Trivia: One of the most glamorous superstars of Hollywood's golden era, Lana Turner was born February 8, 1921, in Wallace, ID. At the age of 15, while cutting school, she was spotted by Hollywood Reporter staffer Billy Wilkinson in a Hollywood drugstore; enchanted by her beauty, he escorted her to the offices of the Zeppo Marx Agency, resulting in a bit part in 1937's A Star Is Born. Rejected by RKO, Fox, and any number of other studios, Turner next briefly showed up in They Won't Forget. Mervin LeRoy, the picture's director, offered her a personal contract at 50 dollars a week, and she subsequently appeared fleetingly in a series of films at Warner Bros. When LeRoy moved to MGM, Turner followed, and the usual series of bit parts followed before she won her first lead role in the 1939 B-comedy These Glamour Girls. Dancing Co-Ed, a vehicle for bandleader Artie Shaw, followed that same year, and after starring in 1940's Two Girls on Broadway, she and Shaw married. Dubbed "the Sweater Girl" by the press, Turner was touted by MGM as a successor to Jean Harlow, but audiences did not take her to heart; she did, however, become a popular pin-up, especially with American soldiers fighting overseas. In 1941 she starred opposite Clark Gable in Honky Tonk, her first major hit. They again teamed in Somewhere I'll Find You the next year. Upon separating from Shaw, Turner married actor Stephen Crane, but when his earlier divorce was declared invalid, a media frenzy followed; MGM chief Louis B. Mayer was so incensed by the debacle that he kept the now-pregnant Turner off movie screens for a year. Upon returning in 1944's Marriage Is a Private Affair, Turner's stardom slowly began to grow, culminating in her most sultry and effective turn to date as a femme fatale in 1946's The Postman Always Rings Twice. The film was a tremendous success, and it made Turner one of Hollywood's brightest stars. Both 1947's Green Dolphin Street and Cass Timberlane were hits, but a 1948 reunion with Gable in Homecoming failed to re-create their earlier sparks. After appearing in The Three Musketeers, she disappeared from screens for over a year, resurfacing in the George Cukor trifle A Life of Her Own. Turner's box-office stock was plummeting, a situation which MGM attempted to remedy by casting her in musicals; while the first, 1951's Mr. Imperium, was an unmitigated disaster, 1952's The Merry Widow was more successful. However, a string of failures followed, and after 1955's Diane, MGM opted not to renew her contract.When Turner's next project, The Rains of Ranchipur, also failed to ignite audience interest, she again took a sabbatical from movie-making. She returned in 1957 with Peyton Place, director Mark Robson's hugely successful adaptation of Grace Metalious' infamous best-seller about the steamy passions simmering beneath the surface of small-town life. Turner's performance won an Academy Award nomination, and the following year she made international headlines when her lover, gangster Johnny Stampanato, was stabbed to death by her teenage daughter, Cheryl Crane; a high-profile court trial followed, and although Crane was eventually acquitted on the grounds of justifiable homicide, Turner's reputation took a severe beating. The 1959 Douglas Sirk tearjerker Imitation of Life was Turner's last major hit, however, and after a string of disappointments culminating in 1966's Madame X, she did not reappear in films for three years, returning with The Big Cube. Also in 1969, she and George Hamilton co-starred in the short-lived television series The Survivors. After touring in a number of stage productions, Turner starred in the little-seen 1974 horror film Persecution, followed in 1976 by Bittersweet Love. Her final film, Witches' Brew, a semi-comic remake of the 1944 horror classic Weird Woman, was shot in 1978 but not widely released until 1985. In 1982, she published an autobiography, Lana: The Lady, the Legend, the Truth, and also began a stint as a semi-regular on the TV soap opera Falcon Crest. After spending the majority of her final decade in retirement, Lana Turner died June 29, 1995, at the age of 74.

Trivia: African-American actress Juanita Moore entered films in the early '50s, a time in which few black actresses were given much to do in major-studio films. Fortunately, Juanita's roles began improving as Hollywood tentatively developed a social consciousness toward the end of the decade. In 1959, she received an Academy Award nomination for her performance in Imitation of Life (1959), a glossy updating of a once-controversial Fannie Hurst novel about racial inequity. Within the next decade Hollywood underwent several sociological upheavals, and Juanita Moore was one of the beneficiaries; she became a fixture of such black-oriented films of the '70s as Uptight (1969), Thomasine and Bushrod (1974) and Abby (1974). She continued to work sporatically through the 1980s and '90s, appearing as a grandmother in Disney's The Kid (2000) and in an episode of Judging Amy in 2001. Moore died in 2014 at age 99.

