Trivia: Bearing the kind of sensitive-man good looks that have led many to think he would be perfect for a career as a tortured, latte-chugging intellectual, Ethan Hawke instead emerged in the 1990s as both a talented actor and a thinking girls' poster boy. In addition to acting, Hawke penned two novels -- The Hottest State, which is rumored to be based on a former relationship he had with singer/songwriter Lisa Loeb, and the best-selling Ash Wednesday. Born November 6, 1970, in Austin, TX, to teenage parents who separated when he was a toddler, Hawke was raised by his mother. The two led an itinerant existence until she married again, and the family settled in Princeton Junction, NJ. There Hawke began to study acting at Princeton's McCarter Theatre, and at the age of 14, he made his film debut in Explorers (1985). A sci-fi fantasy flick that starred the actor alongside River Phoenix, it didn't make much of an impact upon its theatrical release, but thanks to the presence of both Hawke and Phoenix, it went on to a second life on cable.Following his debut, Hawke stopped acting professionally to attend Carnegie Mellon University. His college career didn't last long, however; while still a student, Hawke was chosen to play one of the young protagonists of Peter Weir's Dead Poets Society. The 1989 film, which marked the beginning of Robin Williams' turn toward more dramatic roles, was a success, and Hawke, in his role as the shy, cringing Todd Anderson, made prep school angst look so photogenic that he soon had something of a teenage following. After starring as Ted Danson's son in Dad the same year, Hawke went on to make a string of movies that allowed him to demonstrate his talent but never quite propelled him further into the realm of stardom. White Fang (1991) provided him with a go at adventure by casting him as a young gold miner who forms a bond with the titular canine, while Waterland (1992) had Hawke plumbing the depths of mild delinquency as the troublesome student of an emotionally estranged Jeremy Irons. Unfortunately, almost nobody saw Waterland, and the same could be said of Hawke's other film that year, the WWII drama A Midnight Clear. Lack of an audience obscured the actor's strong performances in both films, and it was not until 1994 that he began to gain recognition for something besides Dead Poets Society. In that year, Hawke created something of a reputation for himself, both on- and offscreen. Offscreen, he became tabloid fodder when he was caught dancing with a then-married Julia Roberts and thus gained a certain -- if fleeting -- kind of notoriety. On screen, the actor starred in Ben Stiller's Reality Bites, portraying the kind of goateed, ennui-mired, more-sensitive-than-thou slacker that helped get him labeled as such in real life. Matters weren't helped when, that same year, the actor published The Hottest State, a meditation on love from the point-of-view of an angst-ridden twentysomething that was scorned by many critics as pretentious posturing.After starring as another sensitive student of life in Richard Linklater's romantic talkathon Before Sunrise (1995), Hawke went back to his sci-fi roots with Gattaca (1997), a near-future parable about the dangers of genetic engineering. Although the film was a relative disappointment, it did present Hawke with an introduction to co-star Uma Thurman, whom he married in 1998 and had a daughter with later that same year. Also in 1998, the actor starred opposite Gwyneth Paltrow in an adaptation of Charles Dickens' Great Expectations; despite mixed reviews, the film heightened Hawke's profile while further establishing him as one of the leading interpreters of sensitive-boy artistic angst. After a starring turn as one of the titular Newton Boys alongside Matthew McConaughey, Skeet Ulrich, and Vincent D'Onofrio in Richard Linklater's neglected 1998 Western, Hawke took on an entirely different role in 1999. Starring in Scott Hicks' Snow Falling on Cedars, he portrayed a journalist investigating the murder of a Japanese-American man in post-WWII Washington State. The same year, he appeared in Joe the King, the directorial debut of his friend and Midnight Clear co-star Frank Whaley.In addition to his film work, Hawke has remained active in the theater. He was the artistic director of the now-defunct Malaparte, a New York theater company that he co-founded with a group of actors including Robert Sean Leonard, Frank Whaley, and Josh Hamilton. He has also worked behind the camera, directing the music video for Lisa Loeb's "Stay" in 1994.Hawke subsequently earned some of the best reviews of his career to date as the title character of Michael Almereyda's 2000 adaptation of Hamlet. Set in modern-day New York, the film allowed Hawke to give the famously tortured prince a slackerish spin that more than one critic noted seemed to come naturally to the actor. The following year, he could be seen in an altogether different feature, portraying a rookie cop opposite Denzel Washington in Training Day, Antoine Fuqua's gritty cop drama. He also collaborated again with director Linklater, first for Tape, a drama co-starring Robert Sean Leonard and wife Thurman, and then for Waking Life, a groundbreaking animated feature in which the actor reprised the role of Before Sunrise's Jesse. 2001 also marked Hawke's first significant foray behind the camera as the director of Chelsea Walls, a multi-character drama about various artists living in New York's famed Chelsea Hotel.In 2002, Hawke played alongside Frank Whaley in The Jimmy Show and made an appearance on the hit television drama Alias the next year. The year 2003 was not a banner one for the actor -- after rumors of an affair between Hawke and a young model began circulating among various television and print tabloids, Uma Thurman announced their official separation after five years of marriage. In 2004, Hawke starred with Angelina Jolie in director D.J. Caruso's Taking Lives and reprised his Before Sunrise role opposite Julie Delpy in Linklater's sequel Before Sunset, a film which also provided the long-time actor with his first screenwriting credit.Hawke appeared in several moderately successful films throughout 2005 and 2006 (Assault on Precinct 13, The Hottest State, Fast Food Nation), but found himself back in the limelight for 2007's crime thriller Before the Devil Know You're Dead, in which the actor played one of two brothers involved in a plan to rob their parents' jewelry store. The film would win the Best Picture from the American Film Institute. He found success yet again for his role in the 2008 crime drama What Doesn't Kill You. The film, which also stars Mark Ruffalo and Donnie Wahlberg, features Hawke as a street-hardened young adult struggling to rise above the dog-eat-dog lifestyle to which he has become accustomed. In 2009 Hawke starred in Daybreaker, in which he played a vampire sympathetic to the human plight, and worked with Don Cheadle, Wesley Snipes, and Richard Gere for his role as a narcotics officer in the crime thriller Brooklyn's Finest.In 2013 Hawke scored a minor hit as the star of the horror film The Purge. In that same year he returned with Julie Delpy and Richard Linklater with Before Midnight, their sequel to Before Sunset, which garnered Hawke a second Oscar nomination in the Best Adapted Screenplay category. He returned to Oscar contention in 2014, this time in the Best Supporting Actor category for playing the father in Linklater's Boyhood.

