Trivia: Born in Argentina to British parents, dark-eyed actress Olivia Hussey was "introduced" in Franco Zeffirelli's 1968 production of Romeo and Juliet; in point of fact, she had been in films from 1965, though never in any sort of starring capacity. Much was made at the time of the extreme youth of Hussey and her Romeo, Leonard Whiting. It was said that she was the first movie Juliet who was a genuine teenager rather than an established, venerated screen star; even so, at 16 Hussey was still two or three years older than Shakespeare's Juliet. Few of her subsequent films were on the same artistic or box-office level as Romeo and Juliet, though Hussey was a most fetching damsel in distress in 1978's Death on the Nile and a competent "femme fatale" in 1980's The Man With Bogart's Face. Olivia Hussey has been married to actor/tennis player Dean Paul Martin and Japanese recording artist Akira Fuse, respectively.

Trivia: Cleveland-born Keir Dullea found himself in the thick of Manhattan's intellectual scene when his parents took over the management of a Greenwich Village bookstore. Dullea attended Rutgers and San Francisco State, then launched his acting career in regional theater. He made a spectacular film debut in The Hoodlum Priest (1961), playing a born-to-hang juvenile delinquent. He was more sympathetic but no less emotionally disturbed in 1962's David and Lisa; as late as 1965, he was still playing mentally unstable youths in films like Bunny Lake is Missing. The biggest film hit with which Dullea was associated was 2001: A Space Odyssey (1968) in which he played the time-and-space-travelling astronaut Bowman. He repeated this characterization (and answered several of the questions posed by 2001) in the 1984 sequel 2010. Though he'd been active on the New York stage in the 1950s, Keir Dullea did not appear on Broadway until 1970, when the 34-year-old actor portrayed a twentysomething blind man in Butterflies are Free.

Trivia: The daughter of a mining engineer, Canadian actress Margot Kidder spent her first two-and-a-half years living in a caboose. While attending the University of British Columbia, Kidder was talked into appearing in a college stage production of Take Me Along; she was hooked, though she later learned there was more to acting than crying on cue and partying. In her first professional years with the Canadian Broadcasting Corporation headquarters in Vancouver, Kidder played everything from simpering ingenues to an unhinged murderess. She made her first film in 1969, an American production titled Gaily Gaily, then worked with Gene Wilder in the British-made Quackser Fortune Has a Cousin in the Bronx (1970). Kidder disliked the seamier side of the movie business and retreated to Canada in hopes of learning how to become a film editor, but was brought back to the U.S. in 1971 for a continuing role in the James Garner TV series Nichols. She liked Garner but not the hassles of making a weekly series, and for the next decade concentrated on film work, plunging headfirst into a kinky Brian DePalma chiller titled Sisters (1972). Kidder's best-known work in the '70s and '80s was as Lois Lane in the Superman films starring Christopher Reeve. Other movie roles and a stint on 1987 TV series Shell Game followed. She continued to work steadily in a variety of projects including 1988's Body of Evidence, White Room, and Hanry & Verlin, however she earned the most press she had in quite some time after a bizarre incident in 1996 where she went missing for a few days and was found dazed and confused outside a stranger's home in Glendale, California. She recovered and went back to work in numerous films and TV series including Touched By an Angel and Tribulation. She was a major figure in Peter Biskind's book about '70s cinema, Easy Riders, Raging Bulls, and figured prominently in the documentary made from that book. In 2007 she appeared on the reality program Who Do You Think You Are, and went on to act in Rob Zombie's remake of Halloween II.Kidder married and divorced writer Tom McGuane and actor John Heard (their union lasted six days!) and remains a vocal activist for political and ecological causes.

Trivia: John Saxon never intentionally set out to be a Brando clone, but his resemblance to Marlon Brando was something he was born with, so what was there to do? A student of Stella Adler at the Actor's Studio, Saxon's first film was Running Wild (1955). Thanks to "hunk" assignments in films like The Restless Years (1957), The Reluctant Debutante (1958), and Summer Youth (1958), Saxon was briefly the object of many a teenage crush. He shed himself of his heartthrob image in the early '60s with a string of unsympathetic roles, making a leading man comeback of sorts as Bruce Lee's co-star in the immensely popular Enter the Dragon (1973). Fans could watch Saxon's expertise as an actor increase (and his hairline recede) during his three-year (1969-1972) stint as Dr. Ted Stuart on the NBC television series The Bold Ones. He later appeared as a semiregular on the prime-time TV soaper Dallas. In 1988, John Saxon made his directorial debut with the low-budget feature Death House.

