Trivia: One of the most compelling actors of her generation, Toni Collette has enjoyed a career that can only be described as unpredictable. Moon-faced, cat-eyed, and possessing a presence that conveys both dignity and eccentricity, Collette had her breakthrough in P.J. Hogan's hit 1994 comedy Muriel's Wedding. As the film's title character, an overweight, ABBA-loving woman who is obsessed with getting married, the Australian actor earned both critical raves and audience recognition across the globe. She also earned plenty of opportunities to be typecast into similar roles -- particularly as she had gained over 18 kilos to play the part of Muriel -- but managed to skillfully avoid this by appearing in a variety of films that had nothing to do with ABBA, matrimony, or weight issues.Born in Sydney, Australia, on November 1, 1972, Collette became interested in acting as a child. She made her stage debut at the age of 14 in a school production of Godspell, and went on to attend the National Institute of Dramatic Art. Quitting the prestigious school after less than two years in order to work with a talented stage director, she appeared in a number of plays and in 1991 made her screen debut in Spotswood, acting in the company of Anthony Hopkins and a then unheard-of Russell Crowe.Three years later, Collette had her big break with Muriel's Wedding, a sleeper hit in both Australia and the U.S. Following the hoopla surrounding the film's success, the actor appeared in a number of small films, including the 1996 comedy Cosi and Clockwatchers (1997), a poignant office comedy that featured Collette, Lisa Kudrow, Parker Posey, and Alanna Ubach as dissatisfied temps.Recognized by keen-eyed observers as Gwyneth Paltrow's shy friend Harriet in Douglas McGrath's 1996 adaptation of Emma, and as the Angie Bowie-esque wife of a glam rocker in Todd Haynes' much maligned Velvet Goldmined (1998), Collette found her biggest audience to date -- as well as some of her biggest raves -- in M. Night Shalyaman's The Sixth Sense (1999). Cast as the mother of a young boy (Haley Joel Osment) who sees dead people, Collette earned a Best Supporting Actress Oscar nomination for her performance. Unfortunately, she followed the film with Shaft (2000), more or less wasting her talents in the role of a woman who the titular private dick has to save from the bad guys. Collette's talents were put to greater use in the made-for-TV movie Dinner With Friends (2001), which cast her as a woman who breaks up with her husband (Greg Kinnear) after 12 years of marriage. The movie, which also starred Andie MacDowell and Dennis Quaid, won warm reviews, particularly for the strong ensemble work of its four principle actors. Collette's subsequent workload reflected her growing popularity; in addition to Stephen Daldry's The Hours (2001), which she starred in alongside a cast that included Meryl Streep, Nicole Kidman, Julianne Moore, and Ed Harris, she also appeared opposite Hugh Grant in the 2002 adaptation of author Nick Hornby's About a Boy. Collette continued to take on small-scale projects like the Hollywood satire The Last Shot. She co-starred with Nia Vardelos in Connie & Carla, a film that came nowhere close to equaling the sleeper success of Vardelos' My Big Fat Greek Wedding, but did showcase Collette's fine singing voice. The next year Collette gave a strong performance opposite Cameron Diaz in the underappreciated In Her Shoes. 2006 found her stretching both her comedic and dramatic muscles by co-starring in the psychological thriller The Night Listener as well as the sleeper hit independent comedy Little Miss Sunshine opposite Steve Carell and Greg Kinnear.The actress would go on to contiunue her reputation, consistently appearing in critically acclaimed films like The Night Listener, Jesus Henry Christ, The Black Balloon, and Towelhead, in addition to finding a suitable outlet for her talents on the small screen, playing a mother with multiple personalities in the Diablo Cody penned HBO series United States of Tara.

Trivia: Signed by Universal in 1950, the perky, redheaded Piper Laurie (born Rosetta Jacobs) was a welcome presence in many a musical, situation comedy and costume drama. In later years, she tended to dismiss her ingenue years, noting that she spent most of her time posing for cheesecake layouts. Thanks in great part to her devastating performance as an alcoholic in the 1958 Playhouse 90 TV drama "The Days of Wine and Roses", Laurie completely altered her cuddly image, reinventing herself as a powerful dramatic actress. She earned an Oscar nomination for her portrayal of Paul Newman's neurotic girlfriend in The Hustler (1961), then suddenly retired from acting upon her marriage to movie critic Joseph Morganstern. She made a brilliant return to films with another Oscar-nominated performance, this time as Sissy Spacek's religious fanatic mother in Carrie (1976). Ten years and several topnotch performances later, she was honored with a third Oscar nomination for Children of a Lesser God (1986). Laurie's television work has included a co-starring assignment opposite a very young Mel Gibson in the superb Australian TV movie Tim (1979) and an Emmy-nominated stint on David Lynch's 1990 "cult" series Twin Peaks. Working only when the spirit moves her in recent years, Piper Laurie has been seen in such prestige productions as Wrestling Ernest Hemingway (1993) and White Man's Burden (1995).