Trivia: An actress noted as much for her exotic, almost otherworldly beauty as she is for her considerable talent, Uma Thurman is one of the most renowned actors of her generation. The daughter of celebrated professor of Buddhist studies Robert A.F. Thurman and Nena von Schlebrugge, a model and psychotherapist who was once married to Timothy Leary, Uma was born in Boston on April 29, 1970. Raised with three brothers in Amherst, where her father taught at Amherst College, she enjoyed a fairly bohemian upbringing, one that was marked by visits from Eastern holy men and Tibetan refugees. Encouraged to think for herself and be independent, Thurman, who had been interested in acting from an early age, left her Massachusetts boarding school at the age of 15 to pursue an acting career. Moving to New York, she earned a living by washing dishes and modeling, though the latter means of support never agreed with her.The fledgling actress made her debut in Kiss Daddy Goodnight (1987), a forgettable film that cast her as a teen vamp who seduces and robs unsuspecting men. She had a starring role in the teen comedy Johnny Be Good (1988) and also made an eye-catching appearance in Terry Gilliam's underseen fantasy adventure film The Adventures of Baron Munchausen (1988). But it wasn't until her casting in Stephen Frears' Dangerous Liaisons (1988) as Cécile de Volanges, the impressionable convent girl deflowered by John Malkovich's slimy Vicomte de Valmont, that Thurman first gained recognition. Her scenes with Malkovich, particularly the one in which he offers to teach her a few bedroom terms in Latin, proved to be some of the most memorable of the year, resulting in a sizable helping of fame for the young actress. Further recognition followed with Thurman's portrayal of Henry Miller's wife -- and the object of both his and Anaïs Nin's affections -- in Philip Kaufman's Henry & June (1990). Unfortunately, the actress' role in the NC-17 film -- which required her to take part in explicit love scenes with Maria de Medeiros -- inspired a great deal of unwelcome, stalker-like attention from any number of "fans," causing Thurman to shy away from doing a subsequent number of films. The projects she did take part in all proved to be forgettable affairs: Robin Hood (1991), Final Analysis (1992), Jennifer 8 (1992), Mad Dog and Glory (1993), and Gus Van Sant's Even Cowgirls Get the Blues (1994). By the time Thurman received the script for Quentin Tarantino's Pulp Fiction, her career was in great need of resuscitation. Fortunately, Pulp Fiction provided just that. A huge, unanticipated success, it was the most talked-about film of the year, eventually becoming recognized as one of the most influential films of the decade. For her part, Thurman gave a sly, smoldering performance as Mia Wallace, the coke-snorting wife of gangster Marsellus Wallace (Ving Rhames), and soon found herself enjoying both a Best Supporting Actress Oscar nomination and an accompanying resurgence in Hollywood popularity. She followed the success of Pulp Fiction with three relatively modest romantic comedies: A Month by the Lake (1995), The Truth About Cats & Dogs (1996), and Beautiful Girls (1996). The 1997 future dystopia Gattaca did little for Thurman but introduce her to co-star and future husband Ethan Hawke. (The two married in May of 1998 and had a daughter later that year; Thurman had been married once before, to Gary Oldman). Batman & Robin, that same year, was less than a high point in Thurman's career. 1998 proved to be similarly disappointing, with both The Avengers, which cast the actress as the cat-suited Emma Peel opposite Ralph Fiennes' John Steed, and Bille August's Les Miserables experiencing swift deaths at the box office. Thurman resurfaced in 1999 in Woody Allen's widely acclaimed Sweet and Lowdown. The story of a famed jazz guitarist (Sean Penn) whose talent is inversely proportional to his merits as a human being, the film cast Thurman as his worldly, unfaithful wife. The following year, she had starring roles in two lavish period dramas, Merchant-Ivory's The Golden Bowl and Roland Joffé's Vatel. The former, a Henry James adaptation that premiered to great acclaim at the 2000 Cannes Festival, featured Thurman as a commoner caught up in a forbidden love affair with an impoverished prince (Jeremy Northam); the latter, which also premiered at Cannes, cast Thurman as a French noblewoman during the reign of King Louis XIV. Supporting performances in Richard Linklater's Tape and husband Hawke's Chelsea Walls (both 2001) were soon to follow, and though Thurman's performances were solid as ever, the limited release of both films found her gaining minimal exposure. Though Thurman was virtually unrecognizable in her role as a lovelorn Jersey girl in the HBO feature Hysterical Blindness (2002), her bravado performance earned her a Best Actress Golden Globe and the downbeat drama found audiences once again compelled by her marked versatility. Little did audiences know that her next role couldn't be more different. Thurman may had done action before in such efforts as Batman & Robin and The Avengers, but her role as the vengeful Bride in Quentin Tarantino's eagerly anticipated Kill Bill nevertheless found viewers' jaws planted firmly on the popcorn-littered multiplex floors. With the production initially delayed due to Thurman's pregnancy, the two-time mother quickly shed her excess weight shortly after giving birth to son Roan; after a vigorous training program, the violent revenge epic was back on track. Even though Thurman made no secret of the fact that balancing the difficult tasks of motherhood and superstardom often took their toll on her during the production of Kill Bill, the dedicated actress pulled off the physically demanding role without a hitch. Debuting in October 2003 to overwhelmingly positive reviews, Kill Bill Vol. 1 (the film was split into two halves after being deemed too long by studio Miramax) still managed to split audiences due to its virtually nonstop, extremely graphic violence. With Kill Bill Vol. 2 scheduled to roll into theaters four months later, fans wasted no time in speculating on The Bride's carnage-laden quest to even the score with the titular Bill (David Carradine) after the ruthless killer gunned her down on her wedding day.In the wake of the Kill Bill extravaganza, it seemed that Thurman was having an especially difficult time finding her footing at the box office when the Get Shorty sequel Be Cool, the romantic comedy Prime, and the musical comedy remake The Producers failed to make any real impact with viewers. Her career in serious need of a pick-me-up after three notable misfires, Thurman would make yet another grab for laughs when, in the summer of 2006, she starred as needy superhero who uses her powers to seek revenge against an ex-boyfriend attempting to move on in My Super Ex-Girlfriend. In 2010, Thurman joined the cast of Percy Jackson and the Lightning Thief in the role of Medusa, the snake-haired gorgon who could turn a man to stone with no more than a look. The actress played a decidedly different type of character in Ceremony (2010), a critically acclaimed independent comedy that featured Thurman as a woman in her late thirties with a tendency to date the wrong type of guy. In 2012, Thurman co-starred in the period drama Bel Ami and had a recurring role on the musical TV series Smash. She had a supporting role in Lars von Trier's Nymphomaniac in 2013.

