Trivia: While his police-chief father wanted him to become a soccer player, Austrian-born actor Arnold Schwarzenegger opted instead for a bodybuilding career. Born July 30, 1947, in the small Austrian town of Graz, Schwarzenegger went on to win several European contests and international titles (including Mr. Olympia) and then came to the U.S. for body-building exhibitions, billing himself immodestly but fairly accurately as "The Austrian Oak." Though his thick Austrian accent and slow speech patterns led some to believe that the Austrian Oak was shy a few leaves, Schwarzenegger was, in fact, a highly motivated and intelligent young man. After graduating from the University of Wisconsin with a degree in business and economics, he invested his contest earnings in real estate and a mail-order bodybuilding equipment company.A millionaire before the age of 22, Schwarzenegger decided to try acting. Producers were impressed by his physique but not his mouthful of a last name, so it was as Arnold Strong that he made his film bow in the low-budget spoof Hercules in New York (1970, with a dubbed voice). He reverted to his own name for the 1976 film Stay Hungry, then achieved stardom as "himself" in the 1977 documentary Pumping Iron. In The Villain (1979), a cartoon-like Western parody, he played "Handsome Stranger," exhibiting a gift for understated comedy that would more or less go unexploited for many years thereafter. With Conan the Barbarian (1982) and its sequel, Conan the Destroyer (1984), the actor established himself as an action star, though his acting was backtracking into two-dimensionality (understandably, given the nature of the Conan role). As the murderous android title character in The Terminator (1984), Schwarzenegger became a bona fide box-office draw, and also established his trademark of coining repeatable catchphrases in his films: "I'll be back," in Terminator, "Consider this a divorce," in Total Recall (1990), and so on.As Danny De Vito's unlikely pacifistic sibling in Twins (1988), Schwarzenegger received the praise of critics who noted his "unsuspected" comic expertise (quite forgetting The Villain). In Kindergarten Cop (1991), Schwarzenegger played a hard-bitten police detective who found his true life's calling as a schoolteacher (his character was a cop only because it was expected of him by his policeman father, which could have paralleled his own life). Terminator 2: Judgment Day (1991), wherein Schwarzenegger exercised his star prerogative and insisted that the Terminator become a good guy, was the most expensive film ever made up to its time -- and one of the biggest moneymakers. The actor's subsequent action films were equally as costly; sometimes the expenditures paid off, while other times the result was immensely disappointing -- for the box-office disappointment Last Action Hero (1992), Schwarzenegger refreshingly took full responsibility, rather than blaming the failure on his production crew or studio as other "superstars" have been known to do.A rock-ribbed Republican despite his marriage to JFK's niece, Maria Shriver (with whom he has four children), Schwarzenegger was appointed by George Bush in 1990 as chairman of the President's Council of Physical Fitness and Sports, a job he took as seriously and with as much dedication as any of his films. A much-publicized investment in the showbiz eatery Planet Hollywood increased the coffers in Schwarzenegger's already bulging bank account. Schwarzenegger then added directing to his many accomplishments, piloting a few episodes of the cable-TV series Tales From the Crypt as well as a 1992 remake of the 1945 film Christmas in Connecticut.Schwarzenegger bounced back from the disastrous Last Action Hero with 1994's True Lies, which, despite its mile-wide streak of misogyny and its gaping plot and logic holes, was one of the major hits of that summer's movie season. Following the success of True Lies, Schwarzenegger went back to doing comedy with Junior, co-starring with Emma Thompson and his old Twins accomplice Danny De Vito. The film met with critically mixed results, although it fared decently at the box office. Undeterred, Schwarzenegger continued down the merry, if treacherous, path of alternating action with comedy with 1996's Eraser and Jingle All the Way, the latter of which proved to be both a critical bomb and a box-office disappointment. In a move that suggested he had realized that audiences wanted him back in the world of assorted weaponry and explosives, Schwarzenegger returned to the action realm with 1997's Batman & Robin, which unfortunately proved to be a huge critical disappointment, although, in the tradition of most Schwarzenegger action films, it did manage to gross well over 100 million dollars at the box office and over 130 million dollars more the world over.The turn of the century found Schwarzenegger's star losing some of its luster with a pair of millennial paranoia films, 1999's End of Days and 2000's The 6th Day. The former film -- in which a security consultant has to save the world from Satan -- was critically lambasted and, despite a powerful opening weekend, failed to recoup its cost in the States. The latter film -- a cloning parable which bore more than a passing resemblance to Total Recall -- received more positive notices, but took in less than half the receipts Days did just one year prior. Perhaps as a response to these failures, Schwarzenegger prepped three films reminiscent of former successes, all scheduled for release in 2001 and 2002: the terrorist action thriller Collateral Damage, True Lies 2, and the long-anticipated Terminator 3. Though Collateral Damage received a chilly reception at the box office and the development of True Lies 2 fell into question, longtime fans of the cigar-chomping strongman rejoiced when Arnold resumed his role as a seriously tough cyborg in Terminator 3. Though he made a cameo in director Frank Coraci's adaptation of Around the World in 80 Days, Arnold's most notable role of the new millenium was political -- Schwarzenegger replaced Gray Davis as governor of California in the highly controversial recall election of 2003.In 2010, Schwarzenegger played the character of Trench in The Expendables, an action thriller following a group of tough-as-nails mercinaries as they deal with the aftermath of a mission gone wrong, and reprised the role for The Expendables 2 in 2012.

