Trivia: Best known as the loose-limbed klutz Jack Tripper from the hit ABC sitcom Three's Company, John Ritter also had a long (if undistinguished) film career, dating back to the early '70s. Perhaps taking a cue from Robin Williams, Ritter fashioned a full beard when he put his slapstick days behind him, remaking himself as a serious dramatic actor both on television and in the movies in the 1990s. Ritter was born in Burbank, CA, on September 17, 1948, the second son of Western singing stars Tex Ritter and Dorothy Fay, whose talent for song he once admitted he did not inherit. Ritter was class body president at Hollywood High School before enrolling at the University of Southern California, where he majored in psychology and minored in architecture. In his third year, he decided to take a drama class taught by Nina Foch, and quickly changed his major, graduating in 1971. (He later studied with Stella Adler and the Harvey Lembeck Comedy Workshop.) His first film role was in the 1971 film The Barefoot Executive.Minor roles during the 1970s finally gave way to major success in 1977, when Ritter was cast as the pratfalling roommate of two beautiful Southern Californian women on Three's Company. The program became one of the most popular on the air, known for its farcical scenarios based on wild misunderstandings, some of which were fueled by Ritter's Jack Tripper pretending to be gay to throw off the landlord. Ritter was praised for his sharp timing and rubbery ability to bounce around the set through all variety of physical comedy. His work earned him an Emmy. Having become a major television star, Ritter enjoyed the program's success through 1985, when its spin-off (Three's a Crowd) went off the air. He worked on TV movies during the show's run, and found more TV work awaiting him upon its conclusion (the dramedy Hooperman in 1988, the comedy Hearts Afire in 1992). His familiar mug and goofball shtick earned him leads in a handful of lesser film comedies in the late '80s and early '90s, including Real Men (1987), Skin Deep (1988), Stay Tuned (1992), and two Problem Child films (1990 and 1991), on the set of which he met future wife Amy Yasbeck.Not satisfied with his comic pigeonholing, Ritter took well-received strides toward drama in the 1990s. He made a lasting impression on critics as a gay dollar-store owner in Billy Bob Thornton's Sling Blade (1996), as well as a psychiatrist treating a hitman in Henry Bromell's Panic (2000). Ritter has also made recurring guest appearances on the hit television programs Ally McBeal and Felicity, the latter of which cast him in the agonizing role of a frequently relapsing alcoholic father. In 2002 Ritter returned to television in his own new comedy series, 8 Simple Rules for Dating my Teenage Daughter. Though the show proved a modest success, Ritter's sudden death due to aortic dissection in early September of 2003 left castmates and fans alike shocked and deeply saddened.

Trivia: Remembered by countless fans as the adorable Janet Wood from the sitcom Three's Company, Joyce DeWitt was earning her master's at UCLA when she took an interest in acting. She began with a small appearance on the series Baretta, and soon found herself offered the choice of auditioning for one of two different comedy pilots. The one she picked was Three's Company, and as fate would have it, the sitcom was picked up. It premiered in 1976 and became a huge hit, running until 1984.Sadly, DeWitt largely disappeared from show business after Three's Company ended. Rumors circulated that DeWitt had suffered mistreatment by the show's producers and lost interest in Hollywood. After some years had passed, however, DeWitt came out of retirement, appearing in a number of movies in the new millennium like 2001's 18 and 2009's Call of the Wild.