Trivia: Although he first appeared as just one of the latest crop of golden-skinned English imports to caress the hormones of American filmgoers, Jude Law is steadily proving that his talents lie beyond his ability to smolder seductively in front of the camera. Since 1995, when Law made the transition from British soap opera to Broadway via Sean Mathias' Indiscretions (in which he co-starred with Kathleen Turner), his work has increasingly garnered favorable notice from critics and moviegoers alike.Born in London on December 29, 1972, Law started acting as a teenager. Before Indiscretions, his most notable role was in Shopping (1994), a British production that gave him both initial recognition and an introduction to his future wife, actress Sadie Frost (the couple has two children). After the critical and commercial success of Indiscretions, Law began finding more work in film, starring as Claire Danes' boyfriend in I Love You, I Love You Not (1997) and as the genetically privileged man who sells his identity to Ethan Hawke in Gattaca (1997). Also in 1997, Law took on the plum role of Alfred Lord Douglas (or Bosie), Oscar Wilde's volatile lover in Wilde. Although none of these films received unanimously positive critical (or box-office) attention, they did help to further establish Law as an actor to be taken seriously. Law followed them with a small part in Bent (1997) and the more pivotal role of Billy, Jim Williams' hotheaded and ill-fated lover in Midnight in the Garden of Good and Evil (1997). Following that film, Law went on to make a few smaller films, including Music From Another Room (also starring a still unknown Gretchen Mol) and The Final Cut, in which he played a sinister, deceased version of himself.In 1999, Law appeared in David Cronenberg's cyberific eXistenZ and completed filming Anthony Minghella's The Talented Mr. Ripley alongside Gwyneth Paltrow, Matt Damon, and Cate Blanchett. The film earned widespread acclaim upon its release, much of which was lavished on Law's portrayal of the serially charming and devastatingly superficial Dickie Greenleaf. Law garnered both a Golden Globe and Oscar nomination for Best Supporting Actor for his performance, further cementing his reputation as one of the more promising up-and-coming actors on either side of the ocean.After a turn as a Russian marksman facing off against a Nazi sniper in Enemy at the Gates (2001), Law returned to sci-fi with his role as love machine Gigolo Joe in Steven Spielberg's eagerly anticipated A.I.In addition to his acting commitments, Law kept busy with Natural Nylon, the production company he founded with Sadie Frost, Sean Pertwee, Ewan McGregor, and Jonny Lee Miller. In 2002, Law starred alongside film veterans Tom Hanks and Paul Newman in the multiple Oscar-winning Road to Perdition and was on the path to an Oscar once again for his performance in Cold Mountain (2003) with Nicole Kidman and Renée Zellweger, who took home the Oscar for Best Supporting Actress. After appearing in only two films in as many years, Law was virtually unavoidable in the last third of 2004, with substantial roles in a grand total of six films. First up, he played the title role in the blue-screened sci-fi action flick Sky Captain and the World of Tomorrow, starring alongside the likes of Gwyneth Paltrow, Angelina Jolie, and a "resurrected" Laurence Olivier. A month later, he could be found starring in the remake of Alfie as well as in the ensemble cast of David O. Russell's comedy I Heart Huckabees. And before the close of the year, audiences could catch him in Mike Nichols' romantic drama Closer, as Errol Flynn in Martin Scorsese's Howard Hughes biopic The Aviator, and providing the voice of the title character in the big-screen adaptation of Lemony Snicket's a Series of Unfortunate Events. Produced on an elephantine, effects-heavy budget by the wunderkind, billon-dollar powerhouse Scott Rudin (The Firm, Sister Act) and starring Jim Carrey, the film opened in December 2004 and received average to positive notices; such commentators as Newsweek's Sean Smith, The Washington Post's Desson Thomson, and others championed it (one referred to it as "a Tim Burton movie without the weird shafts of adolescent pain"); others were nonplussed. Roger Ebert complained, "It's odd, how the movie's gloom and doom are amusing at first, and then dampen down the humor. Although many Unfortunate Events do indeed occur in "Lemony Snicket," they cannot be called exciting because everyone is rather depressed by them." The picture nevertheless did excellent box office. Alfie - a remake of the 1966 Michael Caine vehicle, with Law taking over the Caine role - didn't fare so well with critics but performed adequately at the box. Law ducked out of films for a year or so between 2004 and 2005, which led Variety to ask, "Where in the world is Jude Law?" The actor apparently needed a vacation, but his absence was short lived: Law ended his sabbatical after a year or so, and triumphantly returns to cinemas in 2006. In All the King's Men, Law plays second-string fiddle to an over-the-top Sean Penn. A political tale adapted from Robert Penn Warren's novel by Schindler's List scribe Steven Zaillian (who also directs), the movie weaves the tale of a Huey Long-like southern demagogue (Penn). The film will hit cinemas across the U.S. in September '06. Law is also re-teaming with his Cold Mountain collaborator, Anthony Minghella, in Breaking & Entering. Over the next several years, Law would enjoy his status as a leading man, appearing in a number of films like the Sherlock Holmes franchise, Hugo, and Contagion. He played Alexei Karenin in Anna Karenina in 2012, and appeared in The Grand Budpest Hotel in 2014.