Trivia: Born into a family of Jamaican ministers, statuesque and strikingly beautiful Grace Jones broke from family tradition when she moved to Syracuse, New York, and began seeking out work as a model. Gaining fame as the cover girl for such with-it publications as Vogue and Elle, Jones briefly moved into acting in 1973. She was far more successful as a "funk singer" on the pop-music scene, scoring the first of many hits with her 1976 album Portfolio. A darling of the disco scene, she wowed her fans with her outrageous stage appearances, sharing space with wild animals and wilder props. Returning to films in the early 1980s, Grace Jones ignited the screen with her vitriolic, sexually ambivalent characterizations in such actioners as Conan the Destroyer (1984) and A View to a Kill (1986), and more recently in Boomerang(1992).

Trivia: Japanese actor Mako, born Makoto Iwamatsu, has spent most of his professional career in the United States. His first important film appearance was as Po-Han, Steve McQueen's assistant machinist, in The Sand Pebbles (1966), a performance that earned him an Oscar nomination. He remained in films into the 1990s, playing choice character parts in such films as Hawaiians (1967), Conan the Destroyer (1984), and Rising Sun (1993). Mako's TV credits include the role of Major Oshira on the weekly Hawaiian Heat (1984) and the 1990 TV movie Hiroshima: Out of the Ashes.

Trivia: The memorable but fleeting appearance of American actor Tracey Walter as "Bob the Goon" in Batman was typical of Walter's career. In the grand tradition of such Hollywood character actors as Percy Helton, Dick Wessel and Louis Jean Heydt, Walter is in the "who is that?" category--familiar yet anonymous--and has developed a cult following amongst cinema buffs. The stage-trained Walters can be seen in such films as Repo Man (1984) City Slickers (1991), Pacific Heights (1992), and Philadelphia (1993). As far back as the 1984 critic's-darling sitcom Best of the West, Walter played Frog, the knuckle-dragging henchman of villain Leonard Frey.

Trivia: Lead actress Sarah Douglas first appeared onscreen in the '70s.

Trivia: The daughter of British musician Michael d'Abo (of Manfred Mann), London-born actress Olivia D'Abo is most widely known as Kevin Arnold's hippie sister, Karen, on The Wonder Years.The beloved nostalgic show ran from 1988 to 1992 on ABC and continues to live on in syndication. However, D'Abo had already made her film debut back in 1984 with Arnold Schwarzenegger in Conan the Destroyer as a damsel in distress. Other than the monumentally bad Bolero, her other films have mostly been forgettable until 1994 when she cemented her position in Generation X by starring in Noah Baumbach's Kicking and Screaming. She played Jane, the girl who chose to study abroad rather than date Josh Hamilton's character. Around the same time, she wore very little clothes around the aging Kirk Douglas in Jonathan Lynn's Greedy and she played opposite aging Armin Mueller-Stahl in Bob Balaban's The Last Good Time. In the late '90s, she found a place for herself as a voice actor on animated TV shows. Starting with Mortal Kombat: The Animated Series, her voice credits have grown to include Justice League, Batman Beyond, and the Titanic video game. In 2001, she provided the voice of Jane in Disney's The Legend of Tarzan and its subsequent feature-length film. In 2003, she did the voice of Rox in The Animatrix: Matriculated.

