Trivia: The son of an Oklahoma carpet layer, James Garner did stints in the Army and merchant marines before working as a model. His professional acting career began with a non-speaking part in the Broadway play The Caine Mutiny Court Martial (1954), in which he was also assigned to run lines with stars Lloyd Nolan, Henry Fonda, and John Hodiak. Given that talent roster, and the fact that the director was Charles Laughton, Garner managed to earn his salary and receive a crash course in acting at the same time. After a few television commercials, he was signed as a contract player by Warner Bros. in 1956. He barely had a part in his first film, The Girl He Left Behind (1956), though he was given special attention by director David Butler, who felt Garner had far more potential than the film's nominal star, Tab Hunter. Due in part to Butler's enthusiasm, Garner was cast in the Warner Bros. TV Western Maverick. The scriptwriters latched on to his gift for understated humor, and, before long, the show had as many laughs as shoot-outs. Garner was promoted to starring film roles during his Maverick run, but, by the third season, he chafed at his low salary and insisted on better treatment. The studio refused, so he walked out. Lawsuits and recriminations were exchanged, but the end result was that Garner was a free agent as of 1960. He did quite well as a freelance actor for several years, turning in commendable work in such films as Boys' Night Out (1962) and The Great Escape (1963), but was soon perceived by filmmakers as something of a less-expensive Rock Hudson, never more so than when he played Hudson-type parts opposite Doris Day in Move Over, Darling and The Thrill of It All! (both 1963).Garner fared rather better in variations of his Maverick persona in such Westerns as Support Your Local Sheriff (1969) and The Skin Game (1971), but he eventually tired of eating warmed-over stew; besides, being a cowboy star had made him a walking mass of injuries and broken bones. He tried to play a more peaceable Westerner in the TV series Nichols (1971), but when audiences failed to respond, his character was killed off and replaced by his more athletic twin brother (also Garner). The actor finally shed the Maverick cloak with his long-running TV series The Rockford Files (1974-1978), in which he played a John MacDonald-esque private eye who never seemed to meet anyone capable of telling the truth. Rockford resulted in even more injuries for the increasingly battered actor, and soon he was showing up on TV talk shows telling the world about the many physical activities which he could no longer perform. Rockford ended in a spirit of recrimination, when Garner, expecting a percentage of the profits, learned that "creative bookkeeping" had resulted in the series posting none. To the public, Garner was the rough-hewn but basically affable fellow they'd seen in his fictional roles and as Mariette Hartley's partner (not husband) in a series of Polaroid commercials. However, his later film and TV-movie roles had a dark edge to them, notably his likable but mercurial pharmacist in Murphy's Romance (1985), for which he received an Oscar nomination, and his multifaceted co-starring stints with James Woods in the TV movies Promise (1986) and My Name Is Bill W. (1989). In 1994, Garner came full circle in the profitable feature film Maverick (1994), in which the title role was played by Mel Gibson. With the exception of such lower-key efforts as the noir-ish Twilight (1998) and the made-for-TV thriller Dead Silence (1997), Garner's career in the '90s found the veteran actor once again tapping into his latent ability to provoke laughs in such efforts as Space Cowboys (2000) while maintaining a successful small-screen career by returning to the role of Jim Rockford in several made-for-TV movies. He provided a voice for the popular animatedfeature Atlantis: The Lost Empire (2001) and appeared in the comedy-drama The Divine Secrets of the Ya-Ya Sisterhood (2002). Garner enjoyed a career resurgance in 2003, when he joined the cast of TV's 8 Simple Rules, acting as a sort of replacement for John Ritter, who had passed away at the beginning of the show's second season. He next appeared in The Notebook (2004), which earned Garner a Screen Actors Guild nomination and also poised him to win the Guild's Lifetime Achievement Award. His last on-screen role was a small supporting role in The Ultimate Gift (2007). In 2008, Garner suffered a stroke and retired acting. He died in 2014, at age 86.