Trivia: The grandson of Oklahoma senator Thomas P. Gore, Gore Vidal led a privileged, sheltered childhood. Often tiring of the expensive creature comforts surrounding him, Vidal spent much of his spare time at the movies. "As I now move...toward the door marked Exit," he mused late in life, "it occurs to me that the only thing I ever really liked to do was go to the movies. Sex and art always took precedence over the cinema. Unfortunately, neither ever proved to be as dependable as the filtering of present light through that moving strip of celluloid which projects past images and voices onto a screen." Vidal continued to feel this way all through Phillips Exeter Academy, and even after his World War II experiences, which planted the first seeds of doubt as to whether those images on screen were reflecting anything resembling real life. In 1946, Vidal published Willawan, the first of many novels. During the 1950s, he wrote several live television plays, many of which were later transformed into movies: The Death of Billy the Kid was cinematized as The Left Handed Gun (1958) (and, over three decades later, as the made-for-TV Gore Vidal's Billy the Kid), while Visit to a Small Planet, after being adapted for Broadway, served as the basis for a 1960 Jerry Lewis vehicle of the same name. A political animal all his life by right of birth (he has twice run for congress), Vidal channeled much of his insider's information into his 1959 play The Best Man, wherein an Adlai Stevenson type is challenged by a Richard Nixon type. In 1964 The Best Man was the first of Vidal's plays to be adapted for the screen by the author himself; Frank Capra had wanted to option the piece, but couldn't console himself with the fact that all of Vidal's characters were atheist. One of Vidal's favorite games over the past 35 years has been to challenge the homophobic mind-set of Hollywood. His screenplay for the 1959 film version of Tennessee Williams' Suddenly Last Summer was the most overt example of out-of-the-closet cinema of the fifties, while his contributions to the screenplay of Ben Hur (1959) were intended to suggest that Judah Ben Hur and Messala enjoyed more than just a warm friendship (Ben Hur star Charlton Heston bristles to this day over Vidal's claiming responsibility for the tone and texture of the screenplay; Heston insists that director William Wyler rejected Vidal's script suggestions after a single cold reading). In his 1968 novel Myra Breckenridge, Vidal managed to weave both his undying passion for films and his fascination with same-sex relationships within the framework of an outrageous storyline (Vidal had nothing to do with the wretched 1970 film version of Myra Breckenridge). Thanks to his erudite TV talk-show appearances in the 1960s and 1970s, Vidal has joined that special fraternity known as the celebrity novelist. He has acted in three films, playing himself in Fellini's Roma (1972) and extensions of himself in Bob Roberts (1993) and With Honors (1994). In 1997, he starred in the futuristic fantasy Gattaca. Remaining an indefatigable writer and essayist into the 1990s, Vidal has reiterated his love affair with movies on several occasions, notably in his 1992 volume Screening History and as contributor to Past Imperfect (1995), a book about Hollywood's slant on historical facts.