Trivia: American actor Jeff Corey forsook a job as sewing-machine salesman for the less stable world of New York theatre in the 1930s. The 26-year-old Corey was regarded as a valuable character-actor commodity when he arrived in Hollywood in 1940. Perhaps the best of his many early unbilled appearances was in the Kay Kyser film You'll Find Out (40), in which Corey, playing a game-show contestant (conveniently named Jeff Corey), was required to sing a song while stuffing his mouth full of crackers. The actor was busiest during the "film noir" mid-to-late 1940s, playing several weasely villain roles; it is hard to forget the image of Corey, in the role of a slimy stoolie in Burt Lancaster's Brute Force, being tied to the front of a truck and pushed directly into a hail of police bullets. Corey's film career ended abruptly in 1952 when he was unfairly blacklisted for his left-leaning political beliefs. To keep food on the table, Corey became an acting coach, eventually running one of the top training schools in the business (among his more famous pupils was Jack Nicholson). He was permitted to return to films in the 1960s, essaying such roles as a wild-eyed wino in Lady in a Cage (64), the louse who kills Kim Darby's father in True Grit (68), and a sympathetic sheriff in Butch Cassidy and the Sundance Kid (68). In addition to his film work, Jeff Corey has acted in and directed numerous TV series; he was seen as a regular on the 1985 Robert Blake series Hell Town and the 1986 Earl Hamner Jr. production Morningstar/Eveningstar. The following decade found Corey appearing in such films as Sinatra (1992), Beethoven's 2nd (1993) and the action thriller Surviving the Game (1994). Shortly after suffering a fall at his Malibu home in August of 2002, Corey died in Santa Monica due to complications resulting from the accident. He was 88.

Trivia: Aristocratic German character actor Ferdy Mayne was from his teen years onward a resident of England, where he studied at RADA and Old Vic. Mayne made his professional theatrical bow in 1936, and was first seen on a London stage in 1943. At first billed as "Ferdi Mayne" for his radio and film appearances, he alternated between "Ferdy" and "Ferdinand" in his later works. Of his many film roles, Mayne is best-known for his portrayal of class-conscious vampire Count Von Krolock in Roman Polanski's The Fearless Vampire Killers (in 1975, he went on tour in a theatrical revival of Dracula). He was also seen as Hungarian producer Alexander Korda in A Man Called Intrepid (1979) and as kidnapped scientist Dr. Laprone in Revenge of the Pink Panther.

Trivia: The daughter of a British merchant, Sarah Miles enrolled at RADA at the age of 15. Before her formal stage debut at the Old Vic, Miles made her film bow opposite Laurence Olivier in Term of Trial (1962). A marked contrast to the "English Rose" heroines once in vogue, she brought a smouldering sensuality to her roles in Joseph Losey's The Servant (1963) and The Ceremony (1964) and Antonioni's Blow Up (1966). So well established was Miles as a "sex symbol" (though she'd be the first to put down that demeaning term) by 1965 that she was able to spoof her screen image in Those Magnificent Men in Their Flying Machines, playing an outwardly proper lass who gets a subtly erotic thrill out of flying in rickety vintage airplanes -- and who frequently finds herself being accidentally undressed in public. In 1969, Miles was nominated for an Academy Award for her portrayal of the title role in Ryan's Daughter. She then was forced to endure a decade of tabloid-press scrutiny, beginning with her wholly unsubstantiated "involvement" with the suicide of a man named David Whiting on the set of The Man Who Loved Cat Dancing (1973), and culminating with the publicity engendered by her steamy sex scenes with Kris Kristofferson in The Sailor Who Fell From Grace with the Sea (1976). Though she often dismissed adverse press by noting "I have been mocked and ridiculed all my life," Miles would frequently retire from filmmaking for up to three years at a time. She was, however, always available for stage work: her more significant theatrical credits include the roles of Marina Oswald in The Silence of Lee Harvey Oswald, Mary Queen of Scots in Vivat Vivat Regina, and her 1978 one-woman musical S. Miles is Me. Still active in character roles in the 1980s, Miles has recently been seen in the surprisingly sedate role of a wartime London matriarch in Hope and Glory (1987), and more characteristically as an insatiably lusty aristocrat in White Mischief. She was married to playwright Robert Bolt from 1967 to 1976, then remarried him eleven years later. In 1993, Sarah Miles published her autobiography, A Right Royal Bastard.