Trivia: Initially known as a teen idol thanks to his role on 21 Jump Street and tortured pretty-boy looks, Johnny Depp survived the perils of adolescent heartthrob status to earn a reputation as a respected adult actor. His numerous collaborations with director Tim Burton, as well as solid performances in a number of critically acclaimed films, have allowed Depp to carve a niche for himself as a serious, if idiosyncratic performer, a real-life role that has continuously surprised critics intent on writing him off as just another photogenic Tiger Beat casualty.Born in Kentucky and raised in Florida,Depp had the kind of upbringing that would readily lend itself to his future portrayals of brooding lost boys. After his parents divorced when he was 16, he dropped out of school a year later in the hopes of making his way in the world as a musician. Depp fronted a series of garage bands; the most successful of these, the Kids, was once the opening act for Iggy Pop. During slack times in the music business, Depp sold pens by phone. He got introduced to acting after a visit to L.A. with his former wife, who introduced him to actor Nicolas Cage, who encouraged Depp to give it a try. The young actor made his film debut in 1984's A Nightmare on Elm Street (years after attaining stardom, Depp sentimentally played a cameo in the last of the Elm Street series), and his climb to fame was accelerated in 1987, when he replaced Jeff Yagher in the role of Officer Tom Hanson, a cop assigned to do undercover duty by posing as a student in crime-ridden Los Angeles-area high schools, in the Canadian-filmed Fox TV series 21 Jump Street (1987-90). Biding his time in "teen heartthrob" roles, Depp was first given a chance to exhibit his exhausting versatility in the title role of Tim Burton's fantasy Edward Scissorhands (1990).Following the success of Edward Scissorhands, the actor made a conscious effort never to repeat himself. He continued to gain critical acclaim and increasing popularity for his work, most notably in Benny & Joon (1993), What's Eating Gilbert Grape, Ed Wood and Dead Man. Depp continued to ascend the Hollywood ranks. He would continue to play quirky character roles, starring turn as Hunter S. Thompson's alter ego in Terry Gilliam's trippy adaptation of Fear and Loathing in Las Vegas (1998), and teaming with Burton again to play a decidedly mincing Icabod Crane in Sleepy Hollow. Depp's charm still made him a natural romantic lead, however, as he proved in Chocolat.In what was perhaps his most surprising departure since Fear and Loathing in Las Vegas, Depp shed his oftentimes angst-ridden persona for a role as flamboyant pirate Jack Sparrow in 2003's Pirates of the Caribbean. Essaying the crusty role in the manner of a drunken, debauched rock star -- Depp publicly admitted Keith Richards was his inspiration -- the actor added a dose of off-kilter fun to an above-average summer thrill ride, and found himself with his biggest hit and first Oscar nomination ever.The role effectively made Depp both a character actor and full-fledged leading man, and he would continue to appear in several films over the coming years that allowed him to star in large scale productions, playing decidedly quirky characters. Films like Secret Window, Finding Neverland, Charlie and the Chocolate Factory, Sweeney Todd, Public Enemies, and a slew of massively successful Pirates of the Caribbean sequels would prove again and again how taken audiences were with the star, always playing the hero, but with an unconventional twist.Despite this massive success (or maybe as a result), Depp's career suffered a downswing after a string of critical and commercial flops. Films like The Tourist (opposite Angelina Jolie), Dark Shadows (a rare misstep with Tim Burton) and The Lone Ranger failed to connect with audiences and critics alike and left many to wonder when Depp's career would recover. He continued to have a strong presence in the film industry, though, and in 2016, reprised his role as the Mad Hatter in Alice Through the Looking Glass and began work on a fourth Pirates movie.

