Trivia: An actor whose strong features and sinewy 6'4" physique appear to have been chiseled from a slab of testosterone, Vince Vaughn is Hollywood's closest human approximation of a Chevy pick-up. Born March 28th, 1979, Vaughn's roles invariably reflect these qualities, and have given him a genial affability among middle Americans. Thanks to Vaughn's skills as a performer, however, he continues to resist typecasting, lending effortless portrayals to characters ranging from slick bachelors to raging psychopaths to morally conflicted limo drivers. A tried-and-true Midwestern boy, Vaughn was born in Minneapolis on March 28, 1970, and raised in the wealthy Chicago suburb of Lake Forest. The son of a self-made businessman and a stock and real-estate broker, Vaughn diverged from the upwardly mobile path forged by his parents. A hyperactive teen (and lackluster student), Vaughn spent time in special ed. and ran with a fast crowd (though he later claimed that he never felt the need for all-out rebellion). Despite his poor scholastic performance, Vaughn derived ambition from his interest in acting -- an interest that first blossomed at the age of seven -- and even served as senior class president. Upon graduation, with only his diploma and a role in a Chevy commercial as his credentials, Vaughn headed for Hollywood. Upon arrival, he proceeded to work in almost complete obscurity for the next seven years.During this period, Vaughn made the acquaintance of Jon Favreau, another struggling actor who hailed from the East. Their ensuing friendship and real-life adventures provided the inspiration for their ticket to the bigtime, 1996's Swingers. Directed by Doug Liman, the comedy stars Vaughn and Favreau (who also co-wrote the script) as two amiable, Rat Pack-obsessed, "so money" bachelors prowling the streets and bars of L.A. for "beautiful babies" and the occasional job opportunity. This irreverent-but-insightful Miramax release became a bona-fide sleeper hit. Vaughn, whose character, Trent, was the film's resident fast-talking ladies' man, emerged as a sex symbol in the making. A supporting role in Steven Spielberg's The Lost World: Jurassic Park heightened the actor's profile and revealed his ability to transition with great fluidity between indie films and box-office blockbusters. Nevertheless, Vaughn subsequently took the small, quiet film route, starring in The Locusts (1997), an overheated but half-baked melodrama in debt to both Tennessee Williams and East of Eden, and A Cool, Dry Place, a family drama that garnered a cool, dry reception from both audiences and critics. In 1998, the actor fared substantially better with his turn as a limo driver who is called upon to make a great sacrifice for a friend in Joe Ruben's Return to Paradise, and he brought a fine admixture of dark humor and sublimated menace to his part as a charismatic sociopath in Clay Pigeons. Vaughn evoked colossal mental dysfunction as Norman Bates in Gus Van Sant's truly ugly and ill-advised remake of Psycho that same year. Critics and viewers regarded his performance -- like the film itself -- with a tepid blend of indifference and bewilderment. After that egregious misfire, Vaughn wisely took a couple of years off before re-emerging with a number of projects in 2000. These included The Cell, a surrealistic horror picture co-starring Jennifer Lopez and Vincent D'Onofrio, Prime Gig, with Vaughn as California's best telemarketer, and South of Heaven, West of Hell, an ensemble western that marked the directorial debut of country singer Dwight Yoakam. Following-up with a part in writer Favreau's Made, Vaughn's next big role arrived in the form of a deceptive stepfather harboring a dark secret in the thriller Domestic Disturbance. Unfortunately, the film bombed on a critical front. Vaughn again ducked out of sight for several years, but Todd Phillips's 2003 comedy Old School brought him back to the top of the heap. Teaming Vaughn with Will Ferrell and Luke Wilson as a trio of over-the-hill party animals who relive their Animal House days by returning to frat house life, Old School became a sleeper hit, and inspired the press to term Vaughn, Wilson, Will Ferrell, Ben Stiller, Jack Black and others as The Frat Pack. The next of the "Frat Pack" vehicles arrived in 2004, with Todd Phillips's spoofy retread of the 1970s hit Starsky & Hutch, featuring Vaughn as the slimy villain, Reese Feldman. The picture (predictably) became a mega-hit, and the actor's newfound momentum continued to build when, only a few months later, he starred in Dodgeball: A True Underdog Story. Apparently channeling Bill Murray circa-1985, Vaughn received positive reviews for playing the good-guy opposite muscle-bound baddie Ben Stiller.Vaughn next graced the Will Ferrell vehicle Anchorman: The Legend of Ron Burgundy (2004) with a small but memorable role, before he made an about-face for the comedy-drama Thumbsucker. Vaughn impressed critics with his characterization and received praise for his funny and heartfelt performance. He returned to the popcorn humor that initially made him a star, however (and joined the $200-million-gross club in the process) with a leading part in the comedy The Wedding Crashers, a raunchy, R-rated film that proved once and for all the actor could open a movie.Throughout 2006, rumors swarmed about Vaughn's offscreen life, and alleged romantic relationship with newly divorced Jennifer Aniston -- a relationship that blossomed on the set of The Break-Up (ironically, a comedy about an couple ending their two-year relationship and trying to divide their possessions, friends and condo without killing each other). Gossip amped up anticipation and heightened curiosity. Meanwhile, Aniston aggressively denied rumors of an engagement. Upon release, The Break-Up bolstered Vaughn's reputation as a strong comic lead, and became another surprise hit.In the holiday comedy Joe Claus -- which marks Vaughn's third outing with director David Dobkin -- he plays the title character, the no-account, loser brother of Santa Claus who teams up with his more famous sibling at the North Pole to defeat villain Kevin Spacey. Vaughn undertook a personal venture for the documentary Vince Vaughn's Wild West Comedy Show, tooling around the country on a tour bus with four aspiring stand-up comics as they travel from gig to gig. And he stayed true to form with another "Frat Pack" comedy, Outsourced. In the years to come, Vaughn would remain an ever present force in the comedy world, appearing in movies like Four Christmases, Couples Retreat, and The Watch, as well as producing projects like The Internship and the sitcom Sullivan & Son.

