Trivia: An everyman comic who shot to stardom thanks to a series of guest appearances on friend and fellow funnyman Ray Romano's popular sitcom Everybody Loves Raymond, Kevin James wasn't exactly the class clown fans might assume during his formative years. Though his healthy sense of humor did help the Mineola, Long Island native to make plenty of friends while growing up, it wasn't until he took a public speaking class in college that James truly discovered the power of laughter. The son of an insurance agent and a devoted housewife who only worked off-jobs when necessary to support the family, James majored in sports management at State University of New York at Cortland before dropping out to hone his talents as an entertainer in community theater and various improvisational groups. Subsequently following his older brother to the standup stage, James made his debut at Manhattan's East Side Comedy Club in 1989 to surprising, if not predictable, results. Though James made a killing his first night, a disheartening appearance the following night with the very same material and a whole new crowd would teach the aspiring comic an important lesson in failure. Undaunted by his death on-stage and determined to roll with the punches, James quickly learned that the unpredictable world of standup comedy was filled with as many ups as it was downs. His survival instinct ended up serving him well; a fateful set at the 1996 Montreal Comedy Festival became the defining performance of his early career. James was soon signed to appear on Romano's fledgling sitcom in addition to receiving his very own development deal. In 1998, The King of Queens debuted to healthy ratings. A blue-collar sitcom that countless viewers could relate to, The King of Queens detailed the life of a hapless postal carrier who shares his Queens, NY home his wife, Carrie (Leah Remini), and her eccentric father, Arthur (Jerry Stiller). With success on the small screen soon prompting James to try his talent in feature films, a supporting role in 50 First Dates and a co-starring role opposite Will Smith in Hitch found the television favorite's amiable humor translating well to the big screen. A team effort with longtime friend Romano would result in the straight-to-video comedy Grilled in 2006, with subsequent voice work in the animated family comedies Monster House and Barnyard arriving in theaters later that same year.James would maintain his position as a go-to guy for family friendly comedy over the coming years, appearing in films like I Now Pronounce You Chuck and Larry, Paul Blart: Mall Cop, Grown Ups, and Zookeeper and providing a voice in Hotel Transylvania. James then reprised his roles in Grown Ups 2, Paul Blart: Mall Cop 2 and Hotel Transylvania 2, while also appearing in Pixels, opposite his frequent co-star Adam Sandler.

Trivia: A veteran of several failed TV sitcoms, sassy Leah Remini finally scored a hit when she was cast as comedian Kevin James's wife on the CBS series The King of Queens (1998).Born June 15th, 1979 in Brooklyn, NY, Remini moved to Los Angeles as a teen. After leaving school at 14, Remini held a variety of jobs for a couple of years before deciding to try acting. Though she was advised to lose her Brooklyn accent, Remini quickly landed a guest role on ABC's gifted high schoolers sitcom Head of the Class. Working steadily from the late '80s on, Remini guest starred on a number of comedies, including Friends, Cheers (as Carla's daughter), and a year-long stint on Saved By the Bell, and began to amass a resumé of short-lived series. After starring in Living Dolls in 1989, Remini was cast in The Man in the Family (1991) and First Time Out (1995); though Fired Up (1997) looked promising, it too failed after leaving its post-Seinfeld time slot. Along with the sitcoms, Remini also appeared in the TV movie Getting Up and Going Home (1992) and Glory Daze (1996), a coming-of-age feature starring then unknown Ben Affleck. A seasoned TV actress by 1998, Remini got to put her New York roots (and accent) to successful use in The King of Queens, a family comedy in the Everybody Loves Raymond vein. As blue collar James' pretty, levelheaded wife Carrie, Remini proved an adept foil to James and a flamboyant Jerry Stiller; The King of Queens became Remini's first bona fide ratings hit.

