Trivia: Perhaps most famous for his dramatic work on TV series like Law & Order: Special Victims Unit, Christopher Meloni has also been praised for his comedic appearances on screens of all sizes. His resumé proves him a versatile actor, indeed, with experience on television, in feature films -- both comedic and dramatic -- and even on-stage. (He acted in the 2001 Williamstown Theatre Festival.)He was born on April 2, 1961, in Washington, D.C., and earned his degree in 1983 at the University of Colorado in Boulder. Having grown interested in acting in college, he next studied at the Neighborhood Playhouse in New York City with Sandford Meisner. First noted for his role that began in 1990 on the hit series The Fanelli Boys on NBC, Meloni's accomplished television background consists of appearances on NYPD Blue (1993), the HBO's prison series Oz (1997), and numerous other series and TV movie roles. His lengthy list of supporting appearances on film includes major features like 12 Monkeys (1995), Bound (1996), and Fear and Loathing in Las Vegas (1998). In 1999, he played one of Julia Roberts' husbands-to-be in Runaway Bride. Building upon his Oz experience, he starred in the PBS feature Shift in 2001, in a dramatic role as a prison inmate lovesick over a woman whom he only knows via telephone, and who doesn't know his whereabouts. Also in that year, he played a crazy 'Nam vet chef -- who provided some of the most accessible laughs of the absurd comedy -- at summer camp in David Wain's Wet Hot American Summer.In the years to come Meloni would appear in films like Nights in Rodanthe, Carriers, and Harold and Kumar Go to White Castle, as well as the series True Blood.

Trivia: Dann Florek was a working actor for 15 years, on stage, in movies, and on television before he became a television star on Law and Order. Born in Flat Rock, MI (near Detroit) in 1950, he was a physics major at Eastern Michigan University until he discovered his affinity for acting and theater. He moved to New York in the early 1970s and became a member of The Acting Company at The Juilliard School. Florek's New York theater credits included work in productions of A Midsummer Night's Dream, Love's Labour's Lost, and Death of a Salesman. He later performed in many productions staged at the La Jolla Playhouse and the Old Globe Theater in San Diego. Florek's film credits include Sweet Liberty, Hard Rain, Angel Heart, and The Flintstones, and he has made appearances on NYPD Blue, Wings, The Pretender, and The Practice. Additionally, he played Abraham Lincoln in the short-lived Fox Network series The Secret Diary of Desmond Pfeiffer. It was as Dave Meyer on L.A. Law that Florek first came to the attention of television viewers, but it was his four seasons on Law and Order that made him a star. He became a familiar and popular actor as Lieutenant (and later Captain) Donald Cragen, the head of the detective squad on whose investigations the series focuses from week to week. Florek also directed several episodes of the series after leaving the cast of the show in 1993, and is an active member of the Directors Guild of America. In 1999, he joined the cast of Law and Order: Special Victims Unit, reprising and greatly expanding his role of Captain Cragen, now head of a detective unit specifically assigned to the investigation of sex crimes. Equally skilled at comedy and drama (although more familiar for his work in the latter), Florek is one of a new generation of triple-threat actor/directors to emerge from television in the 1980s and 1990s. Florek continued to work on Law & Order until 2010.