Trivia: Blonde supporting and occasional lead actress Christine Taylor started appearing on television and in feature films in her early teens. Fans of the The Brady Bunch Movie (1995) and its sequel will recognize her for playing Marsha. In The Craft (1996), Taylor was memorable for playing the snotty cheerleader who teased a young witch and ended up losing her hair in the shower. In The Wedding Singer (1998), she played Madonna-wannabe Holly. On television, Taylor briefly starred in her own series, Party Girl, on the Fox network. She had a recurring role on Ellen as a dim-bulb blonde in Ellen's book group and was on Seinfeld as Jerry's too perfect girlfriend. On Friends, she concealed her long, golden tresses under a rubber cap to play Bonnie, Phoebe's bald friend. Raised in Allentown, PA, Taylor started performing in local stage productions at age three. On television, Taylor's first major regular role was on the Nickelodeon network's first original series Hey Dude. She then played Marilyn in a Fox movie updating an old sitcom, Here Come the Munsters. On stage, she found success appearing at Los Angeles' Westwood Playhouse in the 1992 production of The Real Live Brady Bunch. Though The Brady Bunch Movie was her first starring role in a major feature, Taylor had already gained movie experience in the direct-to-video Night of the Demons 2 (1994), which she claims to have done to provide an outlet for the terror she experienced after someone threatened her with a gun and carjacked her in Los Angeles. Following roles in A Very Brady Sequel (1996), Taylor attempted to break the Marsha mold with roles in such romantic comedies as The Wedding Singer (1998) and Overnight Delivery (1998). Taylor would marry funnyman Ben Stiller in May of 2000, and later appear onscreen with her husband in the zany comedy Zoolander (2001). She again starred with her husband in the sports comedy Dodgeball: A True Underdog Story alongside Vince Vaughn in 2004, and had prominent roles in Kabluey and License to Wed. She had a brief appearance, opposite her husband yet again, in 2008's Tropic Thunder playing the female star of Simple Jack. She was away from screens for four years, but returned with a small part in the teen romance The First Time.

Trivia: As the son of comedians Jerry Stiller and Anne Meara Ben Stiller's decision to establish himself as a comic writer and actor surprised almost no one.Born in New York City on November 30, 1965, Stiller began to shoot his own comic films from the age of ten. After high-school graduation, Stiller attended UCLA and landed bit parts in several features, notably the Steven Spielberg-directed, Tom Stoppard and Menno Meyjes-scripted, late 1987 opus Empire of the Sun.Meanwhile, Stiller continued to turn out comedy shorts, including the 30-minute Elvis Stories (1989), a spoof of obsessive Elvis fans featuring an already-established John Cusack. One of Stiller's shorts, a Tom Cruise parody called The Hustler of Money, won him a spot as a writer and player on Saturday Night Live in 1989. His stint on the show was short-lived, but led to his own eponymous series, The Ben Stiller Show, first on MTV (1990) and later on Fox (1992-1993). The program failed to draw a substantial audience, and folded within a couple of months on each network, but Stiller netted an Emmy for comedy writing in 1993.The following year, Stiller debuted as a feature film director with the twentysomething angst romcom Reality Bites (1994), in which he also starred alongside Winona Ryder and a memorably grungy Ethan Hawke. The film was a relative critical and commercial success and scored with Gen-Xers; unfortunately, Stiller's next directorial effort, 1996's The Cable Guy failed to register with critics and audiences. After a small part as nursing-home orderly Hal in the Adam Sandler comedy Happy Gilmore (1996), Stiller rebounded with a starring role in David O. Russell's Flirting With Disaster (1996). The relatively positive reception afforded to that comedy helped to balance out the relative failure of Stiller's other film that year, If Lucy Fell. It was not until two years later, however, that Stiller truly stepped into the limelight. Thanks to starring roles in three wildly, wickedly different films, he emerged as an actor of versatility, equally adept at playing sensitive nice guys and malevolent hellraisers. In the smash gross-out comedy There's Something About Mary (1998), Stiller appeared as the former type, making comic history for outrageous sight gags that involved misplaced bodily fluids and mangled genitalia. That same summer, Stiller did time as a gleefully adulterous theatrical instructor in Neil LaBute's jet-black evisceration of contemporary sexual mores, Your Friends and Neighbors. Finally, Stiller starred in the intensely graphic and disturbing addiction drama Permanent Midnight, earning critical acclaim for his portrayal of writer-cum-heroin addict Jerry Stahl -- a personal friend of the Stiller family from Stahl's days scripting the TV series ALF. Now fully capable of holding his own in Hollywood, with the license to prove it, Stiller starred alongside William H. Macy, Paul Reubens, Hank Azaria, and pal Janeane Garofalo in the fantasy comedy Mystery Men (1999) as the leader of a group of unconventional superheroes. Stiller also landed a supporting role in The Suburbans, a comedy about the former members of a defunct new wave band. The following year, Stiller starred as a rabbi smitten with the same woman as his best friend, a Catholic priest (Edward Norton), in the well-received romantic comedy Keeping the Faith (2000), which Norton also co-produced and directed. Stiller found his widest audience up to that point, however, with the Jay Roach-directed madcap comedy Meet the Parents. As the tale of a nutty father-in-law to be (Robert De Niro) who wreaks unchecked havoc on his daughter's intended (Stiller) via covert CIA operations and incessant interrogation, this disastrously humorous tale of electrical interference gone wild scored with ticket-buyers and qualified as the top box-office draw during the holiday season of 2000.In the autumn of 2001, Stiller brought one of his most popular MTV Video Music Awards incarnations to the big screen in the outrageously silly male-model comedy Zoolander, in which he successfully teamed with (real-life friend) Owen Wilson to carry stupidity to new heights.In 2001 Stiller once again teamed with Wes Anderson collaborator Wilson for the widely praised comedy drama The Royal Tenenbaums. Cast as the estranged son of eccentric parents who returns home, Stiller infused his unmistakable comic touch with an affecting sense of drama that found him holding his ground opposite such dramatic heavies as Gene Hackman and Anjelica Huston. Though his work in 2002 offered little more than a few cameo performances and some vocal contributions to various animated children's shows, the busy comedic actor returned to the big screen for the 2003 comedy Duplex, directed by Danny DeVito. Though the film pairs Stiller and Hollywood bombshell Drew Barrymore as a couple willing to go to horrific extremes to land the much-desired eponymous living space, reviews were unkind and the comedy died a quick death at the box office. Stiller's next film -- the romantic comedy Along Came Polly -- fared considerably better on a fiscal level, but suffered from an implausible premise.Spring 2004 promised a rebound when the electrifying duo of Stiller and Owen Wilson returned to the big screen with director Todd Phillips' celluloid recycling job Starsky & Hutch. Though Stiller and Wilson seemed the ideal pair for such a conceptually rich re-imagining of 1970s television, and the film boasted wonderful villainous turns by rapper Snoop Dogg and Vince Vaughn, reviews were once again lackluster and the film struggled to find an audience. Yet Starsky & Hutch did actually reap a profit, which (in a business sense) placed it miles ahead of Stiller's next film. Released a mere two months after Starsky & Hutch, the Barry Levinson comedy Envy sports a wacky premise; it explores the comic rivalry that erupts between two longtime friends and neighbors when one invents a product that makes dog excrement disappear. It also boasts a marvelous cast, replete with Stiller, the maniacal Jack Black, and the brilliant Christopher Walken. But for whatever reason (speculated by some as the film's inability to exploit the invention at the story's center) the film's sense of humor failed to catch fire and Envy died a quick box-office death. Stiller fared better with the ribald, anarchic summer 2004 comedy Dodgeball: A True Underdog Story, starring himself, Vince Vaughn, and Rip Torn. For the following two years, Stiller once again contented himself largely with bit parts (2004's Anchorman: the Legend of Ron Burgundy, 2006's Tenacious D in the Pick of Destiny) until the Christmas 2006 release A Night at the Museum. In this effects-heavy fantasy, adapted from the popular children's book by Milan Trenc, Stiller plays Larry Daley, the new night watchman at New York City's Museum of Natural History, who discovers that the exhibits all spring to life after hours, from a giant skeletal Tyrannosaurus Rex to a waxen Teddy Roosevelt -- and seem content to hold Larry hostage. The effort split critical opinion, but shot up to become one of the top three box-office draws during the holiday season of 2006.Meanwhile, Stiller signed on to team with the Farrelly brothers for The Heartbreak Kid (2007), a remake of the 1972 Elaine May comedy of the same title; he also produced Blades of Glory, a comedy with Will Ferrell and Jon Heder as rival figure-skating champions vying with one another for Olympic gold. He wrote, directed and starred in the hit comedy Tropic Thunder (2008) as a moronic Hollywood actor toplining a war film, voiced Alex in the same year's animated picture Madagascar: Escape 2 Africa, and in 2009, reprised his Larry Daley role for Night at the Museum: Battle of the Smithsonian. Stiller's emphasis on sequels then continued with 2010's Little Fockers and 2012's Madagascar 3. In 2013, Stiller picked up the role originally made famous by Danny Kaye, as the lead in the remake The Secret Life of Walter Mitty, which Stiller also directed and produced. The following year, he appeared in the next film in the Night at the Museum series, Secret of the Tomb.