Trivia: To the public at large, Jerry Stiller is best known as the husband and comedy partner of actress/director Anne Meara, and as the father of comedian Ben Stiller. For those addicted to the NBC sitcom Seinfeld, Stiller will never be anyone else than Frank Costanza, the eternally kvetching father of born-loser George Costanza (Jason Alexander). While Stiller would be the first to welcome recognition on these terms, to acknowledge him for the above-mentioned reasons alone would be grossly unfair. A stage performer from the age of 10, Stiller majored in drama at the University of Syracuse, then took to the road in a touring company of Peter Pan. Honing his comic timing to perfection under the tutelage of revue director Billy Barnes, Stiller chose to concentrate his laughmaking skills in the Classics, specifically Shakespeare. He made his off-Broadway debut in a 1953 production of Coriolanus, and subsequently paid homage to the Bard of Avon as a member of such prestigious troupes as the Stratford (Connecticut) Shakespeare Festival and Joseph Papp's Shakespeare in the Park. Stiller made his Broadway bow in 1975 as ill-tempered gangster Carmine Vespucci in Terence McNally's The Ritz, a part he recreated in the 1976 film version. Among his many other film credits are Lovers and Other Strangers (1970), Hairspray (1988) and the made-for-television Seize the Day (1987). The actor's series-TV resumé includes the roles of Barney Dickerson in The Paul Lynde Show (1972), Gus Duzik in Joe and Sons (1975) and Sid Wilbur in Tattinger's (1988). He also co-starred with wife Anne Meara in the syndicated Take Five with Stiller and Meara (1977), and provided voiceovers for the animated Linus the Lionhearted (1964) and the multipart Ken Burns TV special Baseball (1994). Jerry Stiller has been honored with the Radio Advertising Bureau's Voice of Imagery Award for his persuasive radio and TV spots on behalf of the Public Broadcasting System.Notable later roles included an extended run on the hit TV series The King of Queens starting in 1998, as well as appearances in son Ben's 2001 male model comedy Zoolander, and the 2007 musical Hairspray. In 2000 Stiller received a Grammy nomination for Best Spoken Word Album for the audio version of his autobiographical book "Married to Laughter: A Love Story Featuring Anne Meara." Stiller and Meara received a joint star on the Hollywood Walk of Fame in 2007, and three years later, Stiller and his wife launched the YahooWeb series Stiller & Meara, in which the pair discuss current events from their living room, which ran until Meara's death in 2015. Their son, Ben, produced the segments.

Trivia: Raised in Woodland Hills, CA, and the son of a hearing aid specialist who worked in geriatrics and a full-time housewife, Garrett began performing stand-up at various Los Angeles Comedy Clubs upon graduation from high school. Spending six weeks at UCLA before his fateful appearance on the Tonight Show, the young comedian later felt the wrath of that show's grudge after telling a joke that the talent booker had warned him against. Garrett has since never been invited back. Nevertheless he continued on strongly, opening for Frank Sinatra and soon finding roles in such popular television shows as Roseanne, The Fresh Prince of Bel-Air, Seinfeld, and perhaps most famously, Everybody Loves Raymond. Offering his voice to numerous animated features since his breakout in the early '80s, Garrett voice acted in family films like Casper (1995), A Bug's Life (1998), Ratatouille, Tarzan II, Garfield, Tangled, and Finding Nemo. Garrett has also appeared in several movies, like Music and Lyrics, The Pacifier, and Night at the Museum.

