Trivia: British director Guy Ritchie frequently attributes the success of his unorthodox crime films -- 1998's Lock, Stock, and Two Smoking Barrels, 2000's Snatch -- to the fact that his offbeat miscreants are more than believable, they are real. Preferring to cast for authenticity rather than resumé, Ritchie handpicks many of his actors from the true-life cult figures and rascals of London's underbelly. Actor Jason Statham is among the best of them.A one-time Olympic diver, fashion model, and black-market salesman, Statham came to acting by way of commercials and "street theater" -- a euphemism for hustling tourists on London's Oxford Street. Raised in Syndenham, London, he was the second son of a lounge singer and a dressmaker turned dancer. Although Statham had the familial background to go immediately into entertainment, he excelled first on the high dive. He was a member of the 1988 British Olympic Team in Seoul, Korea, and remained on the National Diving Squad for ten years. In the late '90s, a talent agent specializing in athletes landed Statham a gig in an ad campaign for the European clothing retailer French Connection. This led to an appearance in a Levi's Jeans commercial and a fledgling modeling career. Meanwhile, Statham had also earned local fame as a street corner con man, selling stolen jewelry and counterfeit perfume out of a briefcase. Thus, when French Connection's owner became one of the biggest investors in Lock, Stock, and Two Smoking Barrels, he naturally introduced the diver/model/hustler to knave-hunting Ritchie.Intrigued by Statham's past and impressed by his modeling work, Ritchie invited him to audition for a part in the film. The director challenged Statham to impersonate an illegal street vendor and convince him to purchase a piece of imitation gold jewelry. Statham was evidently so persuasive that Ritchie bought four sets. When the director attempted to return his worthless acquisition -- pretending that the gold had turned to stainless steel -- Statham was so graciously inflexible that Ritchie hired him.This unorthodox audition resulted in Statham's big screen debut as Bacon, one of Lock, Stock, and Two Smoking Barrels' four primary characters engaged in a risky get-rich-quick scheme to repay a massive gambling debt. Bacon supplies a streetwise discipline and restraint that the other characters lack and a sense of humility crucial to Ritchie's film. In the director's follow-up crime comedy, Snatch, Ritchie rehired Statham to play Turkish, a smalltime hood vainly trying to break into the world of underground boxing. As this amateur but respectable hoodlum, Statham is attractive, urbane, immaculate, and smart enough to be bewildered by even his own laughable criminal ineptitude. The role began as a small supporting part in Snatch's star-filled ensemble cast but expanded throughout shooting. By the time of the film's theatrical release, Statham received top billing as its narrator and chief anti-hero.The Guy Ritchie oeuvre that supplied his breakthrough performances is not Statham's only acting arena. In 2000, he made his American film debut as a British drug dealer in Robert Adetuyi's Turn It Up starring Pras Michel. By 2001, he had finished shooting John Carpenter's sci-fi thriller Ghosts of Mars and joined Delroy Lindo in the cast of the Jet Li vehicle The One. A chance to reteam with former Lock, Stock, and Two Smoking Barrel co-star Vinnie Jones proved too fun an opportunity to resist, and Stratham would round out a particularly busy 2001 with his role in the prison-bound sports remake Mean Machine. Just as audiences were finally standing up to take notice of the amiable tough-guy, Stratham stepped into his own as the action lead of the explosive 2002 adrenaline ride The Transporter. A sizable hit that would earn Statham increasingly prominent roles in such high profile pics as The Italian Job, and Cellular, The Transporter established Stratham as a bankable international action star and was eventually followed by a 2005 sequel that miraculously managed the improbable feat of upping the ante of the previous installment's over-the-top cartoon violence. A starring role in Ritchie's 2005 crime thriller Revolver found Stratham re-teaming with the director who launched his career with decidedly mixed results, and the following year it was off to race the clock and rescue the girl as a reformed assassin looking to make good in the hyper-intense action entry Crank. The positively outrageous Crank: High Voltage upped the ante (and the ampage) in every possible way in 2009, but not before Statham got behind the wheel for Resident Evil director Paul W.A. Anderson for the 2008 remake Death Race, discovered just how far a foolproof heist could go awry in The Bank Job, and once again put the pedal to the metal in The Transporter 3. All of this left little doubt that Statham had quickly become one of the most bankable action stars of his generation, and in 2010 he teamed with none other than Sylvester Stallone for the all-star action flick The Expendables. The action just kept coming in The Mechanic, Blitz, Killer Elite (which paired him with screen legend Robert DeNiro), Safe, and the super-sized The Expendables 2 in 2012. Statham next joined another franchise, making a cameo appearance in Fast & Furious 6. He also reprised his role in The Expendables 3. In 2015, Statham appeared in Furious 7 and flexed his comedy chops in Spy, opposite Melissa McCarthy, earning favorable reviews and opening him to another genre.