Trivia: Rip Torn may qualify as a "character actor" in the broadest sense of the term -- he typically fleshes out variations on the same role again and again, typecast as genially earthy, volatile, and loudmouthed good old boys. But, love him or hate him, Torn's roles over the course of more than half a century are distinct and pronounced enough to have elevated him above many of his contemporaries, into a veritable staple of American cinematic pop culture.Born Elmore Rual Torn, Jr. in Temple, TX, on February 6, 1931, and nicknamed "Rip" by his father, Torn attended Texas A&M as an undergraduate and studied animal husbandry. He intended to establish himself as a rancher after graduation, but first opted to pursue an acting career as a means to buy a ranch, mistakenly believing that he would hit Hollywood and achieve instant stardom. Instead, Torn scrounged around Los Angeles for several years as a dishwasher and short-order cook, but continued to pursue acting in his off time. Torn's persistence paid off, and he eventually landed several bit parts in movies and television series. He moved to Manhattan in the late '50s, where he formally studied acting under Lee Strasberg and danced under the aegis of Martha Graham; a wealth of movie roles followed over the next several decades, beginning with that of Brick in Actors Studio associate Elia Kazan's controversial classic Baby Doll (1956, with a script by Tennessee Williams) and, a few years later, the role of Finley in another Williams drama, the Richard Brooks-directed Sweet Bird of Youth (for which Torn received a great deal of notoriety). Additional supporting roles throughout the late '60s and early '70s included Slade in Norman Jewison's The Cincinnati Kid (1965), I.H. Chanticleer in Francis Ford Coppola's You're a Big Boy Now (1966), and Sgt. Honeywell in Cornel Wilde's Beach Red (1967).In the late '60s, two key (albeit temporary) shifts occurred in Torn's career. First, he went counterculture (and arthouse) with an unofficial trilogy of experimental roles. In the most pronounced -- Joe Glazer in Milton Moses Ginsberg's Coming Apart (1969, opposite Andy Warhol regular Sally Kirkland) -- Torn plays a nutty psychiatrist who specializes in female neuroses and decides to film all of his sessions, then his own mental breakdown. (Ginsberg films all of the action as reflected in a mirror.) The X-rated picture -- which features graphic sequences of Kirkland performing fellatio on Torn -- was (and is still) widely derided as spectacularly bad. Variety hit the proverbial nail on the head in 1969 when it concluded, "The problem with Coming Apart is that while it suggests some interesting ideas, it can't deliver any of them in cogent form....The results are not satisfactory." Neither are the second or third installments in Torn's "experimental" phase: roles in the first and third features directed by literary giant Norman Mailer, Beyond the Law (1967) and Maidstone (1970). Of Law -- an improvisational, comic piece set in a precinct house (with Torn as a character called Popcorn), The Motion Picture Guide sneered, "Barney Miller may have been inspired by this movie," and Roger Ebert declared it unintentionally funny, but those were the kindest reactions. Maidstone -- a fragmented, barely coherent drama -- stars only Mailer, as a politician-cum-film director, and Torn. This partially improvised picture became notorious for an on-camera sequence in which Torn (playing Mailer's half-brother) attacks Mailer with a hammer (allegedly for real), sans forewarning, bloodying up the author's face while the actress playing his wife screams in the background. Some wrote the scene off as a fake, but many others dissented. Variety observed in 1970: "[Torn] states he had to do it to make his character real and for the film. But he claims he pulled the hammer and had never drawn blood before while acting. The Mailer character is furious and vindictive. Mailer would not disclose whether it was real or not, but it did look ferociously authentic...."The second "shift" of Torn's career in the early '70s yielded infinitely greater success: a pair of rare leads in A-list features. He played Henry Miller opposite Ellen Burstyn in Joe Strick's marvelous, picaresque adaptation of that author's novel, Tropic of Cancer, and the abusive, booze and pill-addled country singer Maury Dann in Daryl Duke's harrowing drama Payday (1973). The pictures opened to generally spectacular reviews and raves over Torn's portrayals; Variety, for one, termed his performance in the Duke picture "excellent."While these lead roles showcased limitless dramatic ability, they unfortunately marked exceptions to the rule, and for the remainder of the '70s, '80s, and '90s, Torn contented himself with an endless (albeit impressive) array of colorful supporting turns -- dozens of them. High points include Nathan Bryce in The Man Who Fell to Earth (1976); Dr. George in Coma (1978); the boozing, hell-raising, and philandering Senator Kittner in Jerry Schatzberg's The Seduction of Joe Tynan (1979); longhaired record producer Walter Fox in Paul Simon's One Trick Pony (1980); the pirate-like Scully in Carl Reiner's Summer Rental (1985); Buford Pope in Robert Benton's sex farce Nadine (1987); the none-too-gifted afterlife attorney Bob Diamond in Albert Brooks' fantasy Defending Your Life (1991); Zed in Men in Black (1997); acid-mouthed coach Patches O'Houlihan in the Ben Stiller comedy Dodgeball: A True Underdog Story (2004); and King Louis XV in Sofia Coppola's much-ballyhooed tertiary directorial outing, Marie Antoinette (2006). His low point undoubtedly arrived in 2001, when he played Tom Green's father, Jim Brody, in the controversial comedian's yuck-fest Freddy Got Fingered (2001). (A very low point; the film's comic highlight has Torn being showered with fake elephant ejaculate.)In addition to his film work, Torn made a series of critically acclaimed contributions to the small screen throughout the '80s and '90s, most vividly as Artie on HBO's Larry Sanders Show, for which he gleaned two Cable Ace awards, three Emmy nominations, and an Emmy for Best Supporting Actor in a Comedy Series. Torn did direct one feature, the 1988 Whoopi Goldberg vehicle The Telephone, which opened and immediately closed to devastating critical reviews and dismal box office.Torn was married to actress Ann Wedgeworth from 1956 until their divorce in 1961 and Geraldine Page from 1961 until her death in 1987, and is currently married to actress Amy Wright. He is the cousin of actress Sissy Spacek.

