Trivia: Specializing in playing shambling, cantankerous cynics, Walter Matthau, with his jowly features, slightly stooped posture, and seedy, rumpled demeanor, looked as if he would be more at home as a laborer or small-time insurance salesman than as a popular movie star equally adept at drama and comedy. An actor who virtually put a trademark on cantankerous behavior, Matthau was a staple of the American cinema for almost four decades.The son of poor Jewish-Russian immigrants, Matthau was born on October 1, 1920, in New York City and raised in a cold-water flat on the Lower East Side. His introduction to acting came during his occasional employment at the Second Avenue Yiddish Theater, where he sold soda pops during intermission for 50 cents per show. Following WWII service as an Air Force radioman and gunner, Matthau studied acting at the New School for Social Research Dramatic Workshop. Experience with summer stock led to his first Broadway appearances in the 1940s, and at the age of 28 he got his first break serving as the understudy to Rex Harrison's character in the Broadway drama Anne of a Thousand Days. After having his first major Broadway success with A Shot in the Dark, Matthau began working on the screen, usually in small supporting roles that cast him as thugs, villains, and louts in such films as The Kentuckian (1955) and King Creole (1958). Only occasionally did he get to play more sympathetic roles in films such as Lonely Are the Brave (1962). In 1959, he tried his hand at directing with Gangster Story. In addition to his stage and feature-film work, Matthau appeared in a number of television shows. Just when it seemed that he was to be permanently relegated to playing supporting and dark character roles on stage and screen, Matthau won the part of irretrievably slavish sportswriter Oscar Madison in the first Broadway production of Neil Simon's The Odd Couple (1965). Simon wrote the role especially for Matthau, and the show made both the playwright and the actor major stars. In film, Matthau played his first comic role (for which he won a Best Supporting Actor Oscar) in Billy Wilder's The Fortune Cookie (1966). The film also marked the first of many times that Matthau would be paired with Jack Lemmon. The unmistakable chemistry at play between the well-mannered, erudite Lemmon and the sharp-tongued, earthy Matthau exploded when they were paired onscreen, and was on particularly brilliant display in the hit film version of The Odd Couple (1967). Good friends with Lemmon both onscreen and off, Matthau starred in his directorial debut, Kotch (1971), and starred alongside him in The Front Page (1974) and Buddy Buddy, both of which did little for Matthau and Lemmon's careers. As a duo, the two again found success when they played two coots who were too busy feuding to realize that they were best friends in Grumpy Old Men (1993). They reprised their roles in a 1995 sequel and also appeared together in The Grass Harp (1995), Out to Sea (1997), and 1998's The Odd Couple II. On his own, Matthau continued developing his comically cynical persona in such worthy ventures as Plaza Suite (1971), California Suite (1978), and especially The Sunshine Boys (1975), in which he was paired with George Burns. He proved ridiculously endearing as a grizzled, broken-down, beer-swilling little league coach with a marshmallow heart in The Bad News Bears (1976), and further expressed his comic persona in such comedies as 1993's Dennis the Menace, in which he played the cantankerous Mr. Wilson, and the romantic comedy I.Q. (1994), which cast him as Albert Einstein.Though many of his roles were of the comic variety, Matthau occasionally returned to his dramatic roots with ventures such as the crime thriller Charley Varrick (1973) and The Taking of Pelham 1, 2, 3 (1974). In addition to his work in feature films, Matthau also continued to make occasional appearances in made-for-television movies, one of which, Mrs. Lambert Remembers Love (1991), was directed by his son Charles Matthau. Matthau, who had been plagued with health problems throughout much of his adult life, died of a heart attack at the age of 79 on July 1, 2000. The last film of his long and prolific career was Diane Keaton's Hanging Up (2000), a family comedy-drama that cast the actor as the ailing father of three bickering daughters (Lisa Kudrow, Meg Ryan, and Keaton). Coincidentally, when Matthau was hospitalized for an undisclosed condition in April of the same year, he shared a hospital room with none other than longtime friend and director Billy Wilder.

