Trivia: One of the most endearing goofballs to ever grace the stages of Saturday Night Live, affectionately offensive funnyman Adam Sandler has often been cited as the writer/performer who almost single-handedly rescued the long-running late-night television staple when the chips were down and it appeared to have run its course. Though his polarizing antics have divided audiences and critics who often dismiss him as lowbrow and obnoxious, Sandler's films, as well as the films of his Happy Madison production company, have performed consistently well at the box office despite harsh and frequent critical lashings.Born in Brooklyn on September 9th, 1966, it may come as no surprise that Sandler was a shameless class clown who left his classmates in stitches and his teachers with a handful. Never considering to utilize his gift of humor to pursue a career, Sandler eventually realized his potential when at the age of 17 his brother encouraged him to take the stage at an amateur comedy competition. A natural at making the audience laugh, the aspiring comedian nurtured his talents while attending New York University and studying for a Fine Arts Degree. With early appearances on The Cosby Show and the MTV game show Remote Control providing the increasingly busy Sandler with a loyal following, an early feature role coincided with his "discovery" by SNL cast member Dennis Miller at an L.A. comedy club. As the unfortunately named Shecky Moskowitz, his role as a struggling comedian in Going Overboard (1989) served as an interesting parallel to his actual career trajectory but did little to display his true comic talents.It wasn't until SNL producers took Miller's praise to heart and hired the fledgling comic as writer on the program that Sandler's talents were truly set to shine. Frequent appearances as Opera Man and Canteen Boy soon elevated him to player status, and it wasn't long before Sandler was the toast of the SNL cast in the mid-'90s. While appearing in SNL and sharpening his feature skills in such efforts as Shakes the Clown (1991) and Coneheads (1993), Sandler signed a recording contract with Warner Bros., and the release of the Grammy-nominated They're All Gonna Laugh at You proved the most appropriate title imaginable as his career began to soar. Striking an odd balance between tasteless vulgarity and innocent charm, the album found Sandler gaining footing as an artist independent of the SNL universe and fueled his desire -- as numerous cast members had before him -- to strike out on his own. Though those who had attempted a departure for feature fame in the past had met with decidedly mixed results, Sandler's loyal and devoted fan base proved strong supporters of such early solo feature efforts as Billy Madison (1996) and, especially, Happy Gilmore (1996).His mixture of grandma-loving sweetness and pure, unfiltered comedic rage continued with his role as a slow-witted backwoods mama's boy turned football superstar in The Waterboy (1998), and that same year found Sandler expanding his persona to more sensitive territory in The Wedding Singer. Perhaps his most appealing character up to that point, The Wedding Singer's combination of '80s nostalgia and a warmer, more personable persona found increasing support among those who had previously distanced themselves from his polarizing performances. As the decade rolled on, Sandler also appeared in the action-oriented Bulletproof (1996) and the even more affectionate Big Daddy (1999). In 2002, Sandler starred in a re-imagining of Mr. Deeds Goes to Town, titled simply Mr. Deeds.Beginning in the late nineties, Sandler's Happy Madison production company launched such efforts as Deuce Bigalow: Male Gigolo (1999), Little Nicky (2000), The Animal and Joe Dirt (both 2001). Deuce Bigalow: European Gigolo appeared in (2005), and Grandma's Boy in (2006). Despite critical castigation for scraping the bottom of the barrel with these efforts, Sandler's commercial instinct remained intact; the films all hit big at the box office and drew an ever-loyal base of fans who gravitated to any feature with Sandler's name attached.The early 2000s also saw Sandler attempting to branch out in a number of unusual directions, which included the animated "Hanukkah Musical" 8 Crazy Nights (2002). Sandler also began dipping his toes into the realm of drama with a starring role in the eccentric, critically acclaimed tragicomedy Punch-Drunk Love (2002), directed by Paul Thomas Anderson. Sandler also starred in the Jim Brooks-helmed comedy/drama Spanglish (2004), an unsually subdued and gentle turn away from the irascible types that Sandler usually played. The critical receptions were, again uneven, as reviewers loathed 8 Crazy Nights, justifiably praised Punch-Drunk across the board, and espoused mixed feelings about Spanglish.Perhaps well aware of the extent of these risks that he was taking with his career, Sandler continued to sustain his popularity with a steady (and reliable) stream of crowd-pleasing star vehicles throughout the early 2000s. 2002's