Trivia: Brittany Murphy first came to the attention of film audiences as Tai, one of Alicia Silverstone's airhead friends, in the 1995 comedy Clueless. Though convincing as a dim-bulb character, Murphy cuts dramatically against this grain off-camera, as a ferociously intelligent and ambitious young performer who had acting in her blood from early childhood. As a teenager and young adult, she gave expression to the scope of her talent and versatility with a series of engaging film and television roles.Born in Atlanta on November 10, 1977, Murphy was raised by her single mother in Edison, New Jersey; she later indicated, in interviews, that her mom struggled financially - that they were forced to eat spaghetti night after night, and that on certain occasions, she had to beg her mother to buy clothes at KMart; this would later account for Murphy's marked social investment in homeless causes, as discussed in a February 2003 Glamour article.A precocious child who began putting on shows when she was a toddler, Murphy was acting in regional theatre productions by the age of nine. Work in various commercials followed, and in 1990 she landed her first television appearance at the age of twelve, on the sitcom Blossom. She also secured a supporting role as Brenda Drexell, the fourteen-year-old daughter of Dabney Coleman's fifth grade teacher Otis Drexell, on the (mercifully) short-lived 1991 FOX sitcom Drexell's Class. The following year, Murphy took her first cinematic bow in the dysfunctional family drama Family Prayers. Murphy's talent for portraying, dramatically, all degrees on the spectrum of behavioral dysfunction further came to light in three successive projects through 1999: the blackly comic Reese Witherspoon trailer trash odyssey Freeway (1996) (as a disfigured lesbian who befriends Witherspoon's Vanessa); a mental patient in Lloyd Kramer's made-for-TV David and Lisa (1998), and James Mangold's Girl, Interrupted (1999) (as yet another resident at a mental institution).Meanwhile, on a less ambitious (albeit more whimsical) note, Murphy also became a fixtureon King of the Hill, Mike Judge's long-running contemporary cartoon of suburban life in the southern U.S., as Luanne Platter, the hair stylist niece who comes to live with Hank Hill's family. Murphy kept a full plate as the millennium wrapped. In addition to her work for Mangold in 1999,she also explored the collective insanity of the beauty pageant world in Drop Dead Gorgeous, while on the small screen, she covered much darker thematic ground with the well-received Holocaust drama The Devil's Arithmetic (also 1999). In 2001, Murphy appeared in the Michael Douglas thriller Don't Say a Word, and alongside Drew Barrymore in Riding in Cars With Boys.Cast opposite Eminem in director Curtis Hanson's 2002 drama 8 Mile, Murphy performed compellingly as an aspiring rap star's unapologetic muse; in 2004, Murphy headlined Nick Hurran's thoroughly disappointing rom-com Little Black Book. She also made a splash in Robert Rodriguez's innovative graphic novel adaptation Sin City, as the arrogant waitress who becomes the prize in a heated rivalry between Benicio del Toro and Clive Owen. Murphy made appearances in four features in 2006. In Alex Keshishian's progressive romantic comedy Love and Other Disasters, she played a London-based American expatriate, employed at Vogue, who tries to fix up her gay roommate; in Ed Burns's sixth directorial outing, the Big Chill-like romantic comedy The Groomsmen, she played the expectant girlfriend of Burns's Paulie. She also portrayed a member of the ensemble in Karen Moncrieff's murder mystery The Dead Girl, about a group of seemingly disconnected individuals whose lives intersect as a girl's murderer comes to light, and one of the lead voices in George "Babe" Miller's Happy Feet, an animated penguin tale.Murphy's appearance alongside Ashton Kutcher in Just Married was - to some degree - a case of art imitating life: offscreen, Murphy and Kutcher began to date as well (and became a hot tabloid item), though unlike their onscreen counterparts, they never wed.In the several years that followed, Murphy remained active, both in front of and behind the camera; she lent her voice to the CG-animated George Miller comedy Happy Feet (2006), and starred in and produced a Robert Allan Ackerman directed comedy-drama, The Ramen Girl, that suggested tremendous promise (though it went straight to home video). Murphy also starred in a made-for-television movie on the Lifetime network, Nora Roberts' Tribute (2009). That marked the end of her career, however: the actress's life was tragically cut short when she died in December 2009 at the age of 32.