Trivia: Raised in Scotland and then Cornwall, Robert Shaw was drawn to acting and writing from his youth. Shaw trained at the Royal Academy of Dramatic Art. In 1949 he debuted onstage at the Shakespeare Memorial Theater at Stratford-on-Avon. From 1951 he appeared in British and (later) American films as a character actor, frequently playing heavies. He became better known internationally after appearing in the James Bond movie From Russia with Love (1963), and he received a "Best Supporting Actor" Oscar nomination for his portrayal of Henry VIII in A Man for All Seasons. (1966). In the mid '70s he suddenly became a highly paid star after his appearances in several blockbuster movies, including The Sting (1973), Jaws (1975), and The Deep (1977). He wrote a play and several novels, including The Man in the Glass Booth (1967), which he adapted into a play; it was successful in both London and New York, and in 1975 was made into a film. His novel The Hiding Place (1959) was the source material for the screen comedy Situation Hopeless -- But Not Serious (1965). He died of a heart attack at age 51. His second wife (of three) was actress Mary Ure.

Trivia: Bronx-raised actor Martin Balsam was the oldest of three children of a ladies' sportswear salesman. "Actors are bums" was dad's reaction when Balsam announced his intention of going into show business; still, young Martin took full advantage of lunch breaks from his "real" jobs to rehearse for amateur theatricals. After World War II, Balsam joined New York's Actors Studio, supporting himself by waiting on tables and ushering at Radio City Music Hall. During his formative years he was briefly married to actress Joyce Van Patten; their daughter Talia Balsam would later become a successful film and TV performer. Working steadily if not profitably in nightclubs and TV, Balsam made his first film, the Actors Studio-dominated On the Waterfront, in 1954. Averaging a movie and/or a play a year starting in 1957 (among his best-known film roles were Juror #1 in Twelve Angry Men [1957] and the unfortunate detective Arbogast in Psycho [1960]), Balsam went on to win a Tony for the Broadway play I Know You Can't Hear Me When the Water's Running, an Obie for the off-Broadway production Cold Storage, and an Academy Award for his performance as Jason Robards' older brother in the 1965 film version of A Thousand Clowns. Unfortunately for Balsam, the Oscar was as much a curse as a blessing on his career, and soon he was playing little more than variations on his Thousand Clowns role. In 1979, he was engaged by Norman Lear to play "lovable bigot" Archie Bunker's acerbic Jewish business partner Murray Klein on the CBS sitcom Archie Bunker's Place; he remained with the series until 1981. In 1991, Balsam appeared in Martin Scorsese's Cape Fear, the remake of a film in which Balsam had co-starred (in an entirely different role) in 1962.

Trivia: An actor of seemingly boundless range, New York-born Hector Elizondo began his career as a dancer. His initial training was at the Ballet Arts school of Carnegie Hall, from which he moved on to the Actors Studio. After several years' stage work, Elizondo made an inauspicious movie debut as "The Inspector" in the low-budget sex film The Vixens (1969). He was shown to better advantage in his next film, Hal Ashby's The Landlord (1970), which he followed up with strong character parts in such Manhattan-based productions as The Taking of Pelham One Two Three (1974) and Thieves (1977). With Young Doctors in Love (1982), Elizondo began his long association with director Garry Marshall, who has since cast the actor in all of his films, in roles both sizable (Matt Dillon's dad in The Flamingo Kid [1984], the cafe owner in Frankie and Johnny [1991]), and microscopic (Overboard [1987]). Elizondo's screen roles have run the gamut from scrungy garbage scow captains to elegant concierges (Pretty Woman). In addition, he has been a regular on several mediocre television series: Popi, Freebie and the Bean, Casablanca (in the old Claude Rains role of Inspector Renault), a.k.a. Pablo, Foley Square, and Down and Out in Beverly Hills, In 1994, Elizondo took on a co-starring role as a demanding chief of surgery on the popular TV medical drama Chicago Hope. Other non-Marshall highlights in his filmography include Tortilla Soup, Overboard, Necessary Roughness, and Music Within.