self-produced Sandler vehicle Anger Management (which teamed him up with a maniacal Jack Nicholson); the 2004 effort 50 First Dates, in which he co-starred with fellow Wedding Singer alum Drew Barrymore; and the 2005 remake of Robert Aldrich's The Longest Yard all made box office gold. In 2006, Sandler starred in yet another hit: Click, a surrealistic comedy directed by Frank Coraci, co-starring Sean Astin, Kate Beckinsale and Christopher Walken. The film was a big hit and, having spent the past few years playing it safe, Sandler decided it was a good time to take another chance. He signed on to star with Don Cheadle in the 2007 drama Reign Over Me, playing a man who lost his wife and children in the 9/11 attacks, and is headed for complete self-destruction. The critics weren't as enamored with this dramatic attempt as they were with Punch-Drunk Love, but Sandler was mostly well received even when the film wasn't. Always tempering his risks with more predictable career moves, the actor next signed on to appear alongside King of Queens star Kevin James in the buddy movie I Now Pronounce You Chuck and Larry, a comedy about two straight firefighters who pretend to be a gay couple to receive domestic partner benefits.On a seemingly never-ending roll with his broadly appealing comedic roles, Sandler next played an Israeli secret agent and skilled beautician in 2008's You Don't Mess with the Zohan. He followed this up with a turn in the kids comedy Bedtime Stories in 2009, before adding a dash of dramatic acting to a humorous role once more, with the 2009 Judd Apatow flick Funny People. For Sandler's next project, he reteamed with Cuck and Larry co-star Kevin James for the 2010 romp Grown Ups, before cozying up to Jennifer Aniston for the romantic comedy Just Go With It in 2011. Despite his beautiful co-star, Just Go With It did poorly at the box office, and so for his next movie, the funnyman chose a more bankable supporting actor: himself, playing both a man and his own annoying twin sister in the 2012 comedy Jack and Jill.

Trivia: First making an impression on international audiences with her role as the sweet, virginal Hero in Kenneth Branagh's Much Ado About Nothing (1993), pale-skinned, fine-boned British actress Kate Beckinsale has since stepped beyond period pieces to prove that she is anything but a fragile English rose.The daughter of a BBC casting director and famed television actor Richard Beckinsale (known for roles on Porridge and Rising Damp), Beckinsale was born July 26, 1973. After her father's death from a heart attack in 1979, the actress was raised by her mother. By her own account, Beckinsale's childhood and adolescence were fairly troubled, marked by struggles with anorexia. She decided to follow in her father's acting footsteps while still a teenager and in 1991, had her major television debut in Once Against the Wind, a World War II drama in which she played Judy Davis' daughter. The same year, Beckinsale enrolled at Oxford, to study French and Russian Literature, and pursued her education until committing herself full-time to acting. In 1993, while still a student at Oxford, Beckinsale was cast in Branagh's Much Ado About Nothing. Her supporting role was a memorable one, winning the actress a limited amount of recognition amongst American audiences, but it was not until 1995, when she starred in John Schlesinger's adaptation of Stella Gibbons' Cold Comfort Farm, that her wattage began to increase, at least in art houses everywhere. The film, which was initially made for BBC television, proved to be a modest hit, bringing in respectable box office and glowing reviews. Beckinsale followed the film's success with another two years later, starring as an altruistic con artist in the quirky romantic comedy Shooting Fish. The film was an unqualified hit in its native country, becoming the third-highest grossing film in England for 1997. The same year, Beckinsale further increased her visibility with the title role in A&E's Emma.She next graced American movie screens in Whit Stillman's The Last Days of Disco (1998). She received good reviews for her portrayal of a cool and catty WASP college graduate (for which she assumed an American accent), although the movie itself met with a deeply mixed reaction. The following year, Beckinsale, in addition to giving birth to a daughter (fathered by longtime boyfriend Michael Sheen), starred in her first big-budget Hollywood feature. Playing opposite Claire Danes in Brokedown Palace, the actress portrayed an American girl who, while on vacation with best friend Danes in Thailand, gets caught with heroin and is sentenced to 33 years in a Thai prison.That mid-budgeted film, however, was nothing compared to her next major Hollywood production. After essaying roles in a television production of Alice Through the Looking Glass (1999) and the Merchant/Ivory production of Henry James' The Golden Bowl (2000), Beckinsale was plucked from relative obscurity by director Michael Bay for his lavish World War II epic, Pearl Harbor (2001). Boasting a record-setting, nine-digit price tag and one of the most aggressive marketing campaigns ever waged on the American public, the film featured the actress as Evelyn, a plucky nurse torn between the affections of two soldiers. Though a brief foray into Laurel Canyon found Beckinsale essaying the low-key role of a Harvard graduate gone astray after a taste of the wild side of life, she once again shifted into high gear for the big-budget vampire versus werewolf battle royal Underworld in 2003. Sporting the sort of gothic vinyl duds that had fanboys crooning, Beckinsale raised arms against a brutal breed of lycanthropes and few could argue that she didn't look good doing it. So good, in fact, that not only a sequel but a prequel followed.Soon thereafter the starlet was once again doing battle with the undead (opposite X-Men's Hugh Jackman) in the action horror adventure Van Helsing. At the end of 2004, Beckinsale turned in a solid performance as Ava Gardner in Martin Scorsese's multiple Oscar-winning Howard Hughes biopic The Aviator. While she would be out of theaters in 2005, Beckinsale returned in two very different projects the following year. In addition to starring in another Underworld, Beckinsale portrayed Adam Sandler's wife in the comedy Click. She would focus largely on action movies and thrillers for her next several projects, starring in Fragments in 2008, Whiteout in 2009, and Contraband in 2012, and also returned to the Underworld series and appeared in aTotal Recall remake. In 2015, she starred in Absolutely Anything, a British sci-fi comedy directed by Monty Pythoner Terry Jones, before jumping back to the Underworld for the fifth film in the series.

Trivia: A versatile character actor whose intense demeanor and slightly off-kilter delivery served him well in both comedies and dramas, Christopher Walken was at once one of the busiest and most respected actors of his generation, appearing in as many as five films in a year while still finding time for stage and occasional television work.Walken was born Ronald Walken in Queens, NY, on March 31, 1943, the youngest of three sons of Paul and Rosalie Walken; Paul ran a bakery, while Rosalie was convinced her sons had talent and was determined they take advantage of it. Ronald landed his first job in front of a camera at the age of 14 months when he posed for a calendar photo with a pair of kittens. Like his siblings, he received dance lessons as a youngster, and, by the age of ten, was making frequent appearances on television and radio shows, and was a regular on a short-lived sitcom, The Wonderful John Acton. Ronald and his brothers also enrolled at New York's Professional Children's School, and he spent a summer as a junior lion tamer with a circus, later recalling that the lion was quite old and docile.In 1961, Walken enrolled at Hofstra University. But, little more than a year later, he landed a role in the Broadway-bound musical Best Foot Forward (which starred one of his former classmates, Liza Minelli), and decided to leave college. Spending the next several years working in a variety of musicals -- both in New York and on the road -- the young actor appeared in a 1964 touring production of West Side Story, and there met actress and dancer Georgianne Thon. The two began dating, and eventually married in 1969. While appearing in a revue starring model-turned-singer Monique Van Vooren in 1965, Walken was told by the headliner he looked more like a Christopher than a Ronald; he decided to take her advice, and adopted Christopher Walken as his stage name. In 1966, he made his first appearance in a non-singing role as Phillip, the King of France, in a Broadway production of The Lion in Winter. By the end of the decade, Walken was devoting his energies to stage dramas, although he continued to keep up with his dance training.Walken made his movie debut with 1968's Me and My Brother -- a film directed by acclaimed photographer and experimental filmmaker Robert Frank -- and, in 1972, scored his first starring role in the low-budget sci-fi thriller The Mind Snatchers. Walken first caught the attention of critics with his performance as a bohemian ladies' man in Paul Mazursky's Next Stop, Greenwich Village, and landed a small but memorable role in Woody Allen's Annie Hall as suicidal preppie Duane. But Walken's real breakthrough came in 1978, with his role as Nick in The Deer Hunter. Playing a small-town boy who is irreversibly scarred by his experiences in Vietnam, the role won Walken an Oscar for Best Supporting Actor, and made him a bankable and recognizable name. He soon committed to director Michael Cimino's follow-up, which proved to be the infamous box-office and critically-panned flop Heaven's Gate, and later showed off both his acting and dancing skills as a villainous pimp in the musical drama Pennies From Heaven. While Walken remained a critical favorite, he fell short of becoming a major box-office draw due to the disappointing returns of many of his post-Deer Hunter films. But, by his own