Trivia: Charming, handsome, and easy-going, lead actor and megastar Burt Reynolds entered the world on February 11, 1936. He attended Florida State University on a football scholarship, and became an all-star Southern Conference halfback, but - faced with a knee injury and a debilitating car accident - switched gears from athletics to college drama. In 1955, he dropped out of college and traveled to New York, in search of stage work, but only turned up occasional bit parts on television, and for two years he had to support himself as a dishwasher and bouncer.In 1957, Reynolds's ship came in when he appeared in a New York City Center revival of Mister Roberts; shortly thereafter, he signed a television contract. He sustained regular roles in the series Riverboat, Gunsmoke, Hawk, and Dan August. Although he appeared in numerous films in the 1960s, he failed to make a significant impression. In the early '70s, his popularity began to increase, in part due to his witty appearances on daytime TV talk shows. His breakthrough film, Deliverance (1972), established him as both a screen icon and formidable actor. That same year, Reynolds became a major sex symbol when he posed as the first nude male centerfold in the April edition of Cosmopolitan. He went on to become the biggest box-office attraction in America for several years - the centerpiece of films such as Hustle (1975), Smokey and the Bandit (1977) (as well as its two sequels), The End (1978), Starting Over (1979), The Best Little Whorehouse in Texas (1982), and The Man Who Loved Women (1983). However, by the mid-'80s, his heyday ended, largely thanks to his propensity for making dumb-dumb bumper-smashing road comedies with guy pals such as Hal Needham (Stroker Ace, The Cannonball Run 2). Reynolds's later cinematic efforts (such as the dismal Malone (1987)) failed to generate any box office sizzle, aside from a sweet and low-key turn as an aging career criminal in Bill Forsyth's Breaking In (1989). Taking this as a cue, Reynolds transitioned to the small screen, and starred in the popular sitcom Evening Shade, for which he won an Emmy. He also directed several films, created the hit Win, Lose or Draw game show with friend Bert Convy, and established the Burt Reynolds Dinner Theater in Florida. In the mid-'90s, Reynolds ignited a comeback that began with his role as a drunken, right-wing congressman in Andrew Bergman's Striptease (1996). Although the film itself suffered from critical pans and bombed out at the box office, the actor won raves for his performance, with many critics citing his comic interpretation of the role as one of the film's key strengths. His luck continued the following year, when Paul Thomas Anderson cast him as porn director Jack Horner in his acclaimed Boogie Nights. Reynolds would go on to earn a Best Supporting Actor Oscar nomination, and between the twin triumphs of Striptease and Nights, critics read the resurgence as the beginning of a second wind in the Deliverance star's career, ala John Travolta's turnaround in 1994's Pulp Fiction. But all was not completely well chez Burt. A nasty conflict marred his interaction with Paul Thomas Anderson just prior to the release of Boogie Nights. It began with Reynolds's disastrous private screening of Nights; he purportedly loathed the picture so much that he phoned his agent after the screening and fired him. When the Anderson film hit cinemas and became a success d'estime, Reynolds rewrote his opinion of the film and agreed to follow Anderson on a tour endorsing the effort, but Reynolds understandably grew peeved when Anderson refused to let him speak publicly. Reynolds grew so infuriated, in fact, that he refused to play a role in Anderson's tertiary cinematic effort, 1999's Magnolia. Reynolds's went on to appear in a big screen adatpation of The Dukes of Hazzard as Boss Hogg, and later returned to drama with a supporting performance in the musical drama Broken Bridges; a low-key tale of a fading country music star that served as a feature debut for real-life country music singer Toby Kieth. Over the coming years, Reynolds would also enjoy occasional appearances on shows like My Name is Earl and Burn Notice.