Trivia: Born Curtis James Jackson III in Queens, NY, superstar hardcore rapper 50 Cent -- more than any of his contemporaries -- lived out the mythology of the "urban gangsta," to such a degree that he's quite fortunate to be alive, let alone a pop-culture superstar. The product of a broken home, 50 Cent survived stabbings, shootings, crack dealing, multiple incarcerations, and many other calamities and near-misses, and then drew lyrically from his own violent personal history, using this authentic material (with the help of Run-D.M.C.'s Jam Master Jay and Eminem) to establish himself as one of the most important rap acts of the early 21st century. 50 Cent's albums Get Rich or Die Tryin' (2003) and The Massacre (2005) thrived on the songster's outstanding hooks, clever lyrics, and superlative production values; consequently, each album sold several million copies and turned the rapper into an American icon. The musician's look also turned heads: tall, rippled, and tattooed, frequently sporting a bulletproof vest and a large pistol, he became the newest spokesperson for the "gangsta" subculture. The leap from rap superstardom to movie stardom can be a short one, as Ice-T and Ice Cube demonstrated. Although 50 Cent launched his cinematic career as an onscreen subject -- in the 2003 documentaries 50 Cent: The New Breed and 50 Cent: Unauthorized -- Shoot First -- he soon branched out into more challenging material. In 2005, 50 Cent headlined a gritty big-screen biopic of his own life, Get Rich or Die Tryin', directed by My Left Foot helmer Jim Sheridan. In that movie, the rapper hearkened back to his given name, with billing as Curtis "50 Cent" Jackson. In 2008, he went on to co-star in the cop thriller Righteous Kill, directed by Jon Avnet, with legendary actors Robert De Niro and Al Pacino as a pair of Manhattan cops on the trail of a serial murderer. He continued to appear in music-related documentaries and concert films, and in 2011 he produced the Mario Van Peebles film All Things Fall Apart. The next year he appeared in the thriller Odd Thomas as part of a cast that includes Anton Yelchin, Willem Dafoe, and Patton Oswalt.

Trivia: A slender, olive-skinned actress whose elegant beauty is somewhat offset by a collection of vivid tattoos (including the King Lear quote "We all laugh at gilded butterflies" on her right shoulder blade), Megan Fox knew she wanted to be an actress from age three, and never once considered another line of work. A native of Memphis, TN, Fox began taking dance lessons when she was five years old and continued perfecting her graceful movements even after her family relocated to Florida five years later. At 13, the aspiring starlet enrolled in modeling and acting classes. It didn't take long for all of Fox's hard work to pay off, with a role in the 2001 Olsen twins comedy Holiday in the Sun marking the ambitious actress' official screen debut. Over the course of the next few years, Fox became a frequent fixture on television thanks to roles on What I Like About You, Two and a Half Men, and Hope & Faith. In 2004, Fox would torment a fledgling Lindsay Lohan in Confessions of a Teenage Drama Queen, though it was Fox's performance as a human caught in the middle of an epic robot battle that would truly prove her calling card to Hollywood. Cast as the love interest of Shia LaBeouf in Michael Bay's 2007 blockbuster Transformers, Fox turned more than a few heads while fighting for the future of the human race. In 2008, Fox could be spotted opposite Kirsten Dunst, Simon Pegg, Jeff Bridges, and Gillian Anderson in the Robert B. Weide-directed comedy How to Lose Friends and Alienate People, before returning to the action franchise that launched her career in 2009 with the sequel, Transformers: Revenge of the Fallen. Next, Fox would take a stab at something quirkier, showing up in the Diablo Cody penned satirical horror flick Jennifer's Body and the fantasy-Western Jonah Hex in 2010, the same year she married Brian Austin Green. The next year she had a small but crucial part in the indie comedy Friends with Kids . She spoofed her own image as an international sex symbol with a cameo in 2012's The Dictator and had a supporting role in This is 40 the same year. In 2014, she took on the role of April O'Neil in the reboot of Teenage Mutant Ninja Turtles, reprising the role in 2016. Fox also returned to television, with a guest-arc on New Girl to compensate for Zooey Deschanel's absence after her pregnancy; she was so well-received she was invited back the following season to continue the role.