Trivia: Born December 17, 1974, in Los Angeles, Giovanni Ribisi began his career in network television, with recurring and guest roles on a number of shows, including The Wonder Years. As a teenager, he was typecast for several years as a dimwitted slacker in films and on television, with a memorable guest spot in an episode of The X-Files and a recurring role as Lisa Kudrow's brother on Friends. Ribisi was eventually able to break the grunge mold, first with a secondary role in Tom Hanks' That Thing You Do! (1996) and then in Richard Linklater's SubUrbia (1997). It was his role in Steven Spielberg's Saving Private Ryan (1998) that caused many critics to dub him one of the leading actors of his generation, a status confirmed by his appearance on the cover of Vanity Fair with a number of fellow up-and-comers. Ribisi was given further opportunities to showcase his sleepy-eyed versatility in such films as 1999's The Mod Squad and The Other Sister. If Ribisi's best roles had been unfairly weighed down by an overabundance of commendable but little seen roles in the previous years, all this would change as the young actor began to focus increasingly on roles that were not only high quality, but high profile as well. His role in the high stakes 2000 drama The Boiler Room may have went largely unseen in theaters, but healthy word of mouth combined with an impressive cast of up and comers found the film an enduring shelf life on cable and DVD. After burning rubber in the fast and furious Nicolas Cage action thriller Gone in Sixty Seconds, Ribisi's memorable performance in director Sam Raimi's southern gothic flavored chiller The Gift preceded a touching turn in the affecting made-for-television drama Shot in the Heart. Ribisi's subsequent role as a conflicted police officer in the 2002 drama Heaven may have been a well-intended commentary on the state of crime and terrorism, but audiences largel dismissed the effort as pretentious tripe and the actor took a brief turn into blockbuster territory with Basic before a turn as an aloof, celebrity obsessed photogapher in director Sophia Coppola's art-house hit Lost in Translation. If his turn as a celebrity who turns convention in its head by stalking a fan in I Love Your Work didn't strike home with viewers, an appearance in the same year's Cold Mountain offered him the chance to flex his dramatic skills alongside an impressive cast that included Jude Law and Nicole Kidman. Of course Ribisi never was one to be predictable with his choice of roles, and following the romantic comedy Love's Brother he essayed a supporting role in the 2004 sci-fi thriller Sky Captain and The World of Tomorrow. A handful of largely forgettable roles followed, and on the heels of recurring television roles in My Name is Earn and Entourage, Ribisi dove back into sci-fi with a role as villainous Chief Administrator Parker Selfridge in James Cameron's phenominally successful Avatar. And if Ribisi's performace in that film failed to make your skin crawl, his turn as a psychotic, heavily-tattooed drug dealer in the fast paced 2012 action thriller Contraband was sure to do the trick. He continued his villainous run as a stalker in the surprise hit film Ted (2012). Ribisi later re-teamed with his Ted director, Seth MacFarlane, in 2014's A Million Ways to Die in the West. He also appeared in the Oscar-nominated film Selma that same year.