Trivia: Born Jack Golenor, this brawny, handsome leading man of Hollywood films appeared onscreen from 1956; he was once hyped as the next Rock Hudson. From 1952-56 he was an air intelligence officer with the Navy, specializing in Pan American Affairs. When a friend offered him a screen test, he was signed by Universal and played leads for a decade-plus, after which his film work decreased; he also served for a time as president of the Screen Actors Guild. After starring on the TV series Destry and Convoy, he debuted on Broadway in Seesaw in 1973. In 1981 Gavin was appointed by President Reagan as U.S. Ambassador to Mexico, a position he held for five years. Besides his Navy service, he had other qualifications for the post: having been born to a Spanish mother, he spoke impeccable Spanish; he had studied Latin American issues in college; and during his years of screen stardom he served as special advisor to Jose Mora and Galo Plaza, secretaries general of the Organization of American States.

Trivia: American actress Sandra Dee began her career as a model at age 12, and later moved on to TV commercials. Her film break came when producer Ross Hunter balked at Natalie Wood's lofty salary demands and decided to use a newcomer to play Lana Turner's daughter in Imitation of Life (1959). The result for Dee was a long-term contract at Universal, although one of her biggest moneymakers was the 1959 Warner Bros. film A Summer Place. In 1961, Dee married singer/actor Bobby Darin, with whom she appeared in three lightweight but money-making comedies. After her divorce from Darin in 1967, Dee could no longer convey her patented perky-teen charm, and her career began a downhill slide, although the decline was occasionally slowed a bit by such curious highlights as the pseudo-hip sex comedy Doctor, You've Got to Be Kidding (1967) and the nail-biting psychological scare film The Dunwich Horror (1970). Out of movies completely by 1971, Dee retreated to private life, occasionally popping up on TV and granting interviews with nostalgia-happy young film buffs. Much of the actress' latter-day fame rested upon a single song in the Broadway smash Grease: the satiric, 1950s-style, rock ballad titled "Look at Me, I'm Sandra Dee."

Trivia: Dan O'Herlihy studied architecture at the National University of Ireland, but his heart was in the acting highlands. After racking up stage credits with the Gate Theater and the Abbey Players, O'Herlihy turned to films in 1946, impressing critics and filmgoers alike with his breakthrough role in Odd Man Out. He made his American movie bow in Orson Welles' MacBeth (1948), playing the not inconsiderable role of MacDuff; shortly thereafter, he appeared with his MacBeth co-star Roddy MacDowall in an economically budgeted adaptation of Robert Louis Stevenson's Kidnapped. In 1952, he earned an Academy Award nomination for his near-solo starring turn in Luis Bunuel's The Adventures of Robinson Crusoe. Maturing into a versatile character player, he could also be seen as FDR in MacArthur (1977), the frothing-at-the-mouth villain in Halloween 3: Season of the Witch (1983), a benign lizardlike alien in The Last Starfighter (1984), and the dark-purposed cyborg-firm exec in the RoboCop films. His TV credits include blarney-spouting Doc McPheeters in The Travels of Jamie McPheeters (1963), town boss Will Varner in The Long Hot Summer (1965), "The Director" in A Man Called Sloane (1979), intelligence agent Carson Marsh in Whiz Kids (1984), and Andrew Packard in Twin Peaks (1990). Dan O'Herlihy was the brother of director Michael O'Herlihy.

Trivia: Born Jack Weinstein, he began training for the stage at the Cleveland Playhouse at age ten. Weston dropped out of school at 15, working occasionally as a stage actor before serving in World War Two; during the war he often performed with the USO. At war's end he moved to New York and studied at the American Theater Wing, meanwhile working in odd jobs. In 1950 he began getting featured roles on Broadway and TV, then entered movies in 1958; with intermittent breaks, he remained busy in films throughout the next three decades. In the mid '70s he gained new popularity as the star of Neil Simon's play California Suite. He married actress Marge Redmond.

Trivia: In the light of today's tinderbox racial tensions, it is hardly likely that a white actress would be cast as a light-skinned black girl. But that's just what happened in 1959, when actress Susan Kohner played the troubled Sara Jane in the Ross Hunter-produced remake of Imitation of Life -- and nobody thought ill of the members of the Academy of Motion Picture Arts and Sciences when they nominated Kohner for an Oscar. The daughter of American producer Paul Kohner and Mexican actress Lupita Tovar, Susan began her seven-year film career when she was signed by Universal in 1955. She retired from acting in 1962, after playing Martha Freud opposite Montgomery Clift in John Huston's Freud; two years later, she married fashion designer John Weitz. Susan Kohner's activities in the 1990s include serving on the board of directors of the Juilliard School of Music, and hosting a weekly radio program for the blind.