Trivia: Strawberry blonde, freckle-faced, and willowy, Sissy Spacek was among the most popular female stars of the late '70s and '80s. The Texas born and bred actress originally aspired to become a singer, and, after heading east to New York, got her start singing at coffee houses in Greenwich Village. Billing herself as "Rainbo," Spacek also cut a single, "Johnny, You Went Too Far This Time." On the side, she earned money by recording backup vocals on television commercials.When the acting bug bit, Spacek enrolled at the Lee Strasberg Theatrical Institute. While she technically made her film debut as an extra in Andy Warhol's Trash (1971), her official debut is listed as Michael Ritchie's Prime Cut (1972). The actress' first crack at stardom came in 1973, when she played a teenage accomplice to ruthless cross-country killer Martin Sheen in Terrence Malick's disturbing Badlands. The role earned her critical acclaim, as did her portrayal of a sweet teen who becomes a violent radical in the made-for-television movie Katherine (1975).Spacek's true breakthrough came when she played a troubled, shy teenager who discovers that she has telekinetic powers and uses them to get bloody revenge upon her cruel schoolmates and mother in Brian De Palma's chilling adaptation of Stephen King's novel Carrie (1976). Her work in the film earned her a Best Actress nomination, as well as permanent cult status. She once again experimented with emotional instability in Robert Altman's Three Women the following year, and then got to show off her singing abilities playing Loretta Lynn in Coal Miner's Daughter in 1980. Her portrayal of Lynn became one of Spacek's best-known roles, and it earned her an Oscar for Best Actress.In 1981, Spacek starred in Raggedy Man, which was directed by her husband, Jack Fisk. Her career remained in high gear through the mid-'80s with such memorable turns as her Oscar-nominated work in Missing (1982) and The River (1984), but after 1986, when she was again nominated for an Oscar for her work in Crimes of the Heart, Spacek partially withdrew from acting to concentrate on raising kids. Throughout the 1990s, she occasionally returned to the big screen, lending her talents to such features as JFK (1991), The Grass Harp (1996), and Affliction (1998). In 1999, she turned in memorable performances playing Brendan Fraser's mother in Blast From the Past and Richard Farnsworth's speech-impaired daughter in David Lynch's The Straight Story. In 2001 the quietly intense actress shined once again in director Todd Field's critically praised In the Bedroom. Suffering from severe trauma and depression after her son is viciously murdered, Spacek's brooding and sympathetic performance in Bedroom found the actress taking home a Golden Globe for Best Actress and earning an Oscar nod in the same category.She continued to work steadily in projects such as the drama North Country, the comedy Hot Rod, Four Christmases, and Get Low. In 2010 she joined the cast of the HBO series Big Love, and the next year she had a key role in the Oscar-nominated drama The Help, resulting in one of the biggest commercial hits of her illustrious career.

Trivia: Full-blooded Cherokee actor Wes Studi didn't discover his true calling until much later in life than most actors. Stricken by his vocational teacher's early advice that he should be realistic and settle for life as a low-paid and under-appreciated worker, Studi admits that the advice cast a shadow under which he lived for years, uninspired to seek his fortune in the face of overwhelming adversity and slim odds of finding true success.Born in Nofire Hollow, OK, in 1946 (or maybe 1947), Studi laughingly admits that there is some uncertainty to the actual date), the soft-spoken actor was the eldest of four sons and spent the majority of his childhood in Northeastern Oklahoma. The son of a ranch hand, Studi received his early education at Chilocco Indian School before graduating high school and being drafted into the army. Soon after being drafted Studi served 18 months in Vietnam.Returning disillusioned by the horrors of war and the sometimes hostile reception that veterans received, Studi drifted for a couple of years, spending much of his time traveling and visiting his old Vietnam buddies. Seeking further sustenance, Studi entered Tulsa Junior College on the G.I. Bill. After Tulsa, Studi became inspired to make a difference in peoples lives, soon joining the American Indian Movement. Later attending Tahlequah University, Studi made further attempts at positive influence in his work with the Cherokee Nation. Though he had been married previously, the relationship had failed and Studi remarried in 1974. Working for the Tulsa Indian Times while his wife worked as a teacher, the couple had two children while living in their Tulsa ranch before his second marriage suffered the same unfortunate fate as his first. It was the breakup of this marriage that found Studi discovering his true calling as an actor. Studi found success appearing in theater as well as in productions for Nebraska Public Television in the summer of 1985. It was after Studi's role in the 1988 PBS production The Trial of Standing Bear that he fully realized his passion for acting. Soon deciding to make the fateful move to Los Angeles, Studi found work in such films as Dances With Wolves (1990) and Last of the Mohicans (1992) before taking a starring role in 1993's Geronimo: An American Legend. Making memorable appearances in such films as Heat (1995), Crazy Horse (1996), and Deep Rising (1998), Studi flourished in his new calling, finding frequent work with his expressive features and warm sense of humor.