Trivia: Orlando Bloom began reading J.R.R. Tolkien's The Lord of the Rings trilogy as a teenager before abandoning the books in favor of sports and girls. He did not complete the three volumes until his early twenties: first in print, and then on camera as one of a handful of actors carefully selected for New Line Cinema's highly anticipated, $270 million, three-film screen adaptation of Tolkien's The Lord of the Rings. The international success of the trilogy's first installment, The Fellowship of the Ring (2001), made Bloom a sought-after young actor. The talented Brit works the talk show circuit, mugs in magazines, and appears at every important award show -- always with a playful demeanor and an uncorrupted smile that suggest he could still be just as easily fulfilled by rugby and romance. Bloom was raised in Canterbury, Kent, with his sister, Samantha. Their mother taught them to enjoy the arts and encouraged them to participate in the local Kent Festival. Bloom began by reciting poetry and prose, displaying an advanced sensitivity to tone and modulation. Yet, it wasn't this precociousness or his frequent trips to the theater that influenced Bloom to become a professional actor. He was in awe of larger-than-life characters -- from Superman to the members of the A-Team -- and knew the only way to become one was to play one on the screen. At 16, Bloom relocated to London and performed with the National Youth Theatre for two seasons before winning a scholarship to train with the British American Drama Academy. At the conclusion of his term with the group, he played the lead in A Walk in the Vienna Woods, and secured an agent. This led to small roles on British television and an appearance in Brian Gilbert's Wilde (1997). Wishing to further his education, Bloom then enrolled at London's prestigious Guildhall School of Music and Drama (the alma mater of Ewan McGregor, Joseph Fiennes, and Ben Chaplin, among others). There, he acted in several plays, including Shakespeare's Twelfth Night, Chekov's Three Sisters, and Sophocles' Antigone. While still in school, Bloom was trying to make it onto a friend's rooftop terrace when he fell three stories and broke his back. The accident almost paralyzed the actor, but surgery let him walk out of the hospital on crutches. Soon afterward, all his peers auditioned for coveted roles in the upcoming The Lord of the Rings trilogy. The extensive and selective casting process took place in every English-speaking country. Bloom good-naturedly tried out for the role of Faramir, a character introduced in the second film, The Two Towers (2002). After meeting with the project's director, Peter Jackson, Bloom was not cast as Faramir. Instead, Jackson asked that he read for the part of Legolas Greenleaf, a much more prominent figure who is featured in all three films. The director offered Bloom the role a few weeks later, only two days before the burgeoning star graduated from drama school. Legolas, Tolkien's warrior elf, has super-human strength, swift reflexes, and heightened sensory awareness. To play him, Bloom trained in archery, swordplay, and horseback riding for two months prior to shooting. He developed a graceful style of combat based on the characters in Akira Kurosawa's The Seven Samurai and worked to manage his posture, poise, and composure. As Legolas, Bloom is immortal, and at 2,931 years old, is a tall, athletic, and skilled fighter of evil -- he truly is larger than life. After finishing The Lord of the Rings -- all three films, The Fellowship of the Ring, The Two Towers, and The Return of the King, were shot simultaneously over 18 months in New Zealand -- Bloom headed to Morocco for a role in Ridley Scott's Black Hawk Down. The film chronicles the horrific Battle of Mogadishu in 1993, in which a "simple" mission left 18 U.S. soldiers dead and 73 wounded. Debuting his American accent, Bloom plays a neophyte ranger who breaks his back after falling 70 feet from a helicopter. This combat film opened only a few weeks after The Fellowship of the Ring and received equal acclaim. Following these blockbusters, Bloom performed in several quirky films with limited releases such as Lullaby of Clubland (2001). But it wouldn't be long before Bloom was blowing up the box-office once again with the 2003 crowd-pleaser The Pirates of the Carribean: The Curse of the Black Pearl. Bloom showed up opposite Brad Pitt and Black Hawk Dawn costar Eric Bana in the 2004 historical epic Troy, his intense star-power was unquestionable.Bloom faced a down year in 2005, failing to match the box office success of Troy with Ridley Scott's Kingdom of Heaven. That same year he stepped into the role once occupied by Ashton Kutcher in Cameron Crowe's Elizabethtown, but the film never recovered from the bad press it received after its initial film festival screening, failed to find an audience in theaters, and was unpopular with critics. Bloom rebounded one year later by returning with the other principles in back-to-back filmed sequels for Pirates of the Caribbean, the first of which, Pirates of the Caribbean: Dead Man's Chest, shattered box office records for opening day and opening weekend, and became the first film to take in one hundred million dollars in just two days. It will hardly strike one as prescient, then, that industry insiders and the trades were advance prepping Pirates of the Caribbean 3: At World's End as one of the most lucrative releases of 2007, possibly of any year. The actor would appear in more down tempo projects in the coming years, like 2010's Main Street, and 2011's The Good Doctor, before hopping on board another swashbuckler, playing the Duke of Buckhingham in The Three Musketeers. Though the film wasn't a huge success in the States, Bloom would have another franchise ticket to cash in the following year, reprising the role of elf Legolas in the Lord of the Rings prequel The Hobbit.