Trivia: The daughter of a Polish Solidarity movement leader who was jailed for over a year due to his promotion of social and political freedom, screen beauty Dagmara Dominczyk was primed early in life for the themes of film that would provide the stunning actress with her big-screen breakthrough, The Count of Monte Cristo (2002). Devoting his life to the cause of freedom after his own father met an untimely demise at the hands of communists, Dagmara's father and her family were exiled to New York following her father's release, when the future actress was a mere seven years old. Focusing her energies on her acting career and utilizing the integrity her father had instilled in her, Dominczyk achieved success early on when she won the La Guardia Alumni Award for Best Actor while attending New York's High School for the Performing Arts. Granted a full scholarship to Carnegie Mellon University as a result of that achievement, the burgeoning actress performed in such plays as The Philadelphia Story and Twelfth Night and received numerous honors before graduating with a B.F.A. in acting in 1998. Landing her first role shortly after graduation, Dominczyk appeared alongside Edward Norton and Ben Stiller in the 1999 comedy Keeping the Faith. After keeping momentum building the following year with Rock Star, the increasingly in-demand actress received her most pivotal role to date as the object of much affection in the re-telling of the classic tale The Count of Monte Cristo (2002). Gaining surprisingly positive reviews, The Count of Monte Cristo was seen by many as one of the most genuinely engrossing adventures to hit theaters in quite some time. Opting to focus on more thought-provoking films rather than cotton-candy cut-and-paste comedies, Dominczyk hopes to one day utilize her fame to return to Poland and give back to the community and support system that helped her family to survive in their darkest years. Appearing in the psychological thriller They in 2002, the thoughtful actress seemed poised to take the Hollywood hills on her own terms at the dawn of the new millennium.

Trivia: The reigning queen of the 1970s blaxploitation genre, Pam Grier was born May 26, 1949, in Winston-Salem, NC. An Air Force mechanic's daughter, she was raised on military bases in England and Germany. During her teen years the family settled in Denver, CO, where at the age of 18, Grier entered the Miss Colorado Universe pageant. Named first runner-up, she attracted the attention of Hollywood agent David Baumgarten, who signed her to a contract. After relocating to Los Angeles, Grier struggled to mount an acting career, and worked as a switchboard operator at the studios of Roger Corman's American International Pictures. Finally, with Corman's aid, she made her film debut in the 1970 Russ Meyer cult classic Beyond the Valley of the Dolls, followed by an appearance in Jack Hill's 1971 cheapie The Big Doll House. For several years, Grier languished virtually unnoticed in grindhouse fare like 1971's Women in Cages and 1973's Arena (aka Naked Warriors) before winning the title role in Hill's 1973 action outing Coffy. Playing a nurse seeking vengeance against the drug dealers responsible for her sister's descent into heroin addiction, Grier immediately rose to the forefront of the so-called "blaxploitation" genre, a group of action-adventure films aimed squarely at African-American audiences. Portraying the 1974 superheroine Foxy Brown, she became a major cult figure, as her character's fierce independence, no-nonsense attitude, and empowered spirit made her a role model for blacks and feminists alike. At the peak of her popularity, Grier even appeared on the covers of Ms. and New York magazines. Her films' often racy content also made her a sex symbol, and additionally she posed nude for the men's magazine Players. Successive action roles as gumshoe Sheba Shayne in 1975's Sheba, Baby and as the titular reporter Friday Foster further elevated Grier's visibility, but fearing continued typecasting she shifted gears to star opposite Richard Pryor in the fact-based 1977 auto-racing drama Greased Lightning. She did not reappear onscreen for four years, resurfacing to acclaim in 1981 as a murderous prostitute in Fort Apache, the Bronx; however, no other major roles were forthcoming, and she spent much of the decade appearing on television and in straight-to-cable features. A major role in the 1988 Steven Seagal action hit Above the Law marked the beginning of a comeback, and after appearing in 1993's Posse, Grier starred with fellow blaxploitation vets Jim Brown, Richard Roundtree, and Fred "the Hammer" Williamson in 1996's Original Gangstas, a throwback to the films of the early '70s. In 1997, the actress' career resurgence was complete with the title role in Jackie Brown, written in her honor by director and longtime fan Quentin Tarantino. Grier's tough, sexy portrayal of a jaded flight attendant earned praise from critics far and wide, as well as the promise of steady work. She could subsequently be seen in a consistently wide range of films, like Jawbreaker (1999), Holy Smoke (1999), The Invited, and Larry Crowne, in addition to a host of successful TV roles on shows like Smallville and The L Word.