Trivia: An actor whose wide, affable grin and heavy eyebrows lend him an uncanny resemblance to Tim Allen, Justin Long unwittingly became a footnote to the illustrious history of Britney Spears' ascent to world domination when he appeared with the post-pubescent entertainer in her 2002 film debut, Crossroads. Cast as Britney's prom date, Long shared a kiss with the singer that earned him breathless adulation on Britney websites everywhere.Three years before he locked lips with the peppy pop star, Long made his screen debut as a sci-fi geek in Galaxy Quest, a quirky genre parody that starred Sigourney Weaver, Alan Rickman, and Long's would-be doppelganger, Allen. He then landed a role on the TV sitcom Ed (2000), which he followed in 2001 with a part as a lonely bunkmate in Happy Campers. That same year, he starred in Jeepers Creepers, a sleeper comedy-horror outing that cast him as one of two siblings terrorized by an inhuman monster. Long subsequently appeared in Crossroads, sealing his newfound popularity among teenage girls with a kiss.In 2003, Long popped up briefly in the sequel Jeepers Creepers 2 while continuing to appear on Ed. However, the following year saw the conclusion of Ed and Long embarked on his film career full-time. First up was the sports comedy Dodgeball: A True Underdog Story. Stealing scenes while co-starring with the likes of Vince Vaughn and Ben Stiller, Long proved to critics and audiences alike that his comedic skills could translate from the small-screen to the big one with ease. In the wake of Dodgeball's box-office success, audience's could next find the actor starring in the independent films Raising Genius and Waiting... and adding his voice to the Bill Plympton film Hair High. He appeared opposite Linday Lohan in Herbie: Fully Loaded, executing a perfect pratfall worthy of silent film comics in once scene. In 2006 he was one of the two leads in a series of witty television advertisements for Apple computers directed by Junebug's Phil Morrison. With Accepted, about a high-school graduate who starts his own college after being rejected by the institutions to which he applied, Long was finally allowed to take the lead in a big-screen comedy. The following year found the rising star voicing everyone's favorite singing squirrel in Alvin and the Chipmunks (a role that he would reprise in both the 2009 and 2011 sequels), and in 2001 Long returned to the small screen for a recurring role in FOX comedy series New Girl.

