Trivia: Bearing the kind of sensitive-man good looks that have led many to think he would be perfect for a career as a tortured, latte-chugging intellectual, Ethan Hawke instead emerged in the 1990s as both a talented actor and a thinking girls' poster boy. In addition to acting, Hawke penned two novels -- The Hottest State, which is rumored to be based on a former relationship he had with singer/songwriter Lisa Loeb, and the best-selling Ash Wednesday. Born November 6, 1970, in Austin, TX, to teenage parents who separated when he was a toddler, Hawke was raised by his mother. The two led an itinerant existence until she married again, and the family settled in Princeton Junction, NJ. There Hawke began to study acting at Princeton's McCarter Theatre, and at the age of 14, he made his film debut in Explorers (1985). A sci-fi fantasy flick that starred the actor alongside River Phoenix, it didn't make much of an impact upon its theatrical release, but thanks to the presence of both Hawke and Phoenix, it went on to a second life on cable.Following his debut, Hawke stopped acting professionally to attend Carnegie Mellon University. His college career didn't last long, however; while still a student, Hawke was chosen to play one of the young protagonists of Peter Weir's Dead Poets Society. The 1989 film, which marked the beginning of Robin Williams' turn toward more dramatic roles, was a success, and Hawke, in his role as the shy, cringing Todd Anderson, made prep school angst look so photogenic that he soon had something of a teenage following. After starring as Ted Danson's son in Dad the same year, Hawke went on to make a string of movies that allowed him to demonstrate his talent but never quite propelled him further into the realm of stardom. White Fang (1991) provided him with a go at adventure by casting him as a young gold miner who forms a bond with the titular canine, while Waterland (1992) had Hawke plumbing the depths of mild delinquency as the troublesome student of an emotionally estranged Jeremy Irons. Unfortunately, almost nobody saw Waterland, and the same could be said of Hawke's other film that year, the WWII drama A Midnight Clear. Lack of an audience obscured the actor's strong performances in both films, and it was not until 1994 that he began to gain recognition for something besides Dead Poets Society. In that year, Hawke created something of a reputation for himself, both on- and offscreen. Offscreen, he became tabloid fodder when he was caught dancing with a then-married Julia Roberts and thus gained a certain -- if fleeting -- kind of notoriety. On screen, the actor starred in Ben Stiller's Reality Bites, portraying the kind of goateed, ennui-mired, more-sensitive-than-thou slacker that helped get him labeled as such in real life. Matters weren't helped when, that same year, the actor published The Hottest State, a meditation on love from the point-of-view of an angst-ridden twentysomething that was scorned by many critics as pretentious posturing.After starring as another sensitive student of life in Richard Linklater's romantic talkathon Before Sunrise (1995), Hawke went back to his sci-fi roots with Gattaca (1997), a near-future parable about the dangers of genetic engineering. Although the film was a relative disappointment, it did present Hawke with an introduction to co-star Uma Thurman, whom he married in 1998 and had a daughter with later that same year. Also in 1998, the actor starred opposite Gwyneth Paltrow in an adaptation of Charles Dickens' Great Expectations; despite mixed reviews, the film heightened Hawke's profile while further establishing him as one of the leading interpreters of sensitive-boy artistic angst. After a starring turn as one of the titular Newton Boys alongside Matthew McConaughey, Skeet Ulrich, and Vincent D'Onofrio in Richard Linklater's neglected 1998 Western, Hawke took on an entirely different role in 1999. Starring in Scott Hicks' Snow Falling on Cedars, he portrayed a journalist investigating the murder of a Japanese-American man in post-WWII Washington State. The same year, he appeared in Joe the King, the directorial debut of his friend and Midnight Clear co-star Frank Whaley.In addition to his film work, Hawke has remained active in the theater. He was the artistic director of the now-defunct Malaparte, a New York theater company that he co-founded with a group of actors including Robert Sean Leonard, Frank Whaley, and Josh Hamilton. He has also worked behind the camera, directing the music video for Lisa Loeb's "Stay" in 1994.Hawke subsequently earned some of the best reviews of his career to date as the title character of Michael Almereyda's 2000 adaptation of Hamlet. Set in modern-day New York, the film allowed Hawke to give the famously tortured prince a slackerish spin that more than one critic noted seemed to come naturally to the actor. The following year, he could be seen in an altogether different feature, portraying a rookie cop opposite Denzel Washington in Training Day, Antoine Fuqua's gritty cop drama. He also collaborated again with director Linklater, first for Tape, a drama co-starring Robert Sean Leonard and wife Thurman, and then for Waking Life, a groundbreaking animated feature in which the actor reprised the role of Before Sunrise's Jesse. 