Trivia: From her debut as an improvisational comic on the hit series SCTV to her later status as a voice-over artist for such popular children's shows as Sesame Street and Jimmy Neutron: Boy Genius, Emmy-winning actress Andrea Martin has remained a recognizable performer to generations of television viewers. A native of Maine whose relocation to the Great White North found her signing on with the Toronto branch of the famed Second City comedy troupe, Martin formed close working relationships with such fellow improv-ers as Eugene Levy and Catherine O'Hara. Fueled by a powerhouse group of comic talent that included such future stars as John Candy, Martin Short, and Rick Moranis, the Second City troupe gained a loyal following and after small roles in such features as Cannibal Girls and Black Christmas, Martin followed the troupe to the small screen with Second City TV in 1976. Equally, if not more hilarious than its American counterpart Saturday Night Live in the eyes of many comedy fans, SCTV ultimately went through three small-screen incarnations including SCTV: Network 90 and SCTV Channel before calling it quits in 1984. Though she would remain closely involved with her former cast-mates on such projects as Club Paradise, Innerspace, The Completely Mental Misadventures of Ed Grimley, and Camp Candy (the latter two marking her entrance into voice-over work), Martin also branched out on her own as the title character in the 1987 television series Roxie and as a cast member in the 1991 version of The Carol Burnett Show. The '90s found her frequently alternating between television and film, and though roles in such features as Boris and Natasha and Bogus did little to further her career, fans could still catch a glimpse of the old magic when Martin joined former cast-mate Short in 1994's short-lived The Martin Short Show. On the heels of more voice-over work in such efforts as television's Recess: School's Out and the hit Disney feature Anastasia, Martin joined the cast of Sesame Street in 1998, marking something of a shift to more family-oriented material (save for an appearance in the 2001 musical comedy Hedwig and the Angry Inch) that would keep her very busy into the new millennium. Even as a voice-over artist, Martin still got the occasional opportunity to perform alongside old friends Levy (The Kid) and Martin (Prince Charming). Even if the next generation would remember her face mainly from appearances in My Big Fat Greek Wedding and New York Minute, the release of SCTV on DVD in 2004 offered parents with fond memories of the series a chance to share it with their children and show them where all the fun began.

Trivia: Veteran actor Art Hindle had already established a successful career in finance when he decided to try his hand at acting. He'd always had an interest in the arts and had been involved in local theater since his teens, but it wasn't until he was 21 and working as a stockbroker that he decided to pursue acting full time and relocate with his family to L.A. He began appearing in movies and on TV in the early '70s, showing up in episodes of shows like Starsky & Hutch and Baretta. In addition to starring roles on the short-lived crime drama Kingston Confidential in 1977 and the popular nighttime soap Dallas in 1981, Hindle would largely spend the following decades amassing a long résumé of single-episode appearances, from JAG to Mutant X to Puppets Who Kill. He would also appear in a number of TV movies and feature films and starred in the series Paradise Falls from 2001 to 2008.

Trivia: Robert Warner has been a stunt man, a leading man, and a comic actor. He has worked in ventures ranging from Westerns to low-budget sex comedies. Later in his career he left acting to become a production manager and an assistant director.

Trivia: Within four years of his film debut in Zebrahead (1993), Michael Rapaport (born March 20th, 1970) became one of Hollywood's hardest-working and most versatile supporting/character actors. He began as a standup comedian, but turned to acting after landing a guest-starring role in a 1990 episode of the ABC television drama China Beach. Rapaport's portrayal in Zebrahead of a Jewish teen struggling to survive in an African-American-dominated Detroit neighborhood while romantically involved with a black girl earned him considerable acclaim and a nomination for an Independent Feature Project Spirit Award. After that, he did a bit more television work and his career remained low-key until the following year, when he suddenly burst back onto the screen in four major films: True Romance, Point of No Return, Money for Nothing, and Poetic Justice. Some of Rapaport's notable subsequent roles include that of a college student who mistakenly attempts to find his niche by becoming a skinhead in John Singleton's Higher Learning (1995) and that of a slightly dim prizefighter set up for a blind date with a goodhearted hooker in Woody Allen's Mighty Aphrodite (1995). In 1998, Rapaport co-starred in the Showtime cable network's black comedy series about the zany world of substance abuse recovery programs Rude Awakening. That year, Rapaport also appeared in the films Palmetto and Some Girls. Rappaport worked in film sporadically throughout the 2000, but found some success in Metro, Deep Blue Sea, and Higher Learning. However, the actor is much more recognized for his work in the television shows Boston Public, Prison Break, and the War at Home.