Trivia: Actor Robert Alda studied architecture at NYU, briefly working in this field until choosing show business. He started performing in vaudeville, and in burlesque as a tenor and straight man; by 1934, he was well established on radio. He made a spectacular film debut in Warner Bros.' 1945 biopic Rhapsody in Blue (1945), essaying the role of George Gershwin over the objections of director Irving Rapper, who'd wanted to hold off production until Tyrone Power was available. Alda did as good a job as possible, given the banalities of the scripts, though his piano-playing sequences are obviously faked and tricked up. Alda's starring career faded out rather quickly; he was more successful with second leads and villainous roles, and in the early 1960s became a fixture of Italian sword-and-sandal and spy films. Returning to Broadway in 1950, Alda created the role of Sky Masterson in Guys and Dolls, winning a Tony Award in the process. In 1954, he starred in the syndicated TV series Secret File USA. Robert Alda was the father of Alan Alda, with whom he appeared in a poignant MASH TV episode of the late 1970s.

Trivia: American actor Lee Goodman appeared in a few films between the late '50s and early '60s including the Music Man (1962). Goodman started out acting on stage at age eight and then began performing in nightclubs before teaming up with James Kirkwood to form a popular radio duo. Both Kirkwood and Goodman ended up on The Garry Moore Show for two years and then appeared together in a Broadway revue Dance Me a Song. On television, Goodman appeared as the "Man from Checkerboard Square" for the Ralston Purina company during the 1960s.

Trivia: Ann Robinson was one of the few movie actresses who could lay claim to being a true "child of Hollywood;" she was born in the heart of Tinseltown, at Hollywood Hospital. After some experience in school plays, Robinson turned professional in the early 1950s. She was signed by Paramount, where she was second-billed in her very first film, the sci-fi classic War of the Worlds. Upon completing this assignment in mid-1952, Robinson left for Warner Bros., where she co-starred with Jack Webb in the 1953 film version of Webb's popular Dragnet TV series. Towards the end of 1953, Paramount finally released War of the Worlds; hiring Robinson to make a promotional tour for the film, the studio was compelled to pay her a far higher salary than she'd received as an actress. She then inked a contract with independent producer Eddie Small, who featured her in a brace of westerns and loaned her services to television producers. Her small-screen credits include a recurring role on the Saturday-morning adventure series Fury and a guest stint as "Suzerain of Planet Herculon" in Rocky Jones, Space Ranger. Robinson retired from films in 1959 when she married a bullfighter and moved to Mexico. After raising her family, Ann Robinson returned to acting, co-starring in Midnight Movie Massacre (1988) and reprising her War of the Worlds role of Sylvia van Buren in the spoofish direct-to-video Attack of the B-Movie Monsters.

Trivia: Veteren performer Sandra Gould was probably best known for her recurring role as Gladys Kravitz on the popular TV series Bewitched. Gould started her acting career at the age of nine, appearing on stage and on radio. She was a very prolific presence on radio as an adult performer. When she made the switch to television, she was just as hardworking. Some of the many programs she was featured on include The Twilight Zone, The Flintstones (on which she voiced the character of Betty Rubble), and My Three Sons. Later in life, she made appearances on the Kirstie Alley sitcom Veronica's Closet, as well as on another, more popular NBC sitcom, Friends. She passed away from a stroke, in Burbank, CA, on July 20, 1999, shortly before her 83rd birthday.

Trivia: African-American actor Joel Fluellen was a respected stage performer in both all-black and integrated productions throughout the '40s. He was tentative about entering films due to the limited range of roles available for actors of his race. Certainly Fluellen had nothing to be ashamed of in such assignments as the title character's brother in The Jackie Robinson Story (1950), but such parts were the exception rather than the rule. For the most part Fluellen found himself cast as noble natives in jungle-oriented films and TV programs, with the occasional worthwhile roles in films like Friendly Persuasion (1956). Not one to hide his opinions, especially in the '40s when non-white performers were expected to keep quiet and accept whatever was given them, Fluellen lobbied loud and long for better parts and working conditions for his fellow African-American performers, and was gratified to see the picture improving in the early '70s. Still, his own roles ranged from adequate to tiny, though he invariably made an indelible impression in such black-oriented films as A Raisin in the Sun (1962), The Learning Tree (1969) and The Bingo Long Travelling All-Stars and Motor Kings (1975). After a long illness, Joel Fluellen died at age 81, of an apparently self-inflicted gunshot wound.