Trivia: A Muay Thai master whose formidable martial arts skills have dazzled action lovers in such films as Ong Bak and Tom Yum Goong (aka The Protector), Tony Jaa was first inspired to take up fighting when, at the age of 15, he first saw director Panna Rittikrai's classic action film Born to Fight. A breathtaking martial arts masterpiece that proved to Jaa there were indeed opportunities for a young action star in Thailand, Born to Fight would inspire the impressionable viewer to begin training harder than ever before. Nicknamed Tony Jaa by Ong Bak director Prachya Pinkaew (the "T" in Tony stands for Thailand, and the "Jaa" is the actor's Thai nickname), the talented martial artist is better known in his native Thailand by the name Jaa Panom.A native of the rural Surin province which is located some 200 kilometers northeast of Bangkok, Jaa took a cue from his Muay Thai-boxer father and began training at the age of ten. It was shortly thereafter that a Jackie Chan movie prompted young Jaa to begin a rigorous training regiment that would instill him with the deadly dexterity of his cinematic idol, with a subsequent, junior-high-school viewing of Born to Fight offering a vivid vision of a future in film. Granted permission by his father to seek out Rittikrai and ask permission to become the filmmaker's student, Jaa traveled to the nearby Khon Kaen province to meet the man who could make all of his dreams come true. It was over the course of the next three years that Jaa truly immersed himself in the film industry, rapidly rising through the ranks from water boy to best boy while constantly practicing martial arts during his down time. When Jaa graduated from senior high and Rittikrai recommended that the rising star refine his skills at the University of Physical Education in Sarakam Province; a stint studying Taekwondo, Bushido, Ju-Jitsu, gymnastics, and stick- and sword- fighting at the school provided just the kind of well-rounded education needed to expand his skills and take his career to the next level. Weekend training sessions with Rithikrai soon convinced the veteran and star that his young protégé had the skills to truly shine on the big screen, with an invitation to join Rithikrai's skilled stunt team offering Jaa the irresistible opportunity to finally merge the artistry of film with the beauty of martial arts. His eye-popping fusion of gymnastics and Muay Thai boxing resulted in the formation of a group that performed in various high schools in the northeastern provinces of Thailand, as well as a local sword team which eventually allowed the emerging martial artist to travel to China as an exchange student. Jaa was later named the official representative of the University of Physical Education throughout northeastern Thailand and Bangkok, and was awarded multiple medals in sword, staff, gymnastic, and track and field events. His skills as a performer steadily expanding thanks to his role as a stunt man in the Thai television series Golden Eagle, Jaa would soon bring his skills to the big screen when, in 1997, he appeared as an uncredited stunt double for Robin Shou in Mortal Kombat: Annihilation. It wasn't until the release of Ong Bak some six years later that Jaa would receive full credit for his remarkable martial arts skills, with the stripped-down brutality of Muay Thai offering a refreshing change of pace from the graceful wire-fu that saturated the international film market in the wake of The Matrix. The result of four years of Muay Thai training on behalf of Jaa, Ong Bak proved that the human body is capable of amazing things even without the aid of computer animation. A playfully placed invitation courting renowned French action producer/filmmaker Luc Besson eventually paid off when Ong Bak caused quite a rift in its native Thailand, with the highly regarded filmmaker subsequently agreeing to re-edit the film for international release. By this point Jaa had been named heir apparent to the legacies of Bruce Lee and Jackie Chan by nearly every film critic from Bangkok to Hollywood, and on top of that, the emerging martial arts icon developed a whole new form of Muay Thai (dubbed "Muay Thai Cochisai" for using the movements of an elephant) with which to woo audiences in the eagerly anticipated action entry Tom Yum Goong (aka The Protector).