Trivia: Well-reputed for his "extreme" cinematic personifications in multiple genres, the American character player Peter Boyle doubtless made his onscreen personas doubly intense by pulling directly from his own personal journey to the top -- a wild, unlikely, and occasionally tortuous trek that found Boyle aggressively defining and redefining himself, and struggling constantly with a number of inner demons. Born October 18, 1935, in the hamlet of Northtown, PA, Boyle graduated from La Salle College and joined the Christian Brothers monastic order, under the name "Brother Francis." He prayed endlessly and earnestly until he developed callouses on his knees, but could never quite adjust to the monastic life, which he later declared "unnatural," with its impositions of fasting and celibacy. Dissatisfied, Boyle dropped out and headed for the Navy, but his brief enlistment ended in a nervous breakdown. With no other options in sight that piqued his interest, Boyle opted to pack his bags and head for New York City, where he worked toward making it as an actor. It made perfect sense that Boyle -- with his distinctively stocky frame, bald pate, oversized ears, and bulbous nose -- would fit the bill as a character actor -- more ideally, in fact, than any of his contemporaries on the American screen. He trained under the best of the best -- the legendary dramatic coach Uta Hagen -- while working at any and every odd job he could find. Boyle soon joined a touring production of Neil Simon's Odd Couple (as Oscar Madison) and moved to Chicago, where he signed on with the sketch comedy troupe The Second City -- then in its infancy. Around 1968, Haskell Wexler -- one of the most politically radical mainstream filmmakers in all of Los Angeles (a bona fide revolutionary) -- decided to shoot his groundbreaking epic Medium Cool in the Windy City, and for a pivotal and notorious sequence, mixed documentary and fictional elements by sending the members of his cast (Verna Bloom and others) "right into the fray" of the 1968 Democratic National Convention riots. Boyle happened to still be living in Chicago at the time of the tumult, which dovetailed rather neatly with Wexler's production and brought Boyle one of his first credited Hollywood roles -- that of the Gun Clinic Manager in the film. Unfortunately (and typically), Paramount cowed when faced with the final cut of the film -- terrified that it could incite riots among its youthful audience -- and withheld its distribution for a year. In the interim, Boyle landed the role that would help him "break through" to the American public -- the lead in neophyte writer-director John G. Avildsen's harrowing vigilante drama Joe (1970). The film casts Boyle as a skin-crawling redneck and bigot who wheedles an Arrow-collared businessman (Dennis Patrick) into helping him undertake an onslaught of death against the American counterculture. This sleeper hit received only fair reviews from critics (and has dated terribly), and Boyle reputedly was paid only 3,000 dollars for his contribution. But even those who detested the film lavished praise onto the actor's work -- in 1970, Variety called the picture "flawed" but described Boyle as "stunningly effective." Film historians continue to exalt the performance to this day. Innumerable roles followed for Boyle throughout the '70s, many in a similar vein -- from that of Dillon, the slimy underworld "friend" who betrays career criminal Robert Mitchum by handing him over to death's jaws in Peter Yates' finely-wrought gangster drama The Friends of Eddie Coyle, to that of Wizard, a veteran cabbie with a terrifying degree of "seen it all, done it all" jadedness, in Martin Scorsese's masterful neo-noir meditation on urban psychosis, Taxi Driver (1976), to Andy Mast, a sleazy private dick, in Paul Schrader's Hardcore (1979). In 1974, however, Boyle broke free from his pattern of creepy typecasting and temporarily turned a new leaf. He unveiled a deft comic flair by playing the lead in Young Frankenstein, Mel Brooks' daffy spoof of old Universal horror pictures. The film's two comic highlights have Boyle and Gene Wilder (as the grandson of Dr. Victor Frankenstein) soft-shoeing to "Puttin' on the Ritz," and Boyle and Gene Hackman (as a hapless, bearded blind man) farcically sending up the gothic cabin scene from Mary Shelley's novel in a riotous pas de deux. Boyle's subsequent forays into big-screen comedy proved decidedly less successful on all fronts, however. He played Carl Lazlo, Esquire, the solicitor of Bill Murray's Hunter S. Thompson, in producer/director Art Linson's Where the Buffalo Roam, the pirate Moon in Mel Damski's dreadful swashbuckling spoof Yellowbeard (1983), and Jack McDermott, a Jesus-obsessed escaped mental patient with delusions of healing, in Howard Zieff's The Dream Team (1989) -- all of which received lukewarm critical reactions and flopped with ticket-buyers. (Though it went undocumented as such, the Zieff role appeared to pull heavy influence from Boyle's monastic experience). A more finely tuned and impressive comic role arrived in 1992, when Boyle teamed with Andrew Bergman for an outrageous bit part in Bergman's madcap farce Honeymoon in Vegas. As Chief Orman, a moronic Hawaiian Indian who bears more than a passing resemblance to Marlon