Trivia: The faces of most movie extras are unmemorable blurs in the public's memory. Not so the elegant, statuesque Bess Flowers, who was crowned by appreciative film buffs as "Queen of the Hollywood Dress Extras." After studying drama (against her father's wishes) at the Carnegie Inst of Technology, Flowers intended to head to New York, but at the last moment opted for Hollywood. She made her first film in 1922, subsequently appearing prominently in such productions as Hollywood (1922) and Chaplin's Woman of Paris (1923). Too tall for most leading men, Flowers found her true niche as a supporting actress. By the time talkies came around, Flowers was mostly playing bits in features, though her roles were more sizeable in two-reel comedies; she was a special favorite of popular short-subject star Charley Chase. Major directors like Frank Lloyd always found work for Flowers because of her elegant bearing and her luminescent gift for making the people around her look good. While generally an extra, Flowers enjoyed substantial roles in such films as Frank Capra's It Happened One Night (1934), Gregory La Cava's Private Worlds and Leo McCarey's The Awful Truth (1937). In 1947's Song of the Thin Man, the usually unheralded Flowers was afforded screen billing. Her fans particularly cherish Flowers' bit as a well-wisher in All About Eve (1950), in which she breaks her customary screen silence to utter "I'm so happy for you, Eve." Flowers was married twice, first to Cecil B. DeMille's legendary "right hand man" Cullen Tate, then to Columbia studio manager William S. Holman. After her retirement, Bess Flowers made one last on-camera appearance in 1974 when she was interviewed by NBC's Tom Snyder.

Trivia: In films from 1932, actor/stunt man Eddie Parker spent the better part of his career at Universal. Parker doubled for most of Universal's horror stars, especially Lon Chaney Jr: rumors still persist that it was Parker, and not Chaney, who actually starred in the studio's Mummy pictures of the 1940s. He also performed stunts for many of Universal's A-list actors, including John Wayne. In the 1950s, he doubled for Boris Karloff in Abbott and Costello Meet Dr. Jekyll and Mr. Hyde (1953), and played at least one of the title characters in Abbott and Costello Meet the Mummy (1955). His long association with Universal ended when he walked off the set of 1955's This Island Earth (in which he'd been cast as the "head mutant") during a salary dispute; he made one last return to the studio as one of the gladiators in Spartacus (1960). In addition to his Universal duties, Parker worked as both an actor and stunter in virtually every Republic serial made during the 1940s and 1950s. Eddie Parker died of a heart attack shortly after staging a comedic fight sequence on TV's The Jack Benny Program.

Trivia: Burly and athletic actor George Barrows seldom worried about being recognized on the street because he spent much of his long, busy career dressed up in a gorilla suit. Barrows created his first one shortly after doubling for Johnny Weismuller in Tarzan and His Mate (1934). When not performing in the gorilla suit himself, he rented it out to others. In one film, Robot Monster (1953), he put a diving helmet over his gorilla head to play a space alien. Other films in which Barrows played great apes include Gorilla at Large (1954), The Ghost in the Invisible Bikini (1966), and Hillbillies in the Haunted House (1967). He began performing professionally as a child, but his film career quickly petered out as his size increased. He grew to be a such a large man that after he returned to film in Cleopatra (1934) he was often relegated to playing heavies and, of course, gorillas. In addition to film work, Barrows frequently guest starred on television. He also appeared in made-for-TV films, such as The President's Plane Is Missing (1971) and Donner Pass: The Road to Survival (1978).

Trivia: Jazz trumpeter Teddy Buckner spent most of his adult life playing in bands or leading one himself. The native Texan started out playing in a few bands on the West Coast, in the 1920s. In 1936, he began a brief stint with Lionel Hampton's band and when Hampton left to join Benny Goodman, Buckner took over the lead. He made the first of several film appearances in 1936, playing Louis Armstrong's double in Pennies From Heaven. His other film credits include Jack Webb's Pete Kelly's Blues (1955) and They Shoot Horses, Don't They? (1969). In the 1980s, Buckner was a frequent performer at New Orleans Square in Disneyland.

Trivia: In films from 1937, silver-haired American actor Forbes Murray could be described as a less-costly Claude Rains. Murray lent his middle-aged dignity to such serials as The Spider's Web (1938), Mandrake the Magician (1940), Lone Ranger (1938), Perils of Nyoka (1942), Manhunt of Mystery Island (1945), and Radar Patrol vs. Spy King (1950). He also showed up in quite a few comedies, notably as the bank president who finances the college education of Laurel and Hardy ("Diamonds in the rough," as he describes them) in A Chump at Oxford (1940). Forbes Murray was active at least until 1955.