Trivia: Pixie-ish British actress Keira Knightley went from a relative unknown to a blockbuster leading lady after 2002's sleeper soccer flick Bend It Like Beckham caught on with an international audience. Born in Teddington, London, England, in 1985, young Knightley was enticed by the lure of cinema at an early age. Playwright mother Sharman McDonald and actor father Will Knightley were at first reluctant to let their daughter follow them into show business. Although they would accommodate her wish three years later, their strict demand that their daughter study through school holidays and only take jobs that didn't interfere with her education ensured that Keira would keep her priorities straight.Trained in dance from an early age, Knightley made her film debut when she was 12 in Moira Armstrong's romantic drama A Village Affair. Gradually climbing the credits with subsequent roles in Innocent Lies (1995) and the made-for-TV features Treasure Seekers (1996) and Coming Home (1998), she got her first big break when cast as the decoy queen in the eagerly anticipated Star Wars: The Phantom Menace. Knightley resembled the actual queen (portrayed by Natalie Portman) so much that her mother couldn't distinguish the two and some fans still insist both were portrayed by Portman. Returning to non-decoy status for the television miniseries Oliver Twist (2000), Knightley stayed with the small screen as Robin Hood's daughter in the 2001 adventure Princess of Thieves. Although audiences would truly begin to take note of her talent in the thriller The Hole that same year, her star-making turn in the sleeper comedy drama Bend It Like Beckham endeared her to audiences everywhere and ultimately served as her breakthrough starring role. Playing the best friend to Parminder K. Nagra, Knightley proved that she could turn what might have been little more than a noteworthy supporting role into a truly spunky, scene-stealing performance. As Lara Antipova in the 2002 miniseries Doctor Zhivago, Knightley gracefully slipped into a role that was previously made famous by Julie Christie, and the timeless romantic drama proved a hit with U.K. television viewers. With the release of Pirates of the Caribbean: The Curse of the Black Pearl, however, the actress was catapulted into an entirely new realm of popularity. Opposite Johnny Depp's truly eccentric portrayal of pirate Jack Sparrow, Knightley charmed as the beautiful young maiden whose blood may hold the key to life for a group of undead pirates.While King Arthur (2004) and Domino (2005) were high-profile flops, Knightley's status as a movie-star on both sides of the pond was firmly cemented in early 2006 when she was nominated for a Best Actress Oscar for her role in 2005's Pride & Prejudice. 2006 also saw the release of the sequel Pirates of the Caribbean: Dead Man's Chest, which was shot back-to-back with the franchise's third entry, Pirates of the Caribbean: At World's End, which was scheduled for release in 2007. In the meantime, Knightley forged ahead on the period drama Silk, opposite Michael Pitt. As the decade wore on, Knightly remained a fixed presence on screen, appearing in such films as The Duchess, London Boulevard, A Dangerous Method, Anna Karenina, and Seeking a Friend for the End of the World.Knightley appeared in a pair of indie films in 2014, {Laggies and Begin Again, as well as the big-budget action film Jack Ryan: Shadow Recruit. However, she earned the most praise that year for her supporting turn in The Imitation Game, playing a woman who helps crack German codes during WWII. She garnered an Academy Award nomination for Best Supporting Actress for her work in that film, which also scored Best Picture and Best Actor nods.

Trivia: The only son of veteran British actors Nigel Davenport and Maria Aitken, Jack Davenport did not plan to follow his parents into show business. They even warned him against it, feeling that he falsely believed their lucrative careers were representative of the typical acting experience. But Davenport was too poor of an athlete to participate in any school sports and eventually wandered into the drama department, where he fell in love with performing. Born on March 1, 1973 in Suffolk, England, Davenport grew up in both Ibiza and Suffolk. He attended local schools until his parents' divorce in 1981, when he went to live at the Dragon School. Davenport then enrolled at his father's former school, Cheltenham College. After graduation, he took a year off before entering university, during which he took a summer drama course. Impressed by Davenport's performance as a rapper in a practice skit, the director of the Welsh national theater offered him a job. At 18, he moved to Wales to play bit parts in the theater's production of Hamlet. Davenport majored in English Literature and Film Studies at the University of East Anglia. When he finished school, his mother urged him to try getting a job behind the scenes in filmmaking or theater. At her suggestion, Davenport wrote actor/writer John Cleese to ask him if he could work as a production assistant on the set of his upcoming movie Fierce Creatures (1997) (in which his mother had a role). Cleese, instead, cast Davenport in the film. Fierce Creatures was barely in post-production when Davenport made his small-screen debut in This Life, a 1996 British television series about five young lawyers who share an apartment. His role as the self-absorbed Miles Stewart in the well-reviewed, much-watched show made him an instant celebrity in England. Davenport appeared as Malcolm in a television update of Macbeth (1998), before starring as a detective who is recruited into a mysterious troop of vampire hunters in the stylish hit miniseries Ultraviolet. After playing a similar role in the horror film The Wisdom of Crocodiles (1998), Davenport landed a supporting role in his first major international release, Anthony Minghella's The Talented Mr. Ripley (1999). Critics hailed Davenport for giving soul to what could have easily been the cardboard cutout role of Ripley (Matt Damon)'s doomed lover, gentle musician Peter Smith-Kinsley. A year later, international audiences enjoyed Davenport again when Mystery! kicked off its 21st season with his performance as Derek Jacobi's son in The Wyvern Mystery. Based on Irish writer J.S. Le Fanu's 1869 thriller, the two-part miniseries also starred Naomi Watts and Iain Glen. He then tried his hand at comedy in Coupling, a television sitcom dubbed by reviewers as a British Friends. While continuing to appear onscreen -- in films such as Subterrain (2001), Not Afraid, Not Afraid (2001), Gypsy Woman (2001), and The Bunker (2001) -- Davenport returned to the stage to star in The Servant at England's Lyric Theater. Davenport is also an accomplished voice-over actor. He narrated the audio versions of John Buchan's The 39 Steps and Andy McNab's Crisis Four, as well as recorded parts in the radio productions of George Bernard Shaw's Man and Superman, Anthony Burgess' A Clockwork Orange, and Nicholas Monsarrat's A Cruel Sea. Most notably, however, he is the deep voice behind the famous "For everything else, there's MasterCard" commercials.In 2003 he landed a part in the smash hit The Pirates of the Caribbean, playing Norrington not just in that film but in the next two sequels as well. He appeared in the 2004 period drama The Libertine. He appeared in the failed TV drama Swingtown, but found greater small-screen success a few years later as part of NBC's behind-the-scenes Broadway drama Smash.