Trivia: Supporting actor Earl Hindman was best known among fans of the long-running ABC sitcom Home Improvement for playing the over-educated, enigmatic but wise neighbor Wilson. Ask those fans if they would recognize Hindman's face and they would be at a loss, for he never showed his full countenance upon the show. Hindman was a pipeliner's son and had a peripatetic upbringing that took him to various Southwestern locales. He attended high school in Tucson, AZ, where he was a natural athlete. At the same time, he became interested in drama and then still photography. Following time at Phoenix Junior College, he enrolled in the University of Arizona where he renewed his interest in drama. Hindman's first professional acting job was to perform in a Shakespearean play at San Diego's Globe Theatre. The experience was such that Hindman dropped out of school to become a full-time actor. He learned his craft as he went, performing in countless repertory theaters. Eventually, he made it to New York, where he appeared on and off-Broadway. He made his feature film debut in the obscure Two Into Three Won't Go (1969). Hindman's subsequent film appearances were sporadic. Hindman was a cast member on the daytime soap opera Ryan's Hope for several years before gaining prominence on Home Improvement. Four years after the hit sitcom left the airwaves, Hindman succumbed to lung cancer at the age of 61.

Trivia: Authoritative American character actor James Broderick is best known to filmgoers of the flower-power generation for his performance as Alice's husband in the 1969 film Alice's Restaurant. It was but one of many incisive film characterizations for Broderick, who was equally effective in such films as The Group (1966), The Taking of Pelham One Two Three (1973) and Dog Day Afternoon (1975). From 1976 through 1980, Broderick played lawyer/patriarch Doug Lawrence in the weekly TV drama Family; he had previously starred in the detective series Brenner, playing the rookie-cop son of Edward Binns (who wasn't that much older). James Broderick was the father of contemporary film star Matthew Broderick, who paid homage to his dad by prominently displaying the elder Broderick's photograph in the 1990 film The Freshman.

Trivia: American character actor Dick O'Neill began showing up in films in 1961. Most of O'Neill's movie roles were in the supporting category, e.g. his portrayal of Sol Zuckermann in The Buddy Holly Story. His extensive TV credits include recurring roles on at least four weekly series. Dick O'Neill was seen as Judge Praetor D. Hardcastle in Rosetti and Ryan (1977), street-smart Malloy in Kaz (1978), corporate vice president Arthur Broderick in Empire (1984), and Fred Wilkinson in the 1987 episodes of Falcon Crest. Fans of the detective series Cagney and Lacey will remember O'Neill for playing Charlie Cagney. Before entering film and television, O'Neill was a well established supporting actor on the New York stage where he appeared on and off Broadway. In the early '50s, O'Neill was a charter member of the Arena Stage in Washington, D.C. For the last seven years of his life, O'Neill served on the Academy of Motion Picture Arts and Sciences Screening Committee.