Brando, Boyle delighted viewers, and caught the attention of critics. Many read the role as less of an homage than a dig at Brando, who had viciously insulted one of Bergman's movies in the press. For many viewers, this ingenious sequence made the entire film worthwhile. On the whole, the actor continued to fare best with big-screen dramatic roles throughout the '80s and '90s. Highlights include his role as Detective Jimmy Ryan in Wim Wenders' film noir Hammett (1982); Commander Cornelius Vanderbilt, the assistant of South-American explorer William Walker, in Alex Cox's 1987 biopic Walker; and Captain Green in Spike Lee's Malcolm X (1992). In 1996, Boyle transitioned to the small screen for a permanent role as Frank Barone, the father of comedian Ray Romano's Ray Barone, on the hit CBS sitcom Everybody Loves Raymond. The series brought the actor his broadest popularity and exposure, especially among younger viewers -- a popularity not only attested to by the program's seemingly endless syndicated appearance on local stations and cable affiliates such as TBS, but by its initial series run -- it lasted nine seasons. Tragically, Peter Boyle died of multiple myeloma and heart disease almost exactly one year after Raymond took its final network bow, and shortly after his appearance in the holiday film The Santa Clause 3: The Escape Clause. He passed away in New York's Presbyterian Hospital, on December 12, 2006, only two months after his seventy-first birthday. Alongside his film and television work, Boyle occasionally acted on Broadway, off-Broadway, and repertory stages, in such productions as Carl Reiner's The Roast (1980), Sam Shepard's True West (1982), and Joe Pintauro's Snow Orchid (1982). Boyle met journalist Laraine Alderman in the early '70s, while she was interviewing Mel Brooks for Rolling Stone. They wed in 1977, with former Beatle John Lennon as Boyle's best man; the marriage lasted until Peter's death. The Boyles had two daughters, Lucy and Amy, both of whom outlived their father.

Trivia: A true-to-life case of childhood dreams coming true, one gets the impression that the success of humble comedian turned actor Ray Romano is more of a surprise to him than it is to those who supported him in his years as a struggling futon deliveryman moonlighting in standup. Born in Queens, NY, in 1957 and raised in nearby Forest Hills, Queens, Romano found happiness early in life by tickling the funny bones of family, friends, and of course, girls. The middle child of three sons, the aspiring funnyman refined his comic talents when he formed the bravely titled "No Talent" comedy troupe at age 16 to the delight of the congregation they regularly performed for. Romano later put his spotlight aspirations on hold when he enrolled in Queens College as an accountants major after graduating high school in 1975. Dabbling in odd jobs as he developed his stage skills on the late-night comedy circuit, Romano began an exhausting decade-long struggle to succeed as a standup while holding a more reliable day job. Married to wife Anna in the mid-'80s, Romano decided to pursue comedy full-time in 1987. It was shortly after winning a N.Y.C. radio station-sponsored comedy contest two years later that Romano acquired a manager and his dreams began to become a reality. One of those dreams, to perform in front of legendary late-night television host Johnny Carson, came true in 1991. Finally gaining national exposure and seemingly on the fast track to stardom, more television appearances soon followed, with a 1995 appearance on Late Night With David Letterman prompting Letterman to begin talks with Romano about the idea of developing a sitcom. Premiering in September 13, 1996, Everyboy Loves Raymond found the now-popular comic's offbeat domestic observations striking a chord with both audiences and critics alike. Nominated multiple times for numerous awards (including three Emmy and two Golden Globes), ELR carried on well into the new millennium, which saw the now-established comic branching out into other arenas as well. A June 1999 recording of a Carnegie Hall performance was nominated for a Grammy, and his novel Everything and a Kite turned up on the New York Times bestseller list. Television appearances on Hollywood Squares, Who Wants to be a Millionaire, and a somber turn in America: A Tribute to Heroes found American households increasingly willing to welcome the good-humored everyman into their homes. It was only a matter of time before Romano tackled feature films, and with his vocal role in 2002's Ice Age, the likable comic did just that. A lighthearted animated romp which followed the adventures of a group of animals weathering the new frozen landscape in order to return a human child to its father, Ice Age gave Disney a run for their money and further proved that popular computer-animated family fare was no longer exclusive to the Mouse House. Romano lent his voice to the Ice Age franchise again in 2006 for Ice Age: The Meltdown, as well as Ice Age: Dawn of the Dinosaurs in 2009. The actor delivered a solid performance in a supporting role for 2007's The Grand, a mockumentary following a television star trying to win a high-stakes poker tournament, and was praised for his lead performance in TNT's comedy-drama Men of a Certain Age.