Trivia: Fuzzy-faced actor Charles Martin Smith took time off from his studies at Cal State to make his cinema debut in The Culpepper Cattle Company (1972). Specializing in nerdish, owl-eyed teenagers during the early stages of his career, Smith scored a hit as Terry "The Toad" Field in the two American Graffiti movies of the mid-1970s. He was afforded a rare star part as real-life Canadian author Farley Mowat in Never Cry Wolf (1983), delivering what amounted to a one-man show as he braved the treacherous Arctic to study the so-called predatory behavior of wolves. Other Smith performances worth noting include ill-fated FBI accountant Oscar Wallace in The Untouchables (1987) and AIDS researcher Henry Jaffe in the made-for-TV And the Band Played On. Turning director with the sloppy but endearing "horror musical" Trick or Treat (1986), Charles Martin Smith has gone on to man the megaphone on the love-'em-or-hate-'em comedies Boris and Natasha (1992) and Fifty/Fifty (1993).

Trivia: A Pulitzer Prize-winning playwright (for 1979's Buried Child), an Oscar-nominated actor, and a director and screenwriter to boot, multi-talented Sam Shepard has made a career of plumbing the darker depths of middle-American rural sensibilities and Western myths. The son of a military man, he was born Samuel Shepard Rogers on November 3, 1943, in Fort Sheridan, IL. Following a peripatetic childhood, part of which was spent on a farm, Shepard left home in late adolescence to move to New York City, where by the age of 20, he already had two plays produced. As a playwright, Shepard went on to win a number of Obies for such dramas as Curse of the Starving Class (1977), which he made into a film in 1994, and True West (aired on PBS in 1986). As an actor, the lanky and handsome Shepard made his feature film debut with a small role in Bronco Bullfrog (1969) and didn't resurface again until Bob Dylan's disastrous Renaldo and Clara (1978). The film followed Shepard's residence in London during the early '70s, where he worked on-stage as an actor and director when not playing drums for his band, The Holy Modal Rounders, which had performed as part of Dylan's Rolling Thunder Revue in 1975. Also in 1978, Shepard made a big impression playing a wealthy landowner in Terrence Malick's Days of Heaven, but it was not until he received a Best Supporting Actor Oscar nomination for playing astronaut Chuck Yeager in The Right Stuff (1983) that he became a well-known actor. Following this success, he went on to specialize in playing drifters, cowboys, con artists, and eccentric characters with only the occasional leading role. Some of his more notable work included Paris, Texas (1984), which he also wrote; Fool For Love (1985), which was adapted from his play of the same name; Baby Boom (1987), Steel Magnolias (1989), and The Pelican Brief (1993). In addition to acting and writing, Shepard has also directed: in 1988, he made his debut with Far North, a film he wrote especially for his off-screen leading lady, Jessica Lange, with whom he has acted in Frances (1982), Country (1984), and Crimes of the Heart (1986).In 1999, Shepard could be seen on both the big and small screen. He appeared in Snow Falling on Cedars and Dash and Lilly, a made-for-TV movie for which he won an Emmy nomination in the role of the titular Dashiell Hammett. In addition, he also lent his writing skills to Simpatico, a Nick Nolte vehicle about friendship and loss adapted from Shepard's play of the same name.As the new decade began, he could be seen as the ghost in a modern-set Hamlet. He appeared in Black Hawk Down, as well as in Sean Penn's The Pledge. His play True West enjoyed a highly successful revival starring John C. Riley and Philip Seymour Hoffman as feuding brothers, which was notable because the actors traded parts every third performance. In 2004 he appeared in the popular romantic drama The Notebook, and wrote Don't Come Knocking the next year. He was the legendary outlaw Frank James in 2007's The Assassination of Jesse James by the Coward Robert Ford. He was cast as Valerie Plame's father in Fair Game, and portrayed a dog-loving sheriff in Lawrnece Kasdan's Darling Companion.