Trivia: Rugged leading man Josh Brolin was raised on a horse ranch in California, a fact that would come to inform his persona as an actor in years to come. But when the 17 year old made his big-screen debut in 1985's The Goonies, most viewers knew him as the son of actor James Brolin. The younger Brolin didn't shy away from his Hollywood roots, and when he relocated to L.A. to pursue an acting career, he moved in with his dad while he studied the craft under the esteemed Stella Adler. He soon followed his appearance in The Goonies with a lead role in the series Private Eye, and though the show didn't last, Brolin decided to stay in TV, starring in the Western series Young Riders. The show ended its three-year run in 1992, when Brolin's marriage to Alice Adair ended as well, and Brolin seemed intent on flying under the radar for the next several years, pursuing mostly smaller, independent projects like My Brother's War and Mimic. In 2007, he caught on with a new core group of fans when he played the sinister Doc Block in Robert Rodriguez's instant cult favorite Planet Terror, one half of the Grindhouse double feature. Later that same year, however, he would be reintroduced to audiences on a much huger scale when he took the lead role in the Coen brothers' highly acclaimed No Country for Old Men. The sleeper film would become one of the biggest films of the year, winning the Oscar for Best Picture and making Brolin a household name for the first time in over a decade.Brolin next signed on to play the title role in W., Oliver Stone's satirical biopic about president George W. Bush. Buzz gathered around the project before so much as a trailer was released, praising the actor's complete transformation into what had originally seemed like a strange role for him to play. Although the buzz was that he would garner some awards for his role as the 43rd President, it turned out that a different political film from 2008 would bring him the biggest accolades of his career. His portrayal of Dan White, the man who assassinated Harvey Milk, in Gus Van Sant's Milk garnered Brolin his first Academy Award nomination, as well as a nod from the Screen Actors Guild.In 2010 he would play the title character in the adaptation of the comic book Jonah Hex, but he would find much greater success as the dastardly Tom Chaney in the Coen brothers remake of True Grit. He shares a very funny story in the 2011 documentary Woody Allen: A Documentary. In 2012 he stepped into the successful Men In Black franchise with MiB3, playing a younger version of Tommy Lee Jones's character. He next appeared in Gangster Squad, opposite Ryan Gosling, and took on the lead in the 2013 English language remake of Oldboy. Brolin joined the Marvel Cinematic Universe, playing the villainous Thanos, first in Guardians of the Galaxy and later reprising his role in other films in the MCU. In 2014, he also appeared in the Sin City sequel A Dame to Kill For and Inherent Vice. He later took a role in the disaster film, Everest, based on the real-life disaster the occurred on the mountain in 1996.

Trivia: Though Australian-born actress Rose Byrne made her film debut in 1994, when she played a supporting role in the eccentric drama Dallas Doll alongside Sandra Bernhard and Jake Blundell, her breakout performances within her native country were both on the small screen; namely, in the soap opera Echo Point and the long-running drama series Heartbreak High. After developing a fan base and gaining some critical recognition, Byrne was cast alongside fellow Aussie Heath Ledger in Two Hands (1999), which featured the actress playing an innocent country girl whose would-be suitor has unwittingly found himself in the midst of a mafia scandal. Though she undoubtedly caught the eye of American filmmakers after Two Hands' premiere at the 1999 Sundance Film Festival, Byrne wouldn't appear in an American film until several years later, when she made a very small appearance in a very big movie -- Star Wars: Episode II -- Attack of the Clones. However, before Star Wars, Byrne starred in two little-known, but nonetheless significant, Australian parts, including her first lead role in The Goddess of 1967 (2000), in which she portrayed a blind, emotionally unstable orphan, and My Mother Frank, which featured her as the unrequited love interest of a pining college student. After the 2002 release of Attack of the Clones, Byrne could be seen in a minor but indelible supporting role in Matt Dillon's City of Ghosts. Byrne went on to perform in two critically acclaimed Australian features -- The Rage in Placid Lake (2003) and The Night We Called It a Day (2003) -- as well as the U.K. release I Capture the Castle (2003), in which she co-starred as the beautiful daughter of a once-grand English family. In 2004, Byrne played a supporting role in Wolfgang Petersen's big-budget historical epic Troy, and went on to star with Josh Hartnett, Matthew Lillard, and Troy alumna Diane Kruger in director Paul McGuigan's thriller Wicker Park. In 2006 she was cast in a supporting role in Sofia Coppola's Marie Antoinette. In 2007 she had a hit on the small-screen as one of the leads in the series Damages. Although she continued to work steadily in movies as well, she didn't find herself in a big hit until 2011 when she was one of the main characters in the Oscar nominated comedy Bridesmaids. That same year she also appeared in X-Men: First Class as Dr. Moira MacTaggert.Byrne soon became a mainstay in the comedy world, appearing in The Internship, Neighbors and Spy. She also appeared in the 2014 remake of Annie, playing Grace, and reprised her role of in X-Men: Apocalypse (2016).