Trivia: BAFTA-winning veteran actor Bill Nighy gained international recognition in 2003 thanks to his role as a Keith Richards-esque former rock star in the hit romantic comedy Love Actually. Nighy had remained a relatively obscure figure even in his native England until a memorable turn as a controversial politician in series three of the acclaimed television comedy drama Auf Wiedersehen, Pet found him finally thrust into the spotlight in 2002. A Caterham, Surrey native, Nighy excelled in English language and literature early on; however, even though his journalistic instincts were strong, his lack of education prevented him from a career in the media. Work as a bike messenger for Field Magazine helped the aspiring writer keep his toes in the business, and a suggestion by his girlfriend that Nighy try his hand at acting eventually prompted him to enroll in the Guildford School of Dance and Drama. As the gears began to turn and his career as an actor started to gain momentum, Nighy was encouraged to stick with the craft after landing a series of small roles. Though British television provided Nighy with most of his early exposure, supporting roles in such features as Curse of the Pink Panther (1983) and The Phantom of the Opera (1989) found the actor honing his skills and laying the groundwork for future feature success. Though Nighy stuck almost exclusively to the small screen in the early '90s, his supporting role in the 1993 Robin Williams film Being Human seemed to mark the beginning of a new stage in his career, focusing mainly on features. A part in the 1997 film Fairy Tale: A True Story found Nighy climbing the credits, and the following year he joined an impressive cast including Timothy Spall, Stephen Rea, and Billy Connolly in the rock comedy Still Crazy. It was his role in Still Crazy that gained Nighy his widest recognition to date -- earning the up-and-coming actor the Peter Sellers Evening Standard Award for Best Comedy Performance. Nighy's role as a conflicted husband who embarks on a heated extramarital affair in 2001's Lawless Heart continued his impressive career trajectory, and later that same year he would land a role in The Full Monty director Peter Cattaneo's jailbreak comedy Lucky Break. A role in the long-running U.K. television series Auf Wiedersehen, Pet finally found Nighy earning some deserved recognition in 2002, and after a winning performance as the patriarch of an eccentric family in I Capture the Castle (2003), he continued to earned even more accolades for his performance in Love Actually. His part as an ancient vampire in the gothic action horror hit Underworld found Nighy's recognition factor rising for mainstream audiences on the other side of the pond, and before jetting into the future with The Hitchhiker's Guide to the Galaxy in 2005, the increasingly busy actor would appear in three feature films in 2004, including the horror comedy Shaun of the Dead, Doogal, and Enduring Love. By the time Nighy received an Emmy nomination for his role as a loved-starved civil servant falling for an enigmatic younger woman in the 2005 made-for-television romantic comedy-drama The Girl in the Café, television fans in both the U.S. and the U.K. knew well of Nighy's impressive range as an actor. Yet another small-screen role in that same year's Gideon's Daughter allowed Nighy a chance to play a serious role once again. Playing a burned-out PR agent who is forced to reevaluate his life when his adult daughter threatens to cease all contact with him, Nighy gave a performance that moved critics and audiences alike, later earning him a Golden Globe for Best Actor in a Mini-Series or TV Movie. Soon the actor was venturing into lands of fantasy once again, however, reprising his role as Viktor in Underworld: Evolution, and taking to the high seas as the legendary squid-faced sailor Davy Jones (captain of the Flying Dutchman) in director Gore Verbinski's big-budget summer extravaganza Pirates of the Caribbean: Dead Man's Chest. That film, of course, became a predictable sensation (it grossed over one billion dollars worldwide) and (more than any of Nighy's prior efforts) launched the British actor into the public spotlight for audiences of all ages, who were understandably impressed with the presence he was able to exude onscreen despite the layers of makeup and CG it took to make him into a squid-man.Nighy stayed the course of big-budget fantasy, with a turn as Alan Blunt in that same year's Alex Rider: Operation Stormbreaker, then signed on for another turn as Davy Jones in 2007's Pirates of the Caribbean: At World's End, co-starring this time with the inspiration for some of his previous characters, Keith Richards. Nighy would spend the next several years appearing in such acclaimed films as Valkyrie, Pirate Radio, and The Best Exotic Marigold Hotel.Nighy has maintained a life partnership with veteran British stage and screen actress Diana Quick since 1981. Though the two don't subscribe to the legal institution of marriage (much like long-standing Hollywood couple Tim Robbins and Susan Sarandon), Nighy has been known to refer to Quick as his wife simply to avoid confusion. The couple's daughter, Mary Nighy, was born in 1984 and is also an actress.