Trivia: The gifted young comedian Patton Oswalt first carved a name for himself as a bit player in television programs, where he seemingly made the perfect everyman. Even those who fail to recognize the comic's agnomen doubtless encountered him as early as the mid- to late '90s, on such hit programs as NewsRadio, Dr. Katz, Mr. Show, and Seinfeld. (He was particularly memorable in the latter, as the video-store clerk who refuses to proffer a customer's address to a conniving George Costanza.) Oswalt also penned sketches for the long-running series MADtv and frequently lent his voice to Comedy Central's Crank Yankers, as one of the program's below-the-belt prank callers. Beginning in 1996 (and for at least four years thereafter), Oswalt began touring the country with his standup act and hitting comedy clubs; in 1997, he hosted his first standup special on HBO and received a positive response. Unabashedly iconoclastic and atheistic, with many routines devoted to excoriating Christianity and what he perceives as the hypocrisies of middle-American values, Oswalt buries his anti-establishment cynicism beneath a deceptively soft exterior (setting himself apart from, say, the more openly caustic and rave-happy George Carlin). Whatever the subject at hand, Oswalt displays a quick wit, a fearlessness to speak his mind, and an ability to unveil ironies behind practically everything. Regardless of one's personal convictions, Oswalt is also frequently hilarious, with his well-known impersonations of such personalities as Robert Evans and Nick Nolte absolutely unparalleled and definite high points in his routines, as are his riffs on pornography and bizarre sexual proclivities. In 1998, Oswalt landed his second recurring role on a television series, and his highest billing up through that time: that of Spence Olchin, one of the three buddies of Kevin James' Doug Heffernan, on the sitcom The King of Queens; he remained with the series for several seasons. Scattered movie roles followed -- typically bit parts at first, such as that of the scuba diver who experiences a bizarre death in the prologue of Paul Thomas Anderson's Magnolia (1999) and Hedges in Blade: Trinity (2004). Around 2004, Oswalt took a temporary siesta from acting, and re-launched himself into the arena of standup comedy. He and several friends (Brian Posehn, Zach Galifianakis, and Maria Bamford) formed the "Comedians of Comedy" troupe and mounted a coast-to-coast tour; that ensemble headlined an eponymous 2005 concert film. Oswalt issued his first standup album, Feelin' Kinda Patton, in 2004; it drew critical raves and impressive sales. He followed it up with a joint effort alongside Galifianakis, the 2005 recording Patton vs. Alcohol vs. Zach vs. Patton, and the 2006 concert film Patton Oswalt: No Reason to Complain. A sophomore solo recording, Lollipops and Werewolves, appeared in the summer of 2007.That same year, Oswalt voiced the character of Remy -- a French rat with a refined culinary instinct who single-handedly overturns Parisian haute cuisine -- in the Pixar animated film Ratatouille. It marked Oswalt's first reception of premier billing in an A-list feature and his debut work for Pixar.In 2009 he had the lead in the underrated indie drama Big Fan, as a man assaulted by the best player on his favorite football team, appeared in The Informant, and recorded the stand-up special My Weakness Is Strong. In 2011 he had a memorable turn in A Very Harold & Kumar Christmas, released the stand-up concert Finest Hour, and earned the best reviews of his career playing opposite Charlize Theron in Young Adult.Oswalt's most consistent work, though, was in television. He amassed a slew of memorable TV roles, with one-offs, recurring gigs and voice-over roles. A seasons-long arc on United States of Tara coincided with other gigs on Bored to Death and Caprica. In 2013, he had a highly-regarded and publicized guest stint on Parks and Recreation, playing a character giving a filibuster on Star Wars. That same year, he started a recurring role on Justified and began doing narration work on The Goldbergs (playing an older version of the main character, Adam Goldberg). The following year, he played identical brothers on Marvel's Agents of S.H.I.E.L.D., allowing Oswalt to return even if his character had been killed. In 2015, he played the VP's Chief of Staff on Veep. Oswalt also voices several characters on shows like BoJack Horseman and We Bare Bears.