Trivia: Born in Maringa, Brazil, Sonia Braga acted on the stage as a teenager. She quickly rose to stardom on Brazilian soap operas during the '60s, but it was not until Bruno Barreto's Dona Flor and Her Two Husbands (1977) that she gained international screen stardom. She played the title character, a remarried widow who is prone to erotic visits from her first husband's ghost. She worked with Barreto again for the 1983 erotic drama Gabriela, based on one of her TV roles.Her first mainstream Hollywood movie was Kiss of the Spider Woman (1985), in the dual role of the mythical title character herself and the woman of Raul Julia's past. She then appeared with Julia in her next few films, including Paul Mazursky's Moon Over Parador (earning her a Golden Globe nomination), Clint Eastwood's The Rookie, and John Frankenheimer's The Burning Season (earning her an Emmy nomination). She hasn't always played a sexpot, however; she was firey garage owner Ruby in Robert Redford's The Milagro Beanfield War as well as the math teacher known as "the Dragon Lady" on The Cosby Show. After living in the U.S. for some time, she returned to Brazil in 1996 to star in the romantic comedy Tieta of Agreste, which she also co-produced. The role of Tieta was a self-reflexive one, that of a mature beautiful woman returning to Brazil after several years away. In the late '90s, she worked on the miniseries Streets of Laredo, A Will of Their Own, and Four Corners. In 2001 she joined the cast of Gregory Nava's PBS series American Family as matriarch Berta. She can also be seen as Jennifer Lopez's mother in Angel Eyes and as Kim Cattrall's lover Maria on Sex and the City.

Trivia: The handsome and sturdy Hispanic-American actor Alexis Cruz chalked up an impressive array of bit and supporting roles from the 1980s onward -- mainly in A-list Hollywood features, and usually of an ethnic nature. He appeared very briefly as Charlie in James Toback's woefully underrated freewheeling comedy The Pick-Up Artist (1987), with Robert Downey Jr. and Molly Ringwald, and -- that same year -- played an equally small role in Arthur Hiller's female "buddy comedy" Outrageous Fortune, starring Shelley Long and Bette Midler. Cruz survived enlistment in a couple of ugly and unmemorable productions, including the 1988 family-oriented telemovie Gryphon and the 1989 Robert Wise musical Rooftops, then shifted gears somewhat and made a fast track for the small screen. On television, Cruz is probably best known as Skaara and Klorel on Stargate SG-1; his resumé also includes guest spots on such blockbuster series as NYPD Blue and ER and more prominent roles on Touched by an Angel and American Family. In 2006, Cruz received one of his highest billings to date as the impossibly hip and street-smart Martin Allende, a member of attorney Sebastian Shark's (James Woods) legal team.

Trivia: The titles of his popular record albums "Weird Behavior" and "Class Clown" sum up the childhood deportment of American comedian George Carlin. He tried to fit into the mainstream, but school was too confining. Carlin dropped out of high school to join the Air Force as a radar mechanic, and while stationed in Shreveport, Louisiana, the 17-year-old Carlin was given a shift as a deejay on a local radio station. At 18, Carlin teamed with the station's newsman Jack Burns and hit the nightclub circuit with a comedy act. Things didn't congeal, and soon both performers went their separate ways (Burns would later team more successfully with Avery Schreiber, then go on to become an influential comedy writer and producer). In the mid 1960s, Carlin began building a following with appearances on variety programs, delivering soon-to-be classic routines about Indian war parties ("You wit' the beads...get outta line"), crack-brained deejays ("Wonderful WINO....") and Al Sleet, the Hippie-Dippie weather man. This fresh burst of celebrity led to Carlin's being hired as a regular on Away We Go, the 1967 summer replacement for The Jackie Gleason Show. Carlin remained popular, but grew tired of pulling out the same routines in show after show; he also rebelled against the conservatism of his physical appearance. Before the 1960s had become the 1970s, Carlin had lost several TV jobs by dressing hippie-style, replete with beard and earrings. But changing public tastes made such eccentricity salable again, and soon Carlin was hot again. One of his more popular routines was one that he couldn't deliver on the air: "The Seven Words You Can't Use On Television." This more than any other piece of material would both deify Carlin with his fans and vilify him with the conservative element: an FM radio station nearly lost its license for playing the "Seven Words" routine, while Carlin himself was arrested during a Milwaukee appearance for violating obscenity laws. This served to solidify Carlin's link with the down-with-everything youth culture of the era, which may be why the comedian was the first guest on the doggedly anti-establishment Saturday Night Live. Carlin's performances became renowned for their unpredictability in the 1970s and early 1980s; sometimes he'd stalk off in the middle of the act if the laughs weren't there, other times he'd verbally abuse the audience, and still other times he wouldn't show up at all. By the mid 1980s, he had cleaned up his personal act (if not his public one); he landed and sustained the surprising assignment of narrating a children's series (the British animated program Thomas and Friends); appeared in a supporting capacity in the 1987 Arthur Hiller female buddy comedy Outrageous Fortune!; and in 1989 became something of a teen idol thanks to his appearances as mentor-from-the-future Rufus in the lowbrow but profitable Bill and Ted movies. He also catered to audiences of a much different demographic, with a fine supporting role in Barbra Streisand's The Prince of Tides (1991). With nearly three decades of lofty career heights and equally precipitous lows behind him, Carlin then signed to star in a weekly sitcom for the Fox Network in 1993, in which he played a cab driver named George - and within a few weeks was up to his old tricks by weaving a heavily bleeped variation of those "Seven Words" into one of the plotlines. The George Carlin Show debuted in January of 1994, but failed to connect with audiences and folded after a single season. This only marked the beginning of a career resurgence for Carlin, however - one that witnessed him maintaining a busier schedule than ever before over the decade and a half that followed. He cropped up in numerous additional features - including the gag-a-minute farce Scary Movie 3 (2003) and the Pixar/Disney CG-animated family film Cars (2006) (in which he voiced one of the titular automobiles); he also headlined numerous stand-up specials for HBO and continued to tour up through the time of his death. Carlin died of heart failure in June 2008 at the age of 71, about a year after issuing three new stand-up recordings back-to-back: Brain Droppings, Napalm and Silly Putty, and More Napalm and Silly Putty.