Trivia: Rotund, rough-hewn character actor Tom Pedi enjoyed a 50-year career that took him from touring shows in the late '30s into the original productions of some of the most renowned plays of the 1940s and '50s, and, finally, into top sitcoms and feature films in the 1970s. Born in Brooklyn, NY, in 1913, he was bitten by the acting bug at age five, when he played an angel in a Passion play. His older brothers were involved in local theatrical productions within the Italian community, and he spent a lot of his time with them, soaking up what he could as a boy. After completing high school, in the depths of the Great Depression, Pedi worked at various jobs while trying to break into professional theater. His first role came during the late '30s, in the touring company of Pins and Needles, impersonating Mussolini, a role to which he was so well-suited physically that one Canadian critic remarked that he could have sworn the Italian fascist leader was actually present. Pedi's professional career's start coincided with the gradual end of the Great Depression, at a point when theater was energized by a great many leftist political sensibilities -- he had the good luck early on to cross paths with performers and creative figures whose influence would be lost during the Red Scare of the subsequent decade. Pedi made his New York stage debut in 1941 portraying The Dasher (a businessman) in the play Brooklyn USA, co-authored by John Bright and co-produced by Lionel Stander, both future blacklistees; that cast also featured a young Sidney Lumet in an acting role. Pedi got to appear in one more production, Johnny Doodle (1942), and made his screen debut in the left-of-center film Native Land (1942) -- alongside future blacklistees Paul Robeson and Howard Da Silva, and authored by future blacklisted screenwriter Ben Maddow -- before the onset of the Second World War resulted in his being drafted. Pedi served in the infantry in North Africa, the invasions of Sicily and in the Salerno landings, and the invasion of Southern France, and was part of the army that crossed the Rhine into Germany, earning a string of decorations along the way. Following his discharge, he returned to New York, and over the next eight years worked in an enviable string of original productions, portraying Rocky Pioggi in The Iceman Cometh (1946-1947), Stanley in Death of a Salesman (1949-1950), and the dice-wielding Harry the Horse in Guys and Dolls (1950-1953). He got good notices for all of them, especially the last, and was well-established on the New York stage by then. In between stage performances, Pedi had managed to resume his screen career, working in a handful of movies, including Jules Dassin's Naked City (1948), in which he played a detective; Frank Capra's State of the Union (1948), playing a barber; and Robert Siodmak's Criss Cross (1949), portraying a hood. Pedi's husky build and rough features made him equally suitable portraying cops or criminals, although he also worked in lighter fare such as the Deanna Durbin vehicle Up in Central Park and had a big role in the Bob Hope race-track comedy Sorrowful Jones. Pedi also had a co-starring role in a short-lived television series called Stage Door (1950), working with Louise Allbritton and Scott McKay. It was theater that kept him busy for most of the decade, however -- Pedi probably could have done more movies, but his separation from his wife and his desire to have custody of his son, Alex, for part of each week made it necessary for him to base his career in New York for most of the 1950s and '60s. Pedi worked in such stage productions as New York's City Center revival of Kiss Me, Kate, starring Kitty Carlisle, in which he played one of the gangsters; Arthur Miller's A View From the Bridge (1955-1956); and the comedy A Hole in the Head (1957), interspersed with occasional performances on anthology shows such as Chevrolet Tele-Theatre and Philco Television Playhouse. Pedi's performance in George Panetta's Comic Strip (1958), playing the rotund, lazy, comical Officer Hippo got some of the best notices in the play -- Walter Kerr of The New York Times called him "a winning slob" -- and when it was musicalized in 1962 as King of the Whole Damn World, he was back in the same role. While stage compatriots of his such as Michael Constantine and Peter Falk made the jump to series television and the big screen, Pedi was content to work the boards, in revivals of Guys and Dolls as well as new productions, even turning back to serious drama after 15 years of comedy, in Peter Weiss' The Investigation, which dealt with events at Auschwitz, the notorious Nazi concentration camp. He also squeezing in one appearance on The Defenders in the episode "The Sworn Twelve." Pedi returned to series television in 1970 as a regular on Arnie, playing Julius, the best friend of blue-collar worker Arnold Nuvo (Herschel Bernardi) when the latter suddenly finds himself promoted to an executive job. He also appeared in episodes of Maude, The Odd Couple, and Kojak, and filmgoers of the mid-'70s got to know his rotund presence in several major feature films, most notably Joseph Sargent's The Taking of Pelham One Two Three (1974), as Caz Dolowicz, the excitable, foul-mouthed Grand Central Tower chief; and as Fat Angie Polaterra in J. Lee Thompson's St. Ives (1976), starring Charles Bronson. He also reprised his role of Rocky Pioggi in the American Film Theater production The Iceman Cometh (1973), which is generally regarded as the highlight of that entire series of filmed plays. Pedi had a long-running professional relationship with playwright George Panetta, appearing in a string of his plays across ten years, including Comic Strip, Kiss Mama, and Mike Downstairs (1968). He continued to work in movies right to the end of the 1980s, and died in 1996 at age 83.

Trivia: African-American actress Beatrice Winde built her reputation upon the New York stage, beginning with the searing off-Broadway production In White America (1963). Winde received the Theatre World Award for her performance in Ain't Supposed to Die a Natural Death. She made several films in the '80s and '90s, including A Rage in Harlem (1991) (actually filmed for the most part in Cincinnati) and Spike Lee's Malcolm X (1992). Billed as Bea Winde, the actress appeared as Lillian Foster in the waning days of the NBC-TV soap opera The Doctors.