Trivia: Performed his first big stand-up routine at the Montreal Comedy Festival. Chose Valentine as a stage surname as a tribute to his father's middle name. Is the older brother of comedian Kevin James and has appeared alongside him in The King of Queens, I Now Pronounce You Chuck & Larry, Paul Blart: Mall Cop and Zookeeper. Has headlined numerous stand-up comedy shows for more than 15 years. Regularly competes in high-profile golf-charity tournaments, including BMW Charity Pro-Am, Monday After the Masters and the Drive. Avidly supports the JVK Foundation, a non-profit organization benefiting many charities that's named after his late father.

Trivia: Upbeat, high-octane actress and comedienne Nicole Sullivan gravitated to dramatic performance at age seven and reportedly caught the comedy bug from her New York state assemblyman father and antiques dealer mother. After high school, Sullivan enrolled in the prestigious Northwestern University, then studied at London's British American Dramatic Academy for one year before settling in Hollywood in the early '90s. The actress reportedly endured a long string of failed auditions and failed television pilots upon arrival, though she eventually broke through to public recognition as one of the resident performers on the Fox network's revue comedy program MADtv. That only marked the beginning, and within a few years of her MAD debut, Sullivan branched out in innumerable directions, such as voicing Mira Nova in the direct-to-video animated sequel Buzz Lightyear of Star Command: The Adventure Begins (2000) and making guest appearances on series programs including Crank Yankers, Monk, and Family Guy. Sullivan connected with much steadier work by signing on to play Holly Shumpert on seasons 4-6 of the popular Kevin James sitcom The King of Queens from 2001-2004, then moved into features, including the animated outings The Ant Bully (2006) and Meet the Robinsons (2007), and mirrored these accomplishments on the small screen with voiceover work on the animated series Slacker Cats. In 2008, Sullivan returned to the sitcom format with Rita Rocks; she played Rita Clements, a working wife and mother who moonlights as a rock star. She went on to appear in Black Dynamite and Let It Shine

Trivia: A popular television actress who has also found success on the silver screen, Merrin Dungey has been entertaining audiences since strapping on her ballet shoes at the age of four. Always quick on her feet, the talented dancer moved from ballet to ice skating before discovering her talent as an actress while hosting a local teen talk show at 18. Commercial work was quick to follow, and shortly thereafter, Dungey enrolled as a theater major at U.C.L.A. During her sophomore year at college, Dungey became the youngest person ever to win the U.C.L.A. School of Theater's top acting prize at the Annual Acting Awards Ceremony. Following her graduation, the up-and-coming actress developed a one-woman show entitled Black Like Who? for the HBO Comedy Workspace. It didn't take long for Dungey's reputation as a talent to watch spread through Hollywood, and on the heels of Black Like Who?, she signed with the William Morris Agency. Television roles were quick to follow, and after guest appearances on Martin and Living Single, Dungey landed a recurring role on the television series Party Girl (an adaptation of the 1995 Parker Posey indie). After making her film debut with a small role in the 1998 disaster flick Deep Impact, Dungey returned to the small screen in supporting capacity with The King of Queens in 1998. With roles in EDtv (1999) and The Sky Is Falling (2000), Dungey seemed to be balancing films and television nicely, and following a memorable turn on Malcolm in the Middle, she was cast on the small-screen spy drama-thriller series Alias in 2001. In addition to continuing roles on television on such popular shows as Curb Your Enthusiasm, Dungey still appearred in such features as Scream at the Sound of the Beep (2002). In 2004, Dungey took on a role in the made-for-television drama Summerland. In 2007 she was cast in the Grey's Anatomy spinoff Private Practice as Dr. Naomi Bennett.