Trivia: One of Canada's leading actors, Lothaire Bluteau has repeatedly been hailed for his ability to capture the emotional pain of the characters he plays. The Quebec-born Bluteau began appearing in Canadian films in the early 1980s, and since then, his career has included a roster of diverse projects for international cinema, television, and stage. In 1989, the actor first came to the attention of an international audience with his performance in Denys Arcand's Jesus of Montreal. His turn as an actor who may or may not be Jesus won him a Genie, Canada's equivalent of the Oscar. After gaining additional acclaim two years later for his performance in Bruce Beresford's Black Robe, Bluteau worked on a diverse series of films. He appeared in supporting roles in Orlando (1992), I Shot Andy Warhol (1996), and The English Patient (1996) and in leads in a number of other films. While these films allowed him to demonstrate his talent, it was his work in Le Confessionnal (1994) and Bent (1997) that gave audiences the best grasp of the actor's gifts. Playing a photographer trying to come to grips with his family in the former and a gay concentration camp inmate in the latter, Bluteau communicated both pain and beauty with uncanny grace.

Trivia: The daughter of legendary sex symbol Jayne Mansfield and former Mr. Universe Mickey Hargitay, Mariska Hargitay appears born to play the type of larger-than-life roles that would make her a Hollywood idol. Instead, from her breakthrough performance as a vulnerable single mother on ER to her starring turn as a somber detective on Law & Order: SVU, the talented actress has built her career by portraying real-life characters and keeping out of the spotlight. Raised in Los Angeles, Hargitay was a child of divorce before she celebrated her first birthday. In 1967, her mother died tragically when her car collided with a truck outside of New Orleans. Hargitay, then only three years old, was asleep in the backseat of the vehicle, but escaped uninjured. Days later, she moved in with her father and stepmother, Ellen Siano, a flight attendant. Hargitay participated in scores of activities throughout grade school, including cheerleading, student government, and athletics. She also developed a passion for performing: at 18, after being crowned 1982's Miss Beverly Hills, she enrolled in the University of California at Los Angeles' prestigious undergraduate theater program. Hartigay began her professional acting career while she was still a student with a bit part in Bob Fosse's Dorothy Stratten biopic Star 80 (1983). In 1985, she appeared in the B-movie Ghoulies and agreed to portray a teenage parolee inCBS' short-lived series Downtown. Roles in the teen comedies Welcome to 18 (1986) and Jocks (1987) quickly followed. In 1988, the actress joined her dad in the biopic of his own career, Mr. Universe. That same year, Hargitay earned the recurring role of Carly Fixx on television's Falcon Crest. The next several years found Hargitay acting in B-movies, such as a martial arts film called The Perfect Weapon (1991), and a handful of television films, such as Blind Side (1993) and Gambler V: Playing for Keeps (1994). She earned a small role in Mike Figgis's Leaving Las Vegas (1995) and replaced Gabrielle Fitzpatrick as Dulcea in Mighty Morphin Power Rangers: The Movie (1995), but her scenes were eventually re-shot with Fitzpatrick in the role. Throughout the late '80s and early '90s, Hargitay also appeared in numerous popular television shows -- In the Heat of the Night, Baywatch, Wiseguy, thirtysomething, Booker, Seinfeld, Ellen, The Single Guy -- and in quite a few failed series -- Tequila and Bonetti, Key West, Can't Hurry Love, Prince Street, and Cracker. In subsequent years, producer Dick Wolf tapped the actress for his Law & Order spin-off, Law & Order: Special Victims Unit (1999). As NYPD Detective Olivia Benson, Hargitay became a familiar and a celebrated face: She earned several award nominations for her performance on the show, as she stuck with the popular show for over ten years.In addition to working in film and television, Hargitay found time for the theater -- appearing on the Los Angeles stage in Salad Days, Women's Work, and Porno -- and read Rochelle Majer Krich's crime story Regrets Only on a mystery-themed audiobook. She also established her own charity, Spirit of the Dolphin, which gives abused children the chance to swim with dolphins in Hawaii. In 2007, Hargitay served as the National Ambassador for Lee National Denim Day to raise money and awareness for breast cancer. In terms of off-camera activity, Hargitay's successful pregnancy at the age of 42 (with her husband, SVU co-star Peter Hermann) made headlines as well.