Trivia: To the public at large, Jerry Stiller is best known as the husband and comedy partner of actress/director Anne Meara, and as the father of comedian Ben Stiller. For those addicted to the NBC sitcom Seinfeld, Stiller will never be anyone else than Frank Costanza, the eternally kvetching father of born-loser George Costanza (Jason Alexander). While Stiller would be the first to welcome recognition on these terms, to acknowledge him for the above-mentioned reasons alone would be grossly unfair. A stage performer from the age of 10, Stiller majored in drama at the University of Syracuse, then took to the road in a touring company of Peter Pan. Honing his comic timing to perfection under the tutelage of revue director Billy Barnes, Stiller chose to concentrate his laughmaking skills in the Classics, specifically Shakespeare. He made his off-Broadway debut in a 1953 production of Coriolanus, and subsequently paid homage to the Bard of Avon as a member of such prestigious troupes as the Stratford (Connecticut) Shakespeare Festival and Joseph Papp's Shakespeare in the Park. Stiller made his Broadway bow in 1975 as ill-tempered gangster Carmine Vespucci in Terence McNally's The Ritz, a part he recreated in the 1976 film version. Among his many other film credits are Lovers and Other Strangers (1970), Hairspray (1988) and the made-for-television Seize the Day (1987). The actor's series-TV resumé includes the roles of Barney Dickerson in The Paul Lynde Show (1972), Gus Duzik in Joe and Sons (1975) and Sid Wilbur in Tattinger's (1988). He also co-starred with wife Anne Meara in the syndicated Take Five with Stiller and Meara (1977), and provided voiceovers for the animated Linus the Lionhearted (1964) and the multipart Ken Burns TV special Baseball (1994). Jerry Stiller has been honored with the Radio Advertising Bureau's Voice of Imagery Award for his persuasive radio and TV spots on behalf of the Public Broadcasting System.Notable later roles included an extended run on the hit TV series The King of Queens starting in 1998, as well as appearances in son Ben's 2001 male model comedy Zoolander, and the 2007 musical Hairspray. In 2000 Stiller received a Grammy nomination for Best Spoken Word Album for the audio version of his autobiographical book "Married to Laughter: A Love Story Featuring Anne Meara." Stiller and Meara received a joint star on the Hollywood Walk of Fame in 2007, and three years later, Stiller and his wife launched the YahooWeb series Stiller & Meara, in which the pair discuss current events from their living room, which ran until Meara's death in 2015. Their son, Ben, produced the segments.

Trivia: Black supporting actor Nathan George first appeared onscreen in the '70s.

Trivia: American character actor Rudy Bond was brought to Hollywood in 1951 to recreated his stage role of Steve in the film version of A Streetcar Named Desire (1951). He spent the next thirty years hopping back and forth between California and New York for stage and screen assignments, with the occasional TV gig thrown in. Bond played Moose in the Oscar-winning film On the Waterfront (1954); in Twelve Angry Men (1957), Bond had the non-angry part of the Judge in the film's opening sequence; in The Godfather (1972), the actor appeared as Cuneo. Rudy Bond died in Denver, Colorado, where he was appearing in a play.

Trivia: Ruddy-faced, barrel-bellied American actor Kenneth McMillan was a stalwart of the New York Shakespeare Festival, and also appeared in the original Broadway productions of American Buffalo and Streamers. He was the recipient of the Obie Award for his performance in the off-Broadway presentation Weekends and Other People -- the usual "overnight success" after nearly 20 years in the business. Sitcom fans are familiar with McMillan through his recurring role as Valerie Harper's ulcerated boss on Rhoda. Many of McMillan's roles required him to be bully or bigot: Sheriff Bull Connor on the TV miniseries King (1978) the black-baiting fire chief in Ragtime (1979), etc. In real life, Kenneth McMillan was known to be a friendly and generous man, qualities which carried over into such rare comedy roles as the ballclub manager in the little-seen Blue Skies Again (1983).