Trivia: One of Australia's most popular and distinguished actors, Geoffrey Rush came to the attention of the international community in 1996 with his performance as pianist David Helfgott in Shine (1996). Rush won an Academy Award for Best Actor, Golden Globe, and Australian Film Institute Award for his work, and he subsequently began appearing in films that would further make him known to audiences all over the world. A Queensland native, Rush was born in Toowoomba on July 6, 1951. After taking an arts degree from the University of Queensland, he began his theater career at Brisbane's Queensland Theatre Company. In addition to honing his skills with the classics, Rush lived in Paris for two years, where he studied pantomime at the Jacques Lecoq School of Mime. After returning to Australia, the actor resumed his stage work, at one point co-starring in Waiting for Godot with former roommate Mel Gibson. He spent much of the early '80s as part of director Jim Sharman's Lighthouse troupe and he also began working in film; his debut came in the 1981 Hoodwink, which also featured a young Judy Davis. Rush continued to appear in Australian films and on the stage, directing a number of theatrical productions in addition to acting in them. His big international break came in the form of the aforementioned Shine; following the adulation surrounding his performance as the unbalanced piano prodigy, Rush began to garner substantial roles in a number of high-profile projects. First was Gillian Armstrong's Oscar and Lucinda (1997), in which he played Oscar's great-grandson. The following year the actor drew raves for his work in Elizabeth, which featured him as the Queen's casually sinister confidant, and Shakespeare in Love, for which he again donned tights, this time to play a debt-ridden theater owner. His work in that film scored him his second Oscar nomination, this time for Best Supporting Actor. The same year, he could also be seen as the dastardly Inspector Javert in Bille August's adaptation of Les Miserables.In 1999, Rush exchanged the past for the future with Mystery Men. Starring as the dastardly Casanova Frankenstein, he shared the screen with an unlikely assortment of actors, including Greg Kinnear, Janeane Garofalo, Ben Stiller, and Paul Reubens. The same year, he starred as an eccentric millionaire who invites a few guests (including Bridgette Wilson, Taye Diggs, and Peter Gallagher) over for some tea and terror in the remake of William Castle's 1958 classic The House on Haunted Hill.At this point audiences in the know were indeed well aware of Rush's versitility, and any actor able to move from the campy, big budget B-horror to the Oscar nominated art-house antics of Phil Kaufman's Quills had little need to prove himself to either critics or audiences. Though he may not have taken home the trophy at the 2001 Academy Awards, his performance as the Marquis de Sade in the Kaufman film drew praise from nearly every corner of the critical spectrum and Rush was now recognized as one of the premier talents of his generation. Whether appearing in such deadly serious independent drama as Frida or wide release cotton candy as The Banger Sisters, Rush was never anything less than fascinating to watch and his enthusiasm for his craft always managed to shine through into his performances. Though the film wasn't seen by the majority of stateside audiences, 2003's Swimming Upstream offered Rush in a meorable turn as the distant father of Australian swimmer Tony Figleton. After taking on one of Austrailia's most notorious outlaws in the 2003 drama Ned Kelley and offering vocal work for the popular Pixar family adventure Finding Nemo, Rush remained on this high seas - this time mostly above water - as the leader of an undead crew of pirates in the 2003 swashbuckler Pirates of the Caribbean: The Curse of the Black Pearl. Though his menacing performance may have been slightly overshadowed by the flamboyant antics of co-star Johnny Depp, Rush nevertheless managed to craft one of the most complex and rousing villians in recent screen history. Next turning up as the hapless victim of a gold-digging maneater in the Coen Brothers' Intolerable Cruelty, Rush soon began preparation for his role as none other than the immortal Inspector Clouseau in the made-for-television biography The Life and Death of Peter Sellers. Rush played the Mossad representative who acts as the contact for the group of avenging agents in Steven Spielberg's outstanding Munich. Then he returned to the biggest hit of his career, reprising his part as a pirate in the next two Pirates of the Carribean films. He also agreed to reteam with director Shekhar Kapur and co-star Cate Blanchett for the sequel to Elizabeth reprising his role as Sir Francis Walsingham.As anticipated, the 2006 Pirates of the Caribbean: Dead Man's Chest opened to spectacular box office and solid (if not exemplary) reviews, though few of the critics who praised the film actually singled out Rush's fine performance in it as Barbossa (doubtless blinded by the impressive torrent of special effects and the squishy villainry of Bill Nighy that took center stage). Rush also joined the cast of that same year's Candy. Not to be mistaken for the awful Christian Marquand picture of the same title (or a remake thereof), the film actually constitutes a finely-tuned gut-wrencher about the heroin addictions of a poet and art student who become romantically entwined and decide to wed. Rush plays the ultra-liberal professor who first encourages the heroin use as experimentation, but later acknowledges the couple's inseparable, volatile bond to one another other via shared use of the substance. The picture stars Abbie Cornish and Heath Ledger as the marrieds. THINKFilm scheduled Candy for release in October 2006 as Shekhar Kapur directed Rush in The Golden Age - the Elizabeth sequel for Universal and Working Title - which the studios slated for an October 2007 premiere. Meanwhile, the actor also lent a great deal of his time to shooting the third Pirates installment, also debuting in 2007. 2010 would prove a banner year for Rush, as he was nominated for an Academy Award for his performance as a speech therapist in The King's Speech, and the winner of the Golden Globe Award for Best Supporting Actor for the same film. In 2011, Rush reprised his Pirates role once again for Pirates of the Carribean: On Stranger Tides.Rush married Shakespearean stage actress Jane Menelaus in 1988, with whom he has two children - Angelica and James. The couple resides in Melbourne. He is actively involved with environmental causes.