Trivia: Jenny O'Hara is part of a performing family whose influence encompasses regional and New York theater from Warren, PA, to Greenwich Village and Broadway, and rock music from England to New York. Born in Sonora, CA, her father, John B. O'Hara, was a salesman and her mother, Edith, a journalist and drama teacher. Jenny, her singer/actress younger sister Jill O'Hara, and her singer/guitarist brother Jack O'Hara, grew up amid their mother's pursuit of a theatrical career, leading a gypsy-like existence in half-built houses and other accouterments of a struggling existence. Edith O'Hara directed a children's theater in Warren, where the two daughters occasionally participated as actresses during their teens, though neither took it seriously. Jenny spent a year at Carnegie Tech and a summer playing in stock theater, and then came to New York to study with Lee Strasberg and Sanford Meisner. She was in touring companies of Cactus Flower and Brecht on Brecht, with Lotte Lenya; off-Broadway productions of Arms and the Man, Play With the Tiger, and Hang Down Your Head and Die; and stock productions of Paint Your Wagon and Take Me Along, among many other musicals and straight plays. She also appeared on ABC's Time for Us. O'Hara's biggest stage credit of the '60s was in Dylan (opposite Alec Guinness) as Annabelle Graham-Pike. In 1970, O'Hara succeeded her younger sister Jill in the musical Promises, Promises. By the mid-'70s, Edith O'Hara was running the 13th Street Theatre in Greenwich Village (a major venue for off-off-Broadway and children's theater), and her brother Jack was in London, playing guitar and bass and singing with the band Eggs Over Easy, pioneering the pub rock scene in England. Meanwhile, Jenny had graduated to television, both in series and made-for-TV features, including a starring role in Brink's: The Great Robbery, The Return of the World's Greatest Detective (in which she took over a role originated by Joanne Woodward in the movie They Might Be Giants), Blind Ambition, and Blinded by the Light. She later worked in movies such as Career Opportunities, Mystic River, and Matchstick Men, and television series such as Law & Order, NYPD Blue, and ER.

Trivia: To a legion of television viewers who grew up in the '70s and early '80s, musclebound bodybuilder-turned-actor Lou Ferrigno was The Incredible Hulk. It was as an infant that the future muscle man developed a debilitating ear infection that resulted in some notable hearing loss, though instead of viewing it as a disability, the driven youngster used the loss as a means to maximize his potential in other arenas. At the age of 21, Ferrigno became the youngest contender ever to win the Mr. Universe title, and with a second consecutive win the following year, he became the only man ever to win the Mr. Universe competition two years in a row. The later part of Ferrigno's remarkable career in bodybuilding can be witnessed firsthand as he unsuccessfully faced off against then up-and-comer Arnold Schwarzenegger in the absorbing cult documentary Pumping Iron. It was around the mid-'70s that Ferrigno decided to expand his horizons into the realm of acting with starring roles in Arsenic and Old Lace and Requiem for a Heavyweight, earning him particularly positive critical notice. A leap to the small-screen in The Incredible Hulk found Ferrigno ideally cast as the raging alter ego of mild-mannered scientist Bruce Banner, a role that he would continue to play until the show drew to a close in 1982. A mere year later, Ferrigno made the leap to the big-screen with Hercules, though the remainder of the decade he would reprise both roles in such efforts as The Adventures of Hercules and The Incredible Hulk Returns. As his career dried up a bit in the '90s, the old green meanie would continue to land work in such efforts as the 1996 animated series The Incredible Hulk. After appearing opposite former Batman stars Adam West and Burt Ward in the 2002 feature From Heaven to Hell, Ferrigno's involvement in the 2003 feature Hulk was relegated to a cameo appearance. Reunited with former competitor Schwarzenegger for the 2002 follow-up documentary Raw Iron: The Making of Pumping Iron, Ferrigno got the last laugh by appearing noticeably larger than the man who had previously dethroned him at the 1975 Mr. Olympia competition.Though not an actor by trade,Ferrigno continued to appear frequently in film and television in such efforts as the 2009 comedy I Love You, Man.