Trivia: In 1999, Doris Roberts achieved "overnight" stardom in the role of Marie Barone in the series Everybody Loves Raymond, going from working actress -- which she'd been for more than 40 years -- to being an instantly recognized performer. It was an improbable climb to the top rank of popular culture stardom. Roberts was born in St. Louis, MO, in 1925, to a family that was soon shattered when the father abandoned them. She had a difficult but loving childhood as her mother sought to provide for both of them by herself, and eventually Roberts gravitated toward the idea of an acting career. To do this, she had to work at any jobs that she could find, including clerk typist, to afford the lessons that she needed from teachers that included Lee Strasberg and Sanford Meisner. She made her first television appearance in the early '50s, in a Studio One production of Jane Eyre, and made the usual rounds between theater and television. Her theatrical debut came on the a stage at New York's City Center in 1955, and she was Shirley Booth's understudy in the theatrical version of the comedy Desk Set. She distinguished herself in the role of Mommy in the original production of Edward Albee's The American Dream, and since the early '60s, had carved a niche for herself in maternal and neighborly roles, on both stage and screen. Following her screen debut in Jack Garfein's New York-filmed drama Something Wild (1961), she tended more toward comedy (albeit often black comedy), with performances in Jack Smight's No Way to Treat a Lady, where she played the skeptical onlooker whose questions and low-key intervention save the life of a would-be victim; Leonard Kastle's The Honeymoon Killers (1970), in which she played the roommate of the nurse-turned-murderer played by Shirley Stoler; and Alan Arkin's Little Murders (1971), where she played Elliott Gould's mother. Female comics seemed to perceive Roberts' gifts as an actress especially well, as she got two of her better roles, in A New Leaf (1971) and Rabbit Test (1978), from Elaine May and Joan Rivers, respectively. Although she began appearing in television in the 1950s, with appearances on Ben Casey, The Mary Tyler Moore Show, Baretta, All in the Family, The Streets of San Francisco, Rhoda, Soap, and Barney Miller, Roberts didn't start to make a lasting impression in the medium -- which would become her vehicle for stardom -- until the 1970s. She was supposed to have a role in a proposed new series starring Mary Tyler Moore, but when that series failed to sell, she was cast in the role of Donna Pescow's mother in the series Angie (1979), which got Roberts her first real notice by the public or the press. After that, the television appearances grew more frequent, and finally in 1983, she joined the cast of Remington Steele midway through the series' run, as Mildred Krebs, an IRS investigator-turned-secretary-turned-detective, working alongside Pierce Brosnan and Stephanie Zimbalist, and often stealing the show with her low-key comedic work. Roberts' first marriage ended in divorce, and her second, to novelist William Goyen, ended when he died in 1983 -- her son from her first marriage, Michael Cannata, has been her manager since the 1970s. It was a dozen years after Remington Steele, and some notable guest star appearances on shows like St. Elsewhere, that she landed the role of Marie on Everybody Loves Raymond. Since then, she has been a guest on talk shows and an acting celebrity, with a brace of Emmy nominations to her credit.In 2003 Roberts published the book Are You Hungry, Dear?: Life, Laughs and Lasagna, and the following year she was appointed a cultural ambassador by the U.S. Department of State. But back on the small screen Roberts was more recognizable than ever before, with appearances in Grey's Anatomy, Hot in Cleveland, and Desperate Housewives keeping her as active as ever. Roberts continued to work steadily until her death in 2016, at age 90.

Trivia: Steely-eyed, incisive African American character actor Julius W. Harris made his first movie appearance in 1964's Nothing But a Man. Harris' subsequent screen roles included the menacing Tee Hee in the 1973 James Bond entry Live and Let Die and African premiere Longo in First Family (1980), who in the film's funniest scene negotiates a slave-trade operation with American President Bob Newhart. On TV, Harris starred in the Flipper-like syndicated series Salty (1974). One of Julius W. Harris' most memorable TV portrayals was as Ugandan President Idi Amin (substituting for Godfrey Cambridge, who died during production) in the feature-length Victory at Entebbe (1976).

Trivia: Supporting actor Alex Colon launched his film career in the early 1970s appearing in dramas ranging from religious tract The Cross and the Switchblade (1970), to the gentle comedy Harry and Tonto (1974), to the fact-based made-for-TV actioner Raid on Entebbe (1977). Colon made his final film appearance in The Getaway (1994). Born and raised in Puerto Rico, Colon moved to New York to become a stage actor in 1970. He made his Broadway debut playing a mouthy delivery boy in Neil Simon's drama The Gingerbread Lady in 1970. In addition to acting, Colon directed the occasional theatrical production in New York, Southern California and Puerto Rico.

Trivia: Actor Michael Gorrin was born in Poland but spent much of his career associated with the Yiddish Art Theatre, where he played leading roles in a variety of plays from 1930 onward. Gorrin appeared in a few films between 1961 and 1980 including And Justice for All (1979) and Hero at Large (1980).