Trivia: Born November 6, 1946, in Pasadena, CA, actress Sally Field was the daughter of another actress, Margaret Field, who is perhaps best known to film buffs as the leading lady of the sci-fi The Man From Planet X (1951). Field's stepfather was actor/stunt man Jock Mahoney, who, despite a certain degree of alienation between himself and his stepdaughter, was the principal influence in her pursuit of an acting career. Active in high-school dramatics, Field bypassed college to enroll in a summer acting workshop at Columbia studios. Her energy and determination enabled her to win, over hundreds of other aspiring actresses, the coveted starring role on the 1965 TV series Gidget. Gidget lasted only one season, but Field had become popular with teen fans and in 1967 was given a second crack at a sitcom with The Flying Nun; this one lasted three seasons and is still flying around in reruns.Somewhere along the way Field made her film debut in The Way West (1967) but was more or less ignored by moviegoers over the age of 21. Juggling sporadic work on stage and TV with a well-publicized first marriage (she was pregnant during Flying Nun's last season), Field set about shedding her "perky" image in order to get more substantial parts. Good as she was as a reformed junkie in the 1970 TV movie Maybe I'll Come Home in the Spring, by 1972 Field was mired again in sitcom hell with the short-lived weekly The Girl With Something Extra. Freshly divorced and with a new agent, she tried to radically alter her persona with a nude scene in the 1975 film Stay Hungry, resulting in little more than embarrassment for all concerned. Finally, in 1976, Field proved her mettle as an actress in the TV movie Sybil, winning an Emmy for her virtuoso performance as a woman suffering from multiple personalities stemming from childhood abuse. Following this triumph, Field entered into a long romance with Burt Reynolds, working with the actor in numerous films that were short on prestige but long on box-office appeal.By 1979, Field found herself in another career crisis: now she had to jettison the "Burt Reynolds' girlfriend" image. She did so with her powerful portrayal of a small-town union organizer in Norma Rae (1979), for which she earned her first Academy Award. At last taken completely seriously by fans and industry figures, Field spent the next four years in films of fluctuating merit (she also ended her relationship with Reynolds and married again), rounding out 1984 with her second Oscar for Places in the Heart. It was at the 1985 Academy Awards ceremony that Field earned a permanent place in the lexicon of comedy writers, talk show hosts, and impressionists everywhere by reacting to her Oscar with a tearful "You LIKE me! You REALLY LIKE me!" Few liked her in such subsequent missteps as Surrender (1987) and Soapdish (1991), but Field was able to intersperse them with winners such as the 1989 weepie Steel Magnolias and the Robin Williams drag extravaganza Mrs. Doubtfire (1993). Field found further triumph as the doggedly determined mother of Tom Hanks in the 1994 box-office bonanza Forrest Gump, which, in addition to mining box-office gold, also managed to pull in a host of Oscars and various other awards.Following Gump, Field turned her energies to ultimately less successful projects, such as 1995's Eye for an Eye with Kiefer Sutherland and Homeward Bound II: Lost in San Francisco (1996). She also did some TV work, most notably in Tom Hanks' acclaimed From the Earth to the Moon miniseries (1998) and the American Film Institute's 100 Years....100 Movies series. The turn of the century found Field contributing her talents to a pair of down-home comedy-dramas, first with a cameo matriarch role in 2000's Where the Heart Is and later that year as director of the Minnie Driver vehicle Beautiful. Both films met with near-universal derision from critics; only the Steel Magnolias-esque Heart found a modest box-office following.In 2003, Field took a role alongside Reese Witherspoon in the legal comedy Legally Blonde 2: Red, White, & Bllonde, and in 2006 joined the cast of ABC's Brothers & Sisters in the role of matriach Nora Walker. The role earned her an Emmy Award for Outstanding Lead Actress in a Drama Series in 2007. The actress was cast in the role of Aunt May for The Amazing Spiderman (2012), and was so revered as Mary Todd Lincoln in Steven Spielberg's Lincoln that she earned an Oscar nomination for Best Supporting Actress.

Trivia: The son of an amateur musician, Jerry Reed spent his formative years laboring in the cotton fields of Georgia, teaching himself the guitar in his spare time. At 18, Reed was hired by Capitol Records as a staff songwriter. One of his first compositions, "Crazy Legs," proved to be a hit for C&W star Gene Vincent; likewise, Elvis Presley scored successes with Reed's "Guitar Man" and "U.S. Males." After army service, Reed established himself as one of the most highly sought-after studio guitarists in the business. He made his mark as a singer in his own right with his best-selling 1967 rendition of "Guitar Man." Reed went on to win a Grammy award for his 1970 chart-topper "Amos Moses"; his later number-one hits included 1971's "When You're Hot, You're Hot" and 1982's "She Got the Goldmine (I Got the Shaft)." He augmented his recording fame as a regular on the TV series The Glen Campbell Goodtime Hour, then as star of his own summer-replacement variety weekly, 1972's The Jerry Reed When You're Hot You're Hot Hour. By 1977, Reed had pretty much put his recording activities on the back burner in favor of his blossoming film career. He made his movie bow in Burt Reynolds' W.W. and the Dixie Dancekings (1975), then went on to co-star as Cletus in Reynolds' two Smokey and the Bandit outings, composing the musical score for both films. Reed was elevated to second billing in the Reynolds-less Smokey and the Bandit III (1983), but only after the film had been unsuccessfully previewed with Jackie Gleason playing both Smokey and the Bandit. Jerry Reed made his film directorial debut with 1981's What Comes Around.