Trivia: Six-foot four-inch, beefy character actor with rubbery, homely face, Quaid's first professional show-business work was as the "straight man" half of a comedy duo with actor Trey Wilson in Houston. While a third-year college drama student he was cast by Peter Bogdanovich in a supporting role in The Last Picture Show (1971), then went on to have small roles in Bogdanovich's next two movies. He made a big impression as a naive sailor alongside Jack Nicholson in The Last Detail (1973), for which he received a Best Supporting Actor Oscar nomination. By the mid '70s, he worked in films frequently, usually typecast as a dim-witted fool or redneck. In the mid '80s he was (for one season) in the regular cast of the weekly sketch-comedy series "Saturday Night Live," on which he demonstrated his considerable comedic talent and often impersonated President Ronald Reagan. More recently he has gotten straight dramatic roles, a transition marked by his off-Broadway stage debut in True West in 1983. He has also worked frequently in TV movies, portraying Lenny in Of Mice and Men (1981) and Lyndon Johnson in LBJ: The Early Days (1987); for his portrayal of Mitch in the TV version of A Streetcar Named Desire (1984) he won an Emmy. He is the brother of actor Dennis Quaid, with whom he appeared in The Long Riders (1980).

Trivia: Portly American character actor Ned Beatty originally planned to enter the clergy, but after appearing in a single high-school play, he changed his mind and decided to become a thespian instead. By his early twenties, Beatty was playing Broadway and it was his work in the play The Great White Hope that attracted the interest of film director John Boorman, who cast him as one of the four main stars in his gripping backwoods thriller Deliverance (1972). Forever immortalized in the notorious "squeal like a pig" rape scene, Beatty subsequently went on to become one of the screen's more prolific supporting actors, frequently appearing in up to four films per year. His more notable film work includes Nashville (1975), All the President's Men (1976), Network (for which he earned an Oscar nomination), The Big Easy (1987), Hear My Song (1991), A Prelude to a Kiss (1992), Radioland Murders (1994), and He Got Game (1998). In 1999, he could be seen as a small-town sheriff in the Robert Altman ensemble film Cookie's Fortune.At the start of the 21st century the always-employed character actor continued to work steadily in projects as diverse as Roughing It, Where the Red Fern Grows, Shooter, and Charlie Wilson's War. He joined the Pixar family when he voiced Lotso, the bad guy in Toy Story 3, and he provided the voice of Mayor in 2011's Oscar winning animated feature Rango.

Trivia: American actor Kevin Conway's first credited screen role was as Weary in the 1971 Kurt Vonnegut derivation Slaughterhouse Five. Subsequent film assignments included supporting roles in two 1978 Sylvester Stallone vehicles, Paradise Alley and F.I.S.T (1978), and the part of "The Kid" in the Burt Reynolds cop caper Shamus (1973). Conway had the second lead in 1980's Lathe of Heaven, the first TV movie produced for the PBS network; and, also for public television, he appeared as Roger Chillingworth in a 1979 adaptation of The Scarlet Letter. The actor was seen on a regular basis in the 1970 TV soap opera A World Apart. The actor's most celebrated stage role was as Dr. Frederick Treves in the original Broadway production of The Elephant Man, a role he re-created for television in 1982.