Trivia: Though best known for his work as radio station bigwig Jimmy James on the television series NewsRadio, Stephen Root is one of the busier character actors at work today, and a familiar face to television and movie audiences. Born in Sarasota, FL, on November 17, 1951, Root received a degree in acting and broadcasting from the University of Florida, and after graduating passed an audition to join the touring company of the National Shakespeare Company. After three years with the NSC, Root settled in New York City, where he began working in off-Broadway theater, making his debut in a revival of Journey's End. His first Broadway role, in So Long on Lonely Street, was a bust at the box office, but the 1987 revival of All My Sons was a big hit which generated plenty of enthusiastic press for Root. 1988 saw Root making his motion-picture debut in the George Romero horror opus Monkey Shines, and over the next several years Root worked steadily in feature films, episodic television, and made-for-TV movies, scoring recurring roles on L.A. Law, Star Trek: The Next Generation, and Blossom; guest spots on Northern Exposure, Murphy Brown, and Quantum Leap; supporting parts in Ghost, Dave, and Robocop 3; and an acclaimed turn in A Woman Scorned: The Betty Broderick Story, as well as its sequel, Her Final Fury: Betty Broderick, The Last Chapter. In 1993, Root was cast as R.O. on the television series Harts of the West; the show only lasted a season, but his next role on a series would last a bit longer; cast as Jimmy on the sitcom NewsRadio in 1995, Root would last with the show for five seasons, until the show was canceled after a disappointing final season following the death of co-star Phil Hartman. During hiatus from NewsRadio and after the series ended, Root continued his busy schedule, making memorable appearances in feature films (including Office Space and O Brother, Where Art Thou?) and guesting on other shows. Root also began doing voice work, speaking for Buck Strickland and Bill Dauterive on the animated series King of the Hill and the Sheriff on Buzz Lightyear of Star Command.Root's small-screen voice-work would soon lead to his involvement in two popular big-screen animated features. In 2002's Ice Age, audiences could hear him along with Cedric the Entertainer as a pair of Rhinos. And the next year, Root lent his pipes to the blockbuster underwater adventure Finding Nemo. While his voice became more familiar to moviegoers, Root continued to become more of a presence in live-action films as well. Turning in no less than four supporting performances in high-profile films, Root spent 2004 reteaming with the Coen brothers for The Ladykillers, showing up in a prominent role in Kevin Smith's Jersey Girl, and costarring in the broad comedies Dodgeball: A True Underdog Story, Anchorman: The Legend of Ron Burgundy, Mad Money, and Leatherheads.He remained one of the most respected and in-demand character actors of his generation appearing in a variety of projects including Mad Money, The Soloist, Everything Must Go, Red State, Cedar Rapids, and J. Edgar. He also provided numerous voices for the Oscar-winning animated feature Rango.

Trivia: Performed at the Oregon Shakespeare Festival for two years while attending college. Made his movie debut in Dodgeball. Made his directorial debut in 2005 with the movie Spiral, which he also co-wrote and starred in. Won the celebrity dunk contest at the 2009 NBA All-Star Game. Is an ambassador for Operation Smile.

Trivia: Though he lived in Los Angeles before moving to New York and founding the Court Jesters Improv Troupe, actor Alan Tudyk freely admits that he will always be a Texan at heart. Born in El Paso and raised in Plano, Tudyk was a ham even before he pursued a serious acting career at Julliard from 1993 to 1996. Frequently dressing in cowboy garb on family dinner outings and faking fainting spells in school to get a rise out of teachers, it was easy to see that Tudyk had found his calling early in life. Later, performing at the Dallas Shakespeare Festival and founding the city's Rubber Chicken Standup Improv Troupe, Tudyk moved to the West Coast and bounced to the East Coast before making his feature debut in 1997, with 35 Miles From Normal. It didn't take long before Tudyk found more roles in such popular films as Patch Adams (1998) and The Wonder Boys (2000), though his breakthrough role would come as Sandra Bullock's rehab-mate in 28 Days (also 2000). Tudyk's character was so popular with audiences in test screenings, that director Betty Thomas called him back to shoot a scene giving closure to his character within the film. Larger roles began to pour in, such as his turn in the energetic jousting adventure A Knight's Tale (2001), as well as a lead role in writer-director Joss Whedon's short-lived sci-fi series Firefly and its much-adored theatrical spin-off, Serenity. By the early 2000's, Tudyk had become a favorite, familiar face - and voice, as well, lending his vocal talents to the cast of the animated Ice Age franchise, beginning in 2002. He would earn particular accolades for turns as the drunken Simon in the 2007 British sleeper hit Death at a Funeral, as well as the easily shaken Doc Potter in the gritty western 3:10 to Yuma that same year. Even die-hard fans might not have recognized Tudyk's comic cameo in 2011's Transformers: Dark of the Moon as effete and surprisingly hardcore fighting henchman Dutch. Tudyk would also find a continual home for his talents in the realm of TV, however, with recurring roles on Doll House, Good Vibes, and Suburgatory, as well as voice-acting roles on animated series like Glenn Martin DDS, Young Justice, and Batman: The Brave and the Bold. Never straying far from his cinematic routes, however, Tudyk would gear up for 2012 with the comedic role of historical politician Stephen A. Douglas in the comedy-centric revisionist horror-history film Abraham Lincoln: Vampire Hunter.

Trivia: Born Andrea Kay Pyle in Houston, TX, a six-month-old Pyle was given the fateful nickname of "Little Missi," which would stick to her throughout her childhood and to the present day. Pyle was infatuated with acting by the age of 13, and attended Germantown High School in Tennessee, one of the top three performing-arts high schools in the United States. While there, Pyle was tapped as a lead singer in several musical productions, though her eventual goal remained a career in television and film. After graduation from Germantown High, Pyle was accepted to the prestigious North Carolina School of the Arts and was cast as the female lead in a series of Shakespearean productions. During the summer, she crossed the Atlantic to attend the Oxford School of Drama in England, where she further honed her acting skills.By 1996, Pyle had made her film debut in The Cottonwood, which followed a group of wannabe actors hoping to use their lottery winnings to score big in Hollywood. Pyle's breakout role, however, wouldn't come until several years later, when she played a supporting role as a love-struck alien in Galaxy Quest alongside Tim Allen and Sigourney Weaver. Though the early 2000s did little to bring Pyle much in the way of mainstream success, they nonetheless helped the actress develop a loyal fan base; her performances in The Wayne Brady Show, Ally McBeal, and Josie and the Pussycats (all 2001) were solid enough to grab the attention of several prominent casting directors. Surely enough, by 2003, Pyle had been chosen for a supporting role in Bringing Down the House with Steve Martin and Queen Latifah, as well as a small but indelible role in Tim Burton's big-budget fantasy comedy Big Fish (2003). In 2004, Pyle worked with Ben Stiller in Along Came Polly and lent her support to Soul Plane and 50 First Dates. Working with Stiller proved a lucky experience for Pyle, who accepted a larger supporting role in Stiller's Dodgeball: A True Underdog Story (2004), which also stars fellow Galaxy Quest alumni Justin Long. When she isn't filming, Pyle continues her work with the all-female sketch comedy group Bitches and Funny.