Trivia: American actress Ruth Attaway is best known for her work in theater. She debuted on Broadway in 1936 and went on to work on various stages, on and off Broadway, for over 40 years. Attaway was the first director in the New York Players Guild. She also has experience working in radio and on television. When not acting, she worked for the American Red Cross and for the state of New York.

Trivia: Those who heard the voice of actor Tony Roberts on the 1970s dramatic series "The CBS Radio Mystery Theater" may not have been aware that by performing before a mike, he was maintaining a family tradition. Roberts was the son of announcer Ken Roberts and the cousin of actor Everett Sloane, both alumni of such golden age radio endeavors as "The Mercury Theatre of the Air" and "The Shadow." After studying acting at Northwestern University, the lanky, curly headed Roberts struck out for New York, working in commercials ("Boss, you've got bad breath! Bad breath!") before landing a regular stint on the TV soap opera The Edge of Night. His long-term friendship and professional relationship with comedian/writer/director Woody Allen began when Roberts was cast as Diane Keaton's husband in Allen's Broadway production Play It Again, Sam in 1969. Since that time, Roberts has appeared in such Allen efforts as Annie Hall (1977), Stardust Memories (1980), A Midsummer Night's Sex Comedy (1982), and Radio Days (1987). On prime time TV, Roberts co-starred in the 1977 adventure series Rossetti and Ryan. In 1995, Tony Roberts co-starred on Broadway with Julie Andrews, playing a flamboyant homosexual cabaret entertainer in the musical version of Andrews' 1981 movie vehicle Victor/Victoria.

Trivia: The daughter of author William Saroyan and the stepdaughter of actor Walter Matthau, actress Lucy Saroyan has played supporting roles in films of the '60s and '70s.

Trivia: Attended NYU's Tisch School of the Arts with Olympia Dukakis. Provided one of the voices on the public-address system in the TV series M*A*S*H, and also appeared in three episodes as other characters. Made his film debut in The Taking of Pelham One Two Three (1974). The show Childrens Hospital has a character named after him, who is the unseen hospital announcer.

Trivia: Character actor Bill Cobbs began his acting career relatively late in life after working odd jobs in Cleveland, OH. At the age of 36, he moved to New York and joined the Negro Ensemble Company, making his Broadway debut in First Breeze of Summer. His film career started in the late '70s with small film roles and guest appearances on television. In the early '80s, he worked on several performances for the NBC Live Theatre series and a PBS anthology with Ossie Davis and Ruby Dee. Usually cast as the token old black man dispensing words of wisdom, Cobbs' weathered-yet-honest looks got him several guest spots on TV shows from Good Times to The West Wing. He did end up with a few reoccurring roles on sitcoms like The Slap Maxwell Story, The Gregory Hines Show, and The Michael Richards Show. He even had a part in The Others, the NBC sci-fi drama answer to The X-Files. Perhaps his most memorable television appearance is his role as Regina Taylor's father on I'll Fly Away as well as in the TV movie version I'll Fly Away: Then and Now. Throughout his film career, he has built a long list of credits playing kindly fathers, grandfathers, and even Moses (in The Hudsucker Proxy). He was Whitney Houston's manager in The Bodyguard, an old man in New Jack City, and Grandpa Booker in The People Under the Stairs. Though he appears in nearly all genres of Hollywood films, he occasionally gets meatier roles in made-for-TV dramas like Carolina Skeletons, Nightjohn, and Always Outnumbered. In 2002, he played wisened elders in Sunshine State, Enough, and Sweet Deadly Dreams.

Trivia: Black character actor Joe Seneca almost always brought a sense of dignity and social consciousness to his roles. Born and raised in Cleveland, OH, he began performing with the Three Riffs song and dance trio. Early in his career, he penned songs such as "Break It to Me Gently" (co-written with Diane Lampert) and "Talk to Me." In 1981, Seneca made his Broadway debut in The Little Foxes with Elizabeth Taylor. He made his feature film debut seven years prior in The Taking of Pelham 1, 2, 3 (1974). Seneca has also appeared frequently on television on programs like The Cosby Show and in dramatic specials such as A Gathering of Old Men (1987). Seneca died on August 15, 1996, during an asthma attack while in his Roosevelt Island, NY, home.

Trivia: Carey Loftin was the finest stunt driver in Hollywood for many years. He also occasionally appeared as an actor.