Trivia: Rotund comedian-actor Jackie Gleason (born Herbert John Gleason) broke into show business at age 15 by winning an amateur-night contest and went on to perform in vaudeville, carnivals, nightclubs, and roadhouses. In 1940 he was signed to a film contract by Warner Bros., and he debuted onscreen in Navy Blues (1941). His career was interrupted by World War II, but at the war's end, Gleason returned to Hollywood, this time playing character roles in a number of films. His film work, however, lent little strength to his career, and he performed in several Broadway shows before achieving major success as the star of such TV comedy series as The Life of Riley, The Honeymooners, and The Jackie Gleason Show. It was during his reign on television that Gleason created such enduring characters as Ralph Kramden (the loud-mouth busdriver from The Honeymooners), Reggie Van Gleason, and Joe the Bartender. As a result of the comedic talents he displayed on TV, he became known as "The Great One." Gleason returned to films in the early '60s in lead roles, both comic and dramatic (he earned an Academy Award nomination for his performance in The Hustler [1961]), but he never had as much success in movies as he did on TV. He did have some success in the late '70s and early '80s playing a good-ole'-boy Southern sheriff in the Smokey and the Bandit series of action-comedies. His long career also included a period when he composed, arranged, and conducted recordings of mood music. Gleason died in 1987 of cancer. His grandson is actor Jason Patric.

Trivia: Mike Henry rose to prominence as star linebacker of the Los Angeles Rams. Handsome enough to pass as a movie star, Henry was offered any number of film and television assignments upon his retirement from the gridiron. His first TV starring role was as the army-sergeant husband of Juliet Prowse in Mona McCluskey, a 1965 sitcom that came and went in 13 weeks. Shortly afterward, Henry made his screen bow as filmdom's 14th Tarzan in Tarzan and the Valley of Gold (1966); he starred in two subsequent Tarzan epics before relinquishing the role to Ron Ely. Sporadically active in films ever since, Mike Henry was featured in all three Smokey and the Bandit films of the late 1970s-early 1980s.

Trivia: Diminutive musical prodigy Paul Williams worked as an apprentice jockey, professional skydiver and insurance salesman before turning to acting. Williams' size and puckish countenance enabled him to play adolescents well into his twenties; one of the best of his early film roles was the surly teenaged genius in The Loved One (1965). Though he kept a hand in acting throughout the 1970s, he was better known for his songwriter accomplishments. Working with such collaborators as Biff Rose, Roger Nichols and Charles Fox, he turned out such enduring song hits as The Carpenters' "We've Only Just Begun," Helen Reddy's "You and Me Against the World," Three Dog Night's "Old Fashioned Love Song" and Dionne Warwick's "That's What Friends Are For." In films, Williams was Oscar nominated for his musical contributions to 1974's Phantom of the Paradise (in which he also starred), 1975's Bugsy Malone and 1979's The Muppet Movie. In 1976, Williams and collaborator Barbra Streisand won an Academy Award for the hit tune "Evergreen," the highlight of the Streisand remake of A Star is Born. As mentioned, Williams was never too busy to accept an occasional acting role. He played Little Enos in the first two Smokey and the Bandit movies, camped it up as Dr. Miguelito Loveless Jr. in the 1979 TV movie The Wild Wild West Returns, and could be heard as the voice of the Penguin in TV's Batman: The Animated Series (1992). Paul Williams was also a popular guest on talk shows, quiz programs and variety series.

Trivia: Surprisingly little known to the public at large, bear-like, walrus-mustached Pat McCormick is a very busy stand-up comedian and comedy writer. McCormick's sly wit and taste for the humorously grotesque has won him many fans in the showbiz community, including Johnny Carson, Don Rickles, Don Adams, Jonathan Winters, Mel Brooks and Burt Reynolds. He was among the head writers of Carson's Tonight Show, and in 1968 both wrote for and served as announcer/straight man on Don Rickles' short-lived variety series. In films, McCormick is usually seen in showy featured roles, notably President Grover Cleveland in Robert Altman's Buffalo Bill and the Indians (1976) and Big Enos in the first two Smokey and the Bandits flicks. He also contributed to the scripts of the theatrical features Oh Dad Poor Dad, Mama's Hung You in the Closet and I'm Feeling So Sad (1966) and Under the Rainbow (1986). In 1983, Pat McCormick was appropriately cast as "Mound" on the TV sitcom Gun Shy.

Trivia: American actor George Reynolds played supporting roles on television and in feature films during the '70s.