Trivia: Born Andrés Arturo García-Menéndez on April 12th, 1956, actor Andy Garcia was five-years-old when he fled with his family from his native Cuba to Miami, where Garcia's father, a former lawyer, established a successful cosmetics business upon becoming an American citizen. Following his graduation from Florida International University, Garcia moved to L.A. and performed briefly as a standup comic, working as a furniture expediter and waiter when jobs were scarce. While his TV debut was a small role in the 1981 pilot of Hill Street Blues, Garcia did not have to travel far from his adopted hometown for his film bow, Blue Skies Again (1983), which was shot on location in Florida. (Also making her first screen appearance in this forgettable baseball comedy was actress Mimi Rogers).It was not until he was cast as a drug kingpin in Hal Ashby's 8 Million Ways to Die (1985) that Garcia's career really took off. After turning in strong roles in both The Untouchables (1987) and Stand and Deliver (1988), he achieved an additional degree of stardom when he was cast as Michael Corleone's hot-headed nephew in The Godfather Part III (1990), a role for which he earned Best Supporting Actor Oscar and Golden Globe nominations. The range of Garcia's talents was impressive enough for screenwriter Henry Bean to write the script for the 1990 police-corruption drama Internal Affairs with the actor specifically in mind. But after several years of on-the-edge characters, Garcia softened his screen image as the too-good-to-be-true husband of an alcoholic (Meg Ryan) in When a Man Loves a Woman (1994). Garcia's career waned a bit during the second half of the '90s, and the actor concentrated some of his energies on starring in various made-for-TV movies and such Spanish-made films as Death in Granada (1997). Although Garcia found his place in American cinema -- indeed, he was one of the few Latino stars to successfully cross over into Hollywood films -- his deep connection and loyalty to his Cuban heritage was illustrated by his involvement in projects that reflect that sentiment. He has produced and directed a tribute to Cuban mambo artist Cachoao entitled Cachoao: Like His Rhythm There Is No Other, and, at one time, he planned to direct and star in a film adaptation of The Lost City, an epic novel of revolution and exile by Cuban writer Guillermo Cabrera Infante.Garcia worked alongside George Clooney and Brad Pitt for 2001's Ocean's 11, in which he portrayed the unscrupulous owner of a casino, and appeared in the film's sequels Ocean's 12 (2004) and Ocean's 13 (2007). He joined the cast of The Pink Panter 2 in 2009, and took a lead role in the historical drama Greater Glory (2012), which follows a group of Mexican patriots devoted to defending future generations from tyranny. A devoted family man, Garcia lives outside of the spotlight with his wife Maria Victoria (also a Cuban immigrant) and their three daughters.