2001 also marked Hawke's first significant foray behind the camera as the director of Chelsea Walls, a multi-character drama about various artists living in New York's famed Chelsea Hotel.In 2002, Hawke played alongside Frank Whaley in The Jimmy Show and made an appearance on the hit television drama Alias the next year. The year 2003 was not a banner one for the actor -- after rumors of an affair between Hawke and a young model began circulating among various television and print tabloids, Uma Thurman announced their official separation after five years of marriage. In 2004, Hawke starred with Angelina Jolie in director D.J. Caruso's Taking Lives and reprised his Before Sunrise role opposite Julie Delpy in Linklater's sequel Before Sunset, a film which also provided the long-time actor with his first screenwriting credit.Hawke appeared in several moderately successful films throughout 2005 and 2006 (Assault on Precinct 13, The Hottest State, Fast Food Nation), but found himself back in the limelight for 2007's crime thriller Before the Devil Know You're Dead, in which the actor played one of two brothers involved in a plan to rob their parents' jewelry store. The film would win the Best Picture from the American Film Institute. He found success yet again for his role in the 2008 crime drama What Doesn't Kill You. The film, which also stars Mark Ruffalo and Donnie Wahlberg, features Hawke as a street-hardened young adult struggling to rise above the dog-eat-dog lifestyle to which he has become accustomed. In 2009 Hawke starred in Daybreaker, in which he played a vampire sympathetic to the human plight, and worked with Don Cheadle, Wesley Snipes, and Richard Gere for his role as a narcotics officer in the crime thriller Brooklyn's Finest.In 2013 Hawke scored a minor hit as the star of the horror film The Purge. In that same year he returned with Julie Delpy and Richard Linklater with Before Midnight, their sequel to Before Sunset, which garnered Hawke a second Oscar nomination in the Best Adapted Screenplay category. He returned to Oscar contention in 2014, this time in the Best Supporting Actor category for playing the father in Linklater's Boyhood.

Trivia: A founding member of the Chicago's influential Steppenwolf Theatre Company (along with Terry Kinney and Jeff Perry) when he was barely 19, Gary Sinise made his professional acting debut at the age of 17 in a 1973 production of The Physicist. Sinise himself would sum up his career best by noting that the secret to a successful career is not to focus on taking off like a rocket, but to "always keep the engine running." With a prolific and well-defined career on each side of the camera in addition to his stage work, keeping the engine running is precisely what Sinise has done, and that engine has been well maintained.Born March 17th, 1955 in Blue Island, IL, Sinise's attraction to the stage was supported early on through the encouragement of Barbara Patterson, his high school drama teacher. After a role in West Side Story, Sinise's love for the stage was set in stone, leading him to found the Steppenwolf Theatre Company, where he would meet his future wife, actress Moira Harris. Initially based in a church basement, the Steppenwolf quickly grew in stature and respectability, serving as the breeding ground for such talents as John Malkovich and Laurie Metcalf, and earning critical praise with productions like Sam Shepard's True West, which would eventually become the company's Broadway debut. Sinise's film and television career began as a director on such television series' as Crime Story and thirtysomething, eventually leading to his feature directorial debut with the rural drama Miles From Home (starring fellow Steppenwolfers Metcalf and Malkovich) and his feature acting debut in the haunting war drama A Midnight Clear (1991). Sinise's love for the stage resurfaced with his ambitious 1992 remake of Of Mice and Men (in which he also starred, again with fellow Steppenwolf alum Malkovich, in the roles they had both portrayed on stage).But it was his performance as the physically crippled and emotionally shattered Lt. Dan in Robert Zemeckis' blockbuster Forrest Gump (1994) that brought Sinise to light as an actor of considerable talent. His sensitive portrait of a once invincible soldier reduced to a pathetic self-pitying ghost of his own former glory was the perfect vessel for the actor's quiet intensity and florid emotional capabilities, and brought him the Oscar nomination for Best Supporting Actor. That same year Sinise had a starring role in the long-anticipated television adaptation of Stephen King's apocalyptic thriller The Stand.Sinise continued to display his dramatic abilities through the '90s, rejoining Gump co-star Tom Hanks in Ron Howard's Apollo 13 and starring as both Harry S. Truman and George Wallace in the biopics Truman (1995) (for which he won a Cable Ace Award and a Golden Globe) and George Wallace (1997) (for which he won an Emmy). With minor appearances in The Green Mile and Being John Malkovich (both 1999), Sinise brought in the year 2000 in a sci-fi mode, with Brian De Palma's existential thriller Mission to Mars and as a weapons engineer with questionable motives in Imposter. Throughout the next decade Sinise worked in a variety of films including The Big Bounce, The Human Stain, and The Forgotten. However he had is most visible role on the small screen when he was cast as the male lead in the third of the popular CSI series, CSI: NY. In 2006 he brought his theater trained voice to the animated Open Season.