Trivia: Curly haired, sandy-voiced actress Mary Steenburgen is a natural when it comes to playing Southerners, probably because she hails from the region herself. Born in Arkansas on February 8, 1953, Steenburgen was the daughter of a railroad employee. Pursuing drama in college, she headed to New York in 1972, where she worked with an improvisational troupe. She was spotted by Jack Nicholson, who cast her as his feisty "in name only" frontier wife in 1978's Goin' South. Two years later, she won a Best Supporting Actress Oscar for her performance as Melvin Dummar's inamorata in Melvin and Howard (1980).Able to convey a wide age and character range, Steenburgen was effectively cast as a free-spirited Frisco girl in Time After Time (1979), the corseted matriarch of a turn-of-the-century household in Ragtime (1981), prim authoress Marjorie Rawlins in Cross Creek (1983), a long-suffering suburban housewife in Parenthood (1989), and a Marcia Clark-like attorney in Philadelphia (1993). She also portrayed the Jules Verne-loving Western schoolmarm Clara in Back to the Future 3 (1990), a role she perpetuated (via voice-over) on the Back to the Future TV cartoon series. In 1988, she was executive producer of End of the Line, in which she also appeared. Steenburgen's film appearances throughout the 1990s were erratic: some highlights, in addition to Philadelphia, include What's Eating Gilbert Grape (1993), Nixon (1995), and The Grass Harp (1995). In 1999, she starred as Noah's wife in the biblical epic Noah's Ark, sharing the screen with the likes of Jon Voight, F. Murray Abraham, James Coburn, and Carol Kane. As the 21st century began, Steenburgen continued to work steadily in projects such as Life as a House, I Am Sam, Sunshine State, and Elf. She was cast in the CBS drama Joan of Arcadia in 2003. In 2006 she appeared in David Lynch's Inland Empire, and the next year she starred opposite Jodie Foster in the vigilante drama The Brave One. She was cast in the comedies Step Brothers and Four Christmases in 2008, and in 2011 she was the editor who inspires the main character to write the book in The Help.Formerly married for several years to actor Malcolm McDowell, Steenburgen married former Cheers star Ted Danson in 1995. The two have collaborated on a number of projects, including 1994's Pontiac Moon and the made-for-TV Gulliver's Travels in 1996.

Trivia: Made his Broadway debut in Tiger at the Gates in 1968. Made his movie debut in Last Summer in 1969. Has appeared with Ian McKellen in the films Six Degrees of Separation (1993), Apt Pupil (1998), X-Men (2000) and X2 (2003). Directed his first feature-length project in 2001, the Showtime movie Off Season. Is a volunteer/spokesperson for several AIDS organizations.

Trivia: Well known for his works as teen heartthrob on the NBC series Freaks and Geeks and films like Never Been Kissed (1999) starring Drew Barrymore, James Franco has the dark, refined looks of a classic movie star. Indeed, he was cast in the TNT film James Dean playing the screen legend himself, for which he won a Golden Globe Award for his performance in 2002.Born on April 19, 1978, Franco has lived in California throughout his life. After high school, he studied acting intensely under Robert Carnegie, Jeff Goldblum, and Tony Savant. He also spent time training at the Playhouse West in North Hollywood. Soon after landing the role as dark and pessimistic Daniel on Freaks and Geeks, where the teenage crowd found his performance accessible and realistic, Franco would earn a series of roles in teen-oriented motion pictures. Along with Never Been Kissed, he appeared in Whatever It Takes, on the set of which he met girlfriend Marla Sokoloff, a fellow actor. In a film about a group of "bad" students called Mean People Suck (2000), Franco appeared in the role of Casey, and then starred in Blind Spot in 2001.After retaining heartthrob status with his award-winning performance as James Dean, he would appear in Deuces Wild (2002), a '50s-style gang drama. That same year, he played the part of Harry Osborn in the live-action rendition of Stan Lee's superhero comic Spider Man, also starring Tobey Maguire, Willem Defoe, and Kirsten Dunst. The following year would find an emerging Franco in his most dramatically challenging role to date, as a murder suspect who happens to be the son of an NYPD police detective (Robert DeNiro) in City by the Sea. Impressed by Franco's turn as flm legend James Dean, DeNiro personally lobbied to have Franco cast in the film. Franco would continue to work with talented collaborators, landing a role in Robert Altman's ballet movie The Company in 2003. He returned to the role of Harry Osbourn in Spider-Man 2 a year after that. 2005 was a busy year for the young actor who directed an adaptation of his own play, The Ape, and starred in a couple of historical dramas. Neither The Great Raid nor Tristan & Isolde made much of an impression with audiences, but the films showed an actor willing to try new things. He was back in theaters early in 2006 with the Naval Academy/boxing movie