Trivia: Welsh native Jonathan Pryce switched from art studies to acting after winning a RADA scholarship, and quickly became both a critically viable and immediately recognizable screen presence. In numerous screen assignments, Pryce's subtle intensity and mania - deftly but not deeply buried beneath a placid exterior - could be parlayed with equal aplomb into roles as an angst-ridden everyman or a manipulative sociopath. In the majority of Pryce's characterizations, he projected a frightening degree of intelligence and sophistication almost by default.After a few seasons with the Liverpool Everyman Theatre, Pryce scored a London theatrical success in Comedians, winning a Tony award when the play moved to Broadway in 1976. Thereafter, he starred in the Broadway musicals Miss Saigon and Oliver!. Pryce's subsequent effectiveness in villainous roles threatened to typecast him as Machiavellian heavies, such as his icewater-veined personification of "reason and logic" in Terry Gilliam's The Adventures of Baron Munchausen (1989). As time rolled on, however, Pryce began to demonstrate his ability to add layers of offbeat and intriguing eccentricity to roles that, in other hands, could easily become caricatures or stock parts - a gift apparent as early as Pryce's leading turn in Gilliam's Brazil (1985), as a beleaguered everyman enmeshed in a Kafkaesque bureaucratic nightmare. The actor was particularly arresting, for example, as James Lingk, a bar patron with not-so-subtle homosexual inclinations, who falls prey to the machinations of hotshot salesman Ricky Roma (Al Pacino), in James Foley's 1992 screen adaptation of the David Mamet play Glengarry Glen Ross. He commanded equally powerful screen presence as Henry Kravis, a cunning entrepreneur and the "master of the leveraged buyout" (who bilks corporate giant F. Ross Johnson for a fortune) in the Glenn Jordan-directed, Larry Gelbart-scripted boardroom comedy Barbarians at the Gate (1993). In 1995, Jonathan Pryce won a Cannes Film Festival best actor award for his portrayal of homosexual writer Lytton Strachey in Carrington, opposite Emma Thompson. In subsequent years, Pryce's screen activity crescendoed meteorically; he remained extremely active, often tackling an average of three to five films a year, and demonstrated a laudable intuition in selecting projects. Some of his more prestigious assignments included roles in Evita (1996), Ronin (1998), De-Lovely (2004) and Pirates of the Caribbean: At World's End (2007). The Brothers Grimm (2005) re-united the Welsh actor with Brazil and Baron Munchausen collaborator Terry Gilliam. In 2008, Pryce teamed up with George Clooney, Renee Zellweger and John Krasinski for a supporting role in the Clooney-directed sports comedy Leatherheads (2008); Pryce plays C.C. Frazier, the manager of a 1920s collegiate football player (Krasinski). Many American viewers may continue to associate Pryce with his television commercial appearances as the spokesman of Infiniti automobiles.

Trivia: British actor Mackenzie Crook rose to fame at the hands of U.K. comedy giants Ricky Gervais and Stephen Merchant, when the pair cast him as Gareth Keenan, the snide, obnoxious, and mirthless servant of office manager David Brent (Gervais) on the immensely popular BBC sitcom The Office (2001-2004). Crook then moved into films, where his unusual manner and appearance -- gaunt and wide-eyed, with stark features and a thick Cockney accent -- were put to excellent use in a variety of roles, often farcically. Among other accomplishments, Crook played Ragetti, a washed-up, bug-eyed member of a zany two-person pirate team (used for comic relief and as a deus ex machina) in Jerry Bruckheimer's Pirates of the Caribbean franchise; evoked a bit of Shakespearean drollery as Launcelot Gobbo in the Michael Radford-directed Merchant of Venice (2004); and landed a small supporting role in the British sex farce I Want Candy (2007). Crook also signed for a supporting role in Michael J. Bassett's period adventure Solomon Kane.