Trivia: Onscreen from the late '80s, actor Peter Berg first made a memorable impression in A Midnight Clear (1992), playing one of a group of soldiers stationed in Germany during World War II. The muscular, strong-jawed actor had his real screen breakthrough with John Dahl's critically acclaimed The Last Seduction (1994), a neo-noir that cast him as Linda Fiorentino's unwitting, hormonally misguided accomplice. Berg's subsequent roles tended to be in films of middling quality, and it was for his work on the popular TV series Chicago Hope that he received the most recognition. In 1998, Berg made his feature directorial debut with Very Bad Things, a black comedy starring Jon Favreau, Christian Slater, Jeremy Piven, Daniel Stern, and Leland Orser as a group of men behaving badly. The film, which was shown at the Toronto and San Sebastian Film Festivals, received a fairly mixed critical reception. Nonetheless, Berg continued to be a presence behind the camera. In 2000, he created Wonderland, an edgy dramatic television series set in an asylum. While the ABC show recieved rave reviews and garnered a cult following, it failed to deliver ratings and was quickly cancelled.Berg finally found himself with a hit on his hands in 2003 with The Rundown. Starring The Rock and Seann William Scott, the Berg-helmed action comedy was well-received by critics and managed to score well at the box-office. In 2004, Berg began work on his third directorial effort, Friday Night Lights, a football film he also scripted that turned into the biggest ciritical hit of his career, as well as performing solidly at the box office. He followed that up with the military thriller The Kingdom in 2007, and the Will Smith sci-fi film Hancock in 2008. He had a hand in the script for the action revenge film The Losers, and in 2012 he helmed the big-screen adaptation of the beloved board game Battleship.

Trivia: The younger brother of actor Matt Dillon, Kevin Dillon was a movie leading man by age 20. Originally planning to study art, Dillon became an actor when he was spotted by an agent at the premiere of older brother Matt's Tex (1985). Often cast in lightweight roles (Heaven Help Us [1985], The Blob [1988]), Dillon has distinguished himself in the films of director Oliver Stone with a brace of powerful characterizations: the baby-faced but homicidal teenage soldier Bunny in Platoon (1986), and real-life rock musician John Densmore in The Doors (1991). He would continue to take on a variety of projects over the coming decades, most notably titles like Criminal Hearts, and Poseidon. Dillon has also enjoyed a successful TV career, on shows like Entourage and How to Be a Gentleman.