Annapolis. That fall he again appeared in theaters in the World War 1 drama Flyboys, directed by Tony Bill. He also agreed to reprise the role of Harry Osborn one more time in Spider-Man 3.Having long nurtured an aptitude for painting, Franco had his first public exhibition of his work in 2006, with a show at a Los Angeles gallery. He also began writing and directing his own short films, like 2007's Good Time Max and 2009's The Feast of Stephen. Around this time, Franco made the unexpected decision to enroll at UCLA as an English major. After receiving special permission to take on a heavier than normal course-load, he received his degree in 2008, and promptly began working on his MFA at Columbia University in New York, which he completed in 2010. He next enrolled as a Ph.D. student in English at Yale University. All the while that he was completing his higher education, Franco was living up to the description often given by his co-stars and collaborators as having a superhuman ability to complete numerous projects at once. In 2008, Franco found an awesome vehicle for his comedic chops with the action-stoner-comedy Pineapple Express, pairing him with Seth Rogen as an adorably friendly weed dealer. That same year, he earned accolades for his performance as Scott Smith in the Award Winning biopic Milk, opposite Sean Penn. Even stranger, in 2009 - at the height of success - Franco decided curiously to join the cast of the daytime soap opera General Hospital, as a performance artist, not unlike himself, named Franco. He would later refer to the role as "performance art," but the tongue-in-cheek nature of a heart-throb Hollywood star joining the ranks of daytime TV only added to Franco's fun and mischievous image. He would also appear on the show 30 Rock that year as himself, in an episode in which the actor carries out a fake relationship for the press, in order to draw public attention from rumors that he's in love with a Japanese body pillow.Franco would make appearances in films like Eat, Pray, Love and Date Night over the coming years, but his next big splash came in 2011, when he starred in the gripping thriller 127 Hours. Playing a mountain climber who becomes immovably wedged in an isolated crevice, the almost completely solo performance earned Franco yet more praise from critics and fans, as well as numerous nominations from the Academy Awards, Golden Globes, Screen Actors Guild Awards, and more. Never standing still after even the biggest victory, however, Franco was soon onto the next project, reteaming with his Pineapple Express director and costars for the 2011 fantasy-stoner-comedy Your Highness.

Trivia: American actress Mary Beth Hurt, born Mary Beth Supinger, trained for the theater at New York University's School of the Arts. She then spent a year in London, where she performed with the Questers, a well-known amateur theater troupe. In 1972 she made her professional debut with the New York Shakespeare Festival, then went on to a very successful stage career on Broadway and elsewhere; she won two Obie awards (one for her work in the play Crimes of the Heart) and was nominated for a Tony for Trelawney of the Wells. Her theater work impressed filmmaker Woody Allen, who cast her in a supporting role in her screen debut, Interiors (1978), Allen's first non-comedy. This won her the co-lead in Joan Micklin Silver's Head Over Heels (1979). Hurt has remained primarily a stage actress, appearing in films every two years or so. From 1972-82 she was married to actor William Hurt. She is now married to writer-director Paul Schrader, and co-starred in his film Light Sleeper (1992).

Trivia: Often noted for her striking feature debut as a gun-toting seductress in the Coen brothers' noirish gangster crime thriller Miller's Crossing (1990), Marcia Gay Harden has since bounced between disparaging disappointment and critical prosperity, and is commonly praised for her chameleon-like ability to immerse herself in characters that are often the polar opposite of the cheerfully optimistic actress.Born in La Jolla, CA, on August 14, 1959, as the third of five children in a military family, Harden's clan moved constantly. Her passion for drama sparked by a period that the family spent in Greece (when she attended Athenian plays), Harden studied drama in college, earning a B.A. in theater from the University of Texas, and an M.F.A. in theater from New York University. After graduation, Harden continued to hone her acting talents on stage in Washington, D.C. Immediately evincing an innate ability to portray a wide range of characterizations, Harden earned two Helen Hayes Award nominations - one for her role in Beth Henley's Crimes of the Heart and one for her role in The Miss Firecracker Contest. Angels in America brought Harden to Broadway, where she found further success in earning both Tony Award and Drama Desk nominations, as well as winning the Theater World Award for Best Actress. Though she had made an impressive screen debut in Miller's Crossing, disappointment soon followed with a slew of critically