Trivia: Unlike some Englishmen who have been known to play against type (portraying Americans et al.), unconventionally attractive British actor Tom Hollander banked off of his Anglo roots and accent by building up an impressive resumé of English characterizations, Cockney and otherwise. He earned some of his first screen credits on the cult sitcom Absolutely Fabulous, then moved quickly into feature work, hitting both highs (Gosford Park, Pride & Prejudice) and lows (Paparazzi) -- though nearly always in supporting capacities. In 2007, Hollander essayed memorable roles as Sir Aymas in the Cate Blanchett period film Elizabeth: The Golden Age and Cutler Beckett in the Jerry Bruckheimer-produced farce Pirates of the Caribbean: At World's End.

Trivia: A native of Manchester, England, born in 1951, actor David Schofield grew up in a working-class family as one of 10 children, and first caught the drama bug at age 12 at an all-boy's school located in his hometown. Deeply interested in the theater, Schofield began not on-stage but in the wings, taking backstage positions at a local repertory theater that included waiting tables, making tea, building props, sweeping the stage, and -- ultimately -- scripting plays. At age 19, Schofield left this establishment to enroll in London's legendary Academy of Music and Dramatic Art, and soon began regularly accepting professional roles with a much heavier emphasis on theater than film; in fact, Schofield frequently performed with the Royal Shakespeare Company and at theaters in the West End of London. He moved into film work in the early '70s and thereafter maintained a steady output of assignments in films and on television. Memorable features included Ridley Scott's Best Picture-winner Gladiator (2000), the Hughes Brothers' Jack the Ripper thriller From Hell (2001), the elaborate fantasy-adventure Pirates of the Caribbean: The Curse of the Black Pearl (2003), and the Tom Cruise-produced World War II thriller Valkyrie (2008). Series (mostly British) that featured Schofield in recurring or guest capacities included The Bill, Our Friends in the North, and Holby City.

Trivia: Spiky-haired actress Naomie Harris was raised by her single mother in London. After studying political science at Cambridge, she enrolled at Bristol Old Vic Theatre School for professional stage training. In the '90s, she made a few appearances on U.K. television series, including reoccurring roles on Runaway Bay and The Tomorrow People. She gained more recognition for her role in the miniseries White Teeth as Clara, the Jamaican daughter of a fanatical Jehovah's witness mother. Adapted from the book by Zadie Smith, White Teeth was shown in the U.S. on PBS Masterpiece Theater in 2002. She made her international breakthrough the same year in Danny Boyle's post-apocalyptic thriller 28 Days Later. For the role of urban survivor Selena opposite attractive lead Cillian Murphy, Harris trained in kickboxing and learned how to properly wield a machete. Quickly becoming noticed for her talent and skill, she also appeared in Fritz Baumann's German drama Anansi as an immigrant from Ghana. Back on television, she played a radical activist for the New Labour party in the two-part BBC1 drama The Project. Harris' feature films for 2004 include the live-action remake Thunderbirds and the thriller Trauma, starring Colin Firth.Though her star was steadily rising in Hollywood, it wasn't until 2006 that Harris would really make a splash on stateside screens; and after supporting roles in Brett Ratner's After the Sunset and Michael Winterbottom's A Cock and Bull Story, Harris took to the high seas for her role as Tia Dalma in the eagerly anticipated summer sequel Pirates of the Caribbean: Dead Man's Chest. Though her role in the first sequel to the hugely successful 2003 original was something of a minor affair, Harris' loyal fans could rest assured that they would be seeing plenty more of her in the final installment of the series that was set to hit screens in 2007. Just a few short months after Pirates of the Caribbean: Dead Man's Chest sailed into the multiplexes, Harris would trade her Jamaican accent for a Bronx inflection when she took the role of a tough New York cop in director Michael Mann's Miami Vice - a slick, big screen adaptation of the show that made pink t-shirts and white blazers all the rage in the 1980s.

Trivia: Stands 4'1" and has a rare form of dwarfism known as acromicric dysplasia. High-school extracurricular activities included football and drama club. Post-high school, made his acting debut at Radio City Music Hall, where he continued to perform for 10 years. In addition to acting, has worked as a stuntman since the early '90s; credits include movies such as Evan Almighty and Van Helsing. Is close friends with Little People, Big World stars Matt and Amy Roloff and appeared on their show several times. Is an accomplished soccer player who competed in the 2009 World Dwarf games as a member of soccer team the Statesmen. Works with the Coalition for Dwarf Advocacy, a nonprofit foundation formed to assist and advocate for people with dwarfism.