admission, Walken was always an actor who liked to work, and he maintained a busy schedule of both stage and screen roles. His willingness to take on edgy film characters with questionable commercial appeal (such as At Close Range, King of New York, and Communion) helped earn the actor a loyal cult following, and small but showy roles in True Romance and Pulp Fiction gave Walken's screen career a serious boost in the early '90s. By the time Walken turned 60, he had written, directed, and starred in an off-Broadway comedy called Him; received another Oscar nomination for his performance in Catch Me if You Can; appeared in films as varied as Sleepy Hollow, The Affair of the Necklace, and The Country Bears; and got to prove he was still a great dancer with his much-talked-about appearance in the music video "Weapon of Choice" by Fatboy Slim.Walken became one of the most popular recurring guest-hosts on Saturday Night Live creating recurring characters such as The Continental, and appeared in a host of classic skits including getting to deliver the catch phrase, "I need more cowbell!"As the 2000s progressed, Walken continued to take work in a variety of films from The Rundown, and Man on Fire, to Gigli, The Wedding Crashers, and the Adam Sandler comedy Click, all the while maintaining his status as one of the quirkiest and most gifted supporting actors of his time. In 2006 he took on a supporting role opposite Robin Williams in the Barry Levinson directed satire Man of the Year as a political consultant. He was in the musical remake of Hairspray, playing the husband of the character played by John Travolta in drag, and the comedy Balls of Fury in 2007. In 2010 he earned rave reviews for his work in the Martin McDonagh's play A Behanding in Spokane on Broadway, and the next year he worked with Todd Solondz, playing the father in Dark Horse.

Trivia: A graduate of the Yale School of Drama, American actor Henry Winkler, born October 30th, 1945, first appeared on Broadway and in films (Crazy Joe, The Lords of Flatbush [both 1974]) before making the guest-star rounds on TV sitcoms. He worked several times for MTM productions, appearing in such roles as Valerie Harper's date on Rhoda and a charming thief undergoing psychoanalysis on The Bob Newhart Show. In 1973, Winkler was selected among hundreds of candidates (including ex-Monkee Micky Dolenz) to play the small recurring role of Arthur "Fonzie" Fonzarelli, a leather-jacketed auto mechanic, on the new TV sitcom Happy Days. Though the series' stars were ostensibly Ron Howard, Anson Williams, and Donny Most, the bulk of the fan mail sent to Happy Days during its first season was addressed to "the Fonz." By the time the second season rolled around, Winkler was afforded second billing and a larger slice of screen time on each week's episode. Soon the more impressionable TV fans of America were parroting such Fonzie catchphrases as "Aaaaay" and "Sit on it!," while the nonplussed Winkler, who always regarded himself as a Dustin Hoffman-esque character actor, climbed to teen-idol status, complete with fan magazine interviews, posters, and Fonzie dolls. He also enjoyed a substantial salary boost, from 750 dollars per episode to (eventually) 80,000 dollars. At first, the off-stage Winkler could be as testy and sarcastic as his on-stage persona, but as Fonzie assumed "role model" proportions, the actor began comporting himself in as polite and agreeable a manner as possible. Accordingly, Fonzie became less of a Marlon Brando-type hoodlum and more of a basically goodhearted, moralistic young fellow who happened to be a motorcycle-racing dropout. By the time Happy Days ended in 1983 (by which time Winkler was elevated to top billing), Fonzie was a "drop-in," with a good job as a high school shop teacher and the possibility of a solid marriage. During his Happy Days heyday, Winkler was determined to prove he was capable of playing parts above and beyond Fonzie by taking film roles as far removed from his TV character: the troubled Vietnam vet in Heroes (1977), the vainglorious actor-turned-wrestler in The One and Only (1981), a '30s-style Scrooge in An American Christmas Carol (1982), and the timorous morgue attendant in Night Shift (1983). Following the example of his Happy Days co-star Ron Howard, Winkler also began working his way into the production and direction end of the business. In addition, Winkler used his name value for the benefit of others, remaining active in charitable and political causes. After several years away from the camera, Winkler returned to acting in the 1991 TV-movie Absolute Strangers, playing the husband of a woman caught in the middle of a volatile pro-life/pro-choice argument. And in 1993, Henry Winkler starred in the brief TV sitcom Monty, portraying a bombastic Limbaugh-type conservative TV personality. Winkler appeared in Little Nicky (2006) and You Don't Mess With the Zohan (2008), both times playing himself. Winkler continued to take small roles and guest spots on television and film throughout the 2000s.