Trivia: Citing Danny Kaye as one of his foremost idols, American actor Arye Gross has done well for himself in a variety of supporting roles in television and film; like Kaye, he shows a particular talent for playing affable, if quirky, young men. While his feature debut was rather unremarkable -- he was credited as, simply, "Turbo" in 1984's forgettable The Exterminator 2 -- he was able to achieve top billing throughout the late '80s and mid-'90s for his performances in House 2: The Second Story (1987), The Couch Trip (1988), Coupe de Ville (1990), For the Boys (1991), and Hexed (1993). 1992's A Midnight Clear earned him particular acclaim for his role as a GI alongside Ethan Hawke and Gary Sinise. However, it wasn't until 1994, when Gross landed the part of good-hearted but somewhat hapless Adam on the award-winning sitcom Ellen, that he found prominent mainstream recognition. Gross continued to work in film during Ellen's four-year run -- in 1996, he was able to act with Kirsten Dunst and Nick Nolte in Keith Gordon's war-themed satire Mother Night, and during that same year, he played Tadpole opposite Tony Curtis in The Continued Adventures of Reptile Man and His Faithful Sidekick Tadpole. Several years later, critics praised Gross' performance as a metropolitan artist forced to return to his hometown in Montana in Big Eden. After appearing in Seven Girlfriends (2000) and Burning Down the House (2001), Gross played the ill-fated, would-be criminal Howard Marks in Steven Spielberg's Minority Report. In 2003, Gross could be seen in a recurring role on HBO's hit series Six Feet Under.

Trivia: John McGinley, often credited as John C. McGinley, has become one of the most prolific character actors in Hollywood since he first got noticed in Oliver Stone's Platoon (1986). The intense, unblinking actor specializes in sarcasm, cynicism, and a used car dealer's unctuous insincerity, meaning he can play either wacky or sinister in both comedies and dramas. Although he has appeared in six Stone films, his breakout performance came in a very different format, as the acerbic and piercingly straightforward Dr. Perry Cox on the hit NBC sitcom Scrubs (2001).McGinley was born on August 3, 1959, in New York City. Growing up in Millburn, NJ, he was more involved in sports than theater. He began studying acting at Syracuse University, continuing at N.Y.U.'s Tisch School of the Arts. McGinley then toiled both on and off-Broadway, as well as two years on the soap opera Another World, scoring his first film role in the Alan Alda-directed Sweet Liberty (1986). It was while he was serving as John Turturro's understudy on the play Danny and the Deep Blue Sea that a casting scout in Stone's employ spotted him and got him an audition for Platoon. McGinley was cast as the sycophantic Sgt. Red O'Neill in the eventual Oscar winner.McGinley followed up Platoon with another one-two punch of Stone movies, Wall Street (1987) and Talk Radio (1988). In interviews, McGinley has described theirs as a "strong working relationship," not a friendship per se with the demanding director. He appeared in a handful of other films before his fourth Stone collaboration, Born on the Fourth of July (1989), which was quickly followed by his first screenwriting effort. McGinley co-scripted and co-starred in the 1990 film Suffering Bastards, alongside Talk Radio's Eric Bogosian.The 1990s were a period of intense work for the actor, who appeared in an average of three movies a year, sometimes as many as seven -- a necessary but no less tricky feat for a character actor earning modest paychecks. The most heralded of these were David Fincher's Seven and Stone's Nixon (both 1995); the most forgettable were Highlander II: The Quickening (1991) and the Steven Seagal starrer On Deadly Ground (1994). For most moviegoers, he remained under the radar.Two showy roles in 1999 ably demonstrated McGinley's facility for comedy. As a callous efficiency expert brought aboard to reorganize (i.e., downsize) the tech firm at the heart of Office Space, McGinley grinned and joked his way through a round of heartless layoffs. A similar oiliness informed his loud, obnoxious, kiss-ass portrayal of a Jim Rome-type sports interviewer in Stone's Any Given Sunday. It was soon after, in 2001, that McGinley was brought aboard for the role destined to identify him beyond any single film. As the default mentor on Scrubs, McGinley alternated hard-knocks frankness, biting wit, and a genuine desire to be left alone, in turn creating a hilarious persona and sealing his fate as an unwitting cult figure to the young surgeons. The sitcom work schedule has given him the necessary stability to spend time with his young son, Max, who has Down's syndrome.

Trivia: With the role of Steve Bushak in 1990's The Freshman, actor Frank Whaley inaugurated a fruitful film career. Whaley went on to be prominently featured in three 1991 pictures. He played real-life guitarist Robby Krieger in The Doors, and two leading roles: the hapless tourist caught up in literary espionage in Back in the U.S.S.R. (1991) and the feckless night watchman with both a runaway heiress and a gang of burglars on his hands in Career Opportunities (1991). Whaley has continued averaging two to three film appearances per annum; would that the films themselves were more profitable than the likes of Swing Kids (1993) and A Midnight Clear (1993).