shunned successes mixed with a series of creative misfires. Though discouraged in the critics' failure to recognize what Harden considered to be some of her best work, Harden began to focus less on Hollywood validation for happiness, and instead shifted her attention to refining her acting abilities. Moving from quirky dramatic roles, such as her manipulative character in Crush (1992), to quiet dramas like 1996's The Spitfire Grill, and such mainstream efforts as The First Wives Club (also 1996) and Meet Joe Black (1998), Harden felt comfortable in a wide variety of roles. She also occasionally compromised on her choice of material during this period (perhaps out of necessity) - such as the dumb-dumb comedy Spy Hard, with Leslie Nielsen, and the 1997 Absent Minded Professor rehash Flubber (starring Robin Williams).But her fortunes began to turn with a supporting role in Ed Harris' long-anticipated Jackson Pollock biopic Pollock (2000) that finally brought the actress much-deserved, mainstream critical recognition for her work. Reunited with Harris from their pairing in an earlier stage production of Sam Shepard's Simpatico, Harden's role as Pollock's dysfunctional muse earned her the Best Supporting Actress Oscar at the 2000 Academy Awards. The dawning years of the new millennium were undeniably kind to the tireless actress, and after a trio of made-for-television movies in the year 2000 Harden essayed the role of a stylish but enigmatic catalyst to a mystery with decidedly comic undertones in Susan Seidelman's Gaudi Afternoon, and portrayed the NASA engineer love interest of Tommy Lee Jones's crop duster, Hawk, in Clint Eastwood's Space Cowboys; Harden and Eastwood forged a strong professional bond and would work together again, several years later.A brief foray into sitcom territory followed soon thereafter, when Harden co-starred with Richard Dreyfuss in shortlived television series The Education of Max Bickford (2001), and the following year, she stuck to the small screen for the mini-series Guilty Hearts and the made-for-television feature King of Texas (the latter earning her a a Golden Sattelite nomination for Best Actress in a Motion Picture Made for Television). An adaptation of Shakespeare's King Lear set in the Old West, King of Texas found Harden essaying the role of cattle-baron John Lear's (Patrick Stewart) eldest daughter. Equally busy in 2003, Harden abandoned the small screen to work with some of the most acclaimed filmmakers in Hollywood. Following her second onscreen assignment for Clint Eastwood - in his deeply flawed but commendable ensemble piece Mystic River - Harden essayed the role of a mother attempting to adopt a South American girl in longtime indie filmmaker John Sayles' Casa de Los Babys and provided a key supporting performance in Mike Newell's Mona Lisa Smile. She contributed to the disappointing (and eminently forgettable) Gene Hackman/Ray Romano onscreen pairing Welcome to Mooseport (as president Hackman's campaign manager) but fared better by joining the cast of Richard Linklater's remake The Bad News Bears, starring Billy Bob Thornton (Harden plays the mom who brings Thornton's slovenly Morris Buttermaker in to coach the team). After relatively limited work throughout 2005 - including a small-scale voiceover assignment as Willa Cather in Joel Geyer's Willa Cather: the Road is All and Mrs. Merriman in the heartwarming family drama Felicity: An American Girl Adventure - Harden's activity crescendoed over the course of 2006, with appearances in no less than three A-list features. These entailed work in multiple genres, and suggested a broad array of fun and challenging characterizations. In Lasse Hallstrom's late 2006 docudrama The Hoax, Harden plays Edith Irving, the wife of scam artist Clifford Irving (portrayed by Richard Gere) during his notorious early-1970s scheme to forge an autobiography of the late Howard Hughes. In Paul Weitz's American Dreams, she plays yet another matron - this time the wife of American president Dennis Quaid, as the generally clueless fellow (!) is sent on a nationally-broadcast talent program. And Harden joins the celebrity-studded ensemble of the more conventional Dead Girl - a murder mystery directed by Karen Moncrieff, whose cast members include Harden, Giovanni Ribisi, Brittany Murphy, Piper Laurie, Josh Brolin, and Mary Steenburgen. The plot recalls Ray Lawrence's Lantana, in its investigation of several seemingly-unrelated lives that intersect in unforeseen ways as the mystery surrounding a woman's death is gradually disclosed to the characters and audience. In 2007 she acted in both The Hoax and Sean Penn's Into the Wild. She joined the cast of the hit show Damages in the second season. In 2009 she played a concerned mother in the roller derby comedy Whip It, and played a harried school administrator in Detachment for director Tony Kaye in 2011.Offscreen, Harden married property master and occasional location scout Thaddaeus Scheel (Boys on the Side, Houseguest, The Spitfire Grill) in 1996. The couple has three children.