Trivia: As a multi-talented film and stage performer with an intense comic flair, the diminutive and stocky Jewish-American character actor Alan Arkin built a career for himself out of playing slightly gruff and opinionated yet endearing eccentrics. Though not commonly recognized as such, Arkin's ability extends not only beyond the range of the comedic but far beyond the scope of acting. In addition to his before-the-camera work, Arkin is an accomplished theatrical and cinematic director, an author, and a gifted vocalist.Born March 26, 1934, to immigrant parents of Russian and German Hebrew descent, Arkin came of age in New York City, then attended Los Angeles City College in the early '50s and launched his entertainment career as a key member of the folk band the Tarriers, alongside Erik Darling, Carl Carlton, and Bob Carey. Unfortunately, the Tarriers never managed to find a musical foothold amid the 1960s folk boom -- which, despite the success of a European tour in 1957, encouraged Arkin to leave the group and carve out a niche for himself in another arena.Arkin instead turned to stage comedy and joined Chicago's Second City troupe, then in its infancy. (It officially began in 1959.) From there, Arkin transitioned to Broadway roles, and won a Tony and critical raves for his debut, in Carl Reiner's autobiographical seriocomedy Enter Laughing (1963). He followed it up with the lead in Murray Schisgal's surrealistic character comedy Luv, and made his onscreen debut alongside friend and fellow actor Reiner, for Norman Jewison's frenetic social satire The Russians Are Coming! The Russians Are Coming! The picture not only scored with the public and press (and received a Best Picture nod) but netted Arkin a nomination for Best Actor. He lost to Paul Scofield, for the latter's role as Thomas More in A Man for All Seasons.Arkin evinced pronounced versatility by cutting dramatically against type for his next performance: that of Harry Roat, a psychopath who systematically psychologically tortures Audrey Hepburn, in Terence Young's Wait Until Dark (1967). A return to comedy with 1968's Inspector Clouseau (with Arkin in the Peter Sellers role) proved disastrous. Fortunately, Arkin took this as a cue, and shifted direction once again the following year, with his aforementioned portrayal of Singer in The Heart Is a Lonely Hunter -- a gentle and beautiful adaptation of Carson McCullers' wonderful novel. For the effort, Arkin received a much-deserved sophomore Academy Award nomination for Best Actor, but lost to Charly's Cliff Robertson. The '70s brought mixed prospects for Arkin. He debuted as a film director in 1971, with a screen adaptation of Jules Feiffer's jet-black comedy Little Murders -- a theatrical work that Arkin had previously directed, to rave reviews, off-Broadway. A foray into the subject of American apathy in the face of random violence as it escalated during the late '60s and early '70s, the film tells the story of a sociopathically aggressive woman (Marcia Rodd) who wheedles an apathetic photographer-cum-avant-garde filmmaker (Elliott Gould) into marriage. The film divided journalists sharply. Despite initial reservations and objections, the film aged well with time, and has received renewed critical attention in recent years.Arkin's choice of projects over the remainder of the decade varied dramatically in quality -- from the dregs of Gene Saks' Neil Simon cinematization Last of the Red Hot Lovers (1972) and the tasteless police comedy Freebie and the Bean (1974) to the finely wrought, overlooked comedy-mystery The Seven-Percent Solution (1976) and Arthur Hiller's sensational farce The In-Laws (1979). Alongside his film work during the '70s, Arkin authored two best-sellers: the children's book Tony's Hard Work Day (1972) and an exploration of yoga, Half Way Through the Door: An Actor's Journey Towards the Self (1975). In the late '70s, Arkin made a rare television appearance, delighting younger viewers with a wild and gothic starring role on an episode of Jim Henson's Muppet Show.If the 1970s struck Arkin fans as something of a mixed bag, the actor's career choices suffered during the '80s, perhaps because of the paucity of solid comedic roles available in Hollywood during that decade. A brief list of Arkin's film credits during that period render it surprising that he could even sustain his own career throughout such poor choices: Chu Chu and the Philly Flash (1981), Improper Channels (1981), Full Moon High (1982), Bad Medicine (1985), Big Trouble (1985), and Escape from Sobibor (1987). Arkin did make two wonderful contributions to overlooked '80s comedies, however: 1980's Simon and 1985's Joshua Then and Now. In the first picture, directed by fellow Tarrier vocalist (and former Woody Allen co-scenarist) Marshall Brickman, Arkin plays Simon Mendelssohn, a college professor who falls prey to a nutty government think tank run by Max Wright and Austin Pendleton. Although the film remained an obscurity, Joshua delivers some of Arkin's most impressive onscreen work to date, and doubtless enabled him to pull from his own Jewish heritage in developing the character.The public's decision to snub these two pictures may have foreshadowed Arkin's work in the '90s, when he appeared in several fine, but equally overlooked, efforts. These included: Havana (1990), The Rocketeer (1991), Indian Summer (1993), Bullets Over Broadway (1994), the aforementioned Mother Night (1996), Grosse Pointe Blank (1997), and Slums of Beverly Hills (1998). He delivered a searing performance as the "loser" salesman who robs his company of much-sought-after leads, in James Foley's David Mamet cinematization Glengarry Glen Ross (1992), and offered the only memorable contribution to Andrew Davis' fable Steal Big, Steal Little (1995), as "an opportunist who weighs in with the underdogs and learns the true meaning of decency and friendship...[striking] the perfect blend of cynicism, sincerity, and simpatico." Arkin maintained a comparatively lower profile during the early years of the millennium, aside from outstanding contributions to the otherwise dull farce America's Sweethearts (2001), the gripping telemovie The Pentagon Papers (2003), and the historical biopic And Starring Pancho Villa as Himself (2003). In early 2007, Arkin received his first Academy Award nod in 38 years: a Best Actor nomination that he subsequently won for his hilarious turn in the road comedy Little Miss Sunshine. In that movie, Arkin played the grandfather of an über-dysfunctional family, who is ejected from a nursing home for his freewheeling lifestyle. The character's passions include porn and heroin -- elements that, as used by the film's directors, enable Arkin to provide much of the film's fresh and inspired humor. The part earned him rave reviews, and an Oscar for Best Supporting Actor.He appeared in the dog film Marley & Me in 2008, and that same year reteamed with Steve Carell for the big-screen version of Get Smart. He was the executive producer and co-star of the shaggy-dog crime tale Thin Ice in 2010, and the next year he had a brief cameo as a studio tour guide in The Muppets, and appeared in The Change-Up. He had a major part in Ben Affleck's Argo, a thriller about agents attempting to save American hostages held by Iranians by pretending to be making a Hollywood blockbuster. His portrayal of a showbiz producer who helps pull of the scheme, Arkin captured another Oscar nomination for Best Supporting Actor.Alan Arkin has married and divorced three times, to Jeremy Yaffe, to Barbara Dana, and to Suzanne Arkin. In addition to the legacy engendered by his own career resumé, Arkin has fathered something of an acting dynasty; his three sons, Adam, Matthew, and Tony, are all gifted and accomplished actors, with Adam Arkin (Northern Exposure, Chicago Hope) maintaining a somewhat higher profile than his brothers.