Trivia: Whether following in the footsteps of the seemingly irreplaceable Robert Reed as the all-wise patriarch of the Brady clan or raising the ire of a nation of embittered office workers as the blissfully malevolent Lumbergh in Mike Judge's popular workplace comedy Office Space, longtime character actor Gary Cole can always be depended on to bring life to his varied and oddly endearing characters, despite their sometimes questionable motivations. Even in his earliest role as Snoopy in a high school production of You're a Good Man Charlie Brown, the Park Ridge, IL, native knew his destiny lay on the stage; from that moment straight through Cole's higher education at Illinois State University, his dedication to the theater never wavered. So dedicated was Cole that, during his third year at I.S.U., the eager up-and-comer dropped out to help found the Remains Theater. Transferring over to Chicago's acclaimed Steppenwolf Theater in 1985, Cole quickly made a name for himself in such productions as Cat on a Hot Tin Roof and Balm in Gilead. Though Cole had essayed a handful of television roles in the early '80s, it wasn't until his breakthrough role as a suspected murderer in the 1984 made-for-television feature Fatal Vision that audiences truly began to take notice. Cole's role as the drug-addicted son of an alcoholic father in the 1986 made-for-TV drama Vital Signs showed that he undoubtedly had the chops to make it on the small screen. Despite an increase in television roles, the ambitious actor continued to impress on the stage as well. Cole's first taste of weekly series life came with his role as a former cop who finds redemption as a late-night radio talk show host in the 1989 series Midnight Caller. In the following decade, he would expand his career into feature film territory. Cole's silver-screen career began with a role as a Secret Service agent in the Clint Eastwood thriller In the Line of Fire (1993), and his natural skills onscreen lent a surprising amount of depth to the supporting role. A few supporting television performances were quick to follow, and in 1995, Cole cracked up audiences with his role as suburban philosopher Mike Brady in the hit comedy The Brady Bunch Movie. Cole would reprise the role in the following year's sequel A Very Brady Sequel, but not before returning to series work as the sheriff in the short-lived, but well-loved, oddity American Gothic. As his feature career gained momentum, Cole still remained loyal to the stage and small screen. In 1998, a role in the acclaimed HBO miniseries From the Earth to the Moon found him going as strong as ever, and on the heels of supporting roles in A Simple Plan and I'll Be Home for Christmas, Cole played what was perhaps his most widely recognized role to date in Office Space (1999). Cast as by-the-books corporate figurehead William "Bill" Lumbergh, Cole delivered a performance that was pure comic gold for anyone who has weathered the never-ending drone of life in cubicle-land. In 2001, Cole loaned his voice to the hit "Adult Swim" cartoon Harvey Birdman, Attorney at Law, playing several characters, including Birdman himself. The next year, Cole continued to dabble in animated television with his performance as the titular character's father in the hit series Kim Possible. Back on the big screen, he took the role of the villainous heavy in the Eddie Murphy/Owen Wilson comedy I Spy and returned to the role of Mike Brady in the made-for-television sequel, The Brady Bunch in the White House. In 2003, he was cast in the recurring role of new Vice President "Bingo Bob" Russell for the fifth season of the critically acclaimed dramatic series The West Wing. The popular character actor could also be seen in supporting capacity in the 2004 comedies Win a Date with Tad Hamilton! and Dodgeball: A True Underdog Story.Cole maintained his status as a talented comic with a series of vocal performances on the animated television show The Family Guy, while showcasing his versatility by appearing in the sequel to the American version of The Ring. In 2006 he played opposite Will Ferrell in the NASCAR comedy Talladega Nights: The Ballad of Ricky Bobby. He appeared in the spy drama Breach, and lent a scary presence to the pot comedy Pineapple Express. He became a part of the HBO series Entourage for that show's final two seasons, and in 2011 he was in the hit family comedy Hop.

Trivia: The younger brother of Family Ties star Justine Bateman, actor Jason Bateman has been a mainstay on television since the 1980s, starring in countless sitcoms of varying success. He first displayed his scene-stealing propensity in the role of young sharpster Derek Taylor, best friend of star Ricky Schroder, on Silver Spoons. The audience response to Bateman was so positive that the 15-year-old was given his own sitcom vehicle in 1984, as "teenaged con man" Matthew Burton on It's Your Move. When this series was cancelled after one season, Bateman moved to the long-running role of wise-guy teen David Hogan on the mid-1980s series Valerie, which of course later changed names (and leading actresses) to emerge as The Hogan Family. During this period, Bateman also found time to star or co-star in a handful of feature films, such as the 1985 made-for-TV summer-camp comedy Poison Ivy, Teen Wolf, Too, and 1991's Necessary Roughness. However, none of the projects were successful enough to give Bateman a springboard to bigscreen stardom.Following the conclusion of The Hogan Family in 1991, Bateman embarked on a decade plagued by failed TV outings. On top of several pilots that never even saw the light of day, he was the lead in no less than four ill-fated sitcoms, Simon, George and Leo, Chicago Sons, and Some of My Best Friends. Fortunately, as the new millenium was ushered in, things started to look bright for Bateman. After a supporting turn in the Cameron Diaz comedy The Sweetest Thing, his first major theatrical feature in a decade, he was tapped to lead the eclectic ansemble cast of the Ron Howard-produced Fox sitcom Arrested Development. Acclaimed for its smart humor and fresh concept, the show became a hit with critics and viewers.In the wake of Arrested Development's success, Bateman continued to increase his presence in the world of comedy, but henceforth on the silver screen. He made memorable appearances in 2004 comedies like Starsky and Hutch and Dodgeball: A True Underdog Story, as well as more serious fare, like the 2007 Iraq War movie The Kingdom, but Bateman's next major hit seemed to come later that year, with a memorable supporting role in the comedy Juno. He would continue to be a mainstay in comedy, however, with appearances in Forgetting Sarah Marshall, The Invention of Lying, Extract, Couples Retreat, and The Switch, but the actor would continue to surprise audiences with more dramatic films as well, like 2009's State of Play and Up in the Air. For comedy fans, Bateman couldn't be avoided in 2011, with roles in Horrible Bosses as well as The Change-Up. Soon, he was signing up to star alongside Olivia Wilde and Billy Cruddup in The Longest Week, and Alexander Skarsgard in Disconnect.