Trivia: When the decision was made in 1974 to transform Rhoda Morgenstern (Valerie Harper) from frumpy kvetcher to desirable bachelorette on the TV series Rhoda, somebody had to inherit all those self-deprecating jokes told by Rhoda on The Mary Tyler Moore Show. The decision was made to create a new character: Rhoda's pudgy, insecure younger sister, Brenda. The actress chosen for the role sounded as though she'd been a New Yorker since the womb, but in fact Julie Kavner was born and raised in California. A theatre student at USC-San Francisco, Kavner came to Rhoda with no professional experience, but before the series ran its course, she had won an Emmy for her portrayal. With her performance in the 1986 film Hannah and Her Sisters, Kavner became one of the most prominent members of director Woody Allen's stock company, essaying very un-Brendalike roles in Radio Days (1987), the "Oedipus Wrecks" segment of New York Stories (1989), Alice (1990) and Shadows and Fog (1992). Kavner's regular stint as an ensemble player on the Fox TV network's Tracy Ullman Show led to her long-running assignment as the gravelly voice of Marge Simpson on the weekly animated series The Simpsons. Even as she continued to work on The Simpsons for the nex twenty years, she would make occasional big-screen appearances in projects as diverse as I'll Do Anything, Forget Paris, Judy Berlin, and Click.She also maintained an ongoing working relationship with Woody Allen appearing in Deconstructing Harry and in the 1994 made-for TV adaptation of the famous director's play Don't Drink the Water.

Trivia: Sean Astin had starred in ten movies, directed a short film, and formed his own production company all before his 21st birthday. The elder son of actress Patty Duke and actor/director John Astin, he knew the hazards of Hollywood life: As a popular child star, Astin refrained from drinking, drugs, and narcissism. He juggled acting with attending classes at Crossroads High School for the Arts and Los Angeles Valley College, eventually graduating cum laude from the University of California at Los Angeles with dual degrees in History and American Literature and Culture. When his younger brother, fellow kid actor Mackenzie Astin, temporarily fled Los Angeles to pursue journalism, Astin doggedly remained in town -- he once half-heartedly considered a law career, but could never part with being an entertainer. Astin was born in Santa Monica, CA, on February 25, 1971. His famous parents actively supported his childhood ambition to become an actor, and Astin was cast in TV specials, movies, and even series until 1983. Barely a year later, screenwriter Steven Spielberg handpicked the 13-year-old Astin to star as Michael "Mikey" Walsh in Richard Donner's children's adventure film The Goonies (1985). Astin earned his first Young Artist Award for his work on the film and went on to act in a host of teen pictures. He headlined the Disney Channel television movie The B.R.A.T. Patrol (1986), joined Kevin Bacon for the wilderness adventure White Water Summer (1987), and appeared with Dudley Moore and Kirk Cameron in the comedy Like Father, Like Son (1987).In 1988, Astin directed his first short film, a Vietnam picture about the unexpected relationship between an American GI and a Viet Cong soldier titled On My Honor. Astin's own production company, Lava Entertainment, financed the film. While continuing to develop projects through Lava Entertainment, Astin starred with Dermot Mulroney in 1989's Staying Together. He won his second Young Artist Award for his performance in the picture. Also in 1989, Astin portrayed the teenage son of feuding couple Kathleen Turner and Michael Douglas in Danny DeVito's The War of the Roses. He finished off the '80s by enlisting in the all-star cast of Michael Caton-Jones' World War II drama Memphis Belle (1990). The film -- which also features Matthew Modine, Harry Connick Jr., Billy Zane, and Eric Stoltz -- followed the crew of the Memphis Belle bomber on their harrowing final run over Germany. Astin's stocky build and comic timing lent well to his incarnation as the group's tail gunner, Sergeant Richard "Rascal" Moore. When Astin initially lost the lead role in his next picture, Toy Soldiers (1991), to