Trivia: For his role in the Broadway production of M. Butterfly, talented stage and screen actor B.D. Wong (born Bradley Darryl Wong) would enter into history as the only actor ever to be honored with a Tony, a Drama Desk Award, an Outer Critics Circle Award, a Clarence Derwent Award, and a Theater World Award for a single performance. Proving equally adept onscreen, Wong's memorable early roles in The Freshman (1990) and Father of the Bride (1991) found him simultaneously attempting to break out of the Asian-American cinema stereotype while seeking out roles that would expand his dramatic capabilities. A native of San Francisco whose musical experimentation during his childhood eventually lead to the discovery of acting, Wong's parents were consistently supportive in nurturing his creative energy. Wong worked his way into Bay Area community theater while still a student at Lincoln High School, and his association with the San Francisco Unified School District proved an essential component in developing his skills as an actor. Following his subsequent graduation from San Francisco State University Wong moved to New York City, where he performed in dinner theater and off-Broadway productions. After making his professional bow in a New York Town Hall production of Androcles and the Lion, Wong began to essay small television roles on such series as Simon & Simon and Sesame Street about the time of his feature debut in The Karate Kid II (1986). Soon thereafter, Wong received coaching from Donald Hotton to prepare for his role in M. Butterfly, and following much critical acclaim, Wong slowly gained onscreen momentum with roles in Jurassic Park (1993) and the HBO AIDS-drama And the Band Played On (both 1993). In his constant search to portray original and diverse characters, Wong had a recurring role as Father Ray Makuda on the HBO series Oz. Subsequent performances included roles in Seven Years in Tibet (1997), voice work in the animated Disney film Mulan (1998), and the crime thriller The Salton Sea (2002). Television viewers became acquainted with Wong through his role on Law and Order: Special Victim's Unit.

Trivia: Launching his career as a standup comic, American performer Richard Belzer entered the 1970s as a member of an odd New York-based comedy troupe called Channel One. Anticipating the home video explosion by over a decade, Channel One staged satirical, scatological routines lampooning the banalities of television -- and staged them in front of TV cameras, which transmitted the routines to little TV monitors, which in turn were watched by the live audience. Some of the best sketches were assembled into an X-rated comedy feature, The Groove Tube (1970), which featured Belzer, Ken Shapiro, and a brash newcomer named Chevy Chase. For the next decade, Belzer played the comedy-club circuit, popped up as a talkshow guest, and appeared in occasional films like Fame (1982). He joined still another comedy troupe in 1983, which appeared nightly on the syndicated interview program Thicke of the Night. The host was Allan Thicke, and Belzer's comic cohorts included such incipient stars as Charles Fleischer, Chloe Webb and Gilbert Gottfried. Thicke of the Night was one of the more notorious bombs of the 1983-84 season, but it enabled Belzer to secure better guest-star bookings, and ultimately a hosting job on his own program, debuting in 1986 over the Lifetime Cable Service. It was on this series that wrestler Hulk Hogan, demonstrating a stranglehold on Belzer caused the host to lose consciousness -- which prompted a highly publicized lawsuit instigated by Belzer against the Hulkster. In the early 1990s, Richard Belzer could be seen as a non-comic regular on the TV series Homicide. His Homicide character, John Munch, would become one of the longest-running fictional creations on TV appearing in more than a half-dozen other television shows, most notably Law & Order: Special Victims Unit.