Trivia: An icon of machismo and Hollywood action heroism, Sylvester Stallone is responsible for creating two characters who have become a part of the American cultural lexicon: Rocky Balboa, the no-name boxer who overcame all odds to become a champion, and John Rambo, the courageous soldier who specialized in violent rescues and revenge. Both characters are reflections of Stallone's personal experiences and the battles he waged during his transition from a poor kid in Hell's Kitchen to one of the world's most popular stars. According to Stallone, his was not a happy childhood. On July 6, 1946, in the aforementioned part of Manhattan, Sylvester Enzio Stallone was born to a chorine and an Italian immigrant. A forceps accident during his birth severed a facial nerve, leaving Stallone with parts of his lip, tongue, and chin paralyzed. In doing so, the accident imprinted Stallone with some of the most recognizable components of his persona: the distinctively slurred (and some say often nearly incomprehensible) speech patterns, drooping lower lip, and crooked left eye that have been eagerly seized upon by caricaturists. To compound these defects, Stallone was a homely, sickly child who once suffered from rickets. His parents were constantly at war and struggling to support Stallone and his younger brother, Frank Stallone (who became a B-movie actor). The elder brother spent most of his first five years in the care of foster homes. Stallone has said that his interest in acting came from his attempts to get attention and affection from those strangers who tried to raise him. When he was five, his parents moved their family to Silver Spring, MD, but once again spent their time bickering and largely ignored their children. Following his parents' divorce in 1957, the 11-year-old Stallone remained with his stern father. The actor's teen years proved even more traumatic. As Stallone seemed willing to do just about anything for attention, however negative, he had already been enrolled in 12 schools and expelled several times for his behavior problems. His grades were dreadful and his classmates picked on him for being different. Stallone coped by becoming a risk taker and developing elaborate fantasies in which he presented himself as a brave hero and champion of the underdog. At age 15, Stallone moved to Philadelphia to be with his mother and her new husband. By this time, he had begun lifting weights and took up fencing, football, and the discus. He also started appearing in school plays. Following graduation, Stallone received an athletic scholarship for the American College of Switzerland. While there he was a girls' athletic coach and in his spare time starred in a school production of Arthur Miller's Death of a Salesman. The experience inspired him to become an actor and after returning stateside, he started studying drama at the University of Miami until he decided to move to New York in 1969. While working a variety of odd jobs, Stallone auditioned frequently but only occasionally found stage work, most of which was off-Broadway in shows like the all-nude Score and Rain. He even resorted to appearing in the softcore porn film, Party at Kitty's and Studs, which was later repackaged as The Italian Stallion after Stallone became famous. Stallone's face and even his deep voice were factors in his constant rejection for stage and film roles. He did nab a bit role in Woody Allen's Bananas (1971), but after he was turned down for The Godfather (1971), Stallone became discouraged. Rather than give up, however, Stallone again developed a coping mechanism -- he turned to writing scripts, lots of scripts, some of which were produced. He still auditioned and landed a starring role in Rebel (1973). During his writing phase, he married actress Sasha Czack in late 1974 and they moved to California in the hopes of building acting careers. His first minor success came when he wrote the screenplay for and co-starred in the nostalgic Lords of Flatbush (1974) with Henry Winkler. The film's modest success resulted in Stallone's getting larger roles, but he still didn't attract much notice until he penned the screenplay for Rocky. The story was strong and well written and studios were eager to buy the rights, but Stallone stipulated that he would be the star and must receive a share of the profits. Producers Irwin Winkler and Robert Chartoff accepted Stallone's terms and Rocky (1976) went on to become one of the biggest movie hits of all time. It also won several Oscars including ones for Best Picture, Best Director for John Avildsen, and a Best Actor nomination for Stallone. Suddenly Stallone found himself on Hollywood's A-list, a status he has largely maintained over the years. In addition to writing four sequels to Rocky, he penned three Rambo films (First Blood, Rambo: First Blood Part II, and Rambo 3) and F.I.S.T. (1979). Stallone made his directorial debut with Paradise Alley, which he filmed in Hell's Kitchen. He also wrote and directed but did not appear in the sequel to Saturday Night Fever, Staying Alive (1983). In addition, Stallone has continued to appear in the films of other directors, notably Demolition Man (1993), Judge Dredd (1995), and Copland (1997), a film in which he allowed himself to gain 30 pounds in order to more accurately portray an aging sheriff. Occasionally, Stallone has ventured out of the action genre and into lighter fare with such embarrassing efforts as Stop! Or My Mom Will Shoot (1992) and Oscar (1991), which did not fare well at the box office. Following these missteps, Stallone found greater success with the animated adventure Antz (1998), a film in which his very distinctive voice, if not his very distinctive physique, was very much a part. Stallone was back in shape for the 2000 remake of Get Carter and hit the race tracks in the following year in the CART racing thriller Driven. Though the early 2000s found his career sputtering along with such forgettable duds as D-Tox and Avenging Angelo, Stallone took his career into his own hands by returning to the director's chair to resurrect two of his most iconic characters. Lacing his boxing gloves up once again for Rocky Balboa, the veteran action star proved he still had some fight left in him, and venturing into the jungles of Burma as John Rambo just two years later, he proved that hard "R" action could still sell in the era where most filmmakers were playing it "PG-13"safe. That trend continued with Stallone's all-star action opus The Expendables in 2010, with the success of that film leading to a sequel (with Simon West taking over directorial duties) featuring even more action icons in 2012. Incredibly, not even a broken neck suffered during production of The Expendables proved capable of slowing Stallone down, and 2013 found him teaming with Walter Hill for Bullet to the Head -- which followed a cop and a killer as they teamed up to take down a mutual enemy. In 2015, Stallone returned to Rocky Balboa once more, but this time as a supporting character in the spin-off film Creed. He earned rave reviews and an Oscar nomination for Best Supporting Actor, making him only the sixth performer to be nominated for playing the same character in two separate films.