Trivia: While a still scrawny, undersized pre-teen in Morgantown, WV, Don Knotts dreamed of becoming an entertainer, but was too nervous to offer himself as a "single." Purchasing a dummy named Danny, Knotts worked up a ventriloquist act (admittedly stolen from Edgar Bergen) and headed to New York to seek his fortune. After flunking out twice on Major Bowes' Amateur Hour, Knotts returned to Morgantown. He attended West Virginia University as a speech major, intending to become a teacher. He was given a second opportunity to hone his entertaining skills while in Special Services during World War II. He continued pursuing ventriloquism until the fateful night that he threw his dummy into the ocean: "I wanted to get the laughs," Knotts would explain later. And laughs he got as a monologist from both GI and civilian audiences. Never completely conquering his stage fright, Knotts incorporated his nervousness into his act, impersonating such tremulous creatures as a novice TV weatherman and a tongue-tied sportcaster. In New York after the war, Knotts secured work on a local children's show before spending several years on the daytime soap opera Search for Tomorrow. In 1955, Knotts was cast in two small roles in the Broadway play No Time for Sergeants, which starred another teacher-turned-monologist named Andy Griffith, who would become Knotts' lifelong friend and co-worker. From 1955 through 1960, Knotts was a regular on The Steve Allen Show, provoking uncontrollable bursts of laughter as the bug-eyed, quivering "man on the street." He made his screen debut in the 1958 film version of No Time for Sergeants, re-creating his stage role of the squeaky-voiced coordination therapist. In 1960, he was cast as uptight, self-important, overzealous, magnificently inept deputy Barney Fife on The Andy Griffith Show. This was the role that won Knotts seven Emmies: five during his five-year tenure on the series, and two more when he returned to the show as a guest star in 1966 and 1967. Knotts left the Griffith Show when his contract expired in 1965, hoping to achieve movie stardom. From 1966 through 1971, Knotts ground out a series of inexpensive comedies for Universal (called "regionals" because they played primarily in non-urban and rural theaters). Panned or ignored by the critics on their first release, many of Knotts's starring films, especially The Ghost and Mr. Chicken (1966) and Shakiest Gun in the West (1967), became fan favorites. Arguably, however, the best of Knotts' 1960s films was made at Warner Bros. while he was still an Andy Griffith regular: The Incredible Mr. Limpet, a blend of animation and live-action wherein Knotts was ideally cast as a henpecked husband who metamorphosed into a war-hero fish.In 1970, Knotts starred in his own TV variety series, which opened to good ratings but ran out of gas after a single season. He resumed his film career, first at Disney, then teamed with Tim Conway in a handful of cheap but amusing B-grade features (The Private Eyes, The Prize Fighter). He also returned to television as self-styled roué Mr. Furley on Three's Company (1979-1984) and as gung-ho principal Bud McPherson on the syndicated What a Country! (1986). That same year, Knotts reprised his most venerable role of Deputy Fife in the made-for-TV movie, Return to Mayberry, the last act of which saw the character becoming the sheriff of Mayberry, NC.Despite his advancing age, Knotts' output increased in the 1990s and early 2000s. He appeared as a school principal in the Rick Moranis/Tom Arnold comedy Big Bully (1996). Additional roles included a television repairman in Big scribe Gary Ross's 1998 directorial debut, Pleasantville; the voice of T.W. Turtle in Cats Don't Dance, the voice of Turkey Lurkey in the 2005 Disney comedy Chicken Little, and a turn as "The Landlord" on an episode of That '70s Show that represented a deliberate throwback to Three's Company. Knotts spent much of his final decade teaming up with his old friend and co-star, Tim Conway, on the voiceovers for the Hermie and Friends series, contemporary Christian animated videos about a bunch of colorful insects. The world lost Don Knotts on February 25, 2006; he died in Beverly Hills, CA. In his final years, Knotts's appearances on the big or the small screen were greeted with the sort of appreciative laughter and applause that is afforded only to a genuine television icon.

Trivia: Born into a prosperous New York family, Jan Sterling was educated in private schools before heading to England, where she studied acting with Fay Compton. Billed as Jane Sterling, she made her first Broadway appearance at the age of fifteen; she went on to appear in such major stage offerings as Panama Hattie, Over 21 and Present Laughter. In 1947, she made her movie bow--billed as Jane Darian for the first and last time in her career--in RKO's Tycoon. Seldom cast in passive roles, Sterling was at her best in parts calling for hard-bitten, sometimes hard-boiled determination. In Billy Wilder's searing The Big Carnival (1951), she played Lorraine, the slatternly, opportunistic wife of cave-in victim Richard Benedict, summing up her philosophy of life with the classic line "I don't go to church. Kneeling bags my nylons." In 1954, Jan was nominated for an Academy Award for her portrayal of Sally McKee, a mail-order bride with a questionable past, in The High and the Mighty. In a prime example of giving one's all to one's art, Sterling submitted to having her eyebrows shaved off for a crucial scene; her brows never grew back, and she was required to pencil them in for the rest of her career. Also in 1954, Sterling travelled to England to play Julia in the first film version of George Orwell's 1984; though her character was a member of "The Anti-Sex League," Sterling was several months pregnant at the time. Having no qualms about shuttling between films and television, she showed up in nearly all the major live anthologies of the 1950s. She was also a panelist on such quiz programs as You're In the Picture (1961) and Made in America (1964). Married twice, Sterling's second husband was actor Paul Douglas. Jan Sterling retired from films in favor of the stage in 1969; she returned before the cameras in 1976 to portray Mrs. Herbert Hoover in the TV miniseries Backstairs at the White House.

Trivia: Grew up in an acting family and used to practice and perform in the basement. After college, she performed on stage in New York before taking a 10-year break to raise her children. Played Scott Baio's mother in three different series—Happy Days, spin-off Joanie Loves Chachi and Charles in Charge. Began actively participating in summer theater in Idaho in 1990. Performed opposite her husband, daughter and sister Margaret in a 2012 production of Hello, Dolly! at the Coeur d'Alene Summer Theatre.