Trivia: She might not be a household name, but the statuesque character actress Tamara Tunie sports a resumé as distinctive as she is innately glamorous. Tunie landed her first major role as litigator Jessica Griffin McKechnie Harris on the soap opera As the World Turns in 1986 -- a part she played for 11 years. In the mean time, Tunie signed for a small role in the endearing yet sadly overlooked coming-of-age dramedy Sweet Lorraine (1987), an unsung predecessor to the box-office blockbuster Dirty Dancing, starring Maureen Stapleton and Trini Alvarado. Tunie signed for a bit part in the 1989 period murder mystery Bloodhounds of Broadway, but despite the fact that it claimed a pedigree as impressive as Lorraine (with Matt Dillon, Madonna, Jennifer Grey, and others), the movie unfortunately failed to deliver on its noble intentions. Over the course of the next several years, Tunie turned up several times on Steven Bochco's NYPD Blue, and landed the bit part of Leslie Christos in the Al Pacino big-city crime drama City Hall (1996), directed by Harold Becker (Taps). She re-teamed with Pacino for the darkly comic supernatural horror film The Devil's Advocate (1997), then worked with Brian De Palma and Nicolas Cage on the 1998 thriller Snake Eyes. Tunie's most high-profile work, however, was yet to come. In 2002, she delivered a compelling performance as Alberta Green in the first season of the series thriller 24. In 1999, the actress resumed her portrayal of Jessica Harris on As the World Turns and continued to sporatically return to the role through the 2000s. Beginning in 2000, Tunie also portrayed Melinda Warner on the popular series Law & Order: Special Victims Unit.

Trivia: The comely blonde supporting actress Diane Neal is best known for her ongoing portrayal of District Attorney Casey Novak on the blockbuster series Law & Order: Special Victims Unit. Her resumé also includes appearances in such direct-to-video exploitationers as Dracula II: Ascension and Dracula III: Legacy.

Trivia: For many fans, the image of fair-haired actress Stephanie March includes a pair of black horn-rimmed glasses, which she wore for the role of Assistant District Attorney Alexandra Cabot on the series Law & Order: SVU. The role was one of the Texas native's first TV gigs, and she remained with the series from 2000 to 2004, then rejoined the series in 2009. March made her Broadway debut opposite Brian Dennehy in Death of a Salesman, and later appeared in a filmed version of the show. She also appeared in a number of other projects, like the Angelina Jolie spy movie Mr. and Mrs. Smith, before reprising the role of Alexandra Cabot for the Law & Order spinoff Conviction. March continued to make memorable guest appearances in shows like Grey's Anatomy, 30 Rock and Happy Endings. She had a supporting role in the film Innocence in 2014.

Trivia: Wrote an essay that was published in the book Struggle for Ethnic Identity: Narratives by Asian American Professionals. In 2001, played the role of Florizel in Winter's Tale at the Williamstown Theatre Festival. Was the Artistic Associate of the National Asian American Theatre Company (NAATCO) in 2005 and has appeared in five NAATCO productions. Played Ariel in the Shakespeare Theatre of New Jersey's stage production of The Tempest in 2009. In 2013, received a Drama Desk nomination for Best Solo Performance for his role as Gordon Hirabayashi in Jeanne Sakata's one-person play Hold These Truths.

Trivia: Began acting in community theater productions at age 6. Played on her high-school softball team. Appeared in the short-lived Broadway-bound play Bobbi Boland opposite Farrah Fawcett after arriving in New York in 2002. Costarred in the Web sitcom The Burg. Made television debut on the ABC soap opera All My Children in 2005. Filmed Past Life in Atlanta, Georgia, located about 45 minutes from her hometown of Cumming. Spent a week with real U.S. Marshals to prepare for her starring role in NBC's Chase.

Trivia: Is the son of Cuban immigrants. In his youth, aspired to become a baseball player or a lawyer, or join the Coast Guard. Was a lifeguard in Miami as a teen. Met his future wife, Lilly, during a middle-school theater class when they were just 13. They continued their education together through junior high, high school, college and graduate school. Off-camera pursuits include writing; received writing credits on the Cold Case episodes "Stealing Home" (2009) and "Metamorphosis" (2010).

Trivia: UCLA grad Joanna Merlin made her first film appearance in 1956, as one of Jethro's daughters in the Cecil B. DeMille superspectacular The Ten Commandments. Five years later she first stepped on a Broadway stage in Jean Anouilh's Becket. Her subsequent theatrical credits include the role of Tzeitel in the original 1964 production of Fiddler on the Roof. In films, she has specialized in such ethnically oriented character roles as the landlady in Hester Street (1975). From bag ladies to judges, Merlin has played 'em all. More recently, Joanna Merlin has functioned as a Hollywood casting director.