Trivia: Rubber-faced comic actor and vocal artist extraordinaire Hank Azaria initially plied his trade on the stand-up circuit, then subsequently landed stage appearances and tackled bit parts on television. Azaria scored his breakthrough in 1989 when he began providing a multitude of voices for the Fox network's groundbreaking animated series The Simpsons, an assignment that imparted the performer with an enviable degree of cult stardom. In 1991, Azaria nabbed a major role in the Fox live-action sitcom Herman's Head, which ran until 1994 and gave audiences a glimpse of the man responsible for the vocal intonations of some of the most famous characters to ever corrupt an animator's storyboard.A native of Queens, NY, where he was born into a family of Sephardic Jews on April 25, 1964, Azaria commenced film roles in the late 1980s, coincident with his Simpsons stardom. Work on that program (which, after graduating from a series of crude sketches on The Tracey Ullmann Show to its own animated sitcom, quickly shot up to qualify as the Fox network's most popular enterprise) easily outstripped Azaria's screen work in popularity and visibility for many years. Recurring parts included Indian convenience store owner Apu, quack doctor Nick Riviera, dim-witted bartender Moe, and the idiotic, pig-nosed Springfield Chief of Police, Clancy Wiggum. Though his Simpsons work continued unabated over the years, beginning in the mid-1990s Azaria branched out somewhat, placing a heavier emphasis on live-action portrayals. Even in that venue, however, his work tonally mirrored his animated contributions; he specialized in adroitly handling goofy, over-the-top character parts, often with an ethnic bent. The performer attained visibility and memorability, for example, as the klutzy and scantily-dressed gay houseboy Agador in The Birdcage (1995), Hector, a goofy Hispanic paramour with a permanent effeminate lisp, in Joe Roth's underrated showbiz comedy America's Sweethearts (2001), and Claude, a Gallic beach bum with no qualms about taking off with other men's wives, in John Hamburg's gross-out romantic comedy Along Came Polly (2004).Azaria has also departed from the boundaries of screen comedy from time to time, doing memorable work across genre lines in such films as Great Expectations (1998) (which cast him as Gwyneth Paltrow's lackluster fiancé), Mystery Men (1999) (as the superhero Blue Raja), and Tim Robbins' Cradle Will Rock (1999), a historical drama about art and politics in 1930s New York that cast Azaria as leftist playwright Marc Blitzstein. In 2005, Azaria presided as one of the many off-color monologuists in Penn Jillette's stand-up comedy showcase film The Aristocrats; the performer subsequently provided at least seventeen voices (including his usual series roles) for The Simpsons Movie (2007) and voiced both Abbie Hoffmann and Allen Ginsberg in the animated sequences of Brett Morgen's offbeat documentary Chicago 10 (2007).He appeared in the pre-historic comedy Year One, and provided several voices in Night at the Museum: Battle of the Smithsonian. He played an ethically challenged doctor in Love and Other Drugs, and portrayed Gargamel, the bad guy in the big-screen hit The Smurfs. He was in family film Hop, and lent his prodigious vocal talents to Happy Feet Two. In 2012 he acted in the biopic Lovelace.In July 1999, Azaria married actress Helen Hunt, with whom he co-starred in several episodes of the sitcom Mad About You. The two divorced within eighteen months.

Trivia: For an actor almost universally associated with a single character -- Captain James Tiberius Kirk of the U.S.S. Enterprise -- William Shatner has found diverse ways to stay active in the public eye, even spoofing his overblown acting style in a way far more hip than desperate. Years after he last uttered "warp speed," Shatner remains a well-known face beyond Star Trek conventions, re-creating himself as the spoken-word pitchman for priceline.com, and starring in a popular series of smoky nightclub ads that featured some of the most cutting-edge musicians of the day.The Canadian native was born on March 22, 1931, in Montréal, where he grew up and attended Verdun High School. Shatner studied commerce at McGill University before getting the acting bug, which eventually prompted him to move to New York in 1956. He initially worked in such live television dramatic shows as Studio One and The United States Steel Hour in 1957 and 1958, as well as on Broadway. His big screen debut soon followed as Alexei in the 1958 version of Dostoyevsky's The Brothers Karamazov.Throughout the 1960s, Shatner worked mostly in television. His most memorable appearance came in a 1963 episode of The Twilight Zone entitled "Nightmare at 20,000 Feet," in which he plays a terrified airline passenger unable to convince the crew that there's a mysterious gremlin tearing apart the wing. He also appeared in such films as Judgment at Nuremberg (1961) and the bizarrely experimental Esperanto-language horror film Incubus (1963). In 1966, he got his big break, though neither he nor anyone else knew it at the time. Shatner was cast as the macho starship captain James Kirk on Star Trek, commanding a crew that included an acerbic doctor, a Scottish engineer, and a logician with pointy ears, on a mission "to boldly go where no man has gone before." However, the show lasted only three seasons, considered by many to be high camp. After providing a voice on the even shorter-lived animated series in 1973, Shatner must have thought Star Trek too would pass. A costly divorce and a lingering diva reputation from Star Trek left him with few prospects or allies, forcing him to take whatever work came his way. But in 1979, after a decade of B-movie labor in such films as The Kingdom of Spiders (1977) and a second failed series (Barbary Coast, 1975-1976), Shatner re-upped for another attempt to capitalize on the science fiction series with Star Trek: The Motion Picture. This time it caught on, though the first film was considered a costly disappointment. With dogged determination, the producers continued onward with Star Trek II: The Wrath of Khan (1982), at which point fans finally flocked to the series, rallying behind the film's crisp space battles and the melodramatic tête-à-tête between Shatner and Ricardo Montalban.Shatner had to wrestle with his advancing age and the deaths of several characters in Star Trek II and Star Trek III: The Search for Spock (1984), but by Star Trek IV: The Voyage Home (1986), the actor got to indulge in his more whimsical side, which has since characterized his career. As the series shifted toward comedy, Shatner led the way, even serving as director of Star Trek V: The Final Frontier (1989), which many considered among the series' weaker entries. During this period, Shatner also began parodying himself in earnest, appearing as host of Saturday Night Live in a famous sketch in which he tells a group of Trekkies to "Get a life." He also turned in a wickedly energetic mockery of a moon base captain in Airplane II: The Sequel (1982). Shatner made one final appearance with the regular Star Trek cast in Star Trek VI: The Undiscovered Country (1991), then served as one of the crossovers to the new series of films in Star Trek: Generations (1994), in which endlessly theorizing fans finally learned the fate of Captain Kirk.The success of the Trek movies reenergized Shatner's TV career, even if it didn't immediately earn him more film roles. Shatner played the title role on the successful police drama T.J. Hooker from 1982 to 1987, directing some episodes, then began hosting the medical reality series Rescue 911 in 1989. Shatner returned to the movies with another parody, Loaded Weapon I, in 1993, and in 1994 began directing, executive producing, and acting in episodes of the syndicated TV show TekWar, based on the popular series of Trek-like novels he authored. In the later '90s, Shatner was best known for his humorously out-there priceline.com ads, but also guested on a variety of TV shows, most notably as the "Big Giant Head" on the lowbrow farce Third Rock From the Sun. He also appeared as game show hosts both in film (Miss Congeniality, 2000) and real life (50th Annual Miss America Pageant, 2001). In 1999, Shatner suffered public personal tragedy when his third wife, Nerine, accidentally drowned in their swimming pool. The champion horse breeder and tennis enthusiast owns a ranch in Kentucky and remains active in environmental causes. Shatner took on a small role for 2004's Dodgeball: A True Underdog Story, and voiced the villainous wildebeest Kazar in Disney's animated adventure The Wild in 2006. Shatner returned to television for a starring role on the popular dramady Boston Legal, in which he plays Denny Crane, a once unbeatable lawyer who co-founded the successful law firm where he continues to work despite his reputation as an eccentric old man.