Trivia: American general-purpose actor Alfie Wise was evidently some sort of good luck charm to film luminary Burt Reynolds. Though his movie appearances were usually nondescript (this description could also apply to the actor's participation in such busted TV pilots as Call Her Mom and Young Tom Christian), Wise could always count on a moment or two to shine whenever cast in a Reynolds vehicle. He was seen as a state trooper in The Longest Yard (1974), as "patrolman in a traffic jam" in Smokey and the Bandit (1977), and as Tony in Hooper (1978). Additional Alfie Wise bits were included in the Burt Reynolds pictures The End (1978), Starting Over (1979), and Paternity (1981). On television, Alfie Wise had recurring roles on As the World Turns, Trauma Center, and the kiddie show Uncle Croc's Block (dressed appropriately -- and ridiculously -- for his role as Mr. Rabbit Ears).

Trivia: Character and supporting actor Mel Pape appeared exclusively in films and television features filmed in Florida and other parts of the American South. His film credits include Smokey and the Bandit (1977), Eyes of a Stranger (1980), and Nothing in Common (1986).

Trivia: Bald, lanky, laconic American actor Hank Worden made his screen debut in The Plainsman (1936), and began playing simpleminded rustics at least as early as the 1941 El Brendel two-reel comedy Love at First Fright. A member in good standing of director John Ford's unofficial stock company, Worden appeared in such Ford classics as Fort Apache (1948) and Wagonmaster (1950). The quintessential Worden-Ford collaboration was The Searchers (1955) wherein Worden portrayed the near-moronic Mose Harper, who spoke in primitive, epigrammatic half-sentences and who seemed gleefully obsessed with the notion of unexpected death. Never a "normal" actor by any means, Worden continued playing characters who spoke as if they'd been kicked by a horse in childhood into the '80s; his last appearance was a recurring role in the quirky David Lynch TV serial Twin Peaks. In real life, Hank Worden was far from addled and had a razor-sharp memory, as proven in his many appearances at Western fan conventions and in an interview program about living in the modern desert, filmed just before Worden's death for cable TV's Discovery Channel.

Trivia: With his trademark heavyset figure and attitude of manic glee, the genial Dom DeLuise rose to prominence as one of America's most beloved comedic character actors. Born Dominick DeLuise in Brooklyn in 1933, the future star attended the High School for the Performing Arts in Manhattan, then graduated from Tufts University in Boston. DeLuise wasted no time in making a beeline for television, and though early efforts were low-profiled, including a turn as Tinker the Toymaker on the daytime children's show Tinker's Workshop and the portrayal of a bumbling detective named Kenny Ketchum on The Shari Lewis Show, DeLuise's popularity spread, carrying him swiftly into other formats and venues. DeLuise initially graduated to primetime variety courtesy of The Garry Moore show, where he enjoyed recurring sketches as an inept magician named Dominick the Great. He then appeared on innumerable subsequent variety programs (often as a regular contributor) including The Glen Campbell Goodtime Hour, The Dean Martin Show, and The Flip Wilson Show. The comic made the leap into filmdom as early as the earnest Cold War thriller Fail-Safe (1964) (as an edgy flier), but drama didn't serve him well. He found a much stronger suit in comedy, initially courtesy of Mel Brooks, who cast him in films beginning with The Twelve Chairs (1970), as a shifty priest, Father Fyodor. Their collaborations extended to the 1976 Silent Movie (as studio man Dom Bell), the 1981 History of the World, Part I (as Emperor Nero), the 1986 Spaceballs (as the voice of Pizza the Hut), and the 1993 Robin Hood: Men in Tights (as the godfather-like Don Giovanni). The actor received additional screen exposure via friendships with Gene Wilder (in whose outings The Adventures of Sherlock Holmes' Smarter Brother and The World's Greatest Lover he co-starred) and Burt Reynolds, who -- in one of either's finest moments -- cast DeLuise as an around-the-bend asylum resident who tries to assist Reynolds' character with a suicide bid in the jet-black comedy The End (1978). Unfortunately, additional Reynolds collaborations didn't fare so well -- they included such schlocky vehicles as the Cannonball Run series -- but helped DeLuise maintain a familiar profile. He teamed with Mel Brooks' wife, Anne Bancroft, for a starring role in that actress' directorial debut, the comedy-drama Fatso (1980), but it earned mostly lukewarm reviews. In the meantime, DeLuise himself took the director's chair for the nutty caper comedy Hot Stuff, which gleaned a generally positive critical and public reception. As time rolled on, DeLuise unfortunately drifted into filmic material that suffered from serious lapses in quality and judgment, witness his performances as a porn lord in Bob Clark's wretched buddy farce Loose Cannons and convict Dr. Animal Cannibal Pizza in the horror send-up Silence of the Hams, both enormous box office flops. Taking critical and public reactions to these efforts as a cue, the comic accepted fewer and few assignments as the misfires happened and instead began to place a strong emphasis on his own cooking skills; the gifted chef authored two well-received cookbooks, the 1988 Eat This...It'll Make You Feel Better! and the 1997 Eat This Too!...It'll Also Make You Feel Better. DeLuise also published a series of books for children, such as the 1990 Charlie the Caterpillar and the 2007 The Pouch Potato. Dom DeLuise died in May 2009 at the age of 75. He was survived by his wife since 1965, actress Carol Arthur, and three sons, Peter, Michael, and David.