Wil Wheaton, he treated the film's director, Dan Petrie Jr., to a screening of Memphis Belle. Petrie was so impressed by his work that he relegated Wheaton to a supporting part and cast Astin as Toy Soldiers' hero, a rebellious student who saves his prep school from South American terrorists.In the spring of 1992, Astin starred with Pauly Shore and Brendan Fraser in Encino Man, a comedy about two California high school students who discover a caveman. He then reunited with Dermot Mulroney in the drama Where the Day Takes You (1992), which also stars Will Smith, Christian Slater, Lara Flynn Boyle, and Ricki Lake. 1993 saw Astin play the title character in Rudy, the memorable film about a tenacious boy determined to play football for Notre Dame despite the fact that he is too small. Football coaches around the United States still show the film before games to inspire their players, and, to this day, strangers still chant "Rudy! Rudy!" when they spot Astin on the street.After filming Safe Passage (1994) with Susan Sarandon and Sam Shepard, Astin appeared in the independent film The Low Life (1995), for which he won the Best Actor Award at the 1995 Fort Lauderdale Film Festival. That same year, he wrote, directed, and produced his second short film, Kangaroo Court. The picture tells the story of a police officer who is put on trial by an inner-city gang and stars Gregory Hines and Michael O'Keefe. It earned Astin an Academy Award nomination for Best Short Film (coincidently, John Astin was nominated in the same category for his film Prelude in 1969).Astin continued to work steadily throughout the '90s. In 1995, he starred in Showtime's adaptation of Kurt Vonnegut Jr.'s futuristic short story Harrison Bergeron. In 1996, he made a cameo as a doomed soldier in the first feature film to depict Desert Storm, Edward Zwick's Courage Under Fire. In 1997, he directed and starred in an episode of HBO's Perversions of Science called "Snap Ending" and was one of several narrators in the Academy Award-winning Holocaust documentary The Long Way Home. In 1998, Astin took a small role in Warren Beatty's Bulworth and began work on a string of independent films -- including Boy Meets Girl (1998), Dish Dogs (1998), Kimberly (1999), Deterrence (1999), and Icebreaker (1999). The decade also brought changes to Astin's personal life. On July 11, 1992, he married Christine Astin (born Harrell) at Patty Duke's Idaho farm. The couple met when she worked at Astin's talent agency and they co-founded Lava Entertainment together. Then, in 1994, Astin underwent DNA testing that revealed rock promoter Michael Tell to be his biological father (Patty Duke and Tell had been briefly married before her engagement to John Astin). Though the actor is friendly with Tell, he still considers those who raised him to be his parents. Two years later, Astin and his wife had their first child, Alexandra Louise, in November of 1996. In the summer of 1999, Astin landed the coveted part of portly hobbit Samwise "Sam" Gamgee in Peter Jackson's highly anticipated three-film adaptation of J.R.R. Tolkien's The Lord of the Rings trilogy. Auditions for the role were held over several months in every English-speaking country in the world. Astin's father had appeared in Jackson's horror film The Frighteners, and the veteran actor's fondness for the director made Astin determined to get the part. When he found that his only competition was an overweight English thespian, Astin gained 30 pounds to secure the role. All three installments of the trilogy -- The Fellowship of the Ring (2001), The Two Towers (2002), and The Return of the King (2003) -- were filmed simultaneously over an 18-month period in New Zealand. Astin's wife and daughter accompanied him to the shoot and Alexandra made her acting debut as a young hobbit in Sam Gamgee's family. The couple had a second child, Elizabeth Louise, between the release of the first and second films.After the success of the Lord of the Rings franchise, Astin kept busy with a slew of projects throughout the 2000s, like 50 First Dates, Click, and an arc on the TV series 24. Astin would also do extensive voice acting in the 2000s and 2010s, on kids shows like Special Agent Oso and Teenage Mutant Ninja Turtles.