Trivia: Highly intelligent and extremely well educated -- earning an M.A. at Stockholm's Royal Institute of Technology and a Fulbright Fellowship at M.I.T. -- Dolph Lundgren is better known for his athletic achievements than his intellectual pursuits. An internationally recognized kick-boxing champion, the 6' 6", 250-pound Lundgren was working as a doorman at a trendy New York disco when his personally produced exercise video Maximum Potential caught the eye of movie producers. His 1984 cinematic debut was a bit part in the James Bond opus A View to a Kill, which co-starred Lundgren's then-lover Grace Jones. (Earlier reports that Lundgren appeared in 1970's The Out-of-Towners were really out of town.) His breakthrough film role was as Drago, the automaton-like Russian ring opponent of Sylvester Stallone in Rocky IV (1985). The content of Lundgren's subsequent films is implicit in their titles: Masters of the Universe (in which Lundgren played bulging-biceped cartoon character He-Man), Universal Soldier (sharing the screen with fellow bodybuilder Jean-Claude Van Damme), Red Scorpion, Showdown in Little Tokyo, Army of One, etc. When Lundgren showed up as a street preacher in the futuristic Johnny Mnemonic (1995), one got the feeling that he was not going to be advocating peace on earth for long.

Trivia: A native of Lynnwood, WA, Randy Couture established himself as one of the top-tiered Mixed Martial Arts champions and professional Greco-Roman wrestlers in the world. Couture served six years in the army, where he subjected himself to intense training as a boxer alongside the standard basic-training routines. He then underwent 25 years of training as a Greco-Roman wrestler and delved into MMA with full abandon, cultivating a unique fighting method dubbed "Ground and Pound" that involved flooring and pinning down an opponent and pounding the individual with one's fists. Occupationally, Couture held a six-year post as a strength conditioning and assistant wrestling coach at Oregon State University. In 1997 (at age 33), he formally entered the Ultimate Fighting Championship competitions and chalked up a formidable record, courageously taking on, and defeating, such formidable opponents as Chuck Liddell, Pedro Rizzo, and Kevin Randleman; he also moved into announcing on pay-per-view fighting events.In terms of film work, the majority of Couture's early on-camera appearances consist, unsurprisingly, of live wrestling and MMA events. He moved into dramatic roles, however, under the aegis of no less than David Mamet, in the esteemed playwright-cum-director's 2008 martial arts saga Redbelt. Coincident with this, Couture also signed on to star opposite Rob Schneider and David Carradine in the crime comedy Big Stan (2008) and appeared as the villain in the straight-to-DVD Universal sequel The Scorpion King 2: Rise of a Warrior.

Trivia: Is of Vietnamese descent.Speaks English and Vietnamese.Was a cheerleader in high school.Was the copresident at her Vietnamese Club.Worked as a kindergarten teacher.Considered pursuing a career as an embalmer.Is skilled in martial arts.Is an animal advocate.