Trivia: Stunt man, stunt coordinator, second unit director, and actor, onscreen from the '80s.

Trivia: Following Korean War service as a paratrooper, Hal Needham drifted into movies as a bit player. His remarkable physical dexterity and willingness to "take it" enabled him to rise up the professional ladder from stuntman to stunt coordinator to 2nd unit director. A longtime chum of Burt Reynolds (himself an ex-stuntman), Needham was given his first chance to direct a theatrical feature with Reynolds' Smokey and the Bandit (1977); the film was a huge hit, assuring Needham future assignments as both director and scriptwriter. The 1980 Reynolds vehicle Hooper was widely recognized as Reynolds and Needham's tribute to the entire fraternity of Hollywood stunters. For television, Needham directed several installments 1989 Burt Reynolds adventure series B. L. Stryker (1989) and the pilot for the syndicated adventure semi-weekly Bandit (1994); there was also a 1992 animated cartoon series titled Stunt Dawgs, wherein the central character was named Needham. Founder of the troubleshooting aggregation Stunts Unlimited (which also served as the title of a 1980 TV movie), Needham has also served as chairman for another movie-industry organization, Camera Platforms International. In addition, Hal Needham is owner of the "world's fastest car," the Budweiser Rocket, now on display at the Smithsonian Institute. Needham was awarded an Honorary Oscar in 2012 for his innovations, just one year before he died at age 82.

Trivia: Big-framed character actor (and sometime leading man) David Huddleston worked in virtually every film and television genre there is, from Westerns to crime dramas to science fiction. Born in Vinton, Virginia, he attended the Fork Union Military Academy before entering the United States Air Force, where he received a commission as an officer. After returning to civilian life, Huddleston enrolled in the American Academy of Dramatic Arts. He made his television debut in 1961, at age 31, in an episode of the Western series Shotgun Slade. Two years later, the actor made his first big-screen appearance with a small role in All the Way Home (1963). A year later, he showed up in Black Like Me; and in 1968, Huddleston was back on the big screen in the thriller A Lovely Way to Die. He got considerably busier in the years that followed, mostly on television series such as Adam 12, Then Came Bronson, and Room 222, in roles of ever-increasing size. These were broken up by the occasional film job, of which the most notable at the time was the part of the comically helpful town dentist in Howard Hawks' Western Rio Lobo (1970), which gave Huddleston some extended (and humorous) screen-time alongside John Wayne. At the time, his feature-film work was weighted very heavily toward Westerns, while on television Huddleston played everything from service-station attendants to teachers to devious executives, primarily in crime shows. With his deep voice and prominent screen presence, plus a sense of humor that never seemed too far from his portrayals -- even of villains -- Huddleston was one of the busier character actors of the 1970s. Indeed, 1974 comprised a year of credits that any actor in the business could envy: John Wayne used Huddleston in McQ, one of the aging star's efforts to get away from Westerns, but Huddleston was back doing oaters in Billy Two Hats and aided Mel Brooks in parodying the genre in Blazing Saddles (all 1974). As comical as Huddleston could be, he could play sinister equally well, as he proved in Terence Young's The Klansman (1974) -- and that doesn't even count his television roles. By the end of the 1970s, he had graduated to a starring role in the series Hizzoner (1979), about a small-town mayor; and in the 1980s he had recurring roles in series such as The Wonder Years. Huddleston's big-screen breakthrough came with the title role in Santa Claus: The Movie (1985), and he became a ubiquitous figure on the small screen with a series of orange-juice commercials. His subsequent big-screen appearances included Frantic (1988) and The Big Lebowski (1998), playing the title character, and he continued working into the first decade of the 21st century. In 2004, Huddleston essayed one of the most interesting and challenging roles of his screen career, in the short film Reveille. Working without dialogue alongside James McEachin (with whom he'd previously worked in the series Tenafly), he helped tell the story of a sometimes comical, ultimately bittersweet rivalry between two veterans of different armed services. Huddleston died in 2016, at age 85.