Trivia: Born and raised in Los Angeles, Jonah Hill first started to find success in show business as a cast member of the brilliant but canceled Judd Apatow series Undeclared. Like many of the actors who were fortunate to work for the successful writer/director/producer, Hill became a part of Apatow's extended stock company, going on to appear in a number of films including The 40-Year-Old Virgin, as a young man who really wants to buy some boots, and Knocked Up, as the buddy who suggested his friend's pregnant girlfriend get "something that rhymes with smushmortion." He also starred alongside his onetime roommate Justin Long in a variety of projects, including the college comedy Accepted. Hill re-teamed with Apatow and company for their second major effort of summer 2007, the Greg Mottola-directed, Seth Rogen-scripted comedy Superbad, but on that occasion, Hill scored his first lead. He starred as Seth, a slightly geeky high school senior desperate for sex and suffering from some fairly serious adolescent angst. The film rang in as a blockbuster and won critical raves across the board. At about the same time, Hill signed on for a much different screen assignment (and target audience), agreeing to provide one of the voices in the animated outing Horton Hears a Who (2008). He followed that up with a small but funny role in the heartbreak comedy Forgetting Sarah Marshall as a starstruck hotel worker who really, really wants a visiting rock star to listen to his demo.He scored laughs in the Judd Apatow-directed Funny People, and worked again with Russell Brand in Get Him to the Greek. Hill shored up his indie cred by starring in the Duplass Brothers comedy Cyrus as a young man who is way too attached to his mother.2011 found Hill earning the best notices of his career in Moneyball, as the numbers-crunching Ivy Leaguer who helps Billy Beane (Brad Pitt) build the Oakland A's into a first-rate baseball team with seemingly second-rate players. His work in the movie brought him Best Supporting Actor nods from the Academy, BAFTA, the Golden Globes, and the Screen Actors Guild. Soon however, the actor was ready to get back to his comedic roots, pairing with Chaning Tatum for a satirical big-screen take on the 80's TV show 21 Jump Street, and following that up starring alongside Ben Stiller in The Watch.

Trivia: Began auditioning for local commercials at the age of 5. Acted at the Little Palm Children's Theatre in Boca Raton, FL, as a child. Breakthrough television part was as Winthrop Paroo in 2003's The Music Man, opposite Matthew Broderick and Kristin Chenoweth.

Trivia: A character actress who has used her blond, voluptuous features to shrewd comic effect, Jennifer Coolidge appeared in some of the most celebrated film and TV comedies of the 1990s. Perhaps best known by mainstream audiences for her role as Stifler's mom in American Pie (1999), she has also done equally memorable work in films like Christopher Guest's Best in Show (2000), which cast her as the lesbian trophy-wife of a frail and oblivious old multimillionaire.Originally hailing from Boston, Coolidge began her professional acting career when she moved to New York, where she became a member of the Gotham City Improv group. Work with the group led her to Los Angeles, where she continued to nurture a career in improvisational acting as a member of the Groundlings, the city's legendary improv troupe. In the early '90s, Coolidge broke into television-acting through spots on various shows, including Seinfeld and the animated King of the Hill, and segued into films with her debut in the forgettable 1997 comedy Trial and Error. The actress earned her first dose of recognition for her scene-stealing cameo as a high school student's seductive mother in the blockbuster comedy American Pie. The breakout role made Coolidge a mainstay in the realm of comedy, and she would henceforth appear in numerous projects a year, most memorably in Best in Show, Zoolander, Legally Blonde, A Cinderella Story, For Your Consideration, and on shows like 2 Broke Girls and The Secret Life of the American Teenager.