridgemont High. Following a lead role in Martha Coolidge's cult comedy Valley Girl (1983), Cage spent the remainder of the decade playing endearingly bizarre and disreputable men, most notably as Crazy Charlie the Appliance King in Peggy Sue Got Married (1986), Hi McDonough in Raising Arizona (1987), and Ronny Cammareri in the same year's Moonstruck, the last of which won him a Golden Globe nomination and a legion of female fans, ecstatic over the actor's unconventional romantic appeal.The '90s saw Cage assume a series of diverse roles, ranging from a violent ex-con in David Lynch's Wild at Heart (1990) to a sweet-natured private eye in the romantic comedy Honeymoon in Vegas (1992) to a dying alcoholic in Mike Figgis' astonishing Leaving Las Vegas (1995). For this last role, Cage won a Best Actor Oscar for his quietly devastating portrayal, and, respectability in hand, gained an official entrance into Hollywood's higher ranks. After winning his Oscar, along with a score of other honors for his performance, Cage switched gears in a way that would prove to be, with the occasional exception, largely permanent. He dove into a series of action movies like the Michael Bay thriller The Rock, the prisoners-on-a-plane movie Con Air, and the infamous John Woo flick Face/Off. Greeted with hefty paychecks and audience approval, Cage forged ahead on a career path lit largely with explosions.There would be exceptions, like 1998's City of Angels, a remake of Wim Wenders' Wings of Desire, and Martin Scorsese's Bringing Out the Dead, and the the lightly dramatic romantic comedy The Family Man, but Cage stuck mostly to thrillers and action movies. A spate of such films would fill his resume, like Gone in 60 Seconds, The Life of David Gale, 8MM, and Snake Eyes, but Cage would briefly revisit his roots in character work, teaming with Being John Malkovich director Spike Jonze in 2002 for a duel role in the complex comedy Adaptation (2002). With Cage appearing as both screenwriter Charlie Kaufman as well as his fictional brother Donald, Adaptation followed Charlie's attempt to adapt author Susan Orlean's seemingly unfilmable novel The Orchid Thief as a feature film, and Donald's parallel efforts to write his own hacky yet lucrative script by following the guidance of a caustic, Syd Field-like screenwriting instructor (Brian Cox). A weighty role that demanded an actor capable of portraying characters that couldn't differ more emotionally despite their outward appearance, Adaptation brought Cage his second Oscar nomination -- and he was soon back to business as usual.2004 saw the release of the megahit adventure film National Treasure, which cast Cage as an archaeologist convinced there's a treasure map on the back of the U.S. Declaration of Independence. The outrageous film would earn a sequel in 2007, but first Cage made the ill-advised decision to star in Neil LaBute's reworking of the Robin Hardy/Anthony Shaffer collaboration The Wicker Man (2006). Though video compilations of the movie's most hilariously hackneyed moments would become popular on the internet, Cage was soon portraying a motorcycle-driving stuntman who sells his soul to Mephistopheles -- in Mark Steven Johnson's live-action comic book adaptation Ghost Rider. Upon premiering in the States, the film became a big success. In the same year's sci-fi thriller Next, directed by Lee Tamahori, Cage plays Cris Johnson, a man who attains the ability to see into the future and must suddenly decide between saving himself and saving the world; the film failed to ignite the way Ghost Rider did just a couple months before it. Next came Bangkok Dangerous, Knowing, The Bad Lieutenant: Port of Call - New Orleans, Drive Angry, Seeking Justice, and Trespass -- all high octane, high adrenaline movies that found Cage diving, leaping, and shooting his way through the story. Cage found himself with a surprise hit in Matthew Vaughn's Kick-Ass (2010), playing a vigilante former cop in the black comedy film. He voiced the main character in 2013's animated The Croods, but then mostly stuck to action-crime-thriller-type movies for the next couple of years, including films like Left Behind (2014), The Runner (2015) and The Trust (2016).

Trivia: Lanky blond and balding actor Anthony Edwards' career reached a pinnacle with his role as the easy-going Dr. Green on the hit NBC television series E.R.. While his rise to fame seems sudden, the actor has been in the business since he was 12 years old. At that young age, Edwards began acting on stage. For the next five years he would act in over 30 plays before going to study at the prestigious Royal Academy of Arts in London in 1980. He also studied drama at USC, Los Angeles. While there he made his feature-film debut in Fast Times At Ridgemont High (1982). Unlike many actors who are typecast into certain roles in particular genres, Edwards has remained firmly between genres, having played in everything from teen exploitation flicks (Revenge of the Nerds [1984]), and serious drama (Mr. North [1988]), to actioners (Top Gun [1986]) and thrillers (Downtown [1990]). In 1992, Edwards had a recurring and memorable role as the environmentally-hypersensitive Bubble man on the popular offbeat CBS TV show Northern Exposure. He continued to work on ER until the show's 8th season in 2001, and co-starred Daryl Hannah and Ben Foster in the fantasy drama Northfolk in 2003. Edwards continued to find success as an actor and producer throughout the mid-2000s, and in 2007 took on the role of Inspector William Armstrong in Zodiac, director David Fincher's docudrama chronicling the gruesome story of the serial murderer known as the Zodiac killer. In 2008 he starred in The Dark Lurking, a sci-fi thriller, and starred along with Minnie Driver and Uma Thurman in the independent comedy Motherhood the following year. In 2010 he co-starred in director Rob Reiner's coming-of-age comedy Flipped.