Trivia: Met her husband onstage during a theater production, which is the same way her parents met. Considers her parents the most influential people in her career. Appeared on Broadway in Getting Away With Murder in 1996. Won a Robby Award (a California theater award) for her performance in The Violet Hour with South Coast Repertory in 2002.

Trivia: Often cited as the founding father of gangsta rap, Ice-T has also crafted a successful film career from his hardened street persona. Despite the fact that his early roles stuck closely to his public image as a thuggish West Coast pimp, T has since proved both his versatility and his sense of humor by appearing as everything from a mutant kangaroo (Tank Girl [1995]) to, in a surprisingly effective about-face, a police officer (New Jack City [1991]). Born Tracy Marrow in Newark, NJ, in 1958 and later adapting his better-known persona as a tribute to pimp-turned-author Iceberg Slim, T was sent at age 12 to live in Califorina with an aunt after his father died of a heart attack (his mother had died four year earlier, also of a heart attack). Ice-T soon began to develop an obsession with rap music, and after serving a two-year stint in the Army, he began recording and appeared in the films Breakin' and Breakin' 2: Electric Boogaloo (both 1984). Following a near death auto accident in 1986, T devoted his life to music and released his debut album, Rhyme Pays, the following year. T gained positive accolades for his first major film role in 1991's New Jack City, in which he played a dedicated police officer, and the irony was not lost on fans the following year when he caused a stir with a song entitled "Cop Killer." After sticking close to the streets in Ricochet (1991), Trespass (1992), and Surviving the Game (1994), T took a sci-fi detour with Tank Girl and Johnny Mnemonic (both 1995). Generally appearing in straight-to-video schlock from the mid-'90s on, Ice-T could be seen as a naval pilot in Stealth Fighter (1999) and stealing a magic flute from a vengeful green meanie in Leprechaun in the Hood (2000). Though his appearances in such films grew nearly too frequent to count, T occasionally appeared in such theatrical releases as 3000 Miles to Graceland and Abel Ferrara's 'R Xmas (both 2001). After offering curious insight into the life of a pimp in the documentary Pimps Up, Ho's Down, T continued to expound on the life of a hustler in Pimpin' 101 (2003). He also took on a recurring role on the Law & Order spin-off Law & Order: Special Victims Unit and later joined the cast as a regular in the show's second season, soon becoming a popular fixture on prime time TV. T would also enjoy success on the reality circuit, starring in the candid reality show Ice Loves Coco with his wife, Nicole "Coco" Austin.

Trivia: Actor William McNamara's film breakthrough came in 1988 when he starred as Billy Kane in Peter and Paul Mones' urban drama The Beat. McNamara led a fairly peripatetic childhood; his interior designer mother was granted custody of McNamara after divorcing his real estate magnate father. She took him to Dallas for a time, and then Los Angeles, where McNamara met many movie stars who inspired him to become an actor. He and his mother eventually moved to New York, but McNamara continued working as a production assistant during the summers in Los Angeles. Despite some problems in his late teens, he finally ended up at Columbia University, where he studied acting and started working in a few television commercials. A summer stint with the Williamstown Theater resulted in his appearing in The Beat. Prior to that, McNamara acted in two foreign efforts, Dario Argento's Opera and the European miniseries The Secret of the Sahara (both 1987). After appearing in Peter Bogdanovich's Texasville (1990), McNamara turned to television movies, notably Wildflower (1991), which starred Patricia Arquette, and Doing Time on Maple Drive (1992), with Jim Carrey in a rare dramatic role. McNamara returned to feature films in 1992 with Aspen Extreme, and since then he has been getting larger roles in better quality films. His role in Copycat (1995) is particularly notable.

Trivia: An earthy young actress who made her screen debut in The Bone Collector, Zena Grey soon went on to appear in movies geared more toward children with roles in Snow Day (2000) and Max Keeble's Big Move (2001).Born in New York in November of 1998, Grey later appeared in the baseball-themed romantic comedy Summer Catch in 2001.