Trivia: An actor who bears an uncanny resemblance to Val Kilmer, Loren Dean is as talented as he is underrated. Largely a supporting player, Dean has twice demonstrated his considerable mettle in films where he has been cast as the title protagonist -- first in the gangster drama Billy Bathgate (1991) and then in Mumford (1999), Lawrence Kasdan's tale of a small town's mysterious psychiatrist.Born in Las Vegas on July 31, 1969, Dean was raised in L.A. by his mother after his parents divorced when he was a small child. He saw his father on the weekends when the two went to the cinema; it was through these weekly outings that Dean developed an interest in film. He also took an early interest in music, something that carried him through a tumultuous adolescence that was marked by a short stint as a runaway in San Francisco when he was 16.Following his 1986 graduation from high school, Dean moved to New York to pursue a career in acting. Living in relative poverty, he eventually found an agent through a friend of a friend, and he began appearing onstage. The actor made his film debut in 1988 as the brother of an undercover cop in Martha Coolidge's Plain Clothes, and a year later, he played Lili Taylor's notoriously bad ex-boyfriend Joe in Cameron Crowe's celebrated ...Say Anything.Dean got what should have been a major career breakthrough in 1991, when he starred as Billy Bathgate's titular street urchin turned mob confidante. Unfortunately, the film flopped, although even its most naysaying critics usually singled Dean's performance out for praise. He subsequently appeared in a supporting capacity in films ranging from Apollo 13 (1995) to How to Make an American Quilt (1995) to Gattaca (1997), and he starred in a handful of films destined for video oblivion, such as 1492: Conquest of Paradise (1992), and Starf*cker (1998), which cast him as a cokehead ex-sitcom star. Dean received some of the best notices of his career when he starred as the eponymous small town shrink of Mumford (1999). He managed to stand out in a pleasant, unforced performance that was ably complemented by an ensemble cast which included Hope Davis, Alfre Woodard, Jason Lee, Mary McDonnell, and Pruitt Taylor Vince. Many observers were left to wonder where he had been hiding all this time. The following year, Dean resurfaced in Space Cowboys, an adventure drama that cast him as an astronaut sent along on a mission with a group of grizzled NASA veterans (Clint Eastwood, Tommy Lee Jones, James Garner, and Donald Sutherland) to repair a faulty satellite. After a major role in The War Bride, Dean appeared less frequently on screen limiting his output to some episodic television, The Poker Club, and 2010's Hilary Swank vehicle Conviction.

Trivia: Stone-jawed and puppy-eyed, Elias Koteas has the enviable ability to call on both his distinctive looks and talent to portray a variety of complex, often troubled characters. Koteas is one of Canada's most prominent and well-respected actors, and during the late '90s, he began to amass international critical attention for his work in a number of high profile films, including David Cronenberg's Crash (1996) and Terrence Malick's The Thin Red Line (1998).Koteas, who is of Greek ancestry, was born in Montreal on March 11, 1961. His father was a mechanic for the Canadian National Railways and his mother worked as a hatmaker; Koteas himself planned to be an architect until his teenage introduction to acting changed his plans. He was particularly inspired by Nick Nolte's performance in the TV miniseries Rich Man, Poor Man; little did Koteas know that two decades later, he would be starring opposite Nolte in The Thin Red Line. After beginning his education at Montreal's Vanier College, Koteas left to study at New York's prestigious American Academy of Dramatic Arts in 1981. Following his graduation, he went to New York's Actors Studio, where he studied under Ellen Burstyn and Peter Masterson. The actor made his film debut in the Mary Steenburgen drama One Magic Christmas in 1985 and went on to do supporting work in a variety of films that included Francis Ford Coppola's Gardens of Stone (1987), Some Kind of Wonderful (1987), Coppola's Tucker: The Man and His Dream (1988), and She's Having a Baby (1988). In 1989, he earned a Genie Award nomination (Canada's equivalent of the Oscar) for his portrayal of the title character of Malarek: A Street Kid Who Made It; two years later, he earned additional acclaim for his performance as a voyeuristic insurance adjustor in Atom Egoyan's The Adjuster. It was for his portrayal of an embittered DJ in another of Egoyan's films, Exotica (1994), that Koteas garnered his second Genie nomination; following this critical success, he began to appear in an increasing number of high profile productions.Koteas was subsequently featured to great effect as the creepy Vaughan in David Cronenberg's controversial Crash (1996), and he invested his brief but pivotal role as Holly Hunter's mystery man in the acclaimed Living out Loud (1998) with memorable charisma. In The Thin Red Line, he managed to stand out from his accomplished co-stars -- who included Nolte, Sean Penn, John Cusack, and Ben Chaplin -- as Captain Storos, an alienated, idealistic soldier who refuses his superior's orders to send his men on a suicidal attack plan. Over the next several years, Koteas would prove to be a consistent force on screen, appearing in films like Shooter, Shutter Island, and Let Me In, as well as the series Combat Hospital.

Trivia: A uniquely gifted and versatile actor possessing the distinct ability to immerse himself in a role so convincingly that he becomes almost unrecognizable -- from a quality obsessed restaurateur (Big Night, 1996) to a master criminal bent on world domination (Spy Kids, 2001) -- one can always count on Tony Shalhoub to deliver a memorable performance no matter how small his role may be.Well-known to television audiences for his extended stint as a self-deprecating cabbie on the long-running series Wings, Shalhoub made the often-painful transition from television to film with a grace seldom seen. Born on October 9th, 1953 in Green Bay, WI, Shalhoub developed his passion for theater at the youthful age of six when he volunteered via his sister to play an extra in a high-school production of The King and I. Shalhoub was hooked. After earning his master's degree from the Yale Drama School and spending four seasons at the American Repertory Theater in Cambridge, MA, Shalhoub packed his bags for New York where he began a luminous career on Broadway. Broadway brought Shalhoub success not only in his career, but in his personal life as well: he was nominated for a Tony for his role in Conversations With My Father and he met his future wife, actress Brooke Adams, while acting in The Heidi Chronicles. It was not long after his Broadway success that Shalhoub made his feature debut, as a doctor in the 1990 AIDS drama Longtime Companion.Shalhoub's film career has been a testament to his range and a compliment to his abilities. Though prone to comedy, his dramatic roles have gained him just as much, if not more, recognition than his comedic roles. Winning the Best Supporting Actor award from the National Society of Film Critics for his well-researched role in Big Night (1996), Shalhoub expanded his dramatic film repertoire with roles in A Civil Action and The Siege (both 1998), while always maintaining his knack for humor (1997's Men in Black). Shalhoub's role as the ultra-mellow "anti-Scottie" in the Star Trek send-up Galaxy Quest (1999) proved that his comic persona was indeed still as sharp as ever. Sticking in the sci-fi/fantasy mold for his roles in Imposter and Spy Kids (both 2001), Shalhoub once again proved that he could do 180-degree character turnarounds with ease.Though Shalhoub would stay in sci-fi mode for his role in Men in Black 2, he would return to solid ground with his role as an obsessive-compulsive detective in the well-received television pilot Monk (2002). Directed by Galaxy Quest helmer Dean Parisot, the pilot for Monk successfully paved the way for the curiously innovative USA series to follow and found the actor warmly re-embracing the medium that had propelled him to stardom. As Monk's popularity continued to grow, Shaloub found success on the big screen in the role of a gifted psychologist for The Great New Wonderful (2005), and voiced the lovable Luigi in Cars (2006) and Cars 2 (2011). In 2007, he worked alongside John Cusack and Samuel L. Jackson for the supernatural horror film 1408.