Trivia: Actress Kerry Washington's strong background in theater and academics found the talented and ambitious young starlet, even at the start of her career, setting her sights on producing, screenwriting, and eventually directing -- a goal that certainly seemed reachable given her early success in such films as Lift and Save the Last Dance. The daughter of a real-estate broker, Washington was born in New York City and attended the Spence School of Manhattan before enrolling in George Washington University's theater program. It wasn't long after her 1998 graduation that the aspiring actress made her feature debut in the 2000 drama Our Song, with nominations for the film at the Independent Spirit Awards and the Sundance Film Festival serving to increase her exposure among cinephiles, even if the film did go largely unseen by the masses. Of course it would take more than a small independent film to truly set Washington apart from the pack, and many saw her performance in the 2001 romantic drama Save the Last Dance as one of the few redeeming qualities in the otherwise forgettable teen drama. Though her only true experience as a thief resulted in the stealing of an apple from a New York deli when directors DeMane Davis and Khari Streeter encouraged her to engage in a minor bit of thievery in preparation for her role as a shoplifter in the 2001 drama Lift, Washington ultimately proved so convincing and effective in the role that she received a nomination as Best Female Lead at the 2002 Independent Spirit Awards. Of course the all-too-honest actress would return to the deli to pay for the apple following completion of the film. By this point there was little doubt as to Washington's talent, and despite the fact that she would be overshadowed by such big names as Anthony Hopkins and Meg Ryan in such subsequent efforts as Bad Company, The Human Stain, and Against the Ropes, she still managed to make an impression with a series of memorable supporting roles. A substantial role as a lesbian looking to be impregnated by her ex-boyfriend in director Spike Lee's 2004 comedy drama She Hate Me threatened to put an end to the trend of casting Washington almost exclusively in supporting roles; a role as the wife of legendary musician Ray Charles in the same year's Ray truly took her career to the next level. Despite her recent onscreen success, Washington remains true to her stage roots by remaining active in theater and has also begun to branch out by attempting to make a name for herself as a writer and producer as well.Still, it was on the screen that Washington truly earned her keep, and following roles in Sexual Life, Mr. and Mrs. Smith, and Fantastic Four, Washington took a trip to the courtroom for a supporting role on David E. Kelley's Emmy-winning television comedy Boston Legal. In 2006 Washington would find herself the recipient of a most unusual houseguest when a diminutive thief appeared on her doorstep disguised as an abandoned toddler in the Wayans brothers comedy Little Man. She was in Chris Rock's romantic comedy I Think I Love My Wife, and appeared in Spike Lee's World War II movie Miracle at St. Anna. As the 2010's approached, Washington soon found herself a bonified star, remaining adored and in demand due to performances in high profile features like Django Unchained and her star turn as Olivia Pope in ABC's smash hit Scandal.

Trivia: An everyman character actor with a slightly authoritarian bent, Nick Searcy spent his first two decades onscreen specializing in portrayals of such easily recognizable types as policemen, FBI agents, private detectives, and military colonels. Searcy took one of his first bows as a highway patrol officer in the Tom Cruise-headlined Don Simpson/Jerry Bruckheimer outing Days of Thunder (1990), then followed this up with roles in such projects as the telemovies Nightmare in Columbia County and White Lie (both 1991) and the Barbra Streisand feature drama The Prince of Tides (1991). Moviegoers may also associate Searcy with another portrayal from that same year, albeit a far nastier one: that of Frank Bennett, the slug of a husband who ends up as human barbecue at the Whistle Stop Café in Jon Avnet's sleeper hit Fried Green Tomatoes.As the following two decades unfurled, Searcy maintained an almost constant onscreen presence in dozens of films (albeit frequently low-profiled ones). Some of his more memorable projects included Michael Apted's Nell (1994) opposite Jodie Foster, Robert Zemeckis' Cast Away (2000) opposite Tom Hanks, and The Assassination of Richard Nixon (2004) opposite Sean Penn. In 2008, Searcy signed on as a regular -- portraying Roy Buffkin -- in the CW network's series drama Easy Money. That series was short-lived, but Searcy kept going with roles in The Ugly Truth and Blood Done Sign My Name. He was part of the cast for Justified, the hit cable series based on the work of Elmore Leonard, and in 2011 he played Matt Keough in the Brad Pitt sports drama Moneyball.