Trivia: The little sister of rock legend Bruce Springsteen, Pamela Springsteen made her film debut in Fast Times at Ridgemont High (1982). She went on to staff a number of teen comedies through the decade including My Science Project (1985) and The Gumshoe Kid (1989).

Trivia: While attending New York University, Martin Brest directed the award-winning student project Hot Dogs for Gaugin, starring a then-unknown Danny De Vito. Brest went on to produce, direct, write, and edit Hot Tomorrows (1977) for the American Film Institute. These formative efforts caught the eye of Warner Bros.; the studio hired the 27-year-old Brest to direct the venerable George Burns, Art Carney, and Lee Strasberg in the melancholy comedy Going in Style (1979). The handling of this film evinced a maturity well beyond Brest's physical age, and it looked for awhile as though Hollywood had another wunderkind on its hands. Brest developed the teenage-oriented suspense film WarGames, but the project was wrested from his control after an on-set tiff with the producers. For nearly two years, Brest was virtually blacklisted, surfacing only for an acting assignment in Fast Times at Ridgemont High (1982). The director made a successful comeback with the mega-hit Beverly Hills Cop (1984); he has continued to prosper professionally, winning an Oscar nomination for Scent of a Woman (1992), which he produced as well as directed. Brest is married to producer Lisa Weinstein.

Trivia: A founding member and lead guitarist for the pioneering hard-rock group Heart, Nancy Wilson has penned a few songs for feature films, such as Jerry Maguire (1996).

Trivia: Though pretty television and B-movie actress Lana Clarkson would sadly gain more career attention in death than in life, she will forever be remembered by friends and fans alike for her winning sense of humor and down-to-earth friendliness. Born in Long Beach, CA, in 1962, Clarkson showed a penchant for entertaining early on by reciting stories and nursery rhymes to anyone willing to lend their attention to the outgoing young lass. After vocally declaring her independence by age five, Clarkson and her family would eventually settle in Cloverdale, CA, in the early '70s, where she would begin her lifelong love of horseback riding. A basketball player at Cloverdale High, the towering 16-year-old soon began to harbor modeling aspirations. After moving to Los Angeles in 1978, Clarkson's dreams would become realized as the striking young beauty stepped before the cameras of fashion photographers while simultaneously beginning a successful career in film and television. Appearing in such television hits as Happy Days and Fantasy Island (she could frequently be seen placing leis on guest stars at the beginning of the show), at age 18 Clarkson acquired her SAG card with a role in Fast Times at Ridgemont High (1982). Though roles in Scarface (1983) and Blind Date (1984) would follow soon after, it was Clarkson's appearance in such Roger Corman efforts as Deathstalker and Barbarian Queen that would truly endear the attractive young actress to legions of B-movie lovers. Living in the canals of Venice, CA, in her later years, Clarkson's winning sense of humor lead her to explore a career in standup comedy, and after breaking her wrists in a fall in 2001, the optimistic actress used her recovery time to focus her career. In early 2003, the world of film would lose an enduring and shining personality as Clarkson's life was abruptly ended with a bullet. She was 40.

Trivia: Sonny Carl Davis came to the movies from an earlier stint on the music scene in Austin, TX. His rock group, Sons of Coyote, appeared for a time in the 1970s before metamorphosing into the Sons of Uranium Savage. His entertainment career took an upward turn when director Eagle Pennell cast him as one of the two lead characters in the offbeat film The Whole Shootin' Match (1979). Thus began the actor's career of making memorable portrayals of the diverse character parts assigned to him. After playing a redneck entrepreneur in The Whole Shootin' Match, Davis performed in one more Pennell film. Turning in one of his most outstanding performances, Davis played the aging Don Juan character in Last Night at the Alamo (1983). One of the great scenes in film occurs when the handsome, suave, pick-up artist removes his cowboy hat only to reveal a balding head. The change in persona is so great that audiences gasped out loud at the contrast.Davis is perhaps best known for his portrayal of the businessman with attitude in the highly acclaimed film Fast Times at Ridgemont High (1982), in which Davis set the benchmark for how to make yourself heard at a fast-food restaurant. Davis also starred as Louise's restaurant co-worker in Thelma & Louise (1991).Throughout the '80s and '90s, Davis appeared in dramas and comedies in the theaters as well as made-for-television movies, often turning in performances that deserved a wider audience than these limited vehicles gave him. Notable among these were his portrayals in Nowhere to Run (1988); A Pair of Aces (1990); Bad Channels, Seedpeople, and Ned Blessing, all made in 1992; and Fair Game in 1995. Davis' next performances included his 2001 portrayal of a Santa Claus at the wrong place at the wrong time, in I Saw Mommy Kissing Santa Claus; and in Big Time, made the same year.