Trivia: Actor David Hasselhoff first built up a fan following on the daytime TV soaper The Young and the Restless, where from 1975 through 1982 he played Bill "Snapper" Foster. He graduated to Prime Time as crimefighter Michael Knight on the fantasy actioner Knight Rider; this one lasted from 1982 to 1986. With his American career in temporary doldrums after Knight Rider's cancellation, Hasselhoff took advantage of his fluency in the German language to establish a phenomenal successful singing career in Europe. It is likely that nothing has brought him as much professional satisfaction as his Berlin Wall concert, an event that drew 500,000 spectators. In 1989, Hasselhoff signed on for another TV series, the initially unremarkable adventure weekly Baywatch. Few people need to be reminded of David Hasselhoff's success in this last endeavor: as of this writing, Baywatch is the single most popular television series in the world, beaming out to an estimated audience of one billion viewers.

Trivia: The image of singer and actress Julie Gonzalo makes many fans think of the blond-haired, blue-eyed, all-American girls that she's played, like cheerleader Amber in Dodgeball and high-school queen bee Stacey in Freaky Friday. Gonzalo's roots, however, are very diverse, leading back to Argentina, where she was born in 1981. After moving to the U.S. at age eight, Gonzalo began modeling as a child, while studying acting in school. After graduation, she moved to L.A. to pursue her career full-time, and soon began appearing in films like A Cinderella Story and Christmas with the Kranks. In 2006, she scored a big break with the role of Parker Lee on the cult-hit series Veronica Mars, and though the show was canceled in 2007, Gonzalo had no trouble staying on television, soon playing Maggie Dekker on the show Eli Stone. In 2012 she was cast in the reboot of Dallas as Rebecca Sutter.

Trivia: Was an athlete, cheerleader and gymnast in college.Worked as a gym instructor.From 1998 to 2000, was the official Structure underwear model and spokesperson.Was the national spokesman for Men's Fitness Magazine's Fat To Fit Tour.In 2017, became a competitive Master's Physique Champion and an International Continuing Education Provider for the National Academy of Sports Medicine.Creator of the program Mastering Men's Health, which motivates men to get in shape.

Trivia: A native of Chicago, IL, Japanese-American actress Suzy Nakamura originally harbored desires and plans to be a professional dancer, but positive acting experiences in a number of Windy City theatrical productions, including Mame and H.M.S. Pinafore, prompted her to shift focus. During her third year of college, she impulsively decided to audition for the famed Second City comedy troupe in Chicago and was selected, which inspired her to drop out of school and tour around the country with that ensemble on a full-time basis. Nakamura took her next step by moving to Los Angeles and securing representation; numerous guest spots and recurring roles on series including The West Wing and Curb Your Enthusiasm followed, though the tyro actress also placed a heavy emphasis on big-screen roles, with deft supporting turns in projects including Mike Figgis' experimental drama Timecode (2000), director Gary David Goldberg's romantic comedy Must Love Dogs (2005), and Christopher Guest's mockumentary For Your Consideration (2006). Also in 2006, the producers of the offbeat sitcom Help Me Help You (starring Ted Danson and Jere Burns) tapped Nakamura to play Inger, a young woman grappling with major social dysfunction on the bumpy road to romance. Unfortunately, that program was canceled not long after it premiered; Nakamura followed it up with one of the lead roles in the comedic horror mockumentary American Zombie.

Trivia: American character actor Curtis Armstrong is best known in films for playing Dudley "Booger" Dawson in the Revenge of the Nerds series of feature films and TV movies. On television he is best remembered for playing Herbert Viola in the ABC series Moonlighting (1985-1989). When he was just starting out, Armstrong founded his own theater company in Michigan. He continued working in theater until 1983 when he made his film debut playing opposite Tom Cruise in Risky Business. He appeared in Revenge of the Nerds the following year. In addition to playing Booger, Armstrong appeared in other features, including The Clan of the Cave Bear (1986) and The Adventures of Huck Finn (1993). He would remain extremely active for decades to come, appearing in movies like Southland Tales and Beer for My Horses, and on shows like Boston Legal, The Closer, and Dan Vs.