Trivia: Lead actor, onscreen from the '80s.

Trivia: Supporting actor, onscreen from the '80s.

Trivia: An actress whose great intelligence belied her image as a svelte, blond bombshell, British performer Vanessa Branch began life in London and grew up as the daughter of a hotel chef, frequently relocating during her youth. Branch ultimately enrolled in Vermont's Middlebury College, with a dual major in theater and Chinese, and graduated in 1994; on the side, she cultivated musical interests with performances on the viola and the piano. In her professional life, Branch made a strong mark in several arenas: on commercial television, as the sexy Orbit gum spokeswoman (whose mantra was "Fabulous!"); in daytime soaps (cast as the gentle, amiable Paige Collins on ABC's Port Charles); as a guest performer on prime-time series such as Gilmore Girls and Monk; and in features. Big screen projects included a small role in the Denzel Washington medical drama John Q., a glossy turn as Captain Jack Sparrow's girlfriend Giselle in Pirates of the Caribbean: Dead Man's Chest (2006), and a small-scaled yet pivotal turn as a kindly veterinarian in the modest family-oriented drama All Roads Lead Home (2008).

Trivia: Born in the Philippines, but raised in Ohio. Fluent in English and Tagalog. Toured nationally with the theatrical companies that produced Heartstrings and Miss Saigon, and was in the original cast of the 1994 Broadway revival of Carousel. Served as the choreographer for Imelda: A New Musical in 2005. Reprised his Pirates of the Caribbean: At World's End role for the movie's video game. Meditates every morning.

Trivia: A Swedish actor who has become known to American audiences thanks to roles in Breaking the Waves and Good Will Hunting, Stellan Skarsgård is one of Scandinavia's best-known and most well-respected performers. Renowned for giving measured characterizations that draw their strength from a delicate complexity, Skarsgård is one of those rare actors who is able to do strong work regardless of the quality of the material he is in, displaying the sort of quiet fortitude that allows him to survive even the worst screen fiascos.Born in Gothenburg on June 13, 1951, Skarsgård became a star in his country, when, as a teenager, he was cast on the TV series Bombi Bitt och jag. After his film debut in 1972, he did years of stage work with Stockholm's Royal Dramatic and made a number of dramas with the director Hans Alfredson, the most notable of which, Den Enfaldige Mordaren, featured Skarsgård in a Silver Berlin Bear-winning performance as a misunderstood man with a deformity. In 1988, Skarsgård got a tentative introduction to a transatlantic audience with a small role in Philip Kaufman's The Unbearable Lightness of Being; two years later, he had a similarly minor role in another international hit, The Hunt for Red October.Skarsgård's true international breakthrough came courtesy of his role as Emily Watson's husband in Lars Von Trier's highly acclaimed Breaking the Waves (1996). The actor more than held his own opposite Watson, who gave one of the year's most lauded performances, and he found previously unimagined opportunities available to him in Hollywood. In 1997, he starred as a frustrated mathematician in Gus Van Sant's award-winning Good Will Hunting and was also featured in Steven Spielberg's Amistad; his work in both films culminated in an Outstanding European Achievement in World Cinema award from the European Film Academy. Later that same year, the actor appeared in My Son the Fanatic as a German businessman with the unfortunate surname of Schitz -- he also gave a stellar portrayal of a detective who slowly loses his mind while investigating a murder in the Norwegian film Insomnia.A prolific actor, Skarsgård appeared in a number of small ambitious projects in 2000, including Passion of Mind with Demi Moore, Mike Figgis' Time Code, and Harlan County War. The following year, while he showed up in the poorly-received thriller The Glass House, Skarsgård gained critical praise for his performance in Taking Sides.2003 saw Skarsgård taking a role in Lars von Trier's highly anticipated Dogville and signing on for the oft-plagued The Exorcist: The Beginning. After several debacles, the prequel to the horror classic finally found its way to movie theaters in 2004, the same year the actor costarred in Antoine Fuqua's King Arthur. After going toe-to-toe with the Devil himself in 2005's Exorcist: The Beginning (as well as Paul Schrader's alternate cut Dominion: Prequel to the Exorcist), Skarsgård joined the crew of the Flying Dutchman in Pirates of the Caribbean: Dead Man's Chest and its follow-up Pirates of the Caribbean: At World's End, and went medieval in the Swedism Arn films. A chilling turn as the ruthless warden in the fact-based King of Devil's Island showed a downright malevolent side to Skarsgård, though it was subsequent roles in the Marvel Comics features Thor and the Avengers, as well as a turn as the mysterious Martin Vanger in David Fincher's The Girl with the Dragon Tattoo, that offered the veteran actor the most international exposure in the wake of his voyage on the high seas.