Trivia: Born Ermes Effron Borgnino in Hamden, CT, to Italian immigrants, Ernest Borgnine spent five years of his early childhood in Milan before returning to the States for his education. Following a long stint in the Navy that ended after WWII, Borgnine enrolled in the Randall School of Dramatic Art in Hartford. Between 1946 and 1950, he worked with a theater troupe in Virginia and afterward appeared a few times on television before his 1951 film debut in China Corsair. Borgnine's stout build and tough face led him to spend the next few years playing villains. In 1953, he won considerable acclaim for his memorable portrayal of a ruthless, cruel sergeant in From Here to Eternity. He was also praised for his performance in the Western Bad Day at Black Rock. Borgnine could easily have been forever typecast as the heavy, but in 1955, he proved his versatility and showed a sensitive side in the film version of Paddy Chayefsky's acclaimed television play Marty. Borgnine's moving portrayal of a weak-willed, lonely, middle-aged butcher attempting to find love in the face of a crushingly dull life earned him an Oscar, a British Academy award, a Cannes Festival award, and an award from both the New York Film Critics and the National Board of Review. After that, he seldom played bad guys and instead was primarily cast in "regular Joe" roles, with the notable exception of The Vikings in which he played the leader of the Viking warriors. In 1962, he was cast in the role that most baby boomers best remember him for, the anarchic, entrepreneurial Quentin McHale in the sitcom McHale's Navy. During the '60s and '70s, Borgnine's popularity was at its peak and he appeared in many films, including a theatrical version of his show in 1964, The Dirty Dozen (1966), Ice Station Zebra (1968) and The Wild Bunch (1969). Following the demise of McHale's Navy in 1965, Borgnine did not regularly appear in series television for several years. However, he did continue his busy film career and also performed in television miniseries and movies. Notable features include The Poseidon Adventure (1972) and Law and Disorder (1974). Some of his best television performances can be seen in Jesus of Nazareth (1977), Ghost on Flight 401 (1978), and a remake of Remarque's All Quiet on the Western Front (1979). In 1984, Borgnine returned to series television starring opposite Jan Michael Vincent in the action-adventure series Airwolf. That series ended in 1986; Borgnine's career continued to steam along albeit in much smaller roles. Between 1995 and 1997, he was a regular on the television sitcom The Single Guy. In 1997, he also made a cameo appearance in Tom Arnold's remake of Borgnine's hit series McHale's Navy.At age 80 he continued to work steadily in a variety of projects such as the comedy BASEketball, the sci-fi film Gattaca, and as the subject of the 1997 documentary Ernest Borgnine on the Bus. He kept on acting right up to the end of his life, tackling one of his final roles in the 2010 action comedy RED. Borgnine died in 2012 at age 95.

Trivia: Brooklyn-born Xander Berkeley made the rounds on numerous TV shows throughout the '80s, '90s, and 2000s, not just as an actor, but as a makeup artist. The actor has put his uncanny talent in the makeup department to use on the sets of many shows, like on 24, where he designed his own makeup to depict his character's affliction with radiation sickness.Berkeley got his start in show business in the early '80s, appearing on shows like Moonlighting, The A-Team, and M*A*S*H. He went on to appear in movies, as well, like The Rock and Apollo 13, but he frequently returned to the small screen for memorable roles like George Mason, head of the Counterterrorist Unit on 24, and Sheriff Roy Atwater on CSI. In the coming years, Berkeley would continue to find success on teh small screen, on shows like Nikita.

Trivia: Handsome actor Blair Underwood was born into a military family and studied at Carnegie-Mellon University before moving to New York to pursue his career. Guest-starring work on The Cosby Show earned him a part on the ABC soap opera One Life to Live, followed by a reoccurring role on the short-lived series Downtown. In 1985 he made his film debut as a record producer in the rap comedy Krush Groove. This was followed by the successful TV docudramas Heat Wave and Murder in Mississippi. His breakthrough finally came about on L.A. Law, playing attorney Jonathan Rollins from 1987 to 1994. Supporting roles followed, as an accused rapist in Just Cause, a well-to-do love interest in Set It Off, and baseball legend Jackie Robinson in the HBO original movie Soul of the Game. Also during the '90s, he tried his hand at screenwriting and producing with the short film Second Coming, a contemporary take on Christ's second coming starring himself as a dread-locked Jesus accused of insanity. In 2000, he starred in the CBS medical drama City of Angels, followed by supporting roles in the military courtroom drama Rules of Engagement, as well as Steven Soderbergh's Full Frontal, and the teen movie Malibu's Most Wanted. He consistently found work on the small screen in a variety of TV shows including LAX, the short-lived Dirty Sexy Money, and as a haunted military pilot in the first season of HBO's In Treatment. On the big-screen he could be seen in Tyler Perry's Madea's Family Reunion, Something New, and The Art of Getting By. He and wife Desiree DaCosta (two-time executive assistant to Eddie Murphy) have three children.

Trivia: A veteran of Los Angeles' famed Groundlings comedy troupe who would later find fame as a key cast member of Saturday Night Live, Maya Rudolph set her sights on a comedy career early on when, as a young girl, she would sit before the television screen marveling at the comic talents of SNL star Gilda Radner. The daughter of 1970s soul singer Minnie Riperton and music producer Richard Rudolph, the future comedy star lost her mother to breast cancer at the tender age of six, leaving father Richard to raise both her and her older brother, Marc, as a single parent. Though her mother was gone, the musical influence lived on, and after majoring in photography at the University of California it was finally time to try her own hand at music as the keyboardist for Weezer spin-off band the Rentals. Of course, performing was always the thing that interested Rudolph most, and what better way to become a performer than to join one of L.A.'s hottest comedy troupes? A stint with the Groundlings gave Rudolph the skills she needed to hone her comic talents, and between 1996 and 2000, the aspiring starlet made a name for herself on screens both big and small with a recurring role on the television medical drama Chicago Hope, and opposite such screen heavies as Jack Nicholson, Uma Thurman, and Gwyneth Paltrow in As Good As It Gets, Gattaca, and Duets. A popular cast member from the moment she joined SNL in 2000, Rudolph successfully navigated the notoriously testosterone-laden hallways of Studio 8H to create a variety of original characters in addition to skewering such celebrities as Christina Aguilera, Oprah Winfrey, and Donatella Versace. One of the few SNL cast members who had the luck of establishing herself as a feature-film player before joining the cast of the weekly comedy staple, Rudolph always seemed to find time for the big screen even when her status as a late-night queen was exploding. With roles in such films as Duplex, 50 First Dates, and Robert Altman's A Prairie Home Companion giving great testament to Rudolph's remarkable versatility, it seemed like only a matter of time before she made the leap to features full-time. A hilarious trip into a dim-witted future came when Rudolph took a role opposite Luke Wilson in Mike Judge's 2006 sci-fi comedy Idiocracy, and in 2007 filmgoers could hear her familiar voice when she essayed the role of Rapunzel in the animated children's film Shrek the Third. Memorable performances in Away We Go and Grown Ups preceded a featured role in the Oscar-nominated 2011 comedy Bridesmaids, with Rudolph announcing that same year that she would be returning to NBC opposite Christina Applegate in the working mom sitcom Up All Night. The sitcom was short-lived, but Rudolph continued to prove she could work in all mediums. She filmed a supporting role in the indie film The Way, Way Back, and appeared in the sequel Grown Ups 2 in 2013 before hosting her own variety special on NBC in 2014 called (what else?) The Maya Rudolph Show.

Trivia: Was chosen from twenty thousand other hopefuls in a nationwide casting call launched by John Hughes and Warner Bros for the title role in 1993's Dennis The Menace.Previously served as Vice President of Sales at Earth Unlimited, LLC, a distributor of Proterra and Sealife products.Was a member of the Pi Kappa Alpha Fraternity at UCLA.Became a Doctoral Student at the Institute of the Environment and Sustainability, UCLA in 2016.Is a marine biologist.

Trivia: Handsome, dark-haired comedian Ken Marino is one member of the sketch-comedy troupe The State that seems to have broken off from the group in favor of a career in television sitcoms. Born in Long Island, he studied at the Lee Strasberg Institute and N.Y.U. before working in touring companies and off-Broadway plays. In the early '90s, he joined up with the gang that would become The State, the hilarious comedy show that aired on MTV from 1994-1995. His good looks and memorable characters (the Talking Hormone and Louie, the guy who's gonna dip his balls in it) earned him many admiring fans. After the show's cancellation, he was cast in the NBC sitcom Men Behaving Badly. (Starring Rob Schneider and Ron Eldard, the short-lived show was an Americanized version of a popular, long-running British series.) Several guest-starring appearances followed, leading to a recurring role as Professor Wilder on the WB's teen drama Dawson's Creek.Marino made his film debut with a small role in Gattaca, which was followed by several poorly distributed independent comedies (Love Happens, Carlo's Wake, and 101 Ways [The Things a Girl Will Do to Keep Her Volvo]). He also had supporting roles in the more mainstream romantic comedies Tortilla Soup and Joe Somebody. In 2001, he reunited many other members of The State for the teen satire Wet Hot American Summer as sexually desperate camp counselor Victor. Back on NBC, he starred as young San Francisco lawyer Miles Lawton in the series First Years, another short-lived Americanized version of a popular, long-running British TV series. When the show was canceled after a month, he starred in the NBC sitcom Leap of Faith as magazine reporter Andy, best friend of the titular Faith (Sarah Paulson). When this show was canceled after a month, he went back to guest-starring roles on shows like Las Vegas and Rock Me Baby. Projects for 2004 include a leading role in the independent romantic comedy feature Love for Rent opposite Colombian actress Angie Cepeda.In 2006 he made his feature screenwriting debut with Diggers, and followed that up the next year with the script for The Ten, and had his biggest success to date the year after that with his screenplay for Role Models. He was a regular on the short-lived but highly-respected sitcom Party Down, and in 2012 he wrote and had a superb supporting part in the comedy Wanderlust.

Trivia: Her Trinidadian father died in a plane crash when she was 5. On the inside of her right ankle is a tattoo of a silver cross to commemorate him. Grew up in the Virgin Islands, moving to Florida with her mother when she was a junior in high school. In 1994, she became the first female athlete to create a shoe for Nike. Was a member of the team that won the first Beach Volleyball World Championships in 1997. Has appeared on the covers of (among others) Sports Illustrated for Women, Travel & Leisure Golf, Elle, Shape, Self , Playboy and Harper's Bazaar. Actively supports the American Heart Association's Teaching Gardens program, which combats childhood obesity by teaching kids about fitness and nutrition. Has her own line of health and fitness products.

Trivia: Began acting in plays as a child and did theatre at university. Visited New York City while at university to interview for jobs on Wall Street, but also used the time to go on auditions. Attended the Royal Academy of Dramatic Art in London. Often portrays some type of authority figure. Was cast as a cop in Lethal Weapon 2, a commanding officer in Starship Troopers, and a state trooper in Little Miss Sunshine, amongst others. Has created several videos parodying his cop persona, including a fictional show called Cop Talk and one